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Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper, Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), archways, cityscape, men, religious and mythological subject, sunlight, teaching, trees, water well, woman Image details File size:
51.9 MB (3.5 MB Compressed download)
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Dimensions:
4992 x 3632 px | 42.3 x 30.8 cm | 16.6 x 12.1 inches | 300dpi
Date taken:
29 November 2020
More information:
This image could have imperfections as it’s either historical or reportage.
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Similar stock images Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper. archways , cityscape , men , religious and mythological subject , sunlight , teaching , trees , water well , woman. Christ Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-christ-and-the-woman-of-samaria-1819-etching-and-mezzotint-printed-in-brown-ink-first-published-state-on-medium-slightly-textured-cream-laid-paper-archways-cityscape-men-religious-and-mythological-subject-sunlight-teaching-trees-water-well-woman-christ-image398392550.html RM 2E449NA – Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper. archways , cityscape , men , religious and mythological subject , sunlight , teaching , trees , water well , woman. Christ Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) MET DP821584 382973 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Samuel William Reynolds, the elder, British, London 1773?1835 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). The Metropolitan Museum of Art Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/stock-image-christ-and-the-woman-of-samaria-liber-studiorum-part-xiv-plate-71-168496650.html RM KP3K5E – Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) MET DP821584 382973 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Samuel William Reynolds, the elder, British, London 1773?1835 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). The Metropolitan Museum of Art Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction and Reynolds here added mezzotint to describe a scene from the Gospel of John 4:4-26, where Jesus Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/christ-and-the-woman-of-samaria-liber-studiorum-part-xiv-plate-71-january-1-1819-designed-and-etched-by-joseph-mallord-william-turner-british-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-and-1819-to-establish-the-compositions-he-made-brown-watercolor-drawings-then-etched-outlines-onto-copper-plates-professional-engravers-usually-developed-the-tone-under-turners-direction-and-reynolds-here-added-mezzotint-to-describe-a-scene-from-the-gospel-of-john-44-26-where-jesus-image458155344.html RM 2HHANPT – Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) January 1, 1819 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction and Reynolds here added mezzotint to describe a scene from the Gospel of John 4:4-26, where Jesus Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/etched-by-joseph-mallord-william-turner-17751851-british-christ-and-the-woman-of-samaria-1819-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-laid-paper-arch-bible-building-bush-christ-explaining-his-doctrine-to-women-and-children-city-gate-landscape-man-new-testament-pointing-preaching-public-life-of-christ-from-his-baptism-until-the-passion-religious-and-mythological-subject-road-ruins-stone-talking-the-woman-of-samaria-john-44-42-tree-water-well-woman-asia-israel-samaria-jesus-christ-7-2-bcbce-to-image398359329.html RM 2E42RAW – Etched by Joseph Mallord William Turner, 1775–1851, British, Christ and the Woman of Samaria, 1819. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper. arch , Bible , building , bush , Christ explaining his doctrine to women and children , city , gate , landscape , man , New Testament , pointing , preaching , public life of Christ: from his baptism until the Passion , religious and mythological subject , road , ruins , stone , talking , the woman of Samaria (John 4:4-42) , tree , water well , woman. Asia , Israel , Samaria. Jesus Christ (7-2 BC/BCE to Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), arch, Bible, building, bush, Christ explaining his doctrine to women and children, city, gate, landscape, man, New Testament, pointing, preaching Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/christ-and-the-woman-of-samaria-etched-by-joseph-mallord-william-turner-17751851-british-engraved-by-samuel-william-reynolds-17731835-british-after-joseph-mallord-william-turner-17751851-british-1819-etching-and-mezzotint-printed-in-brown-ink-on-medium-slightly-textured-cream-laid-paper-sheet-11-12-17-38-inches-292-441-cm-plate-8-18-11-38-inches-206-289-cm-and-image-7-18-10-38-inches-181-264-cm-arch-bible-building-bush-christ-explaining-his-doctrine-to-women-and-children-city-gate-landscape-man-new-testament-pointing-preaching-image389747326.html RM 2DJ2EKA – Christ and the Woman of Samaria, Etched by Joseph Mallord William Turner, 1775–1851, British, Engraved by Samuel William Reynolds, 1773–1835, British, after Joseph Mallord William Turner, 1775–1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Plate: 8 1/8 × 11 3/8 inches (20.6 × 28.9 cm), and Image: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm), arch, Bible, building, bush, Christ explaining his doctrine to women and children, city, gate, landscape, man, New Testament, pointing, preaching Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) MET DP821584 382973 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Samuel William Reynolds, the elder, British, London 1773?1835 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). The Metropolitan Museum of Art Stock Photo https://www.alamy.com/image-license-details/?v=1 https://www.alamy.com/stock-image-christ-and-the-woman-of-samaria-liber-studiorum-part-xiv-plate-71-168353475.html RM KNW4G3 – Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71) MET DP821584 382973 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: Samuel William Reynolds, the elder, British, London 1773?1835 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). The Metropolitan Museum of Art 
