Quick filters:
Page 1 of 16
Active 1450 Stock Photos and Images
The House of Phristinus; Simon Marmion, Flemish, active 1450 - 1489, Valenciennes, France; 1475; Tempera colors, gold leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-house-of-phristinus-simon-marmion-flemish-active-1450-1489-valenciennes-france-1475-tempera-colors-gold-leaf-image220602785.htmlRMPPW92W–The House of Phristinus; Simon Marmion, Flemish, active 1450 - 1489, Valenciennes, France; 1475; Tempera colors, gold leaf
Inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, quattrocento, robe, saint, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-saint-francis-of-assisi-part-of-an-altarpiece-bartolomeo-vivarini-italian-school-of-venice-active-1450-1491-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1460-51-38-x-15-12-in-1305-x-394-cm-altarpiece-catholic-cross-gothic-italian-man-quattrocento-robe-saint-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459251086.htmlRF2HK4KCE–Inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, quattrocento, robe, saint, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Adoration of the Shepherds, ca 1485. Artist: Butinone, Bernardino (active 1450-1510) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-ca-1485-artist-butinone-bernardino-image60395004.htmlRMDE76CC–The Adoration of the Shepherds, ca 1485. Artist: Butinone, Bernardino (active 1450-1510)
Anonymous Valencian artist active 1450 -1460 (Active between 1450 -1460). The Crucifixion (ca. 1450 - 1460). Oil on panel. 44.8 x 34 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Anonymous Valencian artist active 1450-1460. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-valencian-artist-active-1450-1460-active-between-1450-1460-the-crucifixion-ca-1450-1460-oil-on-panel-448-x-34-cm-museum-museo-nacional-thyssen-bornemisza-madrid-author-anonymous-valencian-artist-active-1450-1460-image236897628.htmlRMRNBH9G–Anonymous Valencian artist active 1450 -1460 (Active between 1450 -1460). The Crucifixion (ca. 1450 - 1460). Oil on panel. 44.8 x 34 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Anonymous Valencian artist active 1450-1460.
Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-marmion-flemish-active-1450-1489-the-beast-acheron-google-art-135699451.htmlRMHTNJ0Y–Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron - Google Art Project
Simon Marmion (Flemish, active 1450 1489) The Beast Acheron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-beast-acheron-image152784270.htmlRMJTFWW2–Simon Marmion (Flemish, active 1450 1489) The Beast Acheron
Saint Bernard's Vision of the Virgin and Child; Simon Marmion (Flemish, active 1450 - 1489); Northern France, France; about 1475 - 1480; Tempera colors and gold on parchment; Leaf: 11.6 x 6.3 cm (4 9/16 x 2 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-bernards-vision-of-the-virgin-and-child-simon-marmion-flemish-active-1450-1489-northern-france-france-about-1475-1480-tempera-colors-and-gold-on-parchment-leaf-116-x-63-cm-4-916-x-2-12-in-image333547483.htmlRF2AAJB63–Saint Bernard's Vision of the Virgin and Child; Simon Marmion (Flemish, active 1450 - 1489); Northern France, France; about 1475 - 1480; Tempera colors and gold on parchment; Leaf: 11.6 x 6.3 cm (4 9/16 x 2 1/2 in.)
The Forge of Vulcan. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-forge-of-vulcan-simon-marmion-flemish-active-1450-1489-image416610068.htmlRM2F5P6B0–The Forge of Vulcan. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-beast-acheron-image457485821.htmlRM2HG87R9–Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron
Simon Marmion (Flemish, active 1450 - 1489) - The House of Phristinus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-house-of-phristinus-image457721689.htmlRF2HGK0K5–Simon Marmion (Flemish, active 1450 - 1489) - The House of Phristinus
A Monk and Guy's Widow Conversing with the Soul of Guy de Thurno; Simon Marmion (Flemish, active 1450 - 1489), David Aubert (Flemish, active 1453 - 14 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-monk-and-guys-widow-conversing-with-the-soul-of-guy-de-thurno-simon-marmion-flemish-active-1450-1489-david-aubert-flemish-active-1453-14-image239408354.htmlRMRWDYPA–A Monk and Guy's Widow Conversing with the Soul of Guy de Thurno; Simon Marmion (Flemish, active 1450 - 1489), David Aubert (Flemish, active 1453 - 14
Darius Marching to the Battle of Issus workshop of Apollonio di Giovanni (active c. 1450) Florence, c. 1450-1455, tempera on panel. Apollonio di Giovanni was one of the most prominent cassone specialists in Florence. Cassoni (chests) were often produced in pairs, mostly on the occasion of marriages, with depictions of heroic deeds. Here, the Persian ruler Darius is shown going to battle against Alexander the Great. A lost companion panel would have shown Alexander's victory. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/darius-marching-to-the-battle-of-issus-workshop-of-apollonio-di-giovanni-image68542483.htmlRMDYEAHR–Darius Marching to the Battle of Issus workshop of Apollonio di Giovanni (active c. 1450) Florence, c. 1450-1455, tempera on panel. Apollonio di Giovanni was one of the most prominent cassone specialists in Florence. Cassoni (chests) were often produced in pairs, mostly on the occasion of marriages, with depictions of heroic deeds. Here, the Persian ruler Darius is shown going to battle against Alexander the Great. A lost companion panel would have shown Alexander's victory.
Master of the Vision of St John (active in Cologne 1450 - 1470 ) The Vision of St John 1450 German Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-master-of-the-vision-of-st-john-active-in-cologne-1450-1470-the-vision-81029287.htmlRMEKR5K3–Master of the Vision of St John (active in Cologne 1450 - 1470 ) The Vision of St John 1450 German Germany
The Virgin and Child about 1450 - 1455. 872 Master of the Lee Hours (Flemish, active about 1450 - 1470) - The Virgin and Child - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-and-child-about-1450-1455-872-master-of-the-lee-hours-flemish-active-about-1450-1470-the-virgin-and-child-google-art-project-image185859547.htmlRMMPAHMY–The Virgin and Child about 1450 - 1455. 872 Master of the Lee Hours (Flemish, active about 1450 - 1470) - The Virgin and Child - Google Art Project
15th century - Nativity, 1450 - Petrus Christus Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-15th-century-nativity-1450-petrus-christus-philippe-sauvan-magnet-59469617.htmlRMDCN22W–15th century - Nativity, 1450 - Petrus Christus Philippe Sauvan-Magnet / Active Museum
Second Master of Estopanya (active ca. 2nd third of 15th century). Archangel Gabriel from an Annunciation. Compartment from an unknown altarpiece. Ca. 1450. Provenance unknown. National Museum of Art of Catalonia (MNAC). Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/second-master-of-estopanya-active-ca-2nd-third-of-15th-century-archangel-gabriel-from-an-annunciation-compartment-from-an-unknown-altarpiece-ca-1450-provenance-unknown-national-museum-of-art-of-catalonia-mnac-barcelona-catalonia-spain-image181218805.htmlRMMER6C5–Second Master of Estopanya (active ca. 2nd third of 15th century). Archangel Gabriel from an Annunciation. Compartment from an unknown altarpiece. Ca. 1450. Provenance unknown. National Museum of Art of Catalonia (MNAC). Barcelona. Catalonia. Spain.
Hieronymus Bosch, Netherlandish (active 's Hertogenbosch), c. 1450-1516 -- The Adoration of the Magi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hieronymus-bosch-netherlandish-active-s-hertogenbosch-c-1450-1516-the-adoration-of-the-magi-image384796718.htmlRM2DA103X–Hieronymus Bosch, Netherlandish (active 's Hertogenbosch), c. 1450-1516 -- The Adoration of the Magi.
German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Barbara, c. 1450 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-artist-unknown-active-c-1450-engraving-on-laid-paper-the-martyrdom-of-saint-barbara-c-1450-image555753723.htmlRF2R84NF7–German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Barbara, c. 1450
C10609.jpgMaster of the Murano Gradual, Saint Lawrence, 1440-1450 Master of the Murano Gradual (Lombard, active 15th century), Saint Lawrence, 1440/1450, miniature on vellum, Rosenwald Collection 1948.11.12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c10609jpgmaster-of-the-murano-gradual-saint-lawrence-1440-1450-master-of-the-murano-gradual-lombard-active-15th-century-saint-lawrence-14401450-miniature-on-vellum-rosenwald-collection-19481112-image336024761.htmlRM2AEK709–C10609.jpgMaster of the Murano Gradual, Saint Lawrence, 1440-1450 Master of the Murano Gradual (Lombard, active 15th century), Saint Lawrence, 1440/1450, miniature on vellum, Rosenwald Collection 1948.11.12
The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-beast-acheron-simon-marmion-flemish-active-1450-1489-ghent-belgium-77452931.htmlRMEE0803–The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf
Art inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-francis-of-assisi-part-of-an-altarpiece-bartolomeo-vivarini-italian-school-of-venice-active-1450-1491-tempera-and-tooled-gold-on-poplar-panel-italy-ca-1460-51-38-x-15-12-in-1305-x-394-cm-altarpiece-catholic-cross-gothic-italian-man-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567129.htmlRF2HKK2FN–Art inspired by Saint Francis of Assisi, part of an altarpiece, Bartolomeo Vivarini, Italian, School of Venice, active 1450-1491, Tempera and tooled gold on poplar panel, Italy, ca. 1460, 51 3/8 x 15 1/2 in., 130.5 x 39.4 cm, altarpiece, catholic, Cross, gothic, Italian, man, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ before Pilate (Vlad III as Pontius Pilate), ca 1463-1464. Artist: Master of Velenje Panels (active 1450-1465) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-before-pilate-vlad-iii-as-pontius-pilate-ca-1463-1464-artist-image60390347.htmlRMDE70E3–Christ before Pilate (Vlad III as Pontius Pilate), ca 1463-1464. Artist: Master of Velenje Panels (active 1450-1465)
The Resurrection. Master of the Berlin Passion; German, active 1450/1570. Date: 1450-1470. Dimensions: 79 x 59 mm (plate/sheet). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-master-of-the-berlin-passion-german-active-14501570-date-1450-1470-dimensions-79-x-59-mm-platesheet-engraving-in-black-on-cream-laid-paper-origin-germany-museum-the-chicago-art-institute-image239826966.htmlRMRX51MP–The Resurrection. Master of the Berlin Passion; German, active 1450/1570. Date: 1450-1470. Dimensions: 79 x 59 mm (plate/sheet). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-marmion-flemish-active-1450-1489-the-torment-of-unbelievers-135701559.htmlRMHTNMM7–Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics - Google Art Project
Simon Marmion (Flemish, active 1450 1489) The House of Phristinus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-house-of-phristinus-image152803930.htmlRMJTGPY6–Simon Marmion (Flemish, active 1450 1489) The House of Phristinus
Petrus Christus, The Nativity, Netherlandish, active 1444 - 1475/1476, c. 1450, oil on panel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-petrus-christus-the-nativity-netherlandish-active-1444-14751476-c-50866351.htmlRFCXN4FB–Petrus Christus, The Nativity, Netherlandish, active 1444 - 1475/1476, c. 1450, oil on panel
The Beast Acheron. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beast-acheron-simon-marmion-flemish-active-1450-1489-image416610869.htmlRM2F5P7BH–The Beast Acheron. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The Forge of Vulcan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-forge-of-vulcan-image457485781.htmlRM2HG87NW–Simon Marmion (Flemish, active 1450 - 1489) - The Forge of Vulcan
Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-beast-acheron-image457721628.htmlRF2HGK0H0–Simon Marmion (Flemish, active 1450 - 1489) - The Beast Acheron
©Active Museu/MAXPPP - ActiveMuseum 0000949.jpg / Portrait d'un Homme, 1450 - Andrea del Castagno - Portrait of a Man 1450 - / Andrea del Castagno / Portrait d'un Homme, 1450 - Andrea del Castagno - Portrait of a Man Active Museum / Le Pictorium Man ,Of noble birth ,Portrait ,Red ,Renaissance ,Vertical ,XVth century ,Andrea del Castagno ,? Portrait d'un Homme ,1450 - Andrea del Castagno - Portrait of a Man ? , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000949jpg-portrait-dun-homme-1450-andrea-del-castagno-portrait-of-a-man-1450-andrea-del-castagno-portrait-dun-homme-1450-andrea-del-castagno-portrait-of-a-man-active-museum-le-pictorium-man-of-noble-birth-portrait-red-renaissance-vertical-xvth-century-andrea-del-castagno-portrait-dun-homme-1450-andrea-del-castagno-portrait-of-a-man-image486526575.htmlRM2K7F5H3– ©Active Museu/MAXPPP - ActiveMuseum 0000949.jpg / Portrait d'un Homme, 1450 - Andrea del Castagno - Portrait of a Man 1450 - / Andrea del Castagno / Portrait d'un Homme, 1450 - Andrea del Castagno - Portrait of a Man Active Museum / Le Pictorium Man ,Of noble birth ,Portrait ,Red ,Renaissance ,Vertical ,XVth century ,Andrea del Castagno ,? Portrait d'un Homme ,1450 - Andrea del Castagno - Portrait of a Man ? ,
The Annunciation; Master of the Llangattock Hours (Flemish, active about 1450 - 1460), Willem Vrelant (Flemish, died 1481, active 1454 - 1481); Ghent Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-annunciation-master-of-the-llangattock-hours-flemish-active-about-1450-1460-willem-vrelant-flemish-died-1481-active-1454-1481-ghent-image239408468.htmlRMRWDYXC–The Annunciation; Master of the Llangattock Hours (Flemish, active about 1450 - 1460), Willem Vrelant (Flemish, died 1481, active 1454 - 1481); Ghent
Saint John the Evangelist's Dream at Patmos 1450 Master of Aiguatèbia Active mid-15th century Spain Spanish Medieval Gothic Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-john-the-evangelists-dream-at-patmos-1450-master-of-aiguatbia-75833415.htmlRMEBAE87–Saint John the Evangelist's Dream at Patmos 1450 Master of Aiguatèbia Active mid-15th century Spain Spanish Medieval Gothic Art
The Last Judgment about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Last Judgment - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-judgment-about-1450-1455-870-master-of-guillebert-de-mets-flemish-active-about-1410-1450-the-last-judgment-google-art-project-image185859166.htmlRMMPAH7A–The Last Judgment about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Last Judgment - Google Art Project
15th century - Portrait of a Man, 1450 - Andréa del Castagno Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-15th-century-portrait-of-a-man-1450-andra-del-castagno-philippe-sauvan-59470201.htmlRMDCN2RN–15th century - Portrait of a Man, 1450 - Andréa del Castagno Philippe Sauvan-Magnet / Active Museum
Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernat-despuig-documented-between-1383-1451-and-jaume-cirera-active-146811531.htmlRMJERRGY–Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
LONDON 5 July 2021. Image: Circle of the Master of Rimini (active circa 1420-1440) | Southern Netherlandish, circa 1430-1450 | Apostle. Estimate: GBP 20,000 - 30,000 at Sotheby's old masters paitings evening sale. Credit amer ghazzal/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-5-july-2021-image-circle-of-the-master-of-rimini-active-circa-1420-1440-southern-netherlandish-circa-1430-1450-apostle-estimate-gbp-20000-30000-at-sothebys-old-masters-paitings-evening-sale-credit-amer-ghazzalalamy-live-news-image434218604.htmlRM2G6CA78–LONDON 5 July 2021. Image: Circle of the Master of Rimini (active circa 1420-1440) | Southern Netherlandish, circa 1430-1450 | Apostle. Estimate: GBP 20,000 - 30,000 at Sotheby's old masters paitings evening sale. Credit amer ghazzal/Alamy Live News
German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Peter c. 1450 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-artist-unknown-active-c-1450-engraving-on-laid-paper-the-martyrdom-of-saint-peter-c-1450-image555753551.htmlRF2R84N93–German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Peter c. 1450
C10603.jpgOlivetan Master, Coronation of the Virgin with the Trinity and Saints, c 1440 Olivetan Master (Lombard, active c. 1425 - c. 1450), Coronation of the Virgin with the Trinity and Saints, c. 1440, miniature on vellum, Rosenwald Collection 1950.17.2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c10603jpgolivetan-master-coronation-of-the-virgin-with-the-trinity-and-saints-c-1440-olivetan-master-lombard-active-c-1425-c-1450-coronation-of-the-virgin-with-the-trinity-and-saints-c-1440-miniature-on-vellum-rosenwald-collection-1950172-image336038739.htmlRM2AEKTRF–C10603.jpgOlivetan Master, Coronation of the Virgin with the Trinity and Saints, c 1440 Olivetan Master (Lombard, active c. 1425 - c. 1450), Coronation of the Virgin with the Trinity and Saints, c. 1440, miniature on vellum, Rosenwald Collection 1950.17.2
The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489, Valenciennes, France; 1475; Tempera colors, gold leaf, gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-forge-of-vulcan-simon-marmion-flemish-active-1450-1489-valenciennes-france-1475-tempera-colors-gold-leaf-gold-image220602787.htmlRMPPW92Y–The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489, Valenciennes, France; 1475; Tempera colors, gold leaf, gold
Art inspired by The Visitation, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-visitation-mid-15th-century-engraving-prints-master-es-german-active-ca-145067-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805148.htmlRF2HTXGK8–Art inspired by The Visitation, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Trinity with Christ Crucified, c.1410. Artist: Austrian master (active ca. 1440-1450) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-trinity-with-christ-crucified-c1410-artist-austrian-master-active-image60366264.htmlRMDE5WP0–The Trinity with Christ Crucified, c.1410. Artist: Austrian master (active ca. 1440-1450)
The Last Judgment from Les Sept Articles de la Foi by Jean Chappuis. Maître François; French, active 1450-1499. Date: 1465-1475. Dimensions: 237 × 172 mm. Manuscript cutting in tempera and gold leaf, and letter bâtarde inscriptions in brownish-black ink, unruled, with decorated initial, on parchment. Origin: France. Museum: The Chicago Art Institute. Author: Egregius Pictor Franciscus. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-last-judgment-from-les-sept-articles-de-la-foi-by-jean-chappuis-matre-franois-french-active-1450-1499-date-1465-1475-dimensions-237-172-mm-manuscript-cutting-in-tempera-and-gold-leaf-and-letter-btarde-inscriptions-in-brownish-black-ink-unruled-with-decorated-initial-on-parchment-origin-france-museum-the-chicago-art-institute-author-egregius-pictor-franciscus-image239835335.htmlRMRX5CBK–The Last Judgment from Les Sept Articles de la Foi by Jean Chappuis. Maître François; French, active 1450-1499. Date: 1465-1475. Dimensions: 237 × 172 mm. Manuscript cutting in tempera and gold leaf, and letter bâtarde inscriptions in brownish-black ink, unruled, with decorated initial, on parchment. Origin: France. Museum: The Chicago Art Institute. Author: Egregius Pictor Franciscus.
Simon Marmion (Flemish, active 1450 1489) Saint Bernard's Vision of the Virgin and Child Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-marmion-flemish-active-1450-1489-saint-bernards-vision-of-the-137398505.htmlRMHYF15D–Simon Marmion (Flemish, active 1450 1489) Saint Bernard's Vision of the Virgin and Child Google Art Project
Simon Marmion (Flemish, active 1450 1489) The Forge of Vulcan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-forge-of-vulcan-image152784041.htmlRMJTFWGW–Simon Marmion (Flemish, active 1450 1489) The Forge of Vulcan
The Crucifixion; Dreux Budé Master, possibly André d'Ypres, French, active by 1425/26 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-dreux-bud-master-possibly-andr-dypres-french-active-image60351062.htmlRMDE56B2–The Crucifixion; Dreux Budé Master, possibly André d'Ypres, French, active by 1425/26
The Torment of Murderers. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-torment-of-murderers-simon-marmion-flemish-active-1450-1489-image416614022.htmlRM2F5PBC6–The Torment of Murderers. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Murderers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-murderers-image457485871.htmlRM2HG87W3–Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Murderers
Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Murderers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-murderers-image457721665.htmlRF2HGK0J9–Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Murderers
©Active Museu/MAXPPP - ActiveMuseum 0000882.jpg / La Nativite, 1450 - Petrus Christus 1450 - / Petrus Christus / La Nativite, 1450 - Petrus Christus Active Museum / Le Pictorium Angel ,Arch ,Birth ,Catholic religion ,Cowshed ,Donkey ,Early Netherlandish painting ,Hill ,Hoof ,Man ,Nativity scene ,Ox ,Sculpture ,Triangle ,Vertical ,Woman ,Bethlehem ,Galileo Galilei ,Israel ,Judea ,Middle East ,Nazareth ,Jesus Christ ,Joseph (Jesus's father) ,Mary (mother of Jesus) ,XVth century ,Petrus Christus ,? La Nativite ,1450 - Petrus Christus ? , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000882jpg-la-nativite-1450-petrus-christus-1450-petrus-christus-la-nativite-1450-petrus-christus-active-museum-le-pictorium-angel-arch-birth-catholic-religion-cowshed-donkey-early-netherlandish-painting-hill-hoof-man-nativity-scene-ox-sculpture-triangle-vertical-woman-bethlehem-galileo-galilei-israel-judea-middle-east-nazareth-jesus-christ-joseph-jesuss-father-mary-mother-of-jesus-xvth-century-petrus-christus-la-nativite-1450-petrus-christus-image486526508.htmlRM2K7F5EM– ©Active Museu/MAXPPP - ActiveMuseum 0000882.jpg / La Nativite, 1450 - Petrus Christus 1450 - / Petrus Christus / La Nativite, 1450 - Petrus Christus Active Museum / Le Pictorium Angel ,Arch ,Birth ,Catholic religion ,Cowshed ,Donkey ,Early Netherlandish painting ,Hill ,Hoof ,Man ,Nativity scene ,Ox ,Sculpture ,Triangle ,Vertical ,Woman ,Bethlehem ,Galileo Galilei ,Israel ,Judea ,Middle East ,Nazareth ,Jesus Christ ,Joseph (Jesus's father) ,Mary (mother of Jesus) ,XVth century ,Petrus Christus ,? La Nativite ,1450 - Petrus Christus ? ,
Saint George and the Dragon; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450–1455; Tempera col Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-george-and-the-dragon-master-of-guillebert-de-mets-flemish-active-about-1410-1450-ghent-probably-belgium-about-14501455-tempera-col-image239408360.htmlRMRWDYPG–Saint George and the Dragon; Master of Guillebert de Mets (Flemish, active about 1410 - 1450); Ghent (probably), Belgium; about 1450–1455; Tempera col
Altarpiece of San Miguel de la Seo de Urgel ( fragment ) 1432 Bernardo Despuig 1383 -1451 and Jaume Cirera Active 1418 - 1450 Spain Spanish Medieval Gothic Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-altarpiece-of-san-miguel-de-la-seo-de-urgel-fragment-1432-bernardo-75769411.htmlRMEB7GJB–Altarpiece of San Miguel de la Seo de Urgel ( fragment ) 1432 Bernardo Despuig 1383 -1451 and Jaume Cirera Active 1418 - 1450 Spain Spanish Medieval Gothic Art
Book of Hours about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - Book of Hours - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/book-of-hours-about-1450-1455-870-master-of-guillebert-de-mets-flemish-active-about-1410-1450-book-of-hours-google-art-project-image185859157.htmlRMMPAH71–Book of Hours about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - Book of Hours - Google Art Project
15th century - The Adoration of the Magi, 1450 - Giovanni di Paolo di Grazia Philippe Sauvan-Magnet / Active Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-15th-century-the-adoration-of-the-magi-1450-giovanni-di-paolo-di-grazia-59471910.htmlRMDCN50P–15th century - The Adoration of the Magi, 1450 - Giovanni di Paolo di Grazia Philippe Sauvan-Magnet / Active Museum
Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Tail depicting an episode of the life of the archangel. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernat-despuig-documented-between-1383-1451-and-jaume-cirera-active-146811530.htmlRMJERRGX–Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Tail depicting an episode of the life of the archangel. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
LONDON 5 July 2021. Image: (Left) Circle of the Master of Rimini (active circa 1420-1440) | Southern Netherlandish, circa 1430-1450 | Apostle. Estimate: GBP 20,000 - 30,000, Right. Workshop of Tilman Riemenschneider (circa 1460-1531) | German, Würzburg, circa 1510-1520 | Standing Deacon. Estimate:30,000 - 50,000 GBP at Sotheby's old masters paitings evening sale. Credit amer ghazzal/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-5-july-2021-image-left-circle-of-the-master-of-rimini-active-circa-1420-1440-southern-netherlandish-circa-1430-1450-apostle-estimate-gbp-20000-30000-right-workshop-of-tilman-riemenschneider-circa-1460-1531-german-wrzburg-circa-1510-1520-standing-deacon-estimate30000-50000-gbp-at-sothebys-old-masters-paitings-evening-sale-credit-amer-ghazzalalamy-live-news-image434225945.htmlRM2G6CKHD–LONDON 5 July 2021. Image: (Left) Circle of the Master of Rimini (active circa 1420-1440) | Southern Netherlandish, circa 1430-1450 | Apostle. Estimate: GBP 20,000 - 30,000, Right. Workshop of Tilman Riemenschneider (circa 1460-1531) | German, Würzburg, circa 1510-1520 | Standing Deacon. Estimate:30,000 - 50,000 GBP at Sotheby's old masters paitings evening sale. Credit amer ghazzal/Alamy Live News
German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Sebastian c. 1450 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/german-artist-unknown-active-c-1450-engraving-on-laid-paper-the-martyrdom-of-saint-sebastian-c-1450-image555753486.htmlRF2R84N6P–German artist unknown, active c. 1450, engraving on laid paper, The Martyrdom of Saint Sebastian c. 1450
Isaia da Pisa. Upper Part of a Tabernacle for the Holy Sacrament. 1450–1475. Rome. Marble This relief represents the upper of two surviving panels from the altar of the Holy Sacrament in the Roman basilica of Santa Maria Maggiore (the second panel remains in the church). Dismantled in 1573, the altar was one of a number of improvements in the church instituted by Cardinal Guillaume d’Estouteville, archpriest of Santa Maria Maggiore during much of the 15th century. As his name implies, Isaia came from a family of stone carvers in Pisa and was active in Rome from 1428. He produced a number of to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isaia-da-pisa-upper-part-of-a-tabernacle-for-the-holy-sacrament-14501475-rome-marble-this-relief-represents-the-upper-of-two-surviving-panels-from-the-altar-of-the-holy-sacrament-in-the-roman-basilica-of-santa-maria-maggiore-the-second-panel-remains-in-the-church-dismantled-in-1573-the-altar-was-one-of-a-number-of-improvements-in-the-church-instituted-by-cardinal-guillaume-destouteville-archpriest-of-santa-maria-maggiore-during-much-of-the-15th-century-as-his-name-implies-isaia-came-from-a-family-of-stone-carvers-in-pisa-and-was-active-in-rome-from-1428-he-produced-a-number-of-to-image337961689.htmlRM2AHRDG9–Isaia da Pisa. Upper Part of a Tabernacle for the Holy Sacrament. 1450–1475. Rome. Marble This relief represents the upper of two surviving panels from the altar of the Holy Sacrament in the Roman basilica of Santa Maria Maggiore (the second panel remains in the church). Dismantled in 1573, the altar was one of a number of improvements in the church instituted by Cardinal Guillaume d’Estouteville, archpriest of Santa Maria Maggiore during much of the 15th century. As his name implies, Isaia came from a family of stone carvers in Pisa and was active in Rome from 1428. He produced a number of to
The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489, Ghent, Belgium; 1475; Tempera colors, gold leaf, gold paint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beast-acheron-simon-marmion-flemish-active-1450-1489-ghent-belgium-1475-tempera-colors-gold-leaf-gold-paint-image220602783.htmlRMPPW92R–The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489, Ghent, Belgium; 1475; Tempera colors, gold leaf, gold paint
Art inspired by The Knight and the Lady, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-knight-and-the-lady-mid-15th-century-engraving-prints-master-es-german-active-ca-145067-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462968159.htmlRF2HW60H3–Art inspired by The Knight and the Lady, mid-15th century, Engraving, Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of the Vizier Kibleli Mustafa Pasha, 1670s. Artist: Austrian master (active ca. 1440-1450) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-the-vizier-kibleli-mustafa-pasha-1670s-artist-austrian-135271751.htmlRMHT24DY–Portrait of the Vizier Kibleli Mustafa Pasha, 1670s. Artist: Austrian master (active ca. 1440-1450)
The Four Fathers of the Church. Artist: Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); After Master ES (German, active ca. 1450-67). Dimensions: Plate: 4 1/8 × 3 3/8 in. (10.5 × 8.5 cm) Sheet: 7 11/16 × 5 7/8 in. (19.6 × 15 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-four-fathers-of-the-church-artist-israhel-van-meckenem-german-meckenem-ca-144045-1503-bocholt-after-master-es-german-active-ca-1450-67-dimensions-plate-4-18-3-38-in-105-85-cm-sheet-7-1116-5-78-in-196-15-cm-museum-metropolitan-museum-of-art-new-york-usa-image213146342.htmlRMPANJ9A–The Four Fathers of the Church. Artist: Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); After Master ES (German, active ca. 1450-67). Dimensions: Plate: 4 1/8 × 3 3/8 in. (10.5 × 8.5 cm) Sheet: 7 11/16 × 5 7/8 in. (19.6 × 15 cm). Museum: Metropolitan Museum of Art, New York, USA.
Simon Marmion (Flemish, active 1450 1489) A Monk and Guy's Widow Conversing with the Soul of Guy de Thurno Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-marmion-flemish-active-1450-1489-a-monk-and-guys-widow-conversing-137406202.htmlRMHYFB0A–Simon Marmion (Flemish, active 1450 1489) A Monk and Guy's Widow Conversing with the Soul of Guy de Thurno Google Art Project
Simon Marmion (Flemish, active 1450 1489) The Torment of Murderers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-murderers-image152803350.htmlRMJTGP6E–Simon Marmion (Flemish, active 1450 1489) The Torment of Murderers
fine arts, Middle Ages, copper engraving, 'Der Heilige Georg, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-middle-ages-copper-engraving-der-heilige-georg-artists-copyright-16204837.htmlRMAT539X–fine arts, Middle Ages, copper engraving, 'Der Heilige Georg, Artist's Copyright has not to be cleared
The House of Phristinus. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-house-of-phristinus-simon-marmion-flemish-active-1450-1489-image416614407.htmlRM2F5PBWY–The House of Phristinus. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The House of Phristinus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-house-of-phristinus-image457485877.htmlRM2HG87W9–Simon Marmion (Flemish, active 1450 - 1489) - The House of Phristinus
Simon Marmion (Flemish, active 1450 - 1489) - The Forge of Vulcan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-forge-of-vulcan-image457721705.htmlRF2HGK0KN–Simon Marmion (Flemish, active 1450 - 1489) - The Forge of Vulcan
©Active Museu/MAXPPP - ActiveMuseum 0000760.jpg / Volet droit du Triptyque de la Famille Braque : Sainte Madeleine, 1450 - Rogier van der Weyden 1450 - / Rogier van der Weyden / Volet droit du Triptyque de la Famille Braque : Sainte Madeleine, 1450 - Rogier Active Museum / Le Pictorium Catholic religion ,Dress ,Hat ,Landscape ,Pot ,Relief (geography) ,Saint ,Vertical ,Woman ,Saint Madeleine ,XVth century ,Rogier van der Weyden ,? Volet droit du Triptyque de la Famille Braque : Sainte Madeleine ,1450 - Rog ? , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000760jpg-volet-droit-du-triptyque-de-la-famille-braque-sainte-madeleine-1450-rogier-van-der-weyden-1450-rogier-van-der-weyden-volet-droit-du-triptyque-de-la-famille-braque-sainte-madeleine-1450-rogier-active-museum-le-pictorium-catholic-religion-dress-hat-landscape-pot-relief-geography-saint-vertical-woman-saint-madeleine-xvth-century-rogier-van-der-weyden-volet-droit-du-triptyque-de-la-famille-braque-sainte-madeleine-1450-rog-image486526382.htmlRM2K7F5A6– ©Active Museu/MAXPPP - ActiveMuseum 0000760.jpg / Volet droit du Triptyque de la Famille Braque : Sainte Madeleine, 1450 - Rogier van der Weyden 1450 - / Rogier van der Weyden / Volet droit du Triptyque de la Famille Braque : Sainte Madeleine, 1450 - Rogier Active Museum / Le Pictorium Catholic religion ,Dress ,Hat ,Landscape ,Pot ,Relief (geography) ,Saint ,Vertical ,Woman ,Saint Madeleine ,XVth century ,Rogier van der Weyden ,? Volet droit du Triptyque de la Famille Braque : Sainte Madeleine ,1450 - Rog ? ,
The Fatherland: (1450-1700) : showing the part it bore in the discovery, exploration and development of the western continent with special reference to the Commonwealth of Pennsylvania ; ptIof a narrative and critical history, prepared at the reque . destined ultimately to prove an active agent inthe settlement of Pennsylvania and the adjacent colo-nies by the yeomanry of Germany. Another important incident which falls within this *^ Never did the Venetians believe the power ot their country to bemore firmly established, or rely with greater confidence on the continu-ance and increase of its o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fatherland-1450-1700-showing-the-part-it-bore-in-the-discovery-exploration-and-development-of-the-western-continent-with-special-reference-to-the-commonwealth-of-pennsylvania-ptiof-a-narrative-and-critical-history-prepared-at-the-reque-destined-ultimately-to-prove-an-active-agent-inthe-settlement-of-pennsylvania-and-the-adjacent-colo-nies-by-the-yeomanry-of-germany-another-important-incident-which-falls-within-this-never-did-the-venetians-believe-the-power-ot-their-country-to-bemore-firmly-established-or-rely-with-greater-confidence-on-the-continu-ance-and-increase-of-its-o-image339243543.htmlRM2AKWTGR–The Fatherland: (1450-1700) : showing the part it bore in the discovery, exploration and development of the western continent with special reference to the Commonwealth of Pennsylvania ; ptIof a narrative and critical history, prepared at the reque . destined ultimately to prove an active agent inthe settlement of Pennsylvania and the adjacent colo-nies by the yeomanry of Germany. Another important incident which falls within this *^ Never did the Venetians believe the power ot their country to bemore firmly established, or rely with greater confidence on the continu-ance and increase of its o
Altarpiece of San Miguel de la Seo de Urgel ( fragment ) 1432 Bernardo Despuig 1383 -1451 and Jaume Cirera Active 1418 - 1450 Spain Spanish Medieval Gothic Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-altarpiece-of-san-miguel-de-la-seo-de-urgel-fragment-1432-bernardo-75769410.htmlRMEB7GJA–Altarpiece of San Miguel de la Seo de Urgel ( fragment ) 1432 Bernardo Despuig 1383 -1451 and Jaume Cirera Active 1418 - 1450 Spain Spanish Medieval Gothic Art
The Virgin and Child with Angels about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Virgin and Child with Angels - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-virgin-and-child-with-angels-about-1450-1455-870-master-of-guillebert-de-mets-flemish-active-about-1410-1450-the-virgin-and-child-with-angels-google-art-project-image185859164.htmlRMMPAH78–The Virgin and Child with Angels about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Virgin and Child with Angels - Google Art Project
15th century - The Annunciation, 1450 - Attributed to Petrus Christus Philippe Sauvan-Magnet / Active Museum Oil on wood Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-15th-century-the-annunciation-1450-attributed-to-petrus-christus-philippe-59411038.htmlRMDCJBAP–15th century - The Annunciation, 1450 - Attributed to Petrus Christus Philippe Sauvan-Magnet / Active Museum Oil on wood
Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Scene of the life of Saint Peter. Detail. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernat-despuig-documented-between-1383-1451-and-jaume-cirera-active-146811529.htmlRMJERRGW–Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Scene of the life of Saint Peter. Detail. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
![Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photo](https://c8.alamy.com/comp/2RA530G/master-of-jean-rolin-active-1445-65-book-of-hours-use-of-paris-in-latin-and-french-illuminated-manuscript-on-vellum-paris-c1450-1460-2RA530G.jpg "Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photo")
Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/master-of-jean-rolin-active-1445-65-book-of-hours-use-of-paris-in-latin-and-french-illuminated-manuscript-on-vellum-paris-c1450-1460-image556990464.htmlRF2RA530G–Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460]
The Crucifixion; Dreux Budé Master, possibly André d'Ypres (French, active by 1425/26, died 1450); France; before 1450; Oil on panel; 48.6 x 71.1 cm (19 1/8 x 28 in.); 79.PB.177 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-dreux-bud-master-possibly-andr-dypres-french-active-by-142526-died-1450-france-before-1450-oil-on-panel-486-x-711-cm-19-18-x-28-in-79pb177-image597364571.htmlRM2WKT8GY–The Crucifixion; Dreux Budé Master, possibly André d'Ypres (French, active by 1425/26, died 1450); France; before 1450; Oil on panel; 48.6 x 71.1 cm (19 1/8 x 28 in.); 79.PB.177
The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489, Ghent, Belgium; 1475; Tempera colors, gold leaf, gold paint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-beast-acheron-simon-marmion-flemish-active-1450-1489-ghent-belgium-1475-tempera-colors-gold-leaf-gold-paint-image220602782.htmlRMPPW92P–The Beast Acheron; Simon Marmion, Flemish, active 1450 - 1489, Ghent, Belgium; 1475; Tempera colors, gold leaf, gold paint
Art inspired by The Visitation, 15th century, Engraving, Sheet: 6 3/16 x 4 11/16 in. (15.7 x 12 cm), Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-visitation-15th-century-engraving-sheet-6-316-x-4-1116-in-157-x-12-cm-prints-master-es-german-active-ca-145067-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800403.htmlRF2HTXAHR–Art inspired by The Visitation, 15th century, Engraving, Sheet: 6 3/16 x 4 11/16 in. (15.7 x 12 cm), Prints, Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Illustration for the Georgics by Virgil, 1450-1499. Artist: Coëtivy Master (active c. 1450-1485) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-for-the-georgics-by-virgil-1450-1499-artist-cotivy-master-image60384624.htmlRMDE6N5M–Illustration for the Georgics by Virgil, 1450-1499. Artist: Coëtivy Master (active c. 1450-1485)
The Nativity. Artist: Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); After Master ES (German, active ca. 1450-67). Dimensions: Plate: 3 3/16 × 4 1/4 in. (8.1 × 10.8 cm) Sheet: 5 7/8 × 7 3/4 in. (15 × 19.7 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-nativity-artist-israhel-van-meckenem-german-meckenem-ca-144045-1503-bocholt-after-master-es-german-active-ca-1450-67-dimensions-plate-3-316-4-14-in-81-108-cm-sheet-5-78-7-34-in-15-197-cm-museum-metropolitan-museum-of-art-new-york-usa-image213324659.htmlRMPB1NNR–The Nativity. Artist: Israhel van Meckenem (German, Meckenem ca. 1440/45-1503 Bocholt); After Master ES (German, active ca. 1450-67). Dimensions: Plate: 3 3/16 × 4 1/4 in. (8.1 × 10.8 cm) Sheet: 5 7/8 × 7 3/4 in. (15 × 19.7 cm). Museum: Metropolitan Museum of Art, New York, USA.
Master of the Lee Hours (Flemish, active about 1450 - 1470) - The Virgin and Child - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-master-of-the-lee-hours-flemish-active-about-1450-1470-the-virgin-133428094.htmlRMHN24W2–Master of the Lee Hours (Flemish, active about 1450 - 1470) - The Virgin and Child - Google Art Project
Simon Marmion (Flemish, active 1450 1489) The Torment of Unbelievers and Heretics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-unbelievers-image152803544.htmlRMJTGPDC–Simon Marmion (Flemish, active 1450 1489) The Torment of Unbelievers and Heretics
The Torment of Unbelievers and Heretics. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-torment-of-unbelievers-and-heretics-simon-marmion-flemish-active-1450-1489-image416611237.htmlRM2F5P7TN–The Torment of Unbelievers and Heretics. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-unbelievers-and-heretics-image457485867.htmlRM2HG87TY–Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics
Simon Marmion (Flemish, active 1450 - 1489) - The Gates of Hell and Lucifer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-gates-of-hell-and-lucifer-image457721639.htmlRF2HGK0HB–Simon Marmion (Flemish, active 1450 - 1489) - The Gates of Hell and Lucifer
©Active Museu/MAXPPP - ActiveMuseum 0001115.jpg / L'Adoration des Mages, 1450 - Giovanni di Paolo di Grazia - The Adoration of the Magi 1450 - / Giovanni di Paolo di Grazia / L'Adoration des Mages, 1450 - Giovanni di Paolo di Grazia - The Adoration of the Active Museum / Le Pictorium Adoration ,Aureola (Religion) ,Baby ,Catholic religion ,Cave ,Child ,Cowshed ,Donkey ,Family ,Field ,Horse ,Kneeling ,Magi ,Man ,Ox ,Prayer ,Renaissance ,Rock (Stone) ,Servant ,Sitting (to be) ,Star ,Woman ,Bethlehem ,Galileo Galilei ,Israel ,Judea ,Middle East ,Nazareth ,Balthazar ,Caspard ,Jesus Christ ,Joseph Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0001115jpg-ladoration-des-mages-1450-giovanni-di-paolo-di-grazia-the-adoration-of-the-magi-1450-giovanni-di-paolo-di-grazia-ladoration-des-mages-1450-giovanni-di-paolo-di-grazia-the-adoration-of-the-active-museum-le-pictorium-adoration-aureola-religion-baby-catholic-religion-cave-child-cowshed-donkey-family-field-horse-kneeling-magi-man-ox-prayer-renaissance-rock-stone-servant-sitting-to-be-star-woman-bethlehem-galileo-galilei-israel-judea-middle-east-nazareth-balthazar-caspard-jesus-christ-joseph-image486526969.htmlRM2K7F635– ©Active Museu/MAXPPP - ActiveMuseum 0001115.jpg / L'Adoration des Mages, 1450 - Giovanni di Paolo di Grazia - The Adoration of the Magi 1450 - / Giovanni di Paolo di Grazia / L'Adoration des Mages, 1450 - Giovanni di Paolo di Grazia - The Adoration of the Active Museum / Le Pictorium Adoration ,Aureola (Religion) ,Baby ,Catholic religion ,Cave ,Child ,Cowshed ,Donkey ,Family ,Field ,Horse ,Kneeling ,Magi ,Man ,Ox ,Prayer ,Renaissance ,Rock (Stone) ,Servant ,Sitting (to be) ,Star ,Woman ,Bethlehem ,Galileo Galilei ,Israel ,Judea ,Middle East ,Nazareth ,Balthazar ,Caspard ,Jesus Christ ,Joseph
. Almanach de Gotha . 4 — 44 — -3067 — 30 —• — 67 1 bataillon à 4 comp. . 3 315 318 — Artillerie. Etat-major .... 35 — 35 ? — 3 rég. à 10 batt. avec 24 pièces en temps de paix et 72 en temps de guerre 106 1450 1556 ??22 Cavalerie. 2 rég. de lanc. à 6 comp. )6 régiments de chasseurs . 245 2169 2414 Infanterie. 18 rég. à 9 comp. . 707 9369 10076 85 9 bataill. de chasseurs à 8 comp. 821 3881 4202 2( Service de santé. Médecins supér. 13 13 1 comp, de troupes de santé . 3 109 112 Total de larmée active 1574 17293 18867 182^ En outre: Gardes municipales . 56 1654 1710 20( Vétérans (en retraite) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/almanach-de-gotha-4-44-3067-30-67-1-bataillon-4-comp-3-315-318-artillerie-etat-major-35-35-3-rg-10-batt-avec-24-pices-en-temps-de-paix-et-72-en-temps-de-guerre-106-1450-1556-22-cavalerie-2-rg-de-lanc-6-comp-6-rgiments-de-chasseurs-245-2169-2414-infanterie-18-rg-9-comp-707-9369-10076-85-9-bataill-de-chasseurs-8-comp-821-3881-4202-2-service-de-sant-mdecins-supr-13-13-1-comp-de-troupes-de-sant-3-109-112-total-de-larme-active-1574-17293-18867-182-en-outre-gardes-municipales-56-1654-1710-20-vtrans-en-retraite-image369813765.htmlRM2CDJD6D–. Almanach de Gotha . 4 — 44 — -3067 — 30 —• — 67 1 bataillon à 4 comp. . 3 315 318 — Artillerie. Etat-major .... 35 — 35 ? — 3 rég. à 10 batt. avec 24 pièces en temps de paix et 72 en temps de guerre 106 1450 1556 ??22 Cavalerie. 2 rég. de lanc. à 6 comp. )6 régiments de chasseurs . 245 2169 2414 Infanterie. 18 rég. à 9 comp. . 707 9369 10076 85 9 bataill. de chasseurs à 8 comp. 821 3881 4202 2( Service de santé. Médecins supér. 13 13 1 comp, de troupes de santé . 3 109 112 Total de larmée active 1574 17293 18867 182^ En outre: Gardes municipales . 56 1654 1710 20( Vétérans (en retraite)
The Saint Vincent Panels - Adoration of Saint Vincent panels 1450 Nuno Gonçalves, who was active from 1450 to 1471 (15the-century) Portugal, Portuguese, (details) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-saint-vincent-panels-adoration-of-saint-vincent-panels-1450-nuno-173270580.htmlRMM1W4B0–The Saint Vincent Panels - Adoration of Saint Vincent panels 1450 Nuno Gonçalves, who was active from 1450 to 1471 (15the-century) Portugal, Portuguese, (details)
Saint George and the Dragon about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - Saint George and the Dragon - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-george-and-the-dragon-about-1450-1455-870-master-of-guillebert-de-mets-flemish-active-about-1410-1450-saint-george-and-the-dragon-google-art-project-image185859162.htmlRMMPAH76–Saint George and the Dragon about 1450 - 1455. 870 Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - Saint George and the Dragon - Google Art Project
Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Detail depicting the final Battle between angels and demons according to the Book of Revelation. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernat-despuig-documented-between-1383-1451-and-jaume-cirera-active-146811528.htmlRMJERRGT–Bernat Despuig (documented between 1383-1451) and Jaume Cirera (active 1418-1449/1450) . Altarpiece of Saint Michael and Saint Peter, 1432-1433. Detail depicting the final Battle between angels and demons according to the Book of Revelation. Gothic. From the hight altar of the Church of Sant Miquel de la Seu Urgell, Catalonia. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
![Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photo](https://c8.alamy.com/comp/2RA5306/master-of-jean-rolin-active-1445-65-book-of-hours-use-of-paris-in-latin-and-french-illuminated-manuscript-on-vellum-paris-c1450-1460-2RA5306.jpg "Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photo")
Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/master-of-jean-rolin-active-1445-65-book-of-hours-use-of-paris-in-latin-and-french-illuminated-manuscript-on-vellum-paris-c1450-1460-image556990454.htmlRF2RA5306–Master of Jean Rolin (active 1445-65) Book of Hours, use of Paris, in Latin and French, illuminated manuscript on vellum [Paris, c.1450-1460]
The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-forge-of-vulcan-simon-marmion-flemish-active-1450-1489-ghent-belgium-77452921.htmlRMEE07YN–The Forge of Vulcan; Simon Marmion, Flemish, active 1450 - 1489; Ghent, Belgium, Europe; 1475; Tempera colors, gold leaf
Art inspired by The Temptation of St. Anthony, n.d., Etching, Prints, after Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), Etched by Jan and Lucas van Doetecum (Dutch, active ca. 1558, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-temptation-of-st-anthony-nd-etching-prints-after-hieronymus-bosch-netherlandish-s-hertogenbosch-ca-14501516-s-hertogenbosch-etched-by-jan-and-lucas-van-doetecum-dutch-active-ca-1558-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978084.htmlRF2HW6D7G–Art inspired by The Temptation of St. Anthony, n.d., Etching, Prints, after Hieronymus Bosch (Netherlandish, ’s Hertogenbosch ca. 1450–1516 ’s Hertogenbosch), Etched by Jan and Lucas van Doetecum (Dutch, active ca. 1558, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Illustration for the Epic The Aeneid by Virgil, 1450-1499. Artist: Coëtivy Master (active c. 1450-1485) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-for-the-epic-the-aeneid-by-virgil-1450-1499-artist-cotivy-image60384655.htmlRMDE6N6R–Illustration for the Epic The Aeneid by Virgil, 1450-1499. Artist: Coëtivy Master (active c. 1450-1485)
The Visitation. Artist: Master ES (German, active ca. 1450-67). Date: mid-15th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-visitation-artist-master-es-german-active-ca-1450-67-date-mid-15th-century-museum-metropolitan-museum-of-art-new-york-usa-image213330426.htmlRMPB213P–The Visitation. Artist: Master ES (German, active ca. 1450-67). Date: mid-15th century. Museum: Metropolitan Museum of Art, New York, USA.
Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Last Judgment - Google Art Project Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-master-of-guillebert-de-mets-flemish-active-about-1410-1450-the-last-133420765.htmlRMHN1RF9–Master of Guillebert de Mets (Flemish, active about 1410 - 1450) - The Last Judgment - Google Art Project
Simon Marmion (Flemish, active 1450 1489) Two Kings of Ireland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-two-kings-of-ireland-image152859492.htmlRMJTK9RG–Simon Marmion (Flemish, active 1450 1489) Two Kings of Ireland
Two Kings of Ireland. Simon Marmion (Flemish, active 1450 - 1489) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-kings-of-ireland-simon-marmion-flemish-active-1450-1489-image416605049.htmlRM2F5NYYN–Two Kings of Ireland. Simon Marmion (Flemish, active 1450 - 1489)
Simon Marmion (Flemish, active 1450 - 1489) - The Gates of Hell and Lucifer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-gates-of-hell-and-lucifer-image457485810.htmlRM2HG87PX–Simon Marmion (Flemish, active 1450 - 1489) - The Gates of Hell and Lucifer
Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/simon-marmion-flemish-active-1450-1489-the-torment-of-unbelievers-and-heretics-image457721766.htmlRF2HGK0NX–Simon Marmion (Flemish, active 1450 - 1489) - The Torment of Unbelievers and Heretics
©Active Museu/MAXPPP - ActiveMuseum 0000761.jpg / Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste, 1450 - Rogier van der Weyden 1450 - / Rogier van der Weyden / Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste, 1450 - Rogi Active Museum / Le Pictorium Beard ,Book ,Catholic religion ,Early Netherlandish painting ,Landscape ,Man ,Nature ,Saint ,Tree ,Vertical ,watercourse ,Saint John Baptist ,XVth century ,Rogier van der Weyden ,? Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste ,1450 - ? , Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/active-museumaxppp-activemuseum-0000761jpg-volet-droit-du-triptyque-de-la-famille-braque-saint-jean-baptiste-1450-rogier-van-der-weyden-1450-rogier-van-der-weyden-volet-droit-du-triptyque-de-la-famille-braque-saint-jean-baptiste-1450-rogi-active-museum-le-pictorium-beard-book-catholic-religion-early-netherlandish-painting-landscape-man-nature-saint-tree-vertical-watercourse-saint-john-baptist-xvth-century-rogier-van-der-weyden-volet-droit-du-triptyque-de-la-famille-braque-saint-jean-baptiste-1450-image486526390.htmlRM2K7F5AE– ©Active Museu/MAXPPP - ActiveMuseum 0000761.jpg / Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste, 1450 - Rogier van der Weyden 1450 - / Rogier van der Weyden / Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste, 1450 - Rogi Active Museum / Le Pictorium Beard ,Book ,Catholic religion ,Early Netherlandish painting ,Landscape ,Man ,Nature ,Saint ,Tree ,Vertical ,watercourse ,Saint John Baptist ,XVth century ,Rogier van der Weyden ,? Volet droit du Triptyque de la Famille Braque : Saint Jean Baptiste ,1450 - ? ,
Search Results for Active 1450 Stock Photos and Images (1,565)
Page 1 of 16