Nero (54-68 A.D.), 1638, Paulus Pontius (Flemish, 1603-1658), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 316 × 204 mm (image/plate/sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nero-54-68-ad-1638-paulus-pontius-flemish-1603-1658-after-peter-paul-rubens-flemish-15771640-flanders-engraving-in-black-on-ivory-laid-paper-316-204-mm-imageplatesheet-image328664219.html
RM2A2KXFR–Nero (54-68 A.D.), 1638, Paulus Pontius (Flemish, 1603-1658), after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 316 × 204 mm (image/plate/sheet
Nero (54-68 A.D.). Paulus Pontius (Flemish, 1603-1658); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1638. Dimensions: 316 × 204 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nero-54-68-ad-paulus-pontius-flemish-1603-1658-after-peter-paul-rubens-flemish-1577-1640-date-1638-dimensions-316-204-mm-imageplatesheet-engraving-in-black-on-ivory-laid-paper-origin-flanders-museum-the-chicago-art-institute-image240056286.html
RMRXFE6P–Nero (54-68 A.D.). Paulus Pontius (Flemish, 1603-1658); after Peter Paul Rubens (Flemish, 1577-1640). Date: 1638. Dimensions: 316 × 204 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Antioch, Tetradrachm of Nero, Emperor of Rome from Antioch, 54–68 A.D.?, Silver, 13.56 g, 12:00, 24.5 mm, Made in Antioch, Greek, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-antioch-tetradrachm-of-nero-emperor-of-rome-fromantioch-5468ad-silver-1356-g-1200-245mm-made-in-antioch-greek-1st-century-ad-numismatics-image393091217.html
RM2DRERT1–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Antioch, Tetradrachm of Nero, Emperor of Rome from Antioch, 54–68 A.D.?, Silver, 13.56 g, 12:00, 24.5 mm, Made in Antioch, Greek, 1st century A.D., Numismatics
Paul Pontius. Nero (54-68 A.D.). 1638. Flanders. Engraving in black on ivory laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/paul-pontius-nero-54-68-ad-1638-flanders-engraving-in-black-on-ivory-laid-paper-image337956961.html
RM2AHR7FD–Paul Pontius. Nero (54-68 A.D.). 1638. Flanders. Engraving in black on ivory laid paper
Ceiling decoration in Nero's Domus Aurea, Rome, Italy, (1928). '3rd Quarter of 1st Century A.D...Part view of the ceiling of a passage in the Golden House of Nero (54-68 A.D.) We see here squares arranged in parallel rows with white birds alternating with winged creatures (birds, sphinxes, griffins) and quadrupeds (panthers, centaurs)...It is impossible to over-estimate the effect of the wall decorations of the Neronic house. Not only did numerous Renaissance artists seek and find inspiration there, but also Medieval decorations...are hardly comprehensible without such antique models'. Plate X Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceiling-decoration-in-neros-domus-aurea-rome-italy-1928-3rd-quarter-of-1st-century-adpart-view-of-the-ceiling-of-a-passage-in-the-golden-house-of-nero-54-68-ad-we-see-here-squares-arranged-in-parallel-rows-with-white-birds-alternating-with-winged-creatures-birds-sphinxes-griffins-and-quadrupeds-panthers-centaursit-is-impossible-to-over-estimate-the-effect-of-the-wall-decorations-of-the-neronic-house-not-only-did-numerous-renaissance-artists-seek-and-find-inspiration-there-but-also-medieval-decorationsare-hardly-comprehensible-without-such-antique-models-plate-x-image329497347.html
RM2A41W6B–Ceiling decoration in Nero's Domus Aurea, Rome, Italy, (1928). '3rd Quarter of 1st Century A.D...Part view of the ceiling of a passage in the Golden House of Nero (54-68 A.D.) We see here squares arranged in parallel rows with white birds alternating with winged creatures (birds, sphinxes, griffins) and quadrupeds (panthers, centaurs)...It is impossible to over-estimate the effect of the wall decorations of the Neronic house. Not only did numerous Renaissance artists seek and find inspiration there, but also Medieval decorations...are hardly comprehensible without such antique models'. Plate X
Art inspired by Religious text of Tanaweruow, daughter of Hartophnakhthes and Tatita, Roman Period, Nero, A.D. 54–68, From Egypt; Probably from Northern Upper Egypt, Pernebwadjyt (south of Qaw el-Kebir), Papyrus, ink, Framed: H. 32.2 cm (12 11/16 in.); W. 140.5 cm (55 5/16 in.); D. 2., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-religious-text-of-tanaweruow-daughter-of-hartophnakhthes-and-tatita-roman-period-nero-ad-5468-from-egypt-probably-from-northern-upper-egypt-pernebwadjyt-south-of-qaw-el-kebir-papyrus-ink-framed-h-322-cm-12-1116-in-w-1405-cm-55-516-in-d-2-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463039160.html
RF2HW974T–Art inspired by Religious text of Tanaweruow, daughter of Hartophnakhthes and Tatita, Roman Period, Nero, A.D. 54–68, From Egypt; Probably from Northern Upper Egypt, Pernebwadjyt (south of Qaw el-Kebir), Papyrus, ink, Framed: H. 32.2 cm (12 11/16 in.); W. 140.5 cm (55 5/16 in.); D. 2., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sardonyx cameo portrait perhaps representing two women of the Roman imperial family as the goddesses Minerva and Juno. c. 54-68. British Museum. Londo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sardonyx-cameo-portrait-perhaps-representing-two-women-of-the-roman-145535091.html
RMJCNKDR–Sardonyx cameo portrait perhaps representing two women of the Roman imperial family as the goddesses Minerva and Juno. c. 54-68. British Museum. Londo
. Nederlands: Nero . Nederlands: gravure in medaillon van Nero, keizer van Rome van 54 tot 68 English: engraving in medallion of Nero, Roman emperor 54-68 . N/A 285 Nero erfgoedcentrum Rozet 300 191 d 6 C (79) 20171115 0001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nederlands-nero-nederlands-gravure-in-medaillon-van-nero-keizer-van-rome-van-54-tot-68-english-engraving-in-medallion-of-nero-roman-emperor-54-68-na-285-nero-erfgoedcentrum-rozet-300-191-d-6-c-79-20171115-0001-image211431417.html
RMP7YEX1–. Nederlands: Nero . Nederlands: gravure in medaillon van Nero, keizer van Rome van 54 tot 68 English: engraving in medallion of Nero, Roman emperor 54-68 . N/A 285 Nero erfgoedcentrum Rozet 300 191 d 6 C (79) 20171115 0001
A School of Athens. Author Bretherton, James 8.68.d. Place of publication: [Cambridge ?] Publisher: [unknown publisher] Date of publication: [1778 c.] Item type: 1 print Medium: etching Dimensions: sheet 54.0 x 61.2 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-school-of-athens-author-bretherton-james-868d-place-of-publication-cambridge-publisher-unknown-publisher-date-of-publication-1778-c-item-type-1-print-medium-etching-dimensions-sheet-540-x-612-cm-trimmed-within-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401715495.html
RM2E9FM5Y–A School of Athens. Author Bretherton, James 8.68.d. Place of publication: [Cambridge ?] Publisher: [unknown publisher] Date of publication: [1778 c.] Item type: 1 print Medium: etching Dimensions: sheet 54.0 x 61.2 cm [trimmed within platemark] Former owner: George III, King of Great Britain, 1738-1820
Nero (37-68 AD). Roman emperor from 54 to 68. Julio-Claudian dynasty. Nero a a child. 50-54. Bust. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nero-37-68-ad-roman-emperor-from-54-to-68-julio-claudian-dynasty-nero-132526935.html
RMHKH3CR–Nero (37-68 AD). Roman emperor from 54 to 68. Julio-Claudian dynasty. Nero a a child. 50-54. Bust. Spain.
Nero (37– 68). Roman Emperor from 54 to 68 and the last in the Julio-Claudian dynasty. Bust. Glyptothek. Munich. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nero-37-68-roman-emperor-from-54-to-68-and-the-last-in-the-julio-claudian-56365397.html
RMD7KJHW–Nero (37– 68). Roman Emperor from 54 to 68 and the last in the Julio-Claudian dynasty. Bust. Glyptothek. Munich. Germany.
AELST, Willem van (b. ca. 1626, Delft, d. 1683, Delft) Still-Life with Hunting Equipment and Dead Birds 1668 Oil on canvas, 68 x 54 cm Staatliche Museen, Kassel In addition to fruit and flower still-lifes with cool colour harmonies, van Aelst also enjoyed painting elegant hunting weapons and dead animals placed in a dark corner by a wall for rich clients. One example is this still-life. A dead partridge is hanging by its leg from a piece of string. Its wings and feathers, which are grey with brownish patches, open up towards us at the bottom like a fan. The fly on the light-coloure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aelst-willem-van-b-ca-1626-delft-d-1683-delft-still-life-with-hunting-equipment-and-dead-birds-1668-oil-on-canvas-68-x-54-cm-staatliche-museen-kassel-in-addition-to-fruit-and-flower-still-lifes-with-cool-colour-harmonies-van-aelst-also-enjoyed-painting-elegant-hunting-weapons-and-dead-animals-placed-in-a-dark-corner-by-a-wall-for-rich-clients-one-example-is-this-still-life-a-dead-partridge-is-hanging-by-its-leg-from-a-piece-of-string-its-wings-and-feathers-which-are-grey-with-brownish-patches-open-up-towards-us-at-the-bottom-like-a-fan-the-fly-on-the-light-coloure-image604914762.html
RF2X446XJ–AELST, Willem van (b. ca. 1626, Delft, d. 1683, Delft) Still-Life with Hunting Equipment and Dead Birds 1668 Oil on canvas, 68 x 54 cm Staatliche Museen, Kassel In addition to fruit and flower still-lifes with cool colour harmonies, van Aelst also enjoyed painting elegant hunting weapons and dead animals placed in a dark corner by a wall for rich clients. One example is this still-life. A dead partridge is hanging by its leg from a piece of string. Its wings and feathers, which are grey with brownish patches, open up towards us at the bottom like a fan. The fly on the light-coloure
Map of County Durham. . DUNELMIENSIS Episcopatus. Part of an atlas that belonged to William Cecil Lord Burghley. 1576. This map is actually a proof copy of one which forms part of Christopher Saxton’s Atlas of England and Wales. Length: 41 Width: 54.3 Scale: Centimetres . Source: Royal 18 D. III, f.68. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-county-durham-dunelmiensis-episcopatus-part-of-an-atlas-that-belonged-to-william-cecil-lord-burghley-1576-this-map-is-actually-a-proof-copy-of-one-which-forms-part-of-christopher-saxtons-atlas-of-england-and-wales-length-41-width-543-scale-centimetres-source-royal-18-d-iii-f68-image227081101.html
RMR5CC79–Map of County Durham. . DUNELMIENSIS Episcopatus. Part of an atlas that belonged to William Cecil Lord Burghley. 1576. This map is actually a proof copy of one which forms part of Christopher Saxton’s Atlas of England and Wales. Length: 41 Width: 54.3 Scale: Centimetres . Source: Royal 18 D. III, f.68.
Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse]. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nero-ad-37-68-roman-emperor-ad-54-obverse-image426154215.html
RM2FN901B–Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse].
Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig. 54.—BACILE. D. 64 Musee du Louvre. 57. Fig. 55.—BACILE. D. 68 cm. Formerly in the Leroux Collection. 58 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oak-leaf-jars-a-fifteenth-century-italian-ware-showing-moresco-influence-fig-54bacile-d-64-musee-du-louvre-57-fig-55bacile-d-68-cm-formerly-in-the-leroux-collection-58-image339459120.html
RM2AM7KG0–Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig. 54.—BACILE. D. 64 Musee du Louvre. 57. Fig. 55.—BACILE. D. 68 cm. Formerly in the Leroux Collection. 58
Archive image from page 598 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender47medi Year: 1879 ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. 60 N. md. e. VII. -61 H. md. o. 62IA.bg. .'-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-598-of-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-denkschriftender47medi-year-1879-54-rimdv-55-cav-art-56-thyr-kn-art-thyr-lg-h-md-9-i-schi-t-60-n-md-e-vii-61-h-md-o-62iabg-63-r-hg-64-ker-hg-65-mlbri-kerbr-i-67-iiksp-68-m-lev-br-il-69-arteffbril-70-m-i-br-iii-71-m-i-br-iv-2-mdphclbr-73-a-ff-br-iii-itksp-kbrlt-kspvlschu-brv-schi-t-thyr-17-xiv-c-s-c-s-sphltkn-fsphot-image259325133.html
RMW1W7RW–Archive image from page 598 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender47medi Year: 1879 ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. 60 N. md. e. VII. -61 H. md. o. 62IA.bg. .'-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot.
. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels. Fruit. 8.00 7.50 c 0 *-> u 7.00 4) D. <n L. 6.50 ro "o 6.00 Q 5.50 5.00 F.O.B. pr. Actual — Estimated J L -I L 1950 52 54 56 58 60 62 64 66 68 C rop yea r m V in m o c o. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Kip, Ergun. [S. l. ] : California Agricultural Experiment Station, Giannini Foundation of A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-demand-for-selected-deciduous-tree-fruits-with-implications-for-alternative-1980-production-levels-fruit-800-750-c-0-gt-u-700-4-d-ltn-l-650-ro-quoto-600-q-550-500-fob-pr-actual-estimated-j-l-i-l-1950-52-54-56-58-60-62-64-66-68-c-rop-yea-r-m-v-in-m-o-c-o-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-kip-ergun-s-l-california-agricultural-experiment-station-giannini-foundation-of-a-image216213302.html
RMPFNA7J–. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels. Fruit. 8.00 7.50 c 0 *-> u 7.00 4) D. <n L. 6.50 ro "o 6.00 Q 5.50 5.00 F.O.B. pr. Actual — Estimated J L -I L 1950 52 54 56 58 60 62 64 66 68 C rop yea r m V in m o c o. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Kip, Ergun. [S. l. ] : California Agricultural Experiment Station, Giannini Foundation of A
Panel painting of a woman in a blue mantle. Dimensions: H. 38 cm (14 15/16 in.); W. 22.3 cm (8 3/4 in.). Reign: Nero. Date: A.D. 54-68. This young woman is revealed frankly in direct white light, her tiny, elaborate curls and gay light-blue mantle striking a somewhat discordant note with her somber eyes and large, strong face. In her ears she wears ball earrings and around her neck, a double-wound chain from which hangs a small golden figure. The texture of the encaustic medium, worked with brushes and tools, reveals the artist's careful shaping of the curves and dimensionality of the face. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/panel-painting-of-a-woman-in-a-blue-mantle-dimensions-h-38-cm-14-1516-in-w-223-cm-8-34-in-reign-nero-date-ad-54-68-this-young-woman-is-revealed-frankly-in-direct-white-light-her-tiny-elaborate-curls-and-gay-light-blue-mantle-striking-a-somewhat-discordant-note-with-her-somber-eyes-and-large-strong-face-in-her-ears-she-wears-ball-earrings-and-around-her-neck-a-double-wound-chain-from-which-hangs-a-small-golden-figure-the-texture-of-the-encaustic-medium-worked-with-brushes-and-tools-reveals-the-artists-careful-shaping-of-the-curves-and-dimensionality-of-the-face-image213151629.html
RMPANW25–Panel painting of a woman in a blue mantle. Dimensions: H. 38 cm (14 15/16 in.); W. 22.3 cm (8 3/4 in.). Reign: Nero. Date: A.D. 54-68. This young woman is revealed frankly in direct white light, her tiny, elaborate curls and gay light-blue mantle striking a somewhat discordant note with her somber eyes and large, strong face. In her ears she wears ball earrings and around her neck, a double-wound chain from which hangs a small golden figure. The texture of the encaustic medium, worked with brushes and tools, reveals the artist's careful shaping of the curves and dimensionality of the face.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 21.46 g, 8:00, 34 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-sestertius-of-nero-emperor-of-rome-fromrome-66-orichalcum-2146-g-800-34mm-roman-1st-century-ad-numismatics-image393187931.html
RM2DRK763–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 21.46 g, 8:00, 34 mm, Roman, 1st century A.D., Numismatics
Giovanni da Cavino, Nero, AD 37-68, Roman Emperor AD 54 (obverse) Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-da-cavino-nero-ad-37-68-roman-emperor-ad-54-obverse-nero-ad-37-68-roman-emperor-ad-54-obverse-image335891114.html
RM2AED4F6–Giovanni da Cavino, Nero, AD 37-68, Roman Emperor AD 54 (obverse) Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse]
Art inspired by Panel painting of a woman in a blue mantle, Roman Period, A.D. 54–68, From Egypt, Encaustic on wood, H. 38 cm (14 15/16 in.); W. 22.3 cm (8 3/4 in.), This young woman is revealed frankly in direct white light, her tiny, elaborate curls and gay light-blue mantle striking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-panel-painting-of-a-woman-in-a-blue-mantle-roman-period-ad-5468-from-egypt-encaustic-on-wood-h-38-cm-14-1516-in-w-223-cm-8-34-in-this-young-woman-is-revealed-frankly-in-direct-white-light-her-tiny-elaborate-curls-and-gay-light-blue-mantle-striking-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463040909.html
RF2HW99B9–Art inspired by Panel painting of a woman in a blue mantle, Roman Period, A.D. 54–68, From Egypt, Encaustic on wood, H. 38 cm (14 15/16 in.); W. 22.3 cm (8 3/4 in.), This young woman is revealed frankly in direct white light, her tiny, elaborate curls and gay light-blue mantle striking, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rolling horse from the Reygersberg family cannon, Original oak rolling horse. The gilt iron fittings are sculpted and show herons among aquatic plants., anonymous, Nederlanden, 1678, oak (wood), beslag, cutting, h 46.5 cm × w 54 cm × d 68 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rolling-horse-from-the-reygersberg-family-cannon-original-oak-rolling-horse-the-gilt-iron-fittings-are-sculpted-and-show-herons-among-aquatic-plants-anonymous-nederlanden-1678-oak-wood-beslag-cutting-h-465-cm-w-54-cm-d-68-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349985625.html
RF2B9B66H–Rolling horse from the Reygersberg family cannon, Original oak rolling horse. The gilt iron fittings are sculpted and show herons among aquatic plants., anonymous, Nederlanden, 1678, oak (wood), beslag, cutting, h 46.5 cm × w 54 cm × d 68 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Table de la quantiteÃÅ desolves, Ferurrerie, et MoeÃàlons de Pievre dure, Suivant trois Plans A,B,C, trois Profils D,E,G, et lElevation E. Pour une TraveÃÅe de JetteÃÅes a Dieppe. Visual Material information: Title: Table de la quantiteÃÅ desolves, Ferurrerie, et MoeÃàlons de Pievre dure, Suivant trois Plans A,B,C, trois Profils D,E,G, et lElevation E. Pour une TraveÃÅe de JetteÃÅes a Dieppe. 68.54.d. Place of publication: [Dieppe?] Publisher: [unknown producer] Date of publication: [1690-1710 c.] Item type: 1 manuscript Medium: pen and ink Dimensions: sheet 36. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-de-la-quantite-desolves-ferurrerie-et-moelons-de-pievre-dure-suivant-trois-plans-abc-trois-profils-deg-et-lelevation-e-pour-une-travee-de-jettees-a-dieppe-visual-material-information-title-table-de-la-quantite-desolves-ferurrerie-et-moelons-de-pievre-dure-suivant-trois-plans-abc-trois-profils-deg-et-lelevation-e-pour-une-travee-de-jettees-a-dieppe-6854d-place-of-publication-dieppe-publisher-unknown-producer-date-of-publication-1690-1710-c-item-type-1-manuscript-medium-pen-and-ink-dimensions-sheet-36-image401710294.html
RM2E9FDG6–Table de la quantiteÃÅ desolves, Ferurrerie, et MoeÃàlons de Pievre dure, Suivant trois Plans A,B,C, trois Profils D,E,G, et lElevation E. Pour une TraveÃÅe de JetteÃÅes a Dieppe. Visual Material information: Title: Table de la quantiteÃÅ desolves, Ferurrerie, et MoeÃàlons de Pievre dure, Suivant trois Plans A,B,C, trois Profils D,E,G, et lElevation E. Pour une TraveÃÅe de JetteÃÅes a Dieppe. 68.54.d. Place of publication: [Dieppe?] Publisher: [unknown producer] Date of publication: [1690-1710 c.] Item type: 1 manuscript Medium: pen and ink Dimensions: sheet 36.
Nero (37-68 AD). Roman emperor from 54 to 68. Julio-Claudian dynasty. Nero a a child. 50-54. Bust. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nero-37-68-ad-roman-emperor-from-54-to-68-julio-claudian-dynasty-nero-132526711.html
RMHKH34R–Nero (37-68 AD). Roman emperor from 54 to 68. Julio-Claudian dynasty. Nero a a child. 50-54. Bust. Spain.
Coin from Roman Empire. Artist: Unknown Honorand: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-from-romanempire-artist-unknown-honorand-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-image463175145.html
RM2HWFCHD–Coin from Roman Empire. Artist: Unknown Honorand: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68
. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . Fig. 68. Keimpflanzen von Oenothera rubrinervis in verschiedenen Altersstadien: e die Cotylen, A mit den zwei ersten Blättern, Anfang Mai; bei A' die natürliche Grösse derselben. B 14 Tage älter, C Rosetten gegen Ende Juni, kurz vor dem Verpflanzen, bei dichtem Stand. Vergl. Fig. 64 S. 229 und Figg. 65 und 66 S. 230. Auch in den Sammelfiguren 52 und 54 (S. 207 und 209) fällt die schmale Form sofort auf. Je älter die Pflänzchen werden, um so grösser wird der Unterschied, um so sicherer also die D Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-mutationstheorie-versuche-und-beobachtungen-ber-die-entstehung-von-arten-im-pflanzenreich-fig-68-keimpflanzen-von-oenothera-rubrinervis-in-verschiedenen-altersstadien-e-die-cotylen-a-mit-den-zwei-ersten-blttern-anfang-mai-bei-a-die-natrliche-grsse-derselben-b-14-tage-lter-c-rosetten-gegen-ende-juni-kurz-vor-dem-verpflanzen-bei-dichtem-stand-vergl-fig-64-s-229-und-figg-65-und-66-s-230-auch-in-den-sammelfiguren-52-und-54-s-207-und-209-fllt-die-schmale-form-sofort-auf-je-lter-die-pflnzchen-werden-um-so-grsser-wird-der-unterschied-um-so-sicherer-also-die-d-image180879382.html
RMME7NDX–. Die mutationstheorie. Versuche und beobachtungen über die entstehung von arten im pflanzenreich . Fig. 68. Keimpflanzen von Oenothera rubrinervis in verschiedenen Altersstadien: e die Cotylen, A mit den zwei ersten Blättern, Anfang Mai; bei A' die natürliche Grösse derselben. B 14 Tage älter, C Rosetten gegen Ende Juni, kurz vor dem Verpflanzen, bei dichtem Stand. Vergl. Fig. 64 S. 229 und Figg. 65 und 66 S. 230. Auch in den Sammelfiguren 52 und 54 (S. 207 und 209) fällt die schmale Form sofort auf. Je älter die Pflänzchen werden, um so grösser wird der Unterschied, um so sicherer also die D
Boletín Oficial de la República Argentina1908 1ra sección . Marzo 23 de 1908.-Félix Alonso.—Artícu-los ás las clases 44 á 52, 54 y 55. v-31-snarzo. yjzk. il[D U LIVERPOOL 2. Marzo 23 de 1908.-T. B. Hall & C» Ltd.-Artículos de la clase 68. v-31-marzo. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina1908-1ra-seccin-marzo-23-de-1908-flix-alonsoartcu-los-s-las-clases-44-52-54-y-55-v-31-snarzo-yjzk-il-d-u-liverpool-2-marzo-23-de-1908-t-b-hall-c-ltd-artculos-de-la-clase-68-v-31-marzo-image339180243.html
RM2AKPYT3–Boletín Oficial de la República Argentina1908 1ra sección . Marzo 23 de 1908.-Félix Alonso.—Artícu-los ás las clases 44 á 52, 54 y 55. v-31-snarzo. yjzk. il[D U LIVERPOOL 2. Marzo 23 de 1908.-T. B. Hall & C» Ltd.-Artículos de la clase 68. v-31-marzo.
Archive image from page 598 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender47medi Year: 1879 ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. 60 N. md. e. VII. -61 H. md. o. 62IA.bg. .'-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-598-of-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-denkschriftender47medi-year-1879-54-rimdv-55-cav-art-56-thyr-kn-art-thyr-lg-h-md-9-i-schi-t-60-n-md-e-vii-61-h-md-o-62iabg-63-r-hg-64-ker-hg-65-mlbri-kerbr-i-67-iiksp-68-m-lev-br-il-69-arteffbril-70-m-i-br-iii-71-m-i-br-iv-2-mdphclbr-73-a-ff-br-iii-itksp-kbrlt-kspvlschu-brv-schi-t-thyr-17-xiv-c-s-c-s-sphltkn-fsphot-image259325078.html
RMW1W7NX–Archive image from page 598 of Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena denkschriftender47medi Year: 1879 ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. 60 N. md. e. VII. -61 H. md. o. 62IA.bg. .'-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot.
Carpet with Triple-Arch Design. Dimensions: Rug: L. 68 in. (172.7 cm) W. 50 in. (127 cm) Mount: L. 71 in. (180.3 cm) W. 53 3/4 in. (136.5 cm) D. 3 5/8 in. (9.2 cm) Wt. 120 lbs. (54.4 kg). Date: ca. 1575-90. This carefully drawn, subtly colored carpet is among the finest of all Ottoman weavings. One of the earliest carpets to include a triple-arched gateway, its design probably originated in the Ottoman imperial workshop. The hanging lamp in the center arch recalls verses from the Qur'an that liken God to the light of a lamp, placed within a niche. The combination of this carpet's ima Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carpet-with-triple-arch-design-dimensions-rug-l-68-in-1727-cm-w-50-in-127-cm-mount-l-71-in-1803-cm-w-53-34-in-1365-cm-d-3-58-in-92-cm-wt-120-lbs-544-kg-date-ca-1575-90-this-carefully-drawn-subtly-colored-carpet-is-among-the-finest-of-all-ottoman-weavings-one-of-the-earliest-carpets-to-include-a-triple-arched-gateway-its-design-probably-originated-in-the-ottoman-imperial-workshop-the-hanging-lamp-in-the-center-arch-recalls-verses-from-the-quran-that-liken-god-to-the-light-of-a-lamp-placed-within-a-niche-the-combination-of-this-carpets-ima-image212896069.html
RMPAA731–Carpet with Triple-Arch Design. Dimensions: Rug: L. 68 in. (172.7 cm) W. 50 in. (127 cm) Mount: L. 71 in. (180.3 cm) W. 53 3/4 in. (136.5 cm) D. 3 5/8 in. (9.2 cm) Wt. 120 lbs. (54.4 kg). Date: ca. 1575-90. This carefully drawn, subtly colored carpet is among the finest of all Ottoman weavings. One of the earliest carpets to include a triple-arched gateway, its design probably originated in the Ottoman imperial workshop. The hanging lamp in the center arch recalls verses from the Qur'an that liken God to the light of a lamp, placed within a niche. The combination of this carpet's ima
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 8.83 g, 7:00, 27 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-883-g-700-27mm-roman-1st-century-ad-numismatics-image393185457.html
RM2DRK41N–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 8.83 g, 7:00, 27 mm, Roman, 1st century A.D., Numismatics
Three girls with dolls Three girls play with dolls. A girl holds a doll in her hands. In addition to her play the other two girls with a pop. Manufacturer : printmaker Pieter de Mare to drawing: Christina Chalon Place manufacture: Leiden Date: 1777 - 1779 Physical features: etching; proofing material: paper Technique: etching dimensions: sheet: b 54 mm × H 68 mmToelichtingProefdruk of book illustration for: Johannes Le Francq of Berkhey. Alluding gedigjes, the witty prints etched by Pieter de Mare, after the drawings by Christina Chalon, held in the collection of (...) H. A. Dibbets. Leiden: D Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-girls-with-dolls-three-girls-play-with-dolls-a-girl-holds-a-doll-in-her-hands-in-addition-to-her-play-the-other-two-girls-with-a-pop-manufacturer-printmaker-pieter-de-mare-to-drawing-christina-chalon-place-manufacture-leiden-date-1777-1779-physical-features-etching-proofing-material-paper-technique-etching-dimensions-sheet-b-54-mm-h-68-mmtoelichtingproefdruk-of-book-illustration-for-johannes-le-francq-of-berkhey-alluding-gedigjes-the-witty-prints-etched-by-pieter-de-mare-after-the-drawings-by-christina-chalon-held-in-the-collection-of-h-a-dibbets-leiden-d-image348319397.html
RM2B6K8XD–Three girls with dolls Three girls play with dolls. A girl holds a doll in her hands. In addition to her play the other two girls with a pop. Manufacturer : printmaker Pieter de Mare to drawing: Christina Chalon Place manufacture: Leiden Date: 1777 - 1779 Physical features: etching; proofing material: paper Technique: etching dimensions: sheet: b 54 mm × H 68 mmToelichtingProefdruk of book illustration for: Johannes Le Francq of Berkhey. Alluding gedigjes, the witty prints etched by Pieter de Mare, after the drawings by Christina Chalon, held in the collection of (...) H. A. Dibbets. Leiden: D
Portrait of Johanna Ferdinanda van Collen, Wife or Salomon Rendorp, Portrait of Johanna Ferdinanda van Collen (1774-1833), wife of Salomon Rendorp. Bust in oval, turned to the left., Johann Friedrich August Tischbein, 1793, canvas, oil paint (paint), h 68.4 cm × w 54.1 cm × t 3.4 cm d 8.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johanna-ferdinanda-van-collen-wife-or-salomon-rendorp-portrait-of-johanna-ferdinanda-van-collen-1774-1833-wife-of-salomon-rendorp-bust-in-oval-turned-to-the-left-johann-friedrich-august-tischbein-1793-canvas-oil-paint-paint-h-684-cm-w-541-cm-t-34-cm-d-85-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350013377.html
RF2B9CDHN–Portrait of Johanna Ferdinanda van Collen, Wife or Salomon Rendorp, Portrait of Johanna Ferdinanda van Collen (1774-1833), wife of Salomon Rendorp. Bust in oval, turned to the left., Johann Friedrich August Tischbein, 1793, canvas, oil paint (paint), h 68.4 cm × w 54.1 cm × t 3.4 cm d 8.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Quadrans from Rome. Mint: Rome Artist: Unknown Magistrate: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quadrans-fromrome-mint-rome-artist-unknown-magistrate-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-image463232821.html
RM2HWJ259–Quadrans from Rome. Mint: Rome Artist: Unknown Magistrate: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68
Introduction to classical Latin literature . s, 41- ^ • 54 A.D. the imperial throne made some form of mad- Nero, 54- ness almost inevitable. More probably licen- 68 A.D. tiousness, and indulgence generally, had left a brand on the whole Julian line. There is, of course, awide diversity, from the lonely and deadly silence ofTiberius to the feverish versatility of Nero, yet the wholeeffect of their rule was oppressive, nay destructive, to any-thing like brilliant talent, or illustrious character, amongtheir obsequious subjects. Each of them, like Julius andAugustus, had some literary gift or tas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/introduction-to-classical-latin-literature-s-41-54-ad-the-imperial-throne-made-some-form-of-mad-nero-54-ness-almost-inevitable-more-probably-licen-68-ad-tiousness-and-indulgence-generally-had-left-a-brand-on-the-whole-julian-line-there-is-of-course-awide-diversity-from-the-lonely-and-deadly-silence-oftiberius-to-the-feverish-versatility-of-nero-yet-the-wholeeffect-of-their-rule-was-oppressive-nay-destructive-to-any-thing-like-brilliant-talent-or-illustrious-character-amongtheir-obsequious-subjects-each-of-them-like-julius-andaugustus-had-some-literary-gift-or-tas-image338130145.html
RM2AJ34CH–Introduction to classical Latin literature . s, 41- ^ • 54 A.D. the imperial throne made some form of mad- Nero, 54- ness almost inevitable. More probably licen- 68 A.D. tiousness, and indulgence generally, had left a brand on the whole Julian line. There is, of course, awide diversity, from the lonely and deadly silence ofTiberius to the feverish versatility of Nero, yet the wholeeffect of their rule was oppressive, nay destructive, to any-thing like brilliant talent, or illustrious character, amongtheir obsequious subjects. Each of them, like Julius andAugustus, had some literary gift or tas
Archive image from page 78 of The demand for selected deciduous. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels demandforselecte309kipe Year: 1970 8.00 7.50 c 0 -> u 7.00 4) D. <n L. 6.50 ro 'o 6.00 Q 5.50 5.00 F.O.B. pr Actual — Estimated J L -I L 1950 52 54 56 58 60 62 64 66 68 C rop yea r m V in m o c o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-78-of-the-demand-for-selected-deciduous-the-demand-for-selected-deciduous-tree-fruits-with-implications-for-alternative-1980-production-levels-demandforselecte309kipe-year-1970-800-750-c-0-gt-u-700-4-d-ltn-l-650-ro-o-600-q-550-500-fob-pr-actual-estimated-j-l-i-l-1950-52-54-56-58-60-62-64-66-68-c-rop-yea-r-m-v-in-m-o-c-o-image259294645.html
RMW1RTY1–Archive image from page 78 of The demand for selected deciduous. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels demandforselecte309kipe Year: 1970 8.00 7.50 c 0 -> u 7.00 4) D. <n L. 6.50 ro 'o 6.00 Q 5.50 5.00 F.O.B. pr Actual — Estimated J L -I L 1950 52 54 56 58 60 62 64 66 68 C rop yea r m V in m o c o
. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels. Fruit. 5.50 5.00 La 4.50 V a. U) 4.00 L. <D 3.50 Price, fresh freestone peaches (35) 3 in L.. <3 2.00 J- 1950 52 54 56 58 60 62 Crop year 64 66 68 0 X JL X X J 950 52 54 x 56 58 60 62 Crop year X J 64 66 68 Price, fresh nectarines ['-"] (36) Price, fresh plums P (37). Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the origi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-demand-for-selected-deciduous-tree-fruits-with-implications-for-alternative-1980-production-levels-fruit-550-500-la-450-v-a-u-400-l-ltd-350-price-fresh-freestone-peaches-35-3-in-l-lt3-200-j-1950-52-54-56-58-60-62-crop-year-64-66-68-0-x-jl-x-x-j-950-52-54-x-56-58-60-62-crop-year-x-j-64-66-68-price-fresh-nectarines-quot-36-price-fresh-plums-p-37-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-origi-image216213249.html
RMPFNA5N–. The demand for selected deciduous tree fruits with implications for alternative 1980 production levels. Fruit. 5.50 5.00 La 4.50 V a. U) 4.00 L. <D 3.50 Price, fresh freestone peaches (35) 3 in L.. <3 2.00 J- 1950 52 54 56 58 60 62 Crop year 64 66 68 0 X JL X X J 950 52 54 x 56 58 60 62 Crop year X J 64 66 68 Price, fresh nectarines ['-"] (36) Price, fresh plums P (37). Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the origi
Glass mosaic panel. Culture: Roman. Dimensions: H.: 17 x 1/4 x 10 in.. Date: mid-1st century A.D.. Since this revetment panel with its colorful floral design is said to have been found on the Palatine in Rome, it may have formed part of the interior decoration of one of the imperial palaces, perhaps even the Domus Aurea (Golden House) of the emperor Nero (r. A.D. 54-68). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-mosaic-panel-culture-roman-dimensions-h-17-x-14-x-10-in-date-mid-1st-century-ad-since-this-revetment-panel-with-its-colorful-floral-design-is-said-to-have-been-found-on-the-palatine-in-rome-it-may-have-formed-part-of-the-interior-decoration-of-one-of-the-imperial-palaces-perhaps-even-the-domus-aurea-golden-house-of-the-emperor-nero-r-ad-54-68-museum-metropolitan-museum-of-art-new-york-usa-image213195715.html
RMPARW8K–Glass mosaic panel. Culture: Roman. Dimensions: H.: 17 x 1/4 x 10 in.. Date: mid-1st century A.D.. Since this revetment panel with its colorful floral design is said to have been found on the Palatine in Rome, it may have formed part of the interior decoration of one of the imperial palaces, perhaps even the Domus Aurea (Golden House) of the emperor Nero (r. A.D. 54-68). Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 11.97 g, 6:00, 28.2 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-1197-g-600-282mm-roman-1st-century-ad-numismatics-image393187395.html
RM2DRK6EY–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 11.97 g, 6:00, 28.2 mm, Roman, 1st century A.D., Numismatics
God roept Adam en Eva ter verantwoording, SK-A-4918 God calls Adam and Eve in Paradise accountable. Right two lions, a left konijn. Manufacturer : artist: Adriaen van der Werff Date: 1717 Physical characteristics: oil on panel material: wood oil Dimensions: H 55.7 cm. (Panel size) b × 41.1 cm. (Panel size) × d 4 cm. (Panel size) × h 68 cm. (Including the list) b × 54 cm. (Including frame) Subject: Adam and Eve reproved by God Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/god-roept-adam-en-eva-ter-verantwoording-sk-a-4918-god-calls-adam-and-eve-in-paradise-accountable-right-two-lions-a-left-konijn-manufacturer-artist-adriaen-van-der-werff-date-1717-physical-characteristics-oil-on-panel-material-wood-oil-dimensions-h-557-cm-panel-size-b-411-cm-panel-size-d-4-cm-panel-size-h-68-cm-including-the-list-b-54-cm-including-frame-subject-adam-and-eve-reproved-by-god-image348415782.html
RM2B6RKTP–God roept Adam en Eva ter verantwoording, SK-A-4918 God calls Adam and Eve in Paradise accountable. Right two lions, a left konijn. Manufacturer : artist: Adriaen van der Werff Date: 1717 Physical characteristics: oil on panel material: wood oil Dimensions: H 55.7 cm. (Panel size) b × 41.1 cm. (Panel size) × d 4 cm. (Panel size) × h 68 cm. (Including the list) b × 54 cm. (Including frame) Subject: Adam and Eve reproved by God
Table, round, design by Jan de Meijer, design by Jan de Meijer. On the table is a loose glass plate with a white, star-shaped crocheted dress underneath., Jan de Meijer, Netherlands, 1925 - 1929, walnut (hardwood), elm (wood), glass, yarn, h 63.5 cm d 74 cm d 68 cm d 54 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-round-design-by-jan-de-meijer-design-by-jan-de-meijer-on-the-table-is-a-loose-glass-plate-with-a-white-star-shaped-crocheted-dress-underneath-jan-de-meijer-netherlands-1925-1929-walnut-hardwood-elm-wood-glass-yarn-h-635-cm-d-74-cm-d-68-cm-d-54-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349955764.html
RF2B99T44–Table, round, design by Jan de Meijer, design by Jan de Meijer. On the table is a loose glass plate with a white, star-shaped crocheted dress underneath., Jan de Meijer, Netherlands, 1925 - 1929, walnut (hardwood), elm (wood), glass, yarn, h 63.5 cm d 74 cm d 68 cm d 54 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Coin from Anazarbus. Mint: Anazarbus Artist: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-fromanazarbus-mint-anazarbus-artist-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-artist-unknown-image463224804.html
RM2HWHKY0–Coin from Anazarbus. Mint: Anazarbus Artist: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Artist: Unknown
The geology of the northern part of the English lake districtQuarter sheet 101 SE(Including sheets 63, 64, 69, 70, 71, 76, and portions of 54, 55, 56, 57, 62, 65, 68, 73, 74, 75, Cumberland, and 12, 18, 19, Westmoreland, on the scale of six inches to a mile) . d mostlikely at the very period of metamorphism {see previous remarkson Quartz Veins, page 6). It seems probable, in the presentinstance, that the partial foliation was produced by metamorphismafter the cleavage had been eifected by lateral pressure, or thatit was an extension of the same process, and hence the former tookplace mostly al Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-geology-of-the-northern-part-of-the-english-lake-districtquarter-sheet-101-seincluding-sheets-63-64-69-70-71-76-and-portions-of-54-55-56-57-62-65-68-73-74-75-cumberland-and-12-18-19-westmoreland-on-the-scale-of-six-inches-to-a-mile-d-mostlikely-at-the-very-period-of-metamorphism-see-previous-remarkson-quartz-veins-page-6-it-seems-probable-in-the-presentinstance-that-the-partial-foliation-was-produced-by-metamorphismafter-the-cleavage-had-been-eifected-by-lateral-pressure-or-thatit-was-an-extension-of-the-same-process-and-hence-the-former-tookplace-mostly-al-image340158631.html
RM2ANBFPF–The geology of the northern part of the English lake districtQuarter sheet 101 SE(Including sheets 63, 64, 69, 70, 71, 76, and portions of 54, 55, 56, 57, 62, 65, 68, 73, 74, 75, Cumberland, and 12, 18, 19, Westmoreland, on the scale of six inches to a mile) . d mostlikely at the very period of metamorphism {see previous remarkson Quartz Veins, page 6). It seems probable, in the presentinstance, that the partial foliation was produced by metamorphismafter the cleavage had been eifected by lateral pressure, or thatit was an extension of the same process, and hence the former tookplace mostly al
Ecological investigations of the tundra Ecological investigations of the tundra biome in the Prudhoe Bay region, Alaska . ecologicalinvest00brow Year: 1975 56 48 68+4 59+3 ,.56±3 Mean 62 54 41 33 62 55 Reindeer 24+0.3 39±2 32±3 28±5 entire gametophyte entire gametophyte entire gametophyte Esophageal egesta iS â Eriophorum meadow reindeer No. 10 â â 62+0.2 Eriophorum meadow reindeer No. 12 11 49±1.4 Dryas heath reindeer No. 12 11 49±3.3 Dupontia brook bank reindeer No. 31 »a ra 50±D.6 combined reindeer 37+2.2 caribou C2 wmKm â K caribou C3 ; HHI ^ 43+1.6 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ecological-investigations-of-the-tundra-ecological-investigations-of-the-tundra-biome-in-the-prudhoe-bay-region-alaska-ecologicalinvest00brow-year-1975-56-48-684-593-563-mean-62-54-41-33-62-55-reindeer-2403-392-323-285-entire-gametophyte-entire-gametophyte-entire-gametophyte-esophageal-egesta-is-eriophorum-meadow-reindeer-no-10-6202-eriophorum-meadow-reindeer-no-12-11-4914-dryas-heath-reindeer-no-12-11-4933-dupontia-brook-bank-reindeer-no-31-a-ra-50d6-combined-reindeer-3722-caribou-c2-wmkm-k-caribou-c3-hhi-4316-image240873803.html
RMRYTMYR–Ecological investigations of the tundra Ecological investigations of the tundra biome in the Prudhoe Bay region, Alaska . ecologicalinvest00brow Year: 1975 56 48 68+4 59+3 ,.56±3 Mean 62 54 41 33 62 55 Reindeer 24+0.3 39±2 32±3 28±5 entire gametophyte entire gametophyte entire gametophyte Esophageal egesta iS â Eriophorum meadow reindeer No. 10 â â 62+0.2 Eriophorum meadow reindeer No. 12 11 49±1.4 Dryas heath reindeer No. 12 11 49±3.3 Dupontia brook bank reindeer No. 31 »a ra 50±D.6 combined reindeer 37+2.2 caribou C2 wmKm â K caribou C3 ; HHI ^ 43+1.6
. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. . ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. ^60 N. md. e. VII. -61 H. md. o. 62IA.bg. ."-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. 12 A For.hypot. U S For. hypot. 4 I. Schi. 1.16 5I.Arl.bg. / 6 Pr.ot.P.Q.. Please note that these images are extracted from Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-54-rimdv-55-cav-art-56-thyr-kn-art-thyr-lg-h-md-9-i-schi-t-60-n-md-e-vii-61-h-md-o-62iabg-quot-63-r-hg-64-ker-hg-65-mlbri-kerbr-i-67-iiksp-68-m-lev-br-il-69-arteffbril-70-m-i-br-iii-71-m-i-br-iv-2-mdphclbr-73-a-ff-br-iii-itksp-kbrlt-kspvlschu-brv-schi-t-thyr-17-xiv-c-s-c-s-sphltkn-fsphot-12-a-forhypot-u-s-for-hypot-4-i-schi-116-5iarlbg-6-protpq-please-note-that-these-images-are-extracted-from-image216060307.html
RMPFEB3F–. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. . ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. ^60 N. md. e. VII. -61 H. md. o. 62IA.bg. ."-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. 12 A For.hypot. U S For. hypot. 4 I. Schi. 1.16 5I.Arl.bg. / 6 Pr.ot.P.Q.. Please note that these images are extracted from
The Adoration of the Magi. Artist: Netherlandish (Antwerp Mannerist) Painter (ca. 1520). Dimensions: 27 1/8 x 21 1/2 in. (68.9 x 54.6 cm). The Adoration of the Magi was a favorite theme in Antwerp Mannerist painting, which emerged in the first quarter of the sixteenth century and is characterized by its extravagant and theatrical style. Showing a preference for flamboyant gestures, exotic costumes, and eccentric color effects, works such as the present picture were frequently mass-produced for sale on Antwerp's open art market and for export to southern Europe. The setting, with the crumbling Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-magi-artist-netherlandish-antwerp-mannerist-painter-ca-1520-dimensions-27-18-x-21-12-in-689-x-546-cm-the-adoration-of-the-magi-was-a-favorite-theme-in-antwerp-mannerist-painting-which-emerged-in-the-first-quarter-of-the-sixteenth-century-and-is-characterized-by-its-extravagant-and-theatrical-style-showing-a-preference-for-flamboyant-gestures-exotic-costumes-and-eccentric-color-effects-works-such-as-the-present-picture-were-frequently-mass-produced-for-sale-on-antwerps-open-art-market-and-for-export-to-southern-europe-the-setting-with-the-crumbling-image212905338.html
RMPAAJX2–The Adoration of the Magi. Artist: Netherlandish (Antwerp Mannerist) Painter (ca. 1520). Dimensions: 27 1/8 x 21 1/2 in. (68.9 x 54.6 cm). The Adoration of the Magi was a favorite theme in Antwerp Mannerist painting, which emerged in the first quarter of the sixteenth century and is characterized by its extravagant and theatrical style. Showing a preference for flamboyant gestures, exotic costumes, and eccentric color effects, works such as the present picture were frequently mass-produced for sale on Antwerp's open art market and for export to southern Europe. The setting, with the crumbling
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 23.44 g, 7:00, 34.9 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-sestertius-of-nero-emperor-of-rome-fromrome-65-orichalcum-2344-g-700-349mm-roman-1st-century-ad-numismatics-image393185451.html
RM2DRK41F–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 23.44 g, 7:00, 34.9 mm, Roman, 1st century A.D., Numismatics
Johanna Ferdinanda van Collen (1774-1833) Echtgenote van Salomon Rendorp, SK-A-2415 Portrait of Johanna Ferdinanda Collen (1774-1833), wife of Solomon Rendorp. Bust used in oval to the left. Pendant of SK-A-2414. Manufacturer : painter: Johann Friedrich August Tischbein Dating: 1793 Physical characteristics: oil on canvas material: cloth oil Dimensions: carrier: h 68.4 cm. B × 54.1 cm. D × 3.4 cm. (Incl rear protection.) Outer size: 8.5 cm d. (Carrier including SK-L-4000.) Subject: historical persons - BB - womanWie: Johanna Ferdinanda Rendorp-Collen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johanna-ferdinanda-van-collen-1774-1833-echtgenote-van-salomon-rendorp-sk-a-2415-portrait-of-johanna-ferdinanda-collen-1774-1833-wife-of-solomon-rendorp-bust-used-in-oval-to-the-left-pendant-of-sk-a-2414-manufacturer-painter-johann-friedrich-august-tischbein-dating-1793-physical-characteristics-oil-on-canvas-material-cloth-oil-dimensions-carrier-h-684-cm-b-541-cm-d-34-cm-incl-rear-protection-outer-size-85-cm-d-carrier-including-sk-l-4000-subject-historical-persons-bb-womanwie-johanna-ferdinanda-rendorp-collen-image348462950.html
RM2B6WT1A–Johanna Ferdinanda van Collen (1774-1833) Echtgenote van Salomon Rendorp, SK-A-2415 Portrait of Johanna Ferdinanda Collen (1774-1833), wife of Solomon Rendorp. Bust used in oval to the left. Pendant of SK-A-2414. Manufacturer : painter: Johann Friedrich August Tischbein Dating: 1793 Physical characteristics: oil on canvas material: cloth oil Dimensions: carrier: h 68.4 cm. B × 54.1 cm. D × 3.4 cm. (Incl rear protection.) Outer size: 8.5 cm d. (Carrier including SK-L-4000.) Subject: historical persons - BB - womanWie: Johanna Ferdinanda Rendorp-Collen
Field of twenty tiles with flower pots, Field of twenty tiles (4 x 5) each with a multicolored (blue, orange, green and yellow) flower pot within a squared frame. In the corners, ornament in filling technique., anonymous, Netherlands, c. 1580 - c. 1625, earthenware, tin glaze, h 54 cm × w 68 cm × d 2.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/field-of-twenty-tiles-with-flower-pots-field-of-twenty-tiles-4-x-5-each-with-a-multicolored-blue-orange-green-and-yellow-flower-pot-within-a-squared-frame-in-the-corners-ornament-in-filling-technique-anonymous-netherlands-c-1580-c-1625-earthenware-tin-glaze-h-54-cm-w-68-cm-d-25-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349950340.html
RF2B99H6C–Field of twenty tiles with flower pots, Field of twenty tiles (4 x 5) each with a multicolored (blue, orange, green and yellow) flower pot within a squared frame. In the corners, ornament in filling technique., anonymous, Netherlands, c. 1580 - c. 1625, earthenware, tin glaze, h 54 cm × w 68 cm × d 2.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Sestertius of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sestertius-of-nero-emperor-of-rome-fromrome-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-image463171209.html
RM2HWF7GW–Sestertius of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome
www.flickr.com/photos/internetarchivebookimages/tags/book... . imaeus (Plut. Tim. 10 ;Diod. xvi. 7, 68).—2. Of Crete, physician to theemperor Nero, a.d. 54-68 ; was the first personon whom the title of Arehiater was conferred,and was celebrated as the inventor of a famouscompound medicine and antidote called Theri-aca Andromachi, which retains its place insome foreign Pharmacopoeias to the presentday. Andromachus has left the directions formaking this mixture in a Greek elegiac poem,consisting of 174 lines, edited by Tidicaeus,Tiguri, 1607, and Leinker, Norimb. 1754 ; Kiihn,1826. Andromeda (Av Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wwwflickrcomphotosinternetarchivebookimagestagsbook-imaeus-plut-tim-10-diod-xvi-7-682-of-crete-physician-to-theemperor-nero-ad-54-68-was-the-first-personon-whom-the-title-of-arehiater-was-conferredand-was-celebrated-as-the-inventor-of-a-famouscompound-medicine-and-antidote-called-theri-aca-andromachi-which-retains-its-place-insome-foreign-pharmacopoeias-to-the-presentday-andromachus-has-left-the-directions-formaking-this-mixture-in-a-greek-elegiac-poemconsisting-of-174-lines-edited-by-tidicaeustiguri-1607-and-leinker-norimb-1754-kiihn1826-andromeda-av-image338495265.html
RM2AJKP4H–www.flickr.com/photos/internetarchivebookimages/tags/book... . imaeus (Plut. Tim. 10 ;Diod. xvi. 7, 68).—2. Of Crete, physician to theemperor Nero, a.d. 54-68 ; was the first personon whom the title of Arehiater was conferred,and was celebrated as the inventor of a famouscompound medicine and antidote called Theri-aca Andromachi, which retains its place insome foreign Pharmacopoeias to the presentday. Andromachus has left the directions formaking this mixture in a Greek elegiac poem,consisting of 174 lines, edited by Tidicaeus,Tiguri, 1607, and Leinker, Norimb. 1754 ; Kiihn,1826. Andromeda (Av
. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. ^60 N. md. e. VII. -61 H. md. o. 62IA.bg. ."-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. 12 A For.hypot. U S For. hypot. 4 I. Schi. 1.16 5I.Arl.bg. / 6 Pr.ot.P.Q.. Sph. lt. kn. ,8 F. sph. tr. 1.9 Art. orb. 10 Art. o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/denkschriften-der-medicinisch-naturwissenschaftlichen-gesellschaft-zu-jena-54-rimdv-55-cav-art-56-thyr-kn-art-thyr-lg-h-md-9-i-schi-t-60-n-md-e-vii-61-h-md-o-62iabg-quot-63-r-hg-64-ker-hg-65-mlbri-kerbr-i-67-iiksp-68-m-lev-br-il-69-arteffbril-70-m-i-br-iii-71-m-i-br-iv-2-mdphclbr-73-a-ff-br-iii-itksp-kbrlt-kspvlschu-brv-schi-t-thyr-17-xiv-c-s-c-s-sphltkn-fsphot-12-a-forhypot-u-s-for-hypot-4-i-schi-116-5iarlbg-6-protpq-sph-lt-kn-8-f-sph-tr-19-art-orb-10-art-o-image216060303.html
RMPFEB3B–. Denkschriften der Medicinisch-Naturwissenschaftlichen Gesellschaft zu Jena. ...-54 R.i.md.V. .55 Cav. art. 56 Thyr. Kn. ' Art thyr. Lg. h. md. 9 I. Schi. t. ^60 N. md. e. VII. -61 H. md. o. 62IA.bg. ."-63 R. hg. 64 Ker. hg. '-65 M.l.br.I. Ker.br. I. 67 II.K.sp. 68 M. lev. br. IL. 69 Art.eff.br.il. 70 M. I. br. III. â 71 M. I br. IV. 2 M.d.ph.cl.br. 73 A. äff. br. III. IT.K.sp. K.br.LT. K.sp.(VLSchU) br.V Schi. t. Thyr. 17 XIV C. s. c. s 'â Sph.lt.kn. F.sph.ot. 12 A For.hypot. U S For. hypot. 4 I. Schi. 1.16 5I.Arl.bg. / 6 Pr.ot.P.Q.. Sph. lt. kn. ,8 F. sph. tr. 1.9 Art. orb. 10 Art. o
Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse]. Dimensions: overall (diameter): 3.55 cm (1 3/8 in.) gross weight: 24.07 gr (0.053 lb.) axis: 7:00. Medium: bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Giovanni da Cavino. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nero-ad-37-68-roman-emperor-ad-54-obverse-dimensions-overall-diameter-355-cm-1-38-in-gross-weight-2407-gr-0053-lb-axis-700-medium-bronzestruck-museum-national-gallery-of-art-washington-dc-author-giovanni-da-cavino-image225634236.html
RMR32ENG–Nero, A.D. 37-68, Roman Emperor A.D. 54 [obverse]. Dimensions: overall (diameter): 3.55 cm (1 3/8 in.) gross weight: 24.07 gr (0.053 lb.) axis: 7:00. Medium: bronze//Struck. Museum: National Gallery of Art, Washington DC. Author: Giovanni da Cavino.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 23.89 g, 6:00, 35.4 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-sestertius-of-nero-emperor-of-rome-fromrome-66-orichalcum-2389-g-600-354mm-roman-1st-century-ad-numismatics-image393187406.html
RM2DRK6FA–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 23.89 g, 6:00, 35.4 mm, Roman, 1st century A.D., Numismatics
Birdcage, Cylindrical birdcage with a support ring. There are two smooth horizontal bands around the cage, to which four vertical, profiled bars are attached. These rods form the legs of the cage at the bottom and extend to the top edge of the cage. A bird is sitting on a stick in the cage. The cage has a small door and is marked: stk. = Amsterdam and mt. = Willem van Strant., Willem van Strant, Amsterdam, after 1727 - before 1742, silver (metal), h 7.4 cm × d 4.9 cm × w 68.54 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/birdcage-cylindrical-birdcage-with-a-support-ring-there-are-two-smooth-horizontal-bands-around-the-cage-to-which-four-vertical-profiled-bars-are-attached-these-rods-form-the-legs-of-the-cage-at-the-bottom-and-extend-to-the-top-edge-of-the-cage-a-bird-is-sitting-on-a-stick-in-the-cage-the-cage-has-a-small-door-and-is-marked-stk-=-amsterdam-and-mt-=-willem-van-strant-willem-van-strant-amsterdam-after-1727-before-1742-silver-metal-h-74-cm-d-49-cm-w-6854-gr-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-image349956797.html
RF2B99WD1–Birdcage, Cylindrical birdcage with a support ring. There are two smooth horizontal bands around the cage, to which four vertical, profiled bars are attached. These rods form the legs of the cage at the bottom and extend to the top edge of the cage. A bird is sitting on a stick in the cage. The cage has a small door and is marked: stk. = Amsterdam and mt. = Willem van Strant., Willem van Strant, Amsterdam, after 1727 - before 1742, silver (metal), h 7.4 cm × d 4.9 cm × w 68.54 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented
Coin of Nero, Emperor of Rome from Abdera. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Abdera Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-of-nero-emperor-of-rome-fromabdera-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-abdera-image463110053.html
RM2HWCDGN–Coin of Nero, Emperor of Rome from Abdera. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Abdera
www.flickr.com/photos/internetarchivebookimages/tags/book... . n- Agrippina lived, she used all her arts to urgedered by her husband, being then six months Nero to put his mother to death. Accordinglygone with child of her second son Drusus. in 59 Agrippina was assassinated by NerosNero died shortly after, and left Octavian the order, with the approbation at leabt of Senecaguardian of his two sons. (Tac. Ann. i. 10, v. 1; and Burrhus, who saw that the time was comeDio Cass, xlviii. 44.) ] for the destruction either of the mother or the Nero. 1. Roman emperor, a.d. 54-68, was son. (Tac. Ann. xi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wwwflickrcomphotosinternetarchivebookimagestagsbook-n-agrippina-lived-she-used-all-her-arts-to-urgedered-by-her-husband-being-then-six-months-nero-to-put-his-mother-to-death-accordinglygone-with-child-of-her-second-son-drusus-in-59-agrippina-was-assassinated-by-nerosnero-died-shortly-after-and-left-octavian-the-order-with-the-approbation-at-leabt-of-senecaguardian-of-his-two-sons-tac-ann-i-10-v-1-and-burrhus-who-saw-that-the-time-was-comedio-cass-xlviii-44-for-the-destruction-either-of-the-mother-or-the-nero-1-roman-emperor-ad-54-68-was-son-tac-ann-xi-image338418601.html
RM2AJG8AH–www.flickr.com/photos/internetarchivebookimages/tags/book... . n- Agrippina lived, she used all her arts to urgedered by her husband, being then six months Nero to put his mother to death. Accordinglygone with child of her second son Drusus. in 59 Agrippina was assassinated by NerosNero died shortly after, and left Octavian the order, with the approbation at leabt of Senecaguardian of his two sons. (Tac. Ann. i. 10, v. 1; and Burrhus, who saw that the time was comeDio Cass, xlviii. 44.) ] for the destruction either of the mother or the Nero. 1. Roman emperor, a.d. 54-68, was son. (Tac. Ann. xi
Section of the Dream Diary (Yume no ki). Artist: Myoe Koben (Japanese, 1173-1232). Culture: Japan. Dimensions: Image: 13 1/4 x 21 5/8 in. (33.7 x 54.9 cm) Overall with mounting: 48 x 27 in. (121.9 x 68.6 cm) Overall with knobs: 48 x 29 1/8 in. (121.9 x 74 cm). Date: dated 1225. This long text is written in Chinese characters mixed with Japanese syllables, called katakana for their inflected verb endings. Katakana originally functioned as a mnemonic device used primarily by monks, but it became a popular form of writing among both scholars and monks of the Kamakura and later periods. This l Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/section-of-the-dream-diary-yume-no-ki-artist-myoe-koben-japanese-1173-1232-culture-japan-dimensions-image-13-14-x-21-58-in-337-x-549-cm-overall-with-mounting-48-x-27-in-1219-x-686-cm-overall-with-knobs-48-x-29-18-in-1219-x-74-cm-date-dated-1225-this-long-text-is-written-in-chinese-characters-mixed-with-japanese-syllables-called-katakana-for-their-inflected-verb-endings-katakana-originally-functioned-as-a-mnemonic-device-used-primarily-by-monks-but-it-became-a-popular-form-of-writing-among-both-scholars-and-monks-of-the-kamakura-and-later-periods-this-l-image213148774.html
RMPANNC6–Section of the Dream Diary (Yume no ki). Artist: Myoe Koben (Japanese, 1173-1232). Culture: Japan. Dimensions: Image: 13 1/4 x 21 5/8 in. (33.7 x 54.9 cm) Overall with mounting: 48 x 27 in. (121.9 x 68.6 cm) Overall with knobs: 48 x 29 1/8 in. (121.9 x 74 cm). Date: dated 1225. This long text is written in Chinese characters mixed with Japanese syllables, called katakana for their inflected verb endings. Katakana originally functioned as a mnemonic device used primarily by monks, but it became a popular form of writing among both scholars and monks of the Kamakura and later periods. This l
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Dupondius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 12.96 g, 6:00, 29.8 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-dupondius-of-nero-emperor-of-rome-fromrome-65-orichalcum-1296-g-600-298mm-roman-1st-century-ad-numismatics-image393187944.html
RM2DRK76G–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Dupondius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 12.96 g, 6:00, 29.8 mm, Roman, 1st century A.D., Numismatics
Cornelis Sebille Roos (1754-1820), Amsterdam Art Dealer and Keeper of the National Konst Gallery at Huis ten Bosch, The Hague, Portrait of Cornelis Sebille Roos. Art buyer and broker in Amsterdam and inspector of the National Konst Gallery at Huis ten Bosch in The Hague. Bust, to the right, smiling, historical persons, Cornelis Sebille Roos (publisher), Adriaan de Lelie (mentioned on object), 1815, canvas, oil paint (paint), h 68 cm × w 54.3 cm d 9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photogr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cornelis-sebille-roos-1754-1820-amsterdam-art-dealer-and-keeper-of-the-national-konst-gallery-at-huis-ten-bosch-the-hague-portrait-of-cornelis-sebille-roos-art-buyer-and-broker-in-amsterdam-and-inspector-of-the-national-konst-gallery-at-huis-ten-bosch-in-the-hague-bust-to-the-right-smiling-historical-persons-cornelis-sebille-roos-publisher-adriaan-de-lelie-mentioned-on-object-1815-canvas-oil-paint-paint-h-68-cm-w-543-cm-d-9-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photogr-image350014280.html
RF2B9CEP0–Cornelis Sebille Roos (1754-1820), Amsterdam Art Dealer and Keeper of the National Konst Gallery at Huis ten Bosch, The Hague, Portrait of Cornelis Sebille Roos. Art buyer and broker in Amsterdam and inspector of the National Konst Gallery at Huis ten Bosch in The Hague. Bust, to the right, smiling, historical persons, Cornelis Sebille Roos (publisher), Adriaan de Lelie (mentioned on object), 1815, canvas, oil paint (paint), h 68 cm × w 54.3 cm d 9 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photogr
Tetradrachm of Nero, Emperor of Rome from Alexandria. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Alexandria Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tetradrachm-of-nero-emperor-of-rome-fromalexandria-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-alexandria-image463171793.html
RM2HWF89N–Tetradrachm of Nero, Emperor of Rome from Alexandria. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Alexandria
History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . ôO. ^ Great bronzp of the Cabinet de France. Tac, Ann., xiv. ôT-ôO. * Ibid., <iU-64. NERO, 13 OCTOBER, 54 A.D. TO 9 JUNE, 68 A.D. 501 iudifîerence, aud (ispecially tke women, who regarded coujugal infidelity as far more shocking than any civil crime, were much attached to this daughter of Claudius, whose mother and father and brother had been murdered, aud who, at the .age of twenty, was iuav driven from her throne by a woman of the vilest character. When news of this spread tlirough the streets of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-o-great-bronzp-of-the-cabinet-de-france-tac-ann-xiv-t-o-ibid-ltiu-64-nero-13-october-54-ad-to-9-june-68-ad-501-iudiference-aud-ispecially-tke-women-who-regarded-coujugal-infidelity-as-far-more-shocking-than-any-civil-crime-were-much-attached-to-this-daughter-of-claudius-whose-mother-and-father-and-brother-had-been-murdered-aud-who-at-the-age-of-twenty-was-iuav-driven-from-her-throne-by-a-woman-of-the-vilest-character-when-news-of-this-spread-tlirough-the-streets-of-image338250205.html
RM2AJ8HGD–History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . ôO. ^ Great bronzp of the Cabinet de France. Tac, Ann., xiv. ôT-ôO. * Ibid., <iU-64. NERO, 13 OCTOBER, 54 A.D. TO 9 JUNE, 68 A.D. 501 iudifîerence, aud (ispecially tke women, who regarded coujugal infidelity as far more shocking than any civil crime, were much attached to this daughter of Claudius, whose mother and father and brother had been murdered, aud who, at the .age of twenty, was iuav driven from her throne by a woman of the vilest character. When news of this spread tlirough the streets of
Nero (37 Ð 68). Was Roman Emperor from 54 to 68, and the last in the Julio-Claudian dynasty. Nero was adopted by his great uncle Claudius. Bust. Glyptothek. Munich. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nero-37-68-was-roman-emperor-from-54-to-68-and-the-last-in-the-julio-claudian-dynasty-nero-was-adopted-by-his-great-uncle-claudius-bust-glyptothek-munich-germany-image210141155.html
RMP5TN57–Nero (37 Ð 68). Was Roman Emperor from 54 to 68, and the last in the Julio-Claudian dynasty. Nero was adopted by his great uncle Claudius. Bust. Glyptothek. Munich. Germany.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.97 g, 7:00, 26.8 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-997-g-700-268mm-roman-1st-century-ad-numismatics-image393187427.html
RM2DRK6G3–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.97 g, 7:00, 26.8 mm, Roman, 1st century A.D., Numismatics
God Holds Adam and Eve Responsible, God calls Adam and Eve to account in Paradise. On the right two lions, on the left a rabbit, Adam and Eve reproved by God, Adriaen van der Werff, 1717, wood (plant material), oil paint (paint), h 55.7 cm × w 41.1 cm × d 4 cm × h 68 cm × w 54 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/god-holds-adam-and-eve-responsible-god-calls-adam-and-eve-to-account-in-paradise-on-the-right-two-lions-on-the-left-a-rabbit-adam-and-eve-reproved-by-god-adriaen-van-der-werff-1717-wood-plant-material-oil-paint-paint-h-557-cm-w-411-cm-d-4-cm-h-68-cm-w-54-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350016831.html
RF2B9CJ13–God Holds Adam and Eve Responsible, God calls Adam and Eve to account in Paradise. On the right two lions, on the left a rabbit, Adam and Eve reproved by God, Adriaen van der Werff, 1717, wood (plant material), oil paint (paint), h 55.7 cm × w 41.1 cm × d 4 cm × h 68 cm × w 54 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/didrachm-of-nero-emperor-of-rome-fromcaesarea-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-caesareia-cappadocia-image463139657.html
RM2HWDRA1–Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia
Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig. 51.—BACILE. Maiolica. Red body. The oraament drawn inmanganese: the hair is painted yellow, the veil manganese, the top ofthe bodice is gi-een. The conventional pattern on the sides and rim ispainted in green, manganese, and jellow. The rim is pierced forstrmg. D. 45 cm. South Kensington Museum. 54. Fio. 52.—BACILE. This and on to fig. 68 are Maiolica, red body, andhave the ornament drawn in manganese. The hare is painted in man-ganese, the artichoke in yellow and green, the rosettes and dots in thesame colours. T Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oak-leaf-jars-a-fifteenth-century-italian-ware-showing-moresco-influence-fig-51bacile-maiolica-red-body-the-oraament-drawn-inmanganese-the-hair-is-painted-yellow-the-veil-manganese-the-top-ofthe-bodice-is-gi-een-the-conventional-pattern-on-the-sides-and-rim-ispainted-in-green-manganese-and-jellow-the-rim-is-pierced-forstrmg-d-45-cm-south-kensington-museum-54-fio-52bacile-this-and-on-to-fig-68-are-maiolica-red-body-andhave-the-ornament-drawn-in-manganese-the-hare-is-painted-in-man-ganese-the-artichoke-in-yellow-and-green-the-rosettes-and-dots-in-thesame-colours-t-image339460101.html
RM2AM7MR1–Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig. 51.—BACILE. Maiolica. Red body. The oraament drawn inmanganese: the hair is painted yellow, the veil manganese, the top ofthe bodice is gi-een. The conventional pattern on the sides and rim ispainted in green, manganese, and jellow. The rim is pierced forstrmg. D. 45 cm. South Kensington Museum. 54. Fio. 52.—BACILE. This and on to fig. 68 are Maiolica, red body, andhave the ornament drawn in manganese. The hare is painted in man-ganese, the artichoke in yellow and green, the rosettes and dots in thesame colours. T
Hotei with a Child. Artist: Ono Otsu (Japanese, 1568-ca. 1631). Culture: Japan. Dimensions: Image: 24 5/8 × 16 1/16 in. (62.6 × 40.8 cm) Overall with mounting: 68 1/2 × 21 9/16 in. (174 × 54.7 cm) Overall with knobs: 68 1/2 × 23 11/16 in. (174 × 60.2 cm). Date: 1624. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hotei-with-a-child-artist-ono-otsu-japanese-1568-ca-1631-culture-japan-dimensions-image-24-58-16-116-in-626-408-cm-overall-with-mounting-68-12-21-916-in-174-547-cm-overall-with-knobs-68-12-23-1116-in-174-602-cm-date-1624-museum-metropolitan-museum-of-art-new-york-usa-image213249736.html
RMPAXA60–Hotei with a Child. Artist: Ono Otsu (Japanese, 1568-ca. 1631). Culture: Japan. Dimensions: Image: 24 5/8 × 16 1/16 in. (62.6 × 40.8 cm) Overall with mounting: 68 1/2 × 21 9/16 in. (174 × 54.7 cm) Overall with knobs: 68 1/2 × 23 11/16 in. (174 × 60.2 cm). Date: 1624. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 67, Bronze, 14.48 g, 6:00, 30.3 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-67-bronze-1448-g-600-303mm-roman-1st-century-ad-numismatics-image393190912.html
RM2DRKB0G–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 67, Bronze, 14.48 g, 6:00, 30.3 mm, Roman, 1st century A.D., Numismatics
Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/didrachm-of-nero-emperor-of-rome-fromcaesarea-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-caesareia-cappadocia-image463139676.html
RM2HWDRAM–Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia
Insects at home; being a popular account of insects, their structure, habits and transformations . d according to their subjects as beloweach I voL i2mo. Price per vol. $1.50 WONDERS OF NATURE. No. lUus.? 43 THE HUMAN BODY THE SUBLIME IN NATURE. 44 INTELLIGENCE OF ANIMALS . 54 THUNDER AND LIGHTNING . 39 BOTTOM OF THE SEA ... 68 THE HEAVENS 48 6 Vols, in a neat box, $9. WONDERS OF SCIENCE. ITALIAN ART .EUROPEAN ARTARCHITECTUREGLASS-MAKINGWONDERS OF POMPEIIEGYPT 3,300 YEARS AGO6 Vols, in a neat Box, No. lUus.28II60 632240 WONDERS OF ART. THE SUN By Guillemin .WONDERS OF HEATOPTICAL WONDERSWONDER Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/insects-at-home-being-a-popular-account-of-insects-their-structure-habits-and-transformations-d-according-to-their-subjects-as-beloweach-i-vol-i2mo-price-per-vol-150-wonders-of-nature-no-luus-43-the-human-body-the-sublime-in-nature-44-intelligence-of-animals-54-thunder-and-lightning-39-bottom-of-the-sea-68-the-heavens-48-6-vols-in-a-neat-box-9-wonders-of-science-italian-art-european-artarchitectureglass-makingwonders-of-pompeiiegypt-3300-years-ago6-vols-in-a-neat-box-no-luus28ii60-632240-wonders-of-art-the-sun-by-guillemin-wonders-of-heatoptical-wonderswonder-image343003276.html
RM2AX1450–Insects at home; being a popular account of insects, their structure, habits and transformations . d according to their subjects as beloweach I voL i2mo. Price per vol. $1.50 WONDERS OF NATURE. No. lUus.? 43 THE HUMAN BODY THE SUBLIME IN NATURE. 44 INTELLIGENCE OF ANIMALS . 54 THUNDER AND LIGHTNING . 39 BOTTOM OF THE SEA ... 68 THE HEAVENS 48 6 Vols, in a neat box, $9. WONDERS OF SCIENCE. ITALIAN ART .EUROPEAN ARTARCHITECTUREGLASS-MAKINGWONDERS OF POMPEIIEGYPT 3,300 YEARS AGO6 Vols, in a neat Box, No. lUus.28II60 632240 WONDERS OF ART. THE SUN By Guillemin .WONDERS OF HEATOPTICAL WONDERSWONDER
Chair strip with phoenixes. Culture: China. Dimensions: 68 x 21 1/2 in. (172.72 x 54.61 cm). Date: 18th century. In a traditional Chinese reception hall, chairs for the hosts are set in pairs on either side of a central table and are covered with textiles that are not adhered directly onto the furniture. Made with velvet, the textiles provide not only comfort but also a pleasing aesthetic due to their shine and elegance. Here, the motif of phoenixes among peonies symbolizes noble women, making these pieces suitable for use in a lady's quarters. Museum: Metropolitan Museum of Art, New York, US Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chair-strip-with-phoenixes-culture-china-dimensions-68-x-21-12-in-17272-x-5461-cm-date-18th-century-in-a-traditional-chinese-reception-hall-chairs-for-the-hosts-are-set-in-pairs-on-either-side-of-a-central-table-and-are-covered-with-textiles-that-are-not-adhered-directly-onto-the-furniture-made-with-velvet-the-textiles-provide-not-only-comfort-but-also-a-pleasing-aesthetic-due-to-their-shine-and-elegance-here-the-motif-of-phoenixes-among-peonies-symbolizes-noble-women-making-these-pieces-suitable-for-use-in-a-ladys-quarters-museum-metropolitan-museum-of-art-new-york-us-image213118239.html
RMPAMADK–Chair strip with phoenixes. Culture: China. Dimensions: 68 x 21 1/2 in. (172.72 x 54.61 cm). Date: 18th century. In a traditional Chinese reception hall, chairs for the hosts are set in pairs on either side of a central table and are covered with textiles that are not adhered directly onto the furniture. Made with velvet, the textiles provide not only comfort but also a pleasing aesthetic due to their shine and elegance. Here, the motif of phoenixes among peonies symbolizes noble women, making these pieces suitable for use in a lady's quarters. Museum: Metropolitan Museum of Art, New York, US
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 10.41 g, 8:00, 28.5 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-1041-g-800-285mm-roman-1st-century-ad-numismatics-image393187412.html
RM2DRK6FG–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 10.41 g, 8:00, 28.5 mm, Roman, 1st century A.D., Numismatics
Coin of Nero, Emperor of Rome from Maeonia. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: MaeoniaMagistrate: Menekrates Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-of-nero-emperor-of-rome-frommaeonia-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-maeoniamagistrate-menekrates-image463134866.html
RM2HWDH6X–Coin of Nero, Emperor of Rome from Maeonia. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: MaeoniaMagistrate: Menekrates
. Recollections of an equestrian manager. ^(d S -^ 4 CONTENTS. PAGEA NEW CANTERBURY TALE—THE TOWN-CRIER IN TROUBLE 47 THE CONJURER AND THE HARROW BOYS 51 BEGGARS IN BROUGHAMS—A PAUPER TREAT 54 THE PRINCE OF WALES AT HANLEY—PAINFUL NEWS 57 COMING OF AGE OF THE MASTER OF LOVAT 59 TURNING THE TABLES—AN EXODUS AVERTED 62 HELEN FAUCIT 64 raising THE wind—A RED INDIAN AT LARGE 66 HENRY BROWN, THE CLOWN—A ONE-SIDED ACQUAINTANCESHIP....68 JOINING THE STAFF—A VOLUNTEER ANECDOTE 71 THE SCOTT CENTENARY 74 ADA JACOBS AS RICHMOND—A CLIMAX TO A TRAGEDY 81 A sisters parting GIFT 82 MARTINI, THE MAN-MONKEY 8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/recollections-of-an-equestrian-manager-d-s-4-contents-pagea-new-canterbury-talethe-town-crier-in-trouble-47-the-conjurer-and-the-harrow-boys-51-beggars-in-broughamsa-pauper-treat-54-the-prince-of-wales-at-hanleypainful-news-57-coming-of-age-of-the-master-of-lovat-59-turning-the-tablesan-exodus-averted-62-helen-faucit-64-raising-the-winda-red-indian-at-large-66-henry-brown-the-clowna-one-sided-acquaintanceship68-joining-the-staffa-volunteer-anecdote-71-the-scott-centenary-74-ada-jacobs-as-richmonda-climax-to-a-tragedy-81-a-sisters-parting-gift-82-martini-the-man-monkey-8-image337073198.html
RM2AGB08E–. Recollections of an equestrian manager. ^(d S -^ 4 CONTENTS. PAGEA NEW CANTERBURY TALE—THE TOWN-CRIER IN TROUBLE 47 THE CONJURER AND THE HARROW BOYS 51 BEGGARS IN BROUGHAMS—A PAUPER TREAT 54 THE PRINCE OF WALES AT HANLEY—PAINFUL NEWS 57 COMING OF AGE OF THE MASTER OF LOVAT 59 TURNING THE TABLES—AN EXODUS AVERTED 62 HELEN FAUCIT 64 raising THE wind—A RED INDIAN AT LARGE 66 HENRY BROWN, THE CLOWN—A ONE-SIDED ACQUAINTANCESHIP....68 JOINING THE STAFF—A VOLUNTEER ANECDOTE 71 THE SCOTT CENTENARY 74 ADA JACOBS AS RICHMOND—A CLIMAX TO A TRAGEDY 81 A sisters parting GIFT 82 MARTINI, THE MAN-MONKEY 8
Cape Horn near Celilo. Artist: Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 40 x 52.4cm (15 3/4 x 20 5/8in.) Mount: 54.5 x 68.6 cm (21 7/16 x 27 in.). Date: 1867. When Watkins traveled up the Columbia River, he photographed both the natural and manmade landmarks-the rocky outcrops and cascades, and the small towns, mills, and docks along the way. His path followed that of the Oregon Steam Navigation Company, and as he photographed not only the company's route but also its facilities, he may have been working either on commission or with a speculative eye for the company's bu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cape-horn-near-celilo-artist-carleton-e-watkins-american-1829-1916-dimensions-image-40-x-524cm-15-34-x-20-58in-mount-545-x-686-cm-21-716-x-27-in-date-1867-when-watkins-traveled-up-the-columbia-river-he-photographed-both-the-natural-and-manmade-landmarks-the-rocky-outcrops-and-cascades-and-the-small-towns-mills-and-docks-along-the-way-his-path-followed-that-of-the-oregon-steam-navigation-company-and-as-he-photographed-not-only-the-companys-route-but-also-its-facilities-he-may-have-been-working-either-on-commission-or-with-a-speculative-eye-for-the-companys-bu-image212899266.html
RMPAAB56–Cape Horn near Celilo. Artist: Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 40 x 52.4cm (15 3/4 x 20 5/8in.) Mount: 54.5 x 68.6 cm (21 7/16 x 27 in.). Date: 1867. When Watkins traveled up the Columbia River, he photographed both the natural and manmade landmarks-the rocky outcrops and cascades, and the small towns, mills, and docks along the way. His path followed that of the Oregon Steam Navigation Company, and as he photographed not only the company's route but also its facilities, he may have been working either on commission or with a speculative eye for the company's bu
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 65, Bronze, 8.30 g, 7:00, 28.2 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-65-bronze-830-g-700-282mm-roman-1st-century-ad-numismatics-image393187431.html
RM2DRK6G7–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 65, Bronze, 8.30 g, 7:00, 28.2 mm, Roman, 1st century A.D., Numismatics
Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/didrachm-of-nero-emperor-of-rome-fromcaesarea-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-caesareia-cappadocia-image463139645.html
RM2HWDR9H–Didrachm of Nero, Emperor of Rome from Caesarea. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Caesareia, Cappadocia
Ontario Sessional Papers, 1891, No.19-33 . w d 00 314 -54 Victoria Sessional Papers (No. 20). A. 1891 ESTIMATES OF THE PROVINCE OF ONTARIO FuR THE FINANCIAL YEAR ENDING 31st DECEMBER, 1891. PRINTED BY ORDER OF THE LEGISLATIVE ASSEMBLY.. TORONTO:PRINTED BY WARWICK & SONS, 68 AND 70 FRONT STREET WEST, 1891. 54 Victoria. Sessional Papers (No. 20). A. 1891 SUMMARY. Of the Estimated Expenditure of the Province of Ontario for the Financial Year ending 81st December, 1891. No. I. II. III. IV. V. VI. VII. IVIII. IX. XI. XII.XIII.XIV. XV.XVI. SERVICES. Civil Government Legislation Administration of Jus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ontario-sessional-papers-1891-no19-33-w-d-00-314-54-victoria-sessional-papers-no-20-a-1891-estimates-of-the-province-of-ontario-fur-the-financial-year-ending-31st-december-1891-printed-by-order-of-the-legislative-assembly-torontoprinted-by-warwick-sons-68-and-70-front-street-west-1891-54-victoria-sessional-papers-no-20-a-1891-summary-of-the-estimated-expenditure-of-the-province-of-ontario-for-the-financial-year-ending-81st-december-1891-no-i-ii-iii-iv-v-vi-vii-iviii-ix-xi-xiixiiixiv-xvxvi-services-civil-government-legislation-administration-of-jus-image338185202.html
RM2AJ5JJX–Ontario Sessional Papers, 1891, No.19-33 . w d 00 314 -54 Victoria Sessional Papers (No. 20). A. 1891 ESTIMATES OF THE PROVINCE OF ONTARIO FuR THE FINANCIAL YEAR ENDING 31st DECEMBER, 1891. PRINTED BY ORDER OF THE LEGISLATIVE ASSEMBLY.. TORONTO:PRINTED BY WARWICK & SONS, 68 AND 70 FRONT STREET WEST, 1891. 54 Victoria. Sessional Papers (No. 20). A. 1891 SUMMARY. Of the Estimated Expenditure of the Province of Ontario for the Financial Year ending 81st December, 1891. No. I. II. III. IV. V. VI. VII. IVIII. IX. XI. XII.XIII.XIV. XV.XVI. SERVICES. Civil Government Legislation Administration of Jus
Daisy. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1864. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/daisy-designer-william-morris-british-walthamstow-london-1834-1896-hammersmith-london-dimensions-sheet-27-x-21-12-in-686-x-546-cm-manufacturer-morris-company-printer-jeffrey-co-london-date-designed-1864-museum-metropolitan-museum-of-art-new-york-usa-image213181215.html
RMPAR6PR–Daisy. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1864. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.96 g, 7:00, 29.2 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-996-g-700-292mm-roman-1st-century-ad-numismatics-image393187455.html
RM2DRK6H3–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.96 g, 7:00, 29.2 mm, Roman, 1st century A.D., Numismatics
Coin of Nero, Emperor of Rome from Mostene. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: MosteneMagistrate: Pedanius Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-of-nero-emperor-of-rome-frommostene-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-mostenemagistrate-pedanius-image463135001.html
RM2HWDHBN–Coin of Nero, Emperor of Rome from Mostene. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: MosteneMagistrate: Pedanius
SHC 1830-1905 . 85i-54 i856-59 1855-56 i867-68 1869-70 76 SPRING HILL COLLEGE. Friend, A.Cache, H. Gaffney, E. Garbely, F.Gautrelet, F. Gerlach, J.Gillow, S. Graves, J. M.Green, L.Guyol, A. Harley, J.Hogan, J. Hubert, D.Holaind, R. Rhetoric Assistant Teacher, Prefect Chaplain Divinity Philosophy First Grammar Third Grammar Second Grammar Assnt Teacher, Pref. 1871- Treasurer, Philosophy Philosophy Chaplain German Preparatory, Spanish Third Commercial Rhetoric First Grammar First Grammar Belles Lettres, French Preparatory Rhetoric, French Second Grammar Assistant Teacher, Prefect Second Grammar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shc-1830-1905-85i-54-i856-59-1855-56-i867-68-1869-70-76-spring-hill-college-friend-acache-h-gaffney-e-garbely-fgautrelet-f-gerlach-jgillow-s-graves-j-mgreen-lguyol-a-harley-jhogan-j-hubert-dholaind-r-rhetoric-assistant-teacher-prefect-chaplain-divinity-philosophy-first-grammar-third-grammar-second-grammar-assnt-teacher-pref-1871-treasurer-philosophy-philosophy-chaplain-german-preparatory-spanish-third-commercial-rhetoric-first-grammar-first-grammar-belles-lettres-french-preparatory-rhetoric-french-second-grammar-assistant-teacher-prefect-second-grammar-image338307722.html
RM2AJB6XJ–SHC 1830-1905 . 85i-54 i856-59 1855-56 i867-68 1869-70 76 SPRING HILL COLLEGE. Friend, A.Cache, H. Gaffney, E. Garbely, F.Gautrelet, F. Gerlach, J.Gillow, S. Graves, J. M.Green, L.Guyol, A. Harley, J.Hogan, J. Hubert, D.Holaind, R. Rhetoric Assistant Teacher, Prefect Chaplain Divinity Philosophy First Grammar Third Grammar Second Grammar Assnt Teacher, Pref. 1871- Treasurer, Philosophy Philosophy Chaplain German Preparatory, Spanish Third Commercial Rhetoric First Grammar First Grammar Belles Lettres, French Preparatory Rhetoric, French Second Grammar Assistant Teacher, Prefect Second Grammar
Blackthorn. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1892. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/blackthorn-designer-william-morris-british-walthamstow-london-1834-1896-hammersmith-london-dimensions-sheet-27-x-21-12-in-686-x-546-cm-manufacturer-morris-company-printer-jeffrey-co-london-date-designed-1892-museum-metropolitan-museum-of-art-new-york-usa-image212912728.html
RMPAB0A0–Blackthorn. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1892. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 25.96 g, 7:00, 34.2 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-sestertius-of-nero-emperor-of-rome-fromrome-65-orichalcum-2596-g-700-342mm-roman-1st-century-ad-numismatics-image393185456.html
RM2DRK41M–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 65, Orichalcum, 25.96 g, 7:00, 34.2 mm, Roman, 1st century A.D., Numismatics
Dupondius (medallic) of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dupondius-medallic-of-nero-emperor-of-rome-fromrome-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-image463182190.html
RM2HWFNH2–Dupondius (medallic) of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome
History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . gratulated theyoung emperor on not having as yet shed a drop of blood.- Pleiiqiie hominum ignoscobant. antiqiia-t fratrum discordias et iyisociabile rcgnum asti-mantes (Tac, Ann., xiii. 17). ^ De Clnn., 1. 2, 9. Merivale even believes (vi., 03-.5) that Seneca knew what was doneand aided in it. Dr. Raabe, in his work on Xero, expresses the same opinion : So sind (Senecamid B?/rni.9) und bleihen sie doeh iynmer in den Auf/en der Xachirelt Kindcrmorder (p. 110). NERO, la OCTOBEIl, 54 A.D. TO 9 JUNE, 68 A Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-gratulated-theyoung-emperor-on-not-having-as-yet-shed-a-drop-of-blood-pleiiqiie-hominum-ignoscobant-antiqiia-t-fratrum-discordias-et-iyisociabile-rcgnum-asti-mantes-tac-ann-xiii-17-de-clnn-1-2-9-merivale-even-believes-vi-03-5-that-seneca-knew-what-was-doneand-aided-in-it-dr-raabe-in-his-work-on-xero-expresses-the-same-opinion-so-sind-senecamid-brni9-und-bleihen-sie-doeh-iynmer-in-den-aufen-der-xachirelt-kindcrmorder-p-110-nero-la-octobeil-54-ad-to-9-june-68-a-image338253802.html
RM2AJ8P4X–History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians; . gratulated theyoung emperor on not having as yet shed a drop of blood.- Pleiiqiie hominum ignoscobant. antiqiia-t fratrum discordias et iyisociabile rcgnum asti-mantes (Tac, Ann., xiii. 17). ^ De Clnn., 1. 2, 9. Merivale even believes (vi., 03-.5) that Seneca knew what was doneand aided in it. Dr. Raabe, in his work on Xero, expresses the same opinion : So sind (Senecamid B?/rni.9) und bleihen sie doeh iynmer in den Auf/en der Xachirelt Kindcrmorder (p. 110). NERO, la OCTOBEIl, 54 A.D. TO 9 JUNE, 68 A
Marigold. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed ca. 1875. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marigold-designer-william-morris-british-walthamstow-london-1834-1896-hammersmith-london-dimensions-sheet-27-x-21-12-in-686-x-546-cm-manufacturer-morris-company-printer-jeffrey-co-london-date-designed-ca-1875-museum-metropolitan-museum-of-art-new-york-usa-image212879284.html
RMPA9DKG–Marigold. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed ca. 1875. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.27 g, 6:00, 29.5 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-1-as-of-nero-emperor-of-rome-fromrome-66-bronze-927-g-600-295mm-roman-1st-century-ad-numismatics-image393188216.html
RM2DRK7G8–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, 1 As of Nero, Emperor of Rome from Rome, 66, Bronze, 9.27 g, 6:00, 29.5 mm, Roman, 1st century A.D., Numismatics
Coin of Nero, Emperor of Rome from Sardis. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: SardisMagistrate: Mindios Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-of-nero-emperor-of-rome-fromsardis-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-sardismagistrate-mindios-image463135420.html
RM2HWDHXM–Coin of Nero, Emperor of Rome from Sardis. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: SardisMagistrate: Mindios
. The history and genealogies of ancient Windsor, Connecticut:. bp. 22 Oct.. 17.>:). Fam. 34. 9. Christopher (Dr.), b. 1, bp. B Oct., 1754. Fam. :». 10. Mary, b. 7. lip. IS Aug.. 1756; m. 25 Dec, 1776,Elihn Griswold of V. 11. Alexander, b. 1.5. bp. 17 Sept., 1758. Fam. 36. 12. Guv. Ii. 7, bp. 10 .iig., I7liO. Fam. 37. 13. Elizabeth, b. Vi. bp. 16 .Jan.. 1763; ni. ElizurWolcott of So. W.; shed. 12 Oct., 1817,te. 54;he d. 20 Sept., 1828, a;. 68. Fam. 21. Erastus^ (Gen.) {Gov. lioger,^ Simon,- Ileiu-i/), settled So. W.; repeatedly representative to GeneralAssembly; speaker of theLower House; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-history-and-genealogies-of-ancient-windsor-connecticut-bp-22-oct-17gt-fam-34-9-christopher-dr-b-1-bp-b-oct-1754-fam-10-mary-b-7-lip-is-aug-1756-m-25-dec-1776elihn-griswold-of-v-11-alexander-b-15-bp-17-sept-1758-fam-36-12-guv-ii-7-bp-10-iig-i7lio-fam-37-13-elizabeth-b-vi-bp-16-jan-1763-ni-elizurwolcott-of-so-w-shed-12-oct-1817te-54he-d-20-sept-1828-a-68-fam-21-erastus-gen-gov-lioger-simon-ileiu-i-settled-so-w-repeatedly-representative-to-generalassembly-speaker-of-thelower-house-image336939131.html
RM2AG4W8B–. The history and genealogies of ancient Windsor, Connecticut:. bp. 22 Oct.. 17.>:). Fam. 34. 9. Christopher (Dr.), b. 1, bp. B Oct., 1754. Fam. :». 10. Mary, b. 7. lip. IS Aug.. 1756; m. 25 Dec, 1776,Elihn Griswold of V. 11. Alexander, b. 1.5. bp. 17 Sept., 1758. Fam. 36. 12. Guv. Ii. 7, bp. 10 .iig., I7liO. Fam. 37. 13. Elizabeth, b. Vi. bp. 16 .Jan.. 1763; ni. ElizurWolcott of So. W.; shed. 12 Oct., 1817,te. 54;he d. 20 Sept., 1828, a;. 68. Fam. 21. Erastus^ (Gen.) {Gov. lioger,^ Simon,- Ileiu-i/), settled So. W.; repeatedly representative to GeneralAssembly; speaker of theLower House;
Willow Bough. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1887. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/willow-bough-designer-william-morris-british-walthamstow-london-1834-1896-hammersmith-london-dimensions-sheet-27-x-21-12-in-686-x-546-cm-manufacturer-morris-company-printer-jeffrey-co-london-date-designed-1887-museum-metropolitan-museum-of-art-new-york-usa-image213399067.html
RMPB54K7–Willow Bough. Designer: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Printer: Jeffrey & Co. (London). Date: designed 1887. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Dupondius of Nero, Emperor of Rome from Rome, 67, Orichalcum, 10.67 g, 5:00, 30.5 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-dupondius-of-nero-emperor-of-rome-fromrome-67-orichalcum-1067-g-500-305mm-roman-1st-century-ad-numismatics-image393188177.html
RM2DRK7EW–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Dupondius of Nero, Emperor of Rome from Rome, 67, Orichalcum, 10.67 g, 5:00, 30.5 mm, Roman, 1st century A.D., Numismatics
Coin from Pergamum. Honorand: Britannicus, son of the emperor ClaudiusHonorand: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Pergamum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coin-frompergamum-honorand-britannicus-son-of-the-emperor-claudiushonorand-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-pergamum-image463129135.html
RM2HWD9X7–Coin from Pergamum. Honorand: Britannicus, son of the emperor ClaudiusHonorand: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Pergamum
A history of the descendents of Jacob and Maria Eva Harshbarger of Switzerland . John Harshbarger 7. David, b. 65. m. Sib Freeman and lias Robert Paul.They live in Ladoga. 8. Charles, b. 68. m. Lctty Shively. 86 and has Paulineand Ruth. He lives at North Manchester. 2. NANCY HARSHBARGER, b. 29, m. Clark Byrd, 48,and d. 50. She had Samuel, b. 49, who d. 50. 3. JOHN HARSHBARGER, b. 32, m. Susan Clark. 54, andhad six children. 98 •AMILY HISTORY OF 1. Robert, li. 54, tl. 55. 2. Oliver, 1>. 56. Ho lives in Lebanon, Ind. lie m. Eliza-beth Morgan. 77. and had Pearl, 1>. 78. who m. Calvin Jlein Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-history-of-the-descendents-of-jacob-and-maria-eva-harshbarger-of-switzerland-john-harshbarger-7-david-b-65-m-sib-freeman-and-lias-robert-paulthey-live-in-ladoga-8-charles-b-68-m-lctty-shively-86-and-has-paulineand-ruth-he-lives-at-north-manchester-2-nancy-harshbarger-b-29-m-clark-byrd-48and-d-50-she-had-samuel-b-49-who-d-50-3-john-harshbarger-b-32-m-susan-clark-54-andhad-six-children-98-amily-history-of-1-robert-li-54-tl-55-2-oliver-1gt-56-ho-lives-in-lebanon-ind-lie-m-eliza-beth-morgan-77-and-had-pearl-1gt-78-who-m-calvin-jlein-image339934741.html
RM2AN1A6D–A history of the descendents of Jacob and Maria Eva Harshbarger of Switzerland . John Harshbarger 7. David, b. 65. m. Sib Freeman and lias Robert Paul.They live in Ladoga. 8. Charles, b. 68. m. Lctty Shively. 86 and has Paulineand Ruth. He lives at North Manchester. 2. NANCY HARSHBARGER, b. 29, m. Clark Byrd, 48,and d. 50. She had Samuel, b. 49, who d. 50. 3. JOHN HARSHBARGER, b. 32, m. Susan Clark. 54, andhad six children. 98 •AMILY HISTORY OF 1. Robert, li. 54, tl. 55. 2. Oliver, 1>. 56. Ho lives in Lebanon, Ind. lie m. Eliza-beth Morgan. 77. and had Pearl, 1>. 78. who m. Calvin Jlein
Trellis. Artist: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London); Birds designed by Philip Webb (British, Oxford 1831-1915 West Sussex). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Date: designed 1862, first produced 1864. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/trellis-artist-william-morris-british-walthamstow-london-1834-1896-hammersmith-london-birds-designed-by-philip-webb-british-oxford-1831-1915-west-sussex-dimensions-sheet-27-x-21-12-in-686-x-546-cm-manufacturer-morris-company-date-designed-1862-first-produced-1864-museum-metropolitan-museum-of-art-new-york-usa-image213210643.html
RMPATG9R–Trellis. Artist: William Morris (British, Walthamstow, London 1834-1896 Hammersmith, London); Birds designed by Philip Webb (British, Oxford 1831-1915 West Sussex). Dimensions: Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm). Manufacturer: Morris & Company. Date: designed 1862, first produced 1864. Museum: Metropolitan Museum of Art, New York, USA.
Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 26.49 g, 7:00, 36.1 mm, Roman, 1st century A.D., Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-sestertius-of-nero-emperor-of-rome-fromrome-66-orichalcum-2649-g-700-361mm-roman-1st-century-ad-numismatics-image393187936.html
RM2DRK768–Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Mint: Rome, Sestertius of Nero, Emperor of Rome from Rome, 66, Orichalcum, 26.49 g, 7:00, 36.1 mm, Roman, 1st century A.D., Numismatics
Giovanni da Cavino, (artist), Paduan, 1500 - 1570, Nero, A.D. 37-68, Roman Emperor A.D. 54, bronze/Struck, overall (diameter): 3.55 cm (1 3/8 in.), gross weight: 24.07 gr (0.053 lb.), axis: 7:00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/giovanni-da-cavino-artist-paduan-1500-1570-nero-ad-37-68-roman-emperor-ad-54-bronzestruck-overall-diameter-355-cm-1-38-in-gross-weight-2407-gr-0053-lb-axis-700-image386348274.html
RM2DCFK4J–Giovanni da Cavino, (artist), Paduan, 1500 - 1570, Nero, A.D. 37-68, Roman Emperor A.D. 54, bronze/Struck, overall (diameter): 3.55 cm (1 3/8 in.), gross weight: 24.07 gr (0.053 lb.), axis: 7:00
Mint: Rome, Magistrate: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Quadrans from Rome, 54–68, copper, 2.75 g, 5:00, 18.1 mm, ILE2013.17.36 , Made in Rome, Italy, Roman, 1st century, Numismatics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mint-rome-magistrate-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-quadrans-fromrome-5468-copper-275-g-500-181mm-ile20131736-made-in-rome-italy-roman-1stcentury-numismatics-image393160654.html
RM2DRJ0BX–Mint: Rome, Magistrate: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68, Quadrans from Rome, 54–68, copper, 2.75 g, 5:00, 18.1 mm, ILE2013.17.36 , Made in Rome, Italy, Roman, 1st century, Numismatics
1 As of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1-as-of-nero-emperor-of-rome-fromrome-ruler-nero-emperor-of-rome-roman-ad-3768-ruled-ad-5468-mint-rome-artist-unknown-image463182258.html
RM2HWFNKE–1 As of Nero, Emperor of Rome from Rome. Ruler: Nero, Emperor of Rome, Roman, A.D. 37–68, ruled A.D. 54–68 Mint: Rome Artist: Unknown
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