The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut

The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut Stock Photo

RMID:W56126

Image details

Contributor:

Penta Springs Limited / Alamy Stock Photo

Image ID:

W56126

File size:

94.5 MB (1.4 MB Compressed download)

Releases:

Model - no | Property - noDo I need a release?

Dimensions:

4822 x 6850 px | 40.8 x 58 cm | 16.1 x 22.8 inches | 300dpi

Photographer:

More information:

This image could have imperfections as it’s either historical or reportage.

The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut (hardwood), gilding, h 23.0 cm

Search stock photos by tags

Similar stock images

RMP9DYNG–Master of Anglesola, active in Lleida, first half of 14th century. Annunciation Group, ca. 1330. Detail of Virgin Mary. Stone with remains of polychromy. Probably from El Camp de Tarragona, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

RMHRJM0T–Master of Vallbona de les Monges (Guillem Seguer?), 14th century. Altar frontal of the Corpus Christi, ca. 1335-1345. Detail depicting the Annunciation and a possible desecration of a host playing him to dice. From the Chapel of Corpus Christi. Church of the Monastery of Santa Maria de les Monges, Lleida province. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

RM2A4W3HJ–Statue of St. Gabriel the Archangel from 1605, group of Annunciazione (Annunciation of the Virgin by the Angel) by Francesco Mochi, recognized as the

RMP9DYNF–Master of Anglesola, active in Lleida, first half of 14th century. Annunciation Group, ca. 1330. Stone with remains of polychromy. Probably from El Camp de Tarragona, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

RM2HHYKAP–Kneeling Angel ca. 1430–40 South Netherlandish or German This elegant angel was originally part of a group of statuettes depicting either the Annunciation to the Virgin or Christ as the Man of Sorrows; if the latter, the angel's crossed hands may have held Instruments of Passion. The angel's refined features, the loose curls of long hair, and the fluid treatment of the folds in the thin drapery recall a group of alabaster sculptures from a retable with the Crucifixion and the Twelve Apostles formerly in Santa Maria delle Grazie, Rimini- Covignano (now in the Städtische Galerie Liebieghaus, Fra

RM2A4W3HF–Statue of St. Gabriel the Archangel from 1605, group of Annunciazione (Annunciation of the Virgin by the Angel) by Francesco Mochi, recognized as the

RMPTNHE8–Scenes from the Life of Saint John the Baptist. Artist: Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469-1543 Florence). Dimensions: 30 9/16 x 59 1/2 in. (77.6 x 151.1 cm). Date: ca. 1506-7. This panel is one of at least five that told the story of the Life of Saint John the Baptist, beginning here with the Annunciation of his conception to Zacharias, his father; the Visitation between his mother, Elizabeth, and the Virgin Mary; and the saint's birth. They may have been painted on the occasion of a wedding in the Tornabuoni family in Florence, and intended to deco

RF2B9ADFD–The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut (hardw

RM2A4W3GT–Statue of St. Gabriel the Archangel from 1605, group of Annunciazione (Annunciation of the Virgin by the Angel) by Francesco Mochi, recognized as the

RMP9DYMX–Master of Vallbona de les Monges (Guillem Seguer?), 14th century. Altar frontal of the Corpus Christi, ca. 1335-1345. Detail depicting the Annunciation and a possible desecration of a host playing him to dice. From the Chapel of Corpus Christi. Church of the Monastery of Santa Maria de les Monges, Lleida province. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

RMDT37DM–Florida Ave Maria,religious community,Oratory,church,cathedral,Roman Catholic,12 Twelve Apostles,statues,30-foot-tall sculpture,Annunciation,Archangel

RM2A4W3H7–Statue of St. Gabriel the Archangel from 1605, group of Annunciazione (Annunciation of the Virgin by the Angel) by Francesco Mochi, recognized as the