Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional .

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The Reading Room / Alamy Stock Photo

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2AKR14G

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1373 x 1820 px | 23.2 x 30.8 cm | 9.2 x 12.1 inches | 150dpi

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RM2AKT13X–Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . Fig. 29.—Barbitos (from Herculaneum.) Fig. 30. —Rotta of the Seventh Century.(MS, Psalter in British Museum.) cavity, covered with a belly, on which was placed the bridge,and this instrument was played with the plectrum (vide ante,p. 34). The Romans subsequently colonizing France, Germany,.

RM2AKR7X4–Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional . this distance, the height of thefinger ooard must be suited to that of the bridge, not the heightof the bridge to that of the finger-board. Again • it wasnoticed by M. Sibire in 1806 that at that time the augmentationof the height of the bridge ^ of an inch raised the pressure onthe strings by seven pounds, and this proportion has, of course,increased with the since-raised pitch. According to Otto

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Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional .

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