Three Marie and Quast, Pieter JANSZ. (1605/1606-1647); 1639 (1639-00-00-1639-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Golgota (Hill - Jerusalem), Jan Evangelist (Saint), Maria (Mother of Jesus Christ), Maria Kleofasowa (Saint), Maria Magdalena (Saint), Mourning (iconogr.), Passion (iconogr.), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, crucifixion of Jesus Christ (iconogr.), In the workshop of the Dutch Master (National Museum in Warsaw - exhibition - 18.05.2017-20.08.2017), Dutch drawings
![Three Marie and Quast, Pieter JANSZ. (1605/1606-1647); 1639 (1639-00-00-1639-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Golgota (Hill - Jerusalem), Jan Evangelist (Saint), Maria (Mother of Jesus Christ), Maria Kleofasowa (Saint), Maria Magdalena (Saint), Mourning (iconogr.), Passion (iconogr.), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, crucifixion of Jesus Christ (iconogr.), In the workshop of the Dutch Master (National Museum in Warsaw - exhibition - 18.05.2017-20.08.2017), Dutch drawings Stock Photo](https://c8.alamy.com/comp/2WP52FF/three-marie-and-quast-pieter-jansz-16051606-1647-1639-1639-00-00-1639-00-00bloch-jan-gottlib-1836-1902-bloch-jan-gottlib-1836-1902-collections-golgota-hill-jerusalem-jan-evangelist-saint-maria-mother-of-jesus-christ-maria-kleofasowa-saint-maria-magdalena-saint-mourning-iconogr-passion-iconogr-society-for-the-encouragement-of-fine-arts-warsaw-1860-1940-collection-crucifixion-of-jesus-christ-iconogr-in-the-workshop-of-the-dutch-master-national-museum-in-warsaw-exhibition-18052017-20082017-dutch-drawings-2WP52FF.jpg)
RMID:Image ID:2WP52FF
Image details
Contributor:
piemags/POL24 / Alamy Stock PhotoImage ID:
2WP52FFFile size:
41.5 MB (1.8 MB Compressed download)Releases:
Model - no | Property - noDo I need a release?Dimensions:
4281 x 3388 px | 36.2 x 28.7 cm | 14.3 x 11.3 inches | 300dpiDate taken:
14 May 2012More information:
This image could have imperfections as it’s either historical or reportage.