21 0 x 16 9 cm hi-res stock photography and images

Thomas Eakins, Amelia Van Buren, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania), late 1880s, Platinum print, 21.0 x 16.9 cm (8 1/4 x 6 5/8 in.), Photographs Stock Photo

RM2B0MRWF–Thomas Eakins, Amelia Van Buren, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania), late 1880s, Platinum print, 21.0 x 16.9 cm (8 1/4 x 6 5/8 in.), Photographs

Amelia Van Buren. Artist: Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania). Dimensions: 21.0 x 16.9 cm (8 1/4 x 6 5/8 in.). Date: late 1880s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMRFGT07–Amelia Van Buren. Artist: Thomas Eakins (American, Philadelphia, Pennsylvania 1844-1916 Philadelphia, Pennsylvania). Dimensions: 21.0 x 16.9 cm (8 1/4 x 6 5/8 in.). Date: late 1880s. Museum: Metropolitan Museum of Art, New York, USA.

Egypt, shard, pot, pottery, No. 1, 9.2 x 6.3 cm, Ø = 16, No. 2, 7.1 x 2.0 cm, Ø, base, 3.5, No. 3, 5.9 x 1.8 cm, Ø, base, =, 3 cm, No. 4, 5.2 x 3.2 cm, Ø = 11 cm, No. 5, 5.9 x 3.0 cm, Ø = 15, No. 6, 4.4 x 4.4 cm, Ø = 12.5 cm, No. 7, 6.5 x 3.6 cm, Ø, = 17 cm, Nr 8, 7.6 x 7.9 cm, Ø = 21, Nr 9, 9.7 x 6.0, Meroitic Period, 2nd-4th century AD, Egypt Stock Photo

RM2B0DXXP–Egypt, shard, pot, pottery, No. 1, 9.2 x 6.3 cm, Ø = 16, No. 2, 7.1 x 2.0 cm, Ø, base, 3.5, No. 3, 5.9 x 1.8 cm, Ø, base, =, 3 cm, No. 4, 5.2 x 3.2 cm, Ø = 11 cm, No. 5, 5.9 x 3.0 cm, Ø = 15, No. 6, 4.4 x 4.4 cm, Ø = 12.5 cm, No. 7, 6.5 x 3.6 cm, Ø, = 17 cm, Nr 8, 7.6 x 7.9 cm, Ø = 21, Nr 9, 9.7 x 6.0, Meroitic Period, 2nd-4th century AD, Egypt

Art inspired by Coast Scene, 17th century, Pen and brown ink, 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm), Drawings, Anonymous, French, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXCWM–Art inspired by Coast Scene, 17th century, Pen and brown ink, 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm), Drawings, Anonymous, French, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash Stock Photo

RM2HB1N08–One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash

Art inspired by Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTXEPF–Art inspired by Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman Stock Photo

RMMW4A9W–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman

Art inspired by Street Sprinkler, Batavia, 1860s–70s, Albumen silver print from glass negative, 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTWY1M–Art inspired by Street Sprinkler, Batavia, 1860s–70s, Albumen silver print from glass negative, 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The South View of Broadstairs, in the Isle of Thanet. Author Barron, William Augustus 18.8.b. Place of publication: [London] Publisher: Published Feb. 21. 1793, by W. A. Barron No. 16 Rathbone Place, by J. Laporte, No. 4 Gresse Street, Rathbone Place, , by Mr. Phillips, Attorney at Broadstairs., Date of publication: [1793] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 21.0 x 27.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photo

RM2E9HAXH–The South View of Broadstairs, in the Isle of Thanet. Author Barron, William Augustus 18.8.b. Place of publication: [London] Publisher: Published Feb. 21. 1793, by W. A. Barron No. 16 Rathbone Place, by J. Laporte, No. 4 Gresse Street, Rathbone Place, , by Mr. Phillips, Attorney at Broadstairs., Date of publication: [1793] Item type: 1 print Medium: etching and aquatint Dimensions: sheet 21.0 x 27.9 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820

'Jean-Baptiste-Edouard Detaille, A French Hussar Leading a Horse, 0, pen and brown ink over graphite on wove paper, overall: 21.8 x 16.2 cm (8 9/16 x 6 3/8 in.), Gift of Frank Anderson Trapp, 2004.166.11' Stock Photo

RM2M3G989–'Jean-Baptiste-Edouard Detaille, A French Hussar Leading a Horse, 0, pen and brown ink over graphite on wove paper, overall: 21.8 x 16.2 cm (8 9/16 x 6 3/8 in.), Gift of Frank Anderson Trapp, 2004.166.11'

Drawing, Design for Rectangular Mahogany Table with Inlay Top; Designed by A.N. Davenport Co.; graphite on thin cream paper; 21.0 x 21.7 cm (8 1/4 x 8 9/16 in. ) Stock Photo

RM2PMEHH5–Drawing, Design for Rectangular Mahogany Table with Inlay Top; Designed by A.N. Davenport Co.; graphite on thin cream paper; 21.0 x 21.7 cm (8 1/4 x 8 9/16 in. )

'Paul Gavarni, Reverie, 0, pen and gray and red ink, heightened with white, on darkened paper, overall (approximate): 30.2 x 21.7 cm (11 7/8 x 8 9/16 in.), Rosenwald Collection, 1943.3.4599' Stock Photo

RM2REKBNX–'Paul Gavarni, Reverie, 0, pen and gray and red ink, heightened with white, on darkened paper, overall (approximate): 30.2 x 21.7 cm (11 7/8 x 8 9/16 in.), Rosenwald Collection, 1943.3.4599'

Diptych MET sf17-190-200s1c 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200) Stock Photo

RMKNY8BX–Diptych MET sf17-190-200s1c 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200)

Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229 Stock Photo

RMT2458J–Archive image from page 240 of The directional spectrum of a The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project directionalspect00chas Year: 1957 cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f'l Cz • C3 x- C4 0 C5 / r.N- / >V ./-'' '-. .-. 0 0* N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« -- 1 1- —I—I- —I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229

Street Sprinkler, Batavia. Artist: Unknown. Dimensions: 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.). Date: 1860s-70s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPNDJ1E–Street Sprinkler, Batavia. Artist: Unknown. Dimensions: 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.). Date: 1860s-70s. Museum: Metropolitan Museum of Art, New York, USA.

Edgar Degas, The Bow, French, Edgar Degas (French, Paris 1834–1917 Paris), modeled probably ca. 1896–99, cast 1920, French, Bronze, 13-1/4 x 8-1/4 x 7-7/16 in. (33.7 x 21.0 x 18.9 cm.), Sculpture-Bronze Stock Photo

RM2B0KH20–Edgar Degas, The Bow, French, Edgar Degas (French, Paris 1834–1917 Paris), modeled probably ca. 1896–99, cast 1920, French, Bronze, 13-1/4 x 8-1/4 x 7-7/16 in. (33.7 x 21.0 x 18.9 cm.), Sculpture-Bronze

RMMX17JX–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 8 1856, Daumier, Head of an Old Woman

Art inspired by Family Seated by Thatched Hut, South America, 1850s, Salted paper print from glass negative, 16.7 x 21.0 cm (6 9/16 x 8 1/4 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JMX–Art inspired by Family Seated by Thatched Hut, South America, 1850s, Salted paper print from glass negative, 16.7 x 21.0 cm (6 9/16 x 8 1/4 in.), Photographs, Unknown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

[Untitled], One of 274 Vintage Photographs , late 19th-early 20th century. Albumen silver photograph, 10 5/8 x 8 9/16 in. (27.0 x 21.7 cm). Arts of the Islamic World late 19th-early 20th century Stock Photo

RM2M9465X–[Untitled], One of 274 Vintage Photographs , late 19th-early 20th century. Albumen silver photograph, 10 5/8 x 8 9/16 in. (27.0 x 21.7 cm). Arts of the Islamic World late 19th-early 20th century

Art inspired by Diptych, 14th century, French, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm), Ivories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYKJ7–Art inspired by Diptych, 14th century, French, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm), Ivories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Drawing, Design for a Round Table on Triangular Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.0 x 23.7 cm (8 1/4 x 9 5/16 in. ) Stock Photo

RM2PMF4BK–Drawing, Design for a Round Table on Triangular Base; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.0 x 23.7 cm (8 1/4 x 9 5/16 in. )

Art inspired by Panthéon, 1860s, Albumen silver print from glass negative, 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTX050–Art inspired by Panthéon, 1860s, Albumen silver print from glass negative, 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

'Peter De Wint, A Meadow with Cattle near Glastonbury, 0, watercolor over graphite on wove paper, overall: 21.9 x 36 cm (8 5/8 x 14 3/16 in.), Paul Mellon Collection, 1986.72.6' Stock Photo

RM2RECXMD–'Peter De Wint, A Meadow with Cattle near Glastonbury, 0, watercolor over graphite on wove paper, overall: 21.9 x 36 cm (8 5/8 x 14 3/16 in.), Paul Mellon Collection, 1986.72.6'

Inspired by One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4FB2–Inspired by One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Diptych MET sf17-190-200d1 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200) Stock Photo

RMKNY8C0–Diptych MET sf17-190-200d1 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200)

Art inspired by Crowland Abbey, the West Front Under Repair, 1860, Albumen silver print from paper negative, 21.8 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4GDJ–Art inspired by Crowland Abbey, the West Front Under Repair, 1860, Albumen silver print from paper negative, 21.8 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Alfred Capel Cure (British, 1826–1896, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK09J–Art inspired by One of 274 Vintage Photographs, Albumen silver photograph, late 19th-early 20th century, Qajar, Qajar Period, 10 5/8 x 8 9/16 in., 27.0 x 21.7 cm, albumen silver photograph, fez, frame, framed, Iran, male, medals, Middle East, military, Persia, photograph, portrait, sash, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, ca. 1532, Woodcut, Overall: 8 3/8 x 5 7/8 x 3/16 in. (21.2 x 14.9 x 0.5 cm), Published by Alessandro Paganini, Italian, active 16th century. Illustrated title page, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5K0F–Art inspired by Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, ca. 1532, Woodcut, Overall: 8 3/8 x 5 7/8 x 3/16 in. (21.2 x 14.9 x 0.5 cm), Published by Alessandro Paganini, Italian, active 16th century. Illustrated title page, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Coast Scene. Artist: Anonymous, French, 17th century. Dimensions: 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA94HG–Coast Scene. Artist: Anonymous, French, 17th century. Dimensions: 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Livre de Moresques, page 9 (verso), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9C9B–Art inspired by Livre de Moresques, page 9 (verso), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Mirror with Handle, Syrian, 500–700, Made in Antioch, Syria, Syrian, Silver, Overall (with handle 52.37): 9 1/8 x 1 in. (23.2 x 2.6 cm), without handle: 9 1/8 x 3/8 in. (23.2 x 0.9 cm), Overall: 8 7/16 x 1 5/16 x 1 1/8 in. (21.4 x 3.3 x 2.8 cm), Metalwork-Silver Stock Photo

RM2B0KW0N–Mirror with Handle, Syrian, 500–700, Made in Antioch, Syria, Syrian, Silver, Overall (with handle 52.37): 9 1/8 x 1 in. (23.2 x 2.6 cm), without handle: 9 1/8 x 3/8 in. (23.2 x 0.9 cm), Overall: 8 7/16 x 1 5/16 x 1 1/8 in. (21.4 x 3.3 x 2.8 cm), Metalwork-Silver

RMMY6BK0–. English: Honoré Daumier, French, 1808–1879 Head of an Old Woman, ca. 1856–60 Oil on panel 21.9 x 16.5 cm. (8 5/8 x 6 1/2 in.) frame: 30.5 x 36.0 x 6.5 cm. (12 x 14 3/16 x 2 9/16 in.) The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum L.1988.62.8 Maison (1968) I-108 . circa 1856–60 7 1856, Daumier, Head of an Old Woman

. English: Partie Occidentale du Palatinat et Eslectorat du Rhein Le Duché de Simmeren, Les Comtés de Spanheim, et de Veldentz a la Maison Palatine. ou sont encor Les Comtés de Rheingravenstein, de Falkenstein, et la Baronie de Reipoltzkirch (...) Size : 16.9 x 21.7 inches. / 43.0 x 55.2 cm. Colouring : fine original colouring Condition : excellent condition. Paris, 1692. Published in Amsterdam, 1696 by Jaillot, A.-H. / P. Mortier.. Nicolas Sanson; Alexis Hubert Jaillot (1632–1712) Alternative names Alexis-Hubert Jaillot; A. H. Jaillot Description French publisher, geographer and carto Stock Photo

RMMNX37W–. English: Partie Occidentale du Palatinat et Eslectorat du Rhein Le Duché de Simmeren, Les Comtés de Spanheim, et de Veldentz a la Maison Palatine. ou sont encor Les Comtés de Rheingravenstein, de Falkenstein, et la Baronie de Reipoltzkirch (...) Size : 16.9 x 21.7 inches. / 43.0 x 55.2 cm. Colouring : fine original colouring Condition : excellent condition. Paris, 1692. Published in Amsterdam, 1696 by Jaillot, A.-H. / P. Mortier.. Nicolas Sanson; Alexis Hubert Jaillot (1632–1712) Alternative names Alexis-Hubert Jaillot; A. H. Jaillot Description French publisher, geographer and carto

Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century Stock Photo

RM2M93AT2–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Print, Seated Shepherd Playing with a Dog; Engraved by Gilles Demarteau (Belgian, active in France, 1722 – 1776); After Jean-Baptiste Huët (1745 – 1811); France; crayon manner engraving on heavy cream laid paper; 19.0 x 24.0 cm (7 1/2 x 9 7/16 in. ), plate; 1923-21-2 Stock Photo

RM2PME2JH–Print, Seated Shepherd Playing with a Dog; Engraved by Gilles Demarteau (Belgian, active in France, 1722 – 1776); After Jean-Baptiste Huët (1745 – 1811); France; crayon manner engraving on heavy cream laid paper; 19.0 x 24.0 cm (7 1/2 x 9 7/16 in. ), plate; 1923-21-2

'Hubert François Gravelot, Title Cartouche for a Map of the Chateau and Village of Le Plessis aux Bois, 0, graphite, incised for transfer on laid paper; laid down, sheet: 8.1 x 9 cm (3 3/16 x 3 9/16 in.) support: 28 x 19.7 cm (11 x 7 3/4 in.), Gift of Arthur L. Liebman, 1992.87.21' Stock Photo

RM2REDRF3–'Hubert François Gravelot, Title Cartouche for a Map of the Chateau and Village of Le Plessis aux Bois, 0, graphite, incised for transfer on laid paper; laid down, sheet: 8.1 x 9 cm (3 3/16 x 3 9/16 in.) support: 28 x 19.7 cm (11 x 7 3/4 in.), Gift of Arthur L. Liebman, 1992.87.21'

Diptych MET sf17-190-200d2 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200) Stock Photo

RMKNY8C1–Diptych MET sf17-190-200d2 464157 French, Diptych, 14th century, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.200)

[Family Seated by Thatched Hut, South America]. Artist: Unknown. Dimensions: 16.7 x 21.0 cm (6 9/16 x 8 1/4 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPPP7W6–[Family Seated by Thatched Hut, South America]. Artist: Unknown. Dimensions: 16.7 x 21.0 cm (6 9/16 x 8 1/4 in.). Date: 1850s. Museum: Metropolitan Museum of Art, New York, USA.

Art inspired by Livre de Moresques, page 9 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9CD9–Art inspired by Livre de Moresques, page 9 (recto), 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Twill Damask with Paired Birds and Floral Pattern, late 8th–9th century, China, Silk, Overall (warp) 27-9/16 x overall weft: 21-5/8 in. (70.0 x 54.9 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3CB2–Art inspired by Twill Damask with Paired Birds and Floral Pattern, late 8th–9th century, China, Silk, Overall (warp) 27-9/16 x overall weft: 21-5/8 in. (70.0 x 54.9 cm), Textiles-Woven, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm Stock Photo

RM2HB21CC–Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm

Inspired by Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4RGD–Inspired by Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Spout, of which part of the wall and bottom is missing. Old bonding. 2 separate fragments., A. H: 16.4 L: 21.7 D: 0.5 edge fragment b. L: 13.7 Br: 11.1 D: 0.4 wall fragment c. L: 9.2 Br: 8.2 D: 0.4 idem d. L: 7.4 Br: 4.5 D: 0.4 idem., Spout, shards, earthenware (Badorf), 19.2 x 22 x 12.5 cm (largest shard, see further description), vmec, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad Stock Photo

RM2B0FRAY–Spout, of which part of the wall and bottom is missing. Old bonding. 2 separate fragments., A. H: 16.4 L: 21.7 D: 0.5 edge fragment b. L: 13.7 Br: 11.1 D: 0.4 wall fragment c. L: 9.2 Br: 8.2 D: 0.4 idem d. L: 7.4 Br: 4.5 D: 0.4 idem., Spout, shards, earthenware (Badorf), 19.2 x 22 x 12.5 cm (largest shard, see further description), vmec, the Netherlands, Utrecht, Wijk bij Duurstede, Wijk bij Duurstede, Dorestad

Panthéon, 1860s, Albumen silver print from glass negative, 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Édouard Baldus Stock Photo

RMKCD68A–Panthéon, 1860s, Albumen silver print from glass negative, 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.), Photographs, Édouard Baldus

RM2M93ART–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Coast Scene, 17th century, Pen and brown ink, 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm), Drawings, Anonymous, French, 17th century Stock Photo

RMKC8H10–Coast Scene, 17th century, Pen and brown ink, 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm), Drawings, Anonymous, French, 17th century

Randolph town reports . X iO i=H CM i-H O H N 00 00 03 O H H H H (N (N PI ftu SI 203 EIGHTIETH ANNUAL REPORT. 204 TOWN OF RANDOLPH INTERMENTS AT RANDOLPH Of Persons Dying Elsewhere, 1915 Date of death Name Age Place of death 1915 M. D. Jan. 12 A T T T 1 ? Agnes J. Hopkins 52 4 21 Boston 15 Isabel Chevrie 48 Boston 16 Daniel Kelleher 54 9 6 Holbrook 29 Mary E. Dunphy 22 8 0 Brockton Feb. 1 Elizabeth Gaffney 75 — Newton 7 Gustave Hammerlee 65 5 19 Boston 6 James McDonald 59 Quincy 9 Lydia Ann Boyd 1 4 Taunton 11 Bancroft 0 0 4 Boston 16 Emma W. Belcher 76 1 6 Boston 18 Patrick Tierney 70 11 3 Ho Stock Photo

RM2AJFT7T–Randolph town reports . X iO i=H CM i-H O H N 00 00 03 O H H H H (N (N PI ftu SI 203 EIGHTIETH ANNUAL REPORT. 204 TOWN OF RANDOLPH INTERMENTS AT RANDOLPH Of Persons Dying Elsewhere, 1915 Date of death Name Age Place of death 1915 M. D. Jan. 12 A T T T 1 ? Agnes J. Hopkins 52 4 21 Boston 15 Isabel Chevrie 48 Boston 16 Daniel Kelleher 54 9 6 Holbrook 29 Mary E. Dunphy 22 8 0 Brockton Feb. 1 Elizabeth Gaffney 75 — Newton 7 Gustave Hammerlee 65 5 19 Boston 6 James McDonald 59 Quincy 9 Lydia Ann Boyd 1 4 Taunton 11 Bancroft 0 0 4 Boston 16 Emma W. Belcher 76 1 6 Boston 18 Patrick Tierney 70 11 3 Ho

Street Sprinkler, Batavia, 1860s–70s, Albumen silver print from glass negative, 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.), Photograph Stock Photo

RMKC8A60–Street Sprinkler, Batavia, 1860s–70s, Albumen silver print from glass negative, 21.0 x 25.3 cm (8 1/4 x 9 15/16 in.), Photograph

Gold Necklace with Pendants MET sf17-190-1656d6b 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mo Stock Photo

RMKNY74N–Gold Necklace with Pendants MET sf17-190-1656d6b 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mo

Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books Stock Photo

RMKC7483–Upright Baskets of Flowers, before 1690, Engraving, Overall: 21 9/16 x 16 1/4 x 3/16 in. (54.8 x 41.3 x 0.5 cm), Books

Unknown (Japanese), Fragment of a Kimono with Small Sleeves, 1688/1703, Silk embroidery and tie-dying on silk damask, 21 1/4 x 9 1/16 in. (54.0 x 23.2 cm Stock Photo

RM2A2PC7P–Unknown (Japanese), Fragment of a Kimono with Small Sleeves, 1688/1703, Silk embroidery and tie-dying on silk damask, 21 1/4 x 9 1/16 in. (54.0 x 23.2 cm

Diptych, 14th century, French, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm Stock Photo

RMKCDBB8–Diptych, 14th century, French, Ivory with metal mounts, Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm

Panthéon. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA4KRT–Panthéon. Artist: Édouard Baldus (French, born Prussia, 1813-1889). Dimensions: 21.7 x 27.0 cm. (8 9/16 x 10 5/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, German, ca. 1350, Made in Cologne, Germany, German, Elephant ivory, Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm), Ivories Stock Photo

RM2B0M2TY–Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, German, ca. 1350, Made in Cologne, Germany, German, Elephant ivory, Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm), Ivories

Art inspired by Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK4JJ–Art inspired by Cherry Blossom Viewing Outing, Kubo Shunman, Japanese, 1757-1820, Woodblock color print, Japan, late 18th century, Edo Period, .1: 12 9/16 x 8 9/16 in., 32.0 x 21.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Plaque: man holding vessel to his mouth, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.14 x 0.87 x 0.16 in. (2.9 x 2.21 x 0.41 cm), Ivory/Bone-Reliefs, Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4Y1B–Art inspired by Plaque: man holding vessel to his mouth, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.14 x 0.87 x 0.16 in. (2.9 x 2.21 x 0.41 cm), Ivory/Bone-Reliefs, Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Springer. François. 21 ans, né le 17/9/72 à Duisburg (Allemagne). Menuisier. Anarchiste. 17/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4W08–Art inspired by Springer. François. 21 ans, né le 17/9/72 à Duisburg (Allemagne). Menuisier. Anarchiste. 17/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M93ATD–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Art inspired by The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures, ca. 1515–16, Engraving, made up with pen and black ink on replacement sheet lower right corner, 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm), Prints, Marcantonio Raimondi (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5CGH–Art inspired by The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures, ca. 1515–16, Engraving, made up with pen and black ink on replacement sheet lower right corner, 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm), Prints, Marcantonio Raimondi (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. The Bell System technical journal . ^ •>• ^ ^v. X ^ ^ v. V -V. ■> ■^^ • ^ ^ s ■^^ •v^ , ^ ^■s. >^ ^s. ^s. ^ >. ■^ R = CONSTANT X F^AVERAGE N = 0.47 ■v. ^ -. 3 4 FORCE IN DYNES 7 8 9 10 Fig. 21—Typical resistance-force characteristics of carbon granules pressed against a polished carbon plate. —-^^—o N i )^ n / / / / // 0 2 4 6 8 10 12 14 16 18 20 22 AD IN CM X 10^ Fig. 22—Effect of the extent of contact motion (A£>j on A^and A^. (Average values.) THE CARBON MICROPHONE 187 becomes greater than and N less than its Hmiting value. The limitingvalue of N is greater tha Stock Photo

RM2CNCTNB–. The Bell System technical journal . ^ •>• ^ ^v. X ^ ^ v. V -V. ■> ■^^ • ^ ^ s ■^^ •v^ , ^ ^■s. >^ ^s. ^s. ^ >. ■^ R = CONSTANT X F^AVERAGE N = 0.47 ■v. ^ -. 3 4 FORCE IN DYNES 7 8 9 10 Fig. 21—Typical resistance-force characteristics of carbon granules pressed against a polished carbon plate. —-^^—o N i )^ n / / / / // 0 2 4 6 8 10 12 14 16 18 20 22 AD IN CM X 10^ Fig. 22—Effect of the extent of contact motion (A£>j on A^and A^. (Average values.) THE CARBON MICROPHONE 187 becomes greater than and N less than its Hmiting value. The limitingvalue of N is greater tha

Inspired by Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK51NX–Inspired by Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Gold Necklace with Pendants MET sf17-190-1656d1 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor Stock Photo

RMKNY74C–Gold Necklace with Pendants MET sf17-190-1656d1 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor

Art inspired by Plaque from Triptych, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (right wing): 8 9/16 x 2 1/8 x 1/16 in. (21.8 x 5.4 x 0.1 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW06J6–Art inspired by Plaque from Triptych, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (right wing): 8 9/16 x 2 1/8 x 1/16 in. (21.8 x 5.4 x 0.1 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Crowland Abbey, the West Front Under Repair. Artist: Alfred Capel Cure (British, 1826-1896). Dimensions: 21.8 x 27.0 cm. (8 9/16 x 10 5/8 in.). Date: 1860. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA9FD2–Crowland Abbey, the West Front Under Repair. Artist: Alfred Capel Cure (British, 1826-1896). Dimensions: 21.8 x 27.0 cm. (8 9/16 x 10 5/8 in.). Date: 1860. Museum: Metropolitan Museum of Art, New York, USA.

Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves Stock Photo

RM2HB2684–Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves

RM2M93ATF–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. 298 G. PULITZER-FINALI The spicules are 1) Tylotes 280-480 x 5.5-9 u, moderately sinuous. 2) Isochelas 16-18.5 um. 3) Isochelas 7-9 urn. 4) Sigmas 35-50 urn. 5) Sigmas 21 urn. 6) Raphides 200-220 x 0.5 urn. Coelosphaera e rumena sp. n. (Fig. 28) Occurrence: North Kenya Banks, depth 160 m, dredge, 6 August 1971. R.N. KEN.71. Holotype: msng 48313. The specimen, dry, is a flattened hollow bag enclosed by a thin, fragile membrane. It has a narrow base of attachment and reaches a height of 8.5 cm and a width of 3.5 cm.. Fi Stock Photo

RMRMTB95–. Annali del Museo civico di storia naturale Giacomo Doria. Natural history. 298 G. PULITZER-FINALI The spicules are 1) Tylotes 280-480 x 5.5-9 u, moderately sinuous. 2) Isochelas 16-18.5 um. 3) Isochelas 7-9 urn. 4) Sigmas 35-50 urn. 5) Sigmas 21 urn. 6) Raphides 200-220 x 0.5 urn. Coelosphaera e rumena sp. n. (Fig. 28) Occurrence: North Kenya Banks, depth 160 m, dredge, 6 August 1971. R.N. KEN.71. Holotype: msng 48313. The specimen, dry, is a flattened hollow bag enclosed by a thin, fragile membrane. It has a narrow base of attachment and reaches a height of 8.5 cm and a width of 3.5 cm.. Fi

Gold Necklace with Pendants MET sf17-190-1656s2 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor Stock Photo

RMKNY73Y–Gold Necklace with Pendants MET sf17-190-1656s2 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor

Art inspired by Shrine of O'Donnell, Cathach or Battler, early 20th century (original dated 1084), Irish, Bronze, plated, gem stones, 8 1/4 x 2 5/8 x 10 3/16 in. (21.0 x 6.7 x 25.9 cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW8XRT–Art inspired by Shrine of O'Donnell, Cathach or Battler, early 20th century (original dated 1084), Irish, Bronze, plated, gem stones, 8 1/4 x 2 5/8 x 10 3/16 in. (21.0 x 6.7 x 25.9 cm), Reproductions-Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Plaque from Triptych, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (central panel): 8 9/16 x 6 3/4 x 1/16 in. (21.8 x 17.2 x 0.1 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW029W–Art inspired by Plaque from Triptych, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (central panel): 8 9/16 x 6 3/4 x 1/16 in. (21.8 x 17.2 x 0.1 cm), Metalwork-Copper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Diptych. Culture: French. Dimensions: Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPANHDA–Diptych. Culture: French. Dimensions: Overall (Opened): 5 9/16 x 8 3/8 x 5/16 in. (14.2 x 21.2 x 0.8 cm) Overall (Closed): 5 9/16 x 4 3/16 x 11/16 in. (14.2 x 10.6 x 1.7 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Giulio Bonasone (1510 c. - c. 1576), artist, Jason and Medea, Giulio Bonasone (1510 c. - c. 1576), artist Perin del Vaga (1500 - 1547), after, Two satyrs lead Silen to King Midas, print medium: c. 1547, copper engraving, sheet size: 16.0 x 21.9 cm, signed lower center 'I. BONAHSO. F Stock Photo

RM2T8G7G8–Giulio Bonasone (1510 c. - c. 1576), artist, Jason and Medea, Giulio Bonasone (1510 c. - c. 1576), artist Perin del Vaga (1500 - 1547), after, Two satyrs lead Silen to King Midas, print medium: c. 1547, copper engraving, sheet size: 16.0 x 21.9 cm, signed lower center 'I. BONAHSO. F

Art inspired by Mt. Nokogiri Seen from a Distance, Edo period (1615–1868), 19th century, Japan, Matted painting; ink and color on silk, 8 1/4 x 12 3/16 in. (21.0 x 30.9 cm), Paintings, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3917–Art inspired by Mt. Nokogiri Seen from a Distance, Edo period (1615–1868), 19th century, Japan, Matted painting; ink and color on silk, 8 1/4 x 12 3/16 in. (21.0 x 30.9 cm), Paintings, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Plaque with the Virgin and Child, early 16th century, Swiss, Plique à jour enamel, metal cloisons, mounted on modern glass, Overall: 10 7/16 x 8 5/8 x 3/16 in. (26.5 x 21.9 x 0.5 cm), Enamels-Émail de plique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW90W5–Art inspired by Plaque with the Virgin and Child, early 16th century, Swiss, Plique à jour enamel, metal cloisons, mounted on modern glass, Overall: 10 7/16 x 8 5/8 x 3/16 in. (26.5 x 21.9 x 0.5 cm), Enamels-Émail de plique, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, ca. 1350, Made in Cologne, Germany, German, Elephant ivory, Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm), Ivories, The densely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW925E–Art inspired by Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity, ca. 1350, Made in Cologne, Germany, German, Elephant ivory, Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm), Ivories, The densely, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKK7AA–Art inspired by Chinese Ship, Tosen Zu with Listing of the Sea Route from China to Japan, Color woodblock print on paper, Japan, ca. 1850, Edo Period, 11 13/16 x 8 5/8 in., 30.0 x 21.9 cm, East Asia, far East, marine, nautical, navigation, ocean, sailing, sea, trade, waves, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Gold Necklace with Pendants, ca. 7th century, Byzantine, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTYK82–Art inspired by Gold Necklace with Pendants, ca. 7th century, Byzantine, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2M93ATX–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Art inspired by Panel from a Triptych with Bishop Saint, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (left wing): 8 5/8 x 2 1/16 x 1/16 in. (21.9 x 5.3 x 0.1 cm), Metalwork-Copper, The technique of punched dots (opus punctorium) to create a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW9257–Art inspired by Panel from a Triptych with Bishop Saint, mid-15th century, Made in Lower or Middle Rhine, Germany, German, Copper-gilt, Overall (left wing): 8 5/8 x 2 1/16 x 1/16 in. (21.9 x 5.3 x 0.1 cm), Metalwork-Copper, The technique of punched dots (opus punctorium) to create a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project. Stereo Wave Observation Project (Scientific experiment); Ocean waves. cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f^'l Cz • C3 x- C4 0 C5 / ^r.N- / ^>V^ ./-''^ ^ '-. .-. 0 0*^ ^ N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« --. 1 1- ^—I—I- ^—I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229. Please note that these images are extracted from scanned page images that may have bee Stock Photo

RMRCEFJ8–. The directional spectrum of a wind generated sea as determined from data obtained by the Stereo Wave Observation Project. Stereo Wave Observation Project (Scientific experiment); Ocean waves. cm 1.3 1.2 -- 1.1-- 1.0 -- .9 -- .8 -- .7 -- .6 -- .5 .4 -- .3 -- .2 -- .1 -- 0 + 10* f^'l Cz • C3 x- C4 0 C5 / ^r.N- / ^>V^ ./-''^ ^ '-. .-. 0 0*^ ^ N.. /Ce / •0- X 0 0 -- •I0»-- -20*-- -30« --. 1 1- ^—I—I- ^—I——'k 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 Figure 11.30 Cp AND yp AS A FUNCTION OF k 229. Please note that these images are extracted from scanned page images that may have bee

Gold Necklace with Pendants MET sf17-190-1656d2 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor Stock Photo

RMKNY746–Gold Necklace with Pendants MET sf17-190-1656d2 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor

Art inspired by Allegory of Heaven and Hell, 1642–93, Pen and brown ink with brush and gray wash over black chalk underdrawing on beige paper. Composition outlined with brush and gray wash over pen and brown ink, in oval shape, with double outlines. Text written in pen and dark brown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW54WA–Art inspired by Allegory of Heaven and Hell, 1642–93, Pen and brown ink with brush and gray wash over black chalk underdrawing on beige paper. Composition outlined with brush and gray wash over pen and brown ink, in oval shape, with double outlines. Text written in pen and dark brown, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Art inspired by Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso), 1438–61, Brush and gray wash, highlighted with white, on faded blue paper (recto); fragment of the Temptation of Adam and Eve in pen and brown ink, over black chalk, on blue paper that has not, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW574F–Art inspired by Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso), 1438–61, Brush and gray wash, highlighted with white, on faded blue paper (recto); fragment of the Temptation of Adam and Eve in pen and brown ink, over black chalk, on blue paper that has not, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB9PN7–The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA.

Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Apostle Andrew, Anonymous (dating unknown), wood engraver Anton Maria Zanetti (1680 - 1767), after, Apostle Andrew, origin of print medium: after 1722, chiaroscuro cut of three woodblocks (black, brown, light brown) on paper vergé, sheet size: 21. 2 x 13.0 cm Print area woodblock: 16.1 x 8.9 cm, Verso inscribed in pen and black lower right 'Parmesan Stock Photo

RM2T8G22X–Anton Maria Zanetti (1680 - 1767), artist Francesco Parmigianino (1503 - 1540), after, Apostle Andrew, Anonymous (dating unknown), wood engraver Anton Maria Zanetti (1680 - 1767), after, Apostle Andrew, origin of print medium: after 1722, chiaroscuro cut of three woodblocks (black, brown, light brown) on paper vergé, sheet size: 21. 2 x 13.0 cm Print area woodblock: 16.1 x 8.9 cm, Verso inscribed in pen and black lower right 'Parmesan

RM2M93AWB–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Gold Necklace with Pendants MET sf17-190-1656d4 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor Stock Photo

RMKNY74E–Gold Necklace with Pendants MET sf17-190-1656d4 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor

Art inspired by a. Study for Clovis (middle register); b. Study for Clovis (middle register); c. St. Dominic and another Friar, after Fra Angelico; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, a, b. Black chalk, heightened with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW586M–Art inspired by a. Study for Clovis (middle register); b. Study for Clovis (middle register); c. St. Dominic and another Friar, after Fra Angelico; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, a, b. Black chalk, heightened with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity. Culture: German. Dimensions: Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm). Date: ca. 1350. The densely packed scenes on this large diptych depict an unusually rich array of New Testament events, apocryphal legends, and the lives of the saints. The sequence of events shown on the left panel beginning with the lower left row is: the Annunciation, Nativity, Adoration of the Magi, Presentation in the Temple, Resurrection, Descent into Hell, and Coronation of t Stock Photo

RMPAPHNX–Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity. Culture: German. Dimensions: Overall (open): 10 x 8 5/16 x 3/8 in. (25.5 x 21.1 x 0.9 cm). Date: ca. 1350. The densely packed scenes on this large diptych depict an unusually rich array of New Testament events, apocryphal legends, and the lives of the saints. The sequence of events shown on the left panel beginning with the lower left row is: the Annunciation, Nativity, Adoration of the Magi, Presentation in the Temple, Resurrection, Descent into Hell, and Coronation of t

Mahasiddha Manibhadra Under a Mango Tree with an Evicerated Dog, 13th/14th century, Nepal, Nepal, Terracotta, 31.0 x 21.0 x 9.5 cm (12 3/16 x 8 1/4 x 3 3/4 in Stock Photo

RM2A2KJEG–Mahasiddha Manibhadra Under a Mango Tree with an Evicerated Dog, 13th/14th century, Nepal, Nepal, Terracotta, 31.0 x 21.0 x 9.5 cm (12 3/16 x 8 1/4 x 3 3/4 in

French: Keyhole Escutcheon, French, 19th century, Iron, Overall: 8 9/16 x 2 3/16 x 1/16 in. (21.7 x 5.6 x 0.2 cm) Stock Photo

RF2B9GWGR–French: Keyhole Escutcheon, French, 19th century, Iron, Overall: 8 9/16 x 2 3/16 x 1/16 in. (21.7 x 5.6 x 0.2 cm)

RM2M93AT0–Cherry Blossom Viewing Outing Kubo Shunman (Japanese, 1757-1820). Cherry Blossom Viewing Outing, late 18th century. Woodblock color print, .1: 12 9/16 x 8 9/16 in. (32.0 x 21.8 cm). Asian Art late 18th century

Gold Necklace with Pendants MET dp30692 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 191 Stock Photo

RMKNY73X–Gold Necklace with Pendants MET dp30692 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 191

Springer. François. 21 ans, né le 17/9/72 à Duisburg (Allemagne). Menuisier. Anarchiste. 17/7/94. Artist: Alphonse Bertillon (French, 1853-1914). Dimensions: 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each. Date: 1894. Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of criminal identification. The system, which became known as Bertillonage, had three components: anthr Stock Photo

RMPANR5H–Springer. François. 21 ans, né le 17/9/72 à Duisburg (Allemagne). Menuisier. Anarchiste. 17/7/94. Artist: Alphonse Bertillon (French, 1853-1914). Dimensions: 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each. Date: 1894. Born into a distinguished family of scientists and statisticians, Bertillon began his career as a clerk in the Identification Bureau of the Paris Prefecture of Police in 1879. Tasked with maintaining reliable police records of offenders, he developed the first modern system of criminal identification. The system, which became known as Bertillonage, had three components: anthr

Roman 15th Century, (sculptor), The Redeemer, second half 15th century, gilded bronze, overall (silhouetted contour): 21.5 x 9.25 cm (8 7/16 x 3 5/8 in.), gross weight: 341.2 gr (0.752 lb Stock Photo

RM2DCG0B0–Roman 15th Century, (sculptor), The Redeemer, second half 15th century, gilded bronze, overall (silhouetted contour): 21.5 x 9.25 cm (8 7/16 x 3 5/8 in.), gross weight: 341.2 gr (0.752 lb

French: Decorative Emblem, French, 18th–19th century, Iron, Overall: 7 7/8 x 8 9/16 x 1/8 in. (20 x 21.7 x 0.3 cm) Stock Photo

RF2B9GY9D–French: Decorative Emblem, French, 18th–19th century, Iron, Overall: 7 7/8 x 8 9/16 x 1/8 in. (20 x 21.7 x 0.3 cm)

Chinese Ship (Tosen Zu) with Listing of the Sea Route from China to Japan Chinese Ship (Tosen Zu) with Listing of the Sea Route from China to Japan, ca. 1850. Color woodblock print on paper, 11 13/16 x 8 5/8 in. (30.0 x 21.9 cm). Asian Art ca. 1850 Stock Photo

RM2M93PYG–Chinese Ship (Tosen Zu) with Listing of the Sea Route from China to Japan Chinese Ship (Tosen Zu) with Listing of the Sea Route from China to Japan, ca. 1850. Color woodblock print on paper, 11 13/16 x 8 5/8 in. (30.0 x 21.9 cm). Asian Art ca. 1850

Gold Necklace with Pendants MET sf17-190-1656d5 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor Stock Photo

RMKNY747–Gold Necklace with Pendants MET sf17-190-1656d5 464061 Byzantine, Gold Necklace with Pendants, ca. 7th century, Pendants: gold - sheet; scribed, engraved, chased, punched; wire - beaded; granulation. Tubes: gold - sheet; wire - beaded. Chain: gold - strip (half round)., Overall: 21 5/8 x 1 15/16 x 3/8 in. (55 x 4.9 x 0.9 cm) chain: 21 5/8 in. (55 cm) hexagonal shaped beads: 1 7/16 x 3/8 in. (3.6 x 0.9 cm) medallions: 1 15/16 x 1 1/2 x 1/4 in. (4.9 x 3.8 x 0.7 cm) petal shaped pendants: 1 7/8 x 1 x 1/4 in. (4.7 x 2.6 x 0.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Mor

Furniture plaque carved in relief with man holding vessel to his mouth. Culture: Iran. Dimensions: 1.14 x 0.87 x 0.16 in. (2.9 x 2.21 x 0.41 cm). Date: ca. 9th century B.C.. Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a distinctive style found only at this site, which probably decorated wooden furniture or were used as small precious objects such as boxes. The citadel at Hasanlu was attacked and destroyed around 800 B.C., most likely by military forces of the powerful state of Urartu, centered in present-day Armenia, eastern Turkey, and northwester Stock Photo

RMPB5749–Furniture plaque carved in relief with man holding vessel to his mouth. Culture: Iran. Dimensions: 1.14 x 0.87 x 0.16 in. (2.9 x 2.21 x 0.41 cm). Date: ca. 9th century B.C.. Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a distinctive style found only at this site, which probably decorated wooden furniture or were used as small precious objects such as boxes. The citadel at Hasanlu was attacked and destroyed around 800 B.C., most likely by military forces of the powerful state of Urartu, centered in present-day Armenia, eastern Turkey, and northwester

Nose Ring (Nath), 19th century, India, Rajasthan, India, Gold, pearls, diamonds, and rubies, Ring: 8 x 7.2 x 0.7 cm (3 1/8 x 2 7/8 x 1/4 in.), length with chain: 21.9 cm (8 9/16 in Stock Photo

RM2A2HN4W–Nose Ring (Nath), 19th century, India, Rajasthan, India, Gold, pearls, diamonds, and rubies, Ring: 8 x 7.2 x 0.7 cm (3 1/8 x 2 7/8 x 1/4 in.), length with chain: 21.9 cm (8 9/16 in

21 0 x 16 9 cm Stock Photos and Images

21 0 x 16 9 cm Stock Photos and Images

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