Cloak holds up hi-res stock photography and images

Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble Stock Photo

RMW55H1E–Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble

The Visitation, anonymous, c. 1530 - c. 1550 Against a background of a steep rising, mountainous landscape, on which a city wall and all left -bone knots -boom, Maria and her niece reach each other's right hand. Maria comes from the right, stands on the left leg and has the right foot back with the heel of the ground; With the left his cloak holds up. Elisabeth, coming from the left, stands on the left leg, has the base of the bent right backwards and tends slightly forward. Maria's head is uncovered, the hair, partly in braids, is held together by a band. She wears a long, low -cut robe with Stock Photo

RM2TE1KCM–The Visitation, anonymous, c. 1530 - c. 1550 Against a background of a steep rising, mountainous landscape, on which a city wall and all left -bone knots -boom, Maria and her niece reach each other's right hand. Maria comes from the right, stands on the left leg and has the right foot back with the heel of the ground; With the left his cloak holds up. Elisabeth, coming from the left, stands on the left leg, has the base of the bent right backwards and tends slightly forward. Maria's head is uncovered, the hair, partly in braids, is held together by a band. She wears a long, low -cut robe with

Vz: the woman wears a richly pleated robe and a cloak with fibula on the left shoulder, with her left hand she holds up her robe, the right hand has raised it to her mouth, she has a complicated hairdress., Cameo, chalcedony (?), Color: greyish blue Stock Photo

RM2B0D2FD–Vz: the woman wears a richly pleated robe and a cloak with fibula on the left shoulder, with her left hand she holds up her robe, the right hand has raised it to her mouth, she has a complicated hairdress., Cameo, chalcedony (?), Color: greyish blue

Woman doing her hair and make-up in ancient Rome. One slave fixes pearls to her mitra (headband), while another holds a mirror. She sits in a sleeveless tunic and slippers at a dressing table with water pitcher, a palla (cloak) on her chair with footrest. Toilette des Dames Romaines. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his L’antique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796. Stock Photo

RM2J2N22X–Woman doing her hair and make-up in ancient Rome. One slave fixes pearls to her mitra (headband), while another holds a mirror. She sits in a sleeveless tunic and slippers at a dressing table with water pitcher, a palla (cloak) on her chair with footrest. Toilette des Dames Romaines. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his L’antique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.

The man is wearing a hat with a wide brim. He holds up his cloak and carries two books under his left arm. Man coming down stairs, print maker: anonymous, Willem Hendrik Schmidt, (mentioned on object), 1819 - 1899, paper, h 343 mm - w 250 mm Stock Photo

RM2JC71BJ–The man is wearing a hat with a wide brim. He holds up his cloak and carries two books under his left arm. Man coming down stairs, print maker: anonymous, Willem Hendrik Schmidt, (mentioned on object), 1819 - 1899, paper, h 343 mm - w 250 mm

RM2T68TJE–Woman doing her hair and make-up in ancient Rome. One slave fixes pearls to her mitra (headband), while another holds a mirror. She sits in a sleeveless tunic and slippers at a dressing table with water pitcher, a palla (cloak) on her chair with footrest. Toilette des Dames Romaines. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his Lantique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.

Priest Eric Abbott holds Westminster Abbey medals Stock Photo

RME0X7JJ–Priest Eric Abbott holds Westminster Abbey medals

Standing male figure in bishops vestments. Standing male figure in bishop's vestments. He holds up an object in his left hand and clutches his cloak with his right. Stock Photo

RM2BF6CX3–Standing male figure in bishops vestments. Standing male figure in bishop's vestments. He holds up an object in his left hand and clutches his cloak with his right.

Young smiling woman holds up a compass. Wintertime, gloves and hood Stock Photo

RF2XXD6W9–Young smiling woman holds up a compass. Wintertime, gloves and hood

Josephs Coat Brought to Jacob. Jacob is seated, left, before the open door of his house. He holds up his hands in grief at seeing the cloak of his son, brought to him by two other sons. One of them points towards the distance with his left hand. Stock Photo

RM2BF1DMM–Josephs Coat Brought to Jacob. Jacob is seated, left, before the open door of his house. He holds up his hands in grief at seeing the cloak of his son, brought to him by two other sons. One of them points towards the distance with his left hand.

Visitation: Meeting of Maria and Elisabeth. Against a background of a steep ascending, mountainous landscape, on which a city wall and completely bonebone gnarled tree, Maria and her niece reach each other's hand. Mary comes from the right, stands on the left leg and has the right foot back with the heel of the ground; With the left, his cloak holds up. Elisabeth, coming from the left, stands on the left leg, has the foot of the curved judge backwards and tends something to the front. Maria's head is uncovered, the hair, partly in braids, is held together by a band. She is wearing a long, low- Stock Photo

RM2G3EFM9–Visitation: Meeting of Maria and Elisabeth. Against a background of a steep ascending, mountainous landscape, on which a city wall and completely bonebone gnarled tree, Maria and her niece reach each other's hand. Mary comes from the right, stands on the left leg and has the right foot back with the heel of the ground; With the left, his cloak holds up. Elisabeth, coming from the left, stands on the left leg, has the foot of the curved judge backwards and tends something to the front. Maria's head is uncovered, the hair, partly in braids, is held together by a band. She is wearing a long, low-

RF2B9A524–Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble (roc

grim reaper, dressed in a Halloween costume with a dark cloak and skeletal face, holds a scythe as he sneaks up behind a terrified young brunette woma Stock Photo

RF2XXNP8G–grim reaper, dressed in a Halloween costume with a dark cloak and skeletal face, holds a scythe as he sneaks up behind a terrified young brunette woma

Man comes down the stairs, Anonymous, After Willem Hendrik Schmidt, 1819 - 1899 print The man wears a hat with a wide edge. He holds his cloak up and wears two books under his left arm. paper descending. staircase Stock Photo

RM2WCD74J–Man comes down the stairs, Anonymous, After Willem Hendrik Schmidt, 1819 - 1899 print The man wears a hat with a wide edge. He holds his cloak up and wears two books under his left arm. paper descending. staircase

The Duke of Sussex holds up the Wero, a ceremonial challenge and an ancient Māori warrior tradition to determine whether visitors came in peace Stock Photo

RM2K98JY0–The Duke of Sussex holds up the Wero, a ceremonial challenge and an ancient Māori warrior tradition to determine whether visitors came in peace

Madonna and Child, 1480-1485. Christ and Mary’s divinity is downplayed; their halos are just barely visible and they appear quite simply as mother and son, sharing an intimate and almost playful exchange as the Christ Child holds onto his mother’s hand and reaches for her face. The Madonna has propped the child up on a stone table (perhaps intended to recall an altar) and before an expansive landscape of rocky cliffs, rolling hills, and a distant castle. Stock Photo

RM2T6D12E–Madonna and Child, 1480-1485. Christ and Mary’s divinity is downplayed; their halos are just barely visible and they appear quite simply as mother and son, sharing an intimate and almost playful exchange as the Christ Child holds onto his mother’s hand and reaches for her face. The Madonna has propped the child up on a stone table (perhaps intended to recall an altar) and before an expansive landscape of rocky cliffs, rolling hills, and a distant castle.

back view of woman. Young woman in cloak presses down on something. Isolated over white background. Rear view people collection. backside view of person. she holds his hand open, palm forward Stock Photo

RFFCPGFW–back view of woman. Young woman in cloak presses down on something. Isolated over white background. Rear view people collection. backside view of person. she holds his hand open, palm forward

A witch in a black cloak holds a dagger up during a Pagan wedding ceremony in a field near Glastonbury in England. Stock Photo

RMBFD4N9–A witch in a black cloak holds a dagger up during a Pagan wedding ceremony in a field near Glastonbury in England.

Reenactor roman soldier holds marching pack. Furca or marching pole for carrying supplies and equipment Stock Photo

RF2H5F68X–Reenactor roman soldier holds marching pack. Furca or marching pole for carrying supplies and equipment

Seventies, people, love of animals, young girl holds a kitten in the hands, aged 20 to 25 years, Petra, long hair Stock Photo

RMC2FYKY–Seventies, people, love of animals, young girl holds a kitten in the hands, aged 20 to 25 years, Petra, long hair

Close-up picture of witch with pumpkin Stock Photo

RFK92X25–Close-up picture of witch with pumpkin

Capetian Woman, 12th century Stock Photo

RMD883P3–Capetian Woman, 12th century

Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch Stock Photo

RF2GK3125–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

Portrait of Johannes Munter Portrait of Johannes Munter (1611-1685), The seated figure is depicted up to the waist. He looks straight ahead and holds his left hand in front of his chest. The hair curls hang down to the shoulders. He wears a rabbet, a jerkin and a cloak, which is stuck to the left and to the right for the waist. The left hand protrudes from the mantle, the thumb and forefinger of which play with the colchat's achors, a flipped cuff on the wrist. The semi-figure changes into a quadrangular plinth, on which a cartouche with inscription. The frame of this consists of a wreath Stock Photo

RMW55MKA–Portrait of Johannes Munter Portrait of Johannes Munter (1611-1685), The seated figure is depicted up to the waist. He looks straight ahead and holds his left hand in front of his chest. The hair curls hang down to the shoulders. He wears a rabbet, a jerkin and a cloak, which is stuck to the left and to the right for the waist. The left hand protrudes from the mantle, the thumb and forefinger of which play with the colchat's achors, a flipped cuff on the wrist. The semi-figure changes into a quadrangular plinth, on which a cartouche with inscription. The frame of this consists of a wreath

Close-up of a man in a superhero costume, a hand holds a young plant and a handful of earth on a blurred green background of nature, at sunset. Earth Stock Photo

RF2HFGKCN–Close-up of a man in a superhero costume, a hand holds a young plant and a handful of earth on a blurred green background of nature, at sunset. Earth

A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . youth, draped onlyin a long red cloak falling over his r. shoulder and across his loins;in the 1. hand he holds a casket, in r. a torch, by which alone thepicture is lighted. Between and just beyond these two figures is anold man, three-quarters face to spectator, stooping forward, wearingyellow cloak over blue robe. He advances from r. and holds up hisr. hand with an animated gesture towards the seated girl. The back-ground is dark. Panel, ioj by i 2. Fitzwilliam. This Stock Photo

RM2AJA9YY–A descriptive catalogue of the pictures in the Fitzwilliam museum, comp largely from materials supplied by Sidney Colvin .. . youth, draped onlyin a long red cloak falling over his r. shoulder and across his loins;in the 1. hand he holds a casket, in r. a torch, by which alone thepicture is lighted. Between and just beyond these two figures is anold man, three-quarters face to spectator, stooping forward, wearingyellow cloak over blue robe. He advances from r. and holds up hisr. hand with an animated gesture towards the seated girl. The back-ground is dark. Panel, ioj by i 2. Fitzwilliam. This

RFK86PJ3–Vampire holds a cake

Young woman holds up a compass. Wintertime, gloves and hood Stock Photo

RF2XXD7N6–Young woman holds up a compass. Wintertime, gloves and hood

Doctor man presenting and greeting. Medical worker in uniform, clinical care vector illustration Stock Vector

RF2JCP8NK–Doctor man presenting and greeting. Medical worker in uniform, clinical care vector illustration

Skeleton in robe holding a carved pumpkin with monster hands Stock Photo

RMAR14FA–Skeleton in robe holding a carved pumpkin with monster hands

RF2B9A7RF–Portrait of Johannes Munter Portrait of Johannes Munter (1611-1685), The seated figure is depicted up to the waist. He looks straight ahead and holds his left hand in front of his chest. The hair curls hang down to the shoulders. He wears a rabbet, a jerkin and a cloak, which is stuck to the left and to the right for the waist. The left hand protrudes from the mantle, the thumb and forefinger of which play with the colchat's achors, a flipped cuff on the wrist. The semi-figure changes into a quadrangular plinth, on which a cartouche with inscription. The frame of this consists of a wreath of o

Beautiful young nun in religion black suit holds Bible and posing on camera with big book on a black background. Close-up. Religion concept. Stock Photo

RFW2YDHA–Beautiful young nun in religion black suit holds Bible and posing on camera with big book on a black background. Close-up. Religion concept.

Portrait of Dominique de Giudicci, Duke of Giovenazzo, Unknown, After Christoffel van Sichem (I), in Or Before 1690 print Portrait of Dominique de Giudicci, Duke of Giovenazzo. He wears a short cloak and holds his gloves in his hand. Up and below the print text in book print. paper etching / letterpress printing Stock Photo

RM2WD2GHP–Portrait of Dominique de Giudicci, Duke of Giovenazzo, Unknown, After Christoffel van Sichem (I), in Or Before 1690 print Portrait of Dominique de Giudicci, Duke of Giovenazzo. He wears a short cloak and holds his gloves in his hand. Up and below the print text in book print. paper etching / letterpress printing

Mysterious Smiling Curly Red-haired Girl Wear Casual Felt Hat and Raincoat Walking on City Street. Close Up Portrait Woman Holds Many Air Balloons in Stock Photo

RF2JCDX8Y–Mysterious Smiling Curly Red-haired Girl Wear Casual Felt Hat and Raincoat Walking on City Street. Close Up Portrait Woman Holds Many Air Balloons in

Witch holds a ritual in the depths of the forest Stock Photo

RF2GMCY4R–Witch holds a ritual in the depths of the forest

RFFCPGFT–back view of woman. Young woman in cloak presses down on something. Isolated over white background. Rear view people collection. backside view of person. she holds his hand open, palm forward

RF2H5F682–Reenactor roman soldier holds marching pack. Furca or marching pole for carrying supplies and equipment

Close-up image of witch with pumpkin Stock Photo

RFK8JPEE–Close-up image of witch with pumpkin

RF2GNNN34–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

Sculpture of Willem Bilderdijk, poet and historian with pedestal, standing with left leg forward. With his right hand he holds his cloak close to the chest. He is holding a book in his left hand. To the right of him is a tabouret with two books, paper and an ink well with pen. He has curly hair, wears a jabot and a shirt with the collar around which a wide cravatte is wounded, kisses and shoes with blunt noses. Profiled pedestal, concave in the middle, with a cartouche with inscription held up by two putti, Willem Bilderdijk, Jean Theodor Stracké (mentioned on object), s Hertogenbosch, c. 1877 Stock Photo

RMW56HFR–Sculpture of Willem Bilderdijk, poet and historian with pedestal, standing with left leg forward. With his right hand he holds his cloak close to the chest. He is holding a book in his left hand. To the right of him is a tabouret with two books, paper and an ink well with pen. He has curly hair, wears a jabot and a shirt with the collar around which a wide cravatte is wounded, kisses and shoes with blunt noses. Profiled pedestal, concave in the middle, with a cartouche with inscription held up by two putti, Willem Bilderdijk, Jean Theodor Stracké (mentioned on object), s Hertogenbosch, c. 1877

Young smiling man holds up a compass. Wintertime, gloves and hood Stock Photo

RM2XYE15D–Young smiling man holds up a compass. Wintertime, gloves and hood

RF2B9AWNG–Sculpture of Willem Bilderdijk, poet and historian with pedestal, standing with left leg forward. With his right hand he holds his cloak close to the chest. He is holding a book in his left hand. To the right of him is a tabouret with two books, paper and an ink well with pen. He has curly hair, wears a jabot and a shirt with the collar around which a wide cravatte is wounded, kisses and shoes with blunt noses. Profiled pedestal, concave in the middle, with a cartouche with inscription held up by two putti, Willem Bilderdijk, Jean Theodor Stracké (mentioned on object), s Hertogenbosch, c. 1877

Portrait of Andreas van Austria, Unknown, After Christoffel van Sichem (I), in Or Before 1690 print Portrait of Cardinal Andreas van Austria, in his role of deputy governor-general of the Southern Netherlands. He wears a short cloak and holds his gloves in his hand. Up and below the print text in book print. paper etching / letterpress printing Stock Photo

RM2WCRY8D–Portrait of Andreas van Austria, Unknown, After Christoffel van Sichem (I), in Or Before 1690 print Portrait of Cardinal Andreas van Austria, in his role of deputy governor-general of the Southern Netherlands. He wears a short cloak and holds his gloves in his hand. Up and below the print text in book print. paper etching / letterpress printing

Terracotta squat lekythos (oil flask) ca. 430–420 B.C. Attributed to the Washing Painter Youth and womanA young man in travel attire—a petasos (broad-brimmed hat) and a cloak—stands before a woman who holds up a wreath. As the youth is also shown with a wreath, we may infer that the painter has combined two successive moments in one picture.. Terracotta squat lekythos (oil flask). Greek, Attic. ca. 430–420 B.C.. Terracotta; red-figure. Classical. Vases Stock Photo

RM2HH99FD–Terracotta squat lekythos (oil flask) ca. 430–420 B.C. Attributed to the Washing Painter Youth and womanA young man in travel attire—a petasos (broad-brimmed hat) and a cloak—stands before a woman who holds up a wreath. As the youth is also shown with a wreath, we may infer that the painter has combined two successive moments in one picture.. Terracotta squat lekythos (oil flask). Greek, Attic. ca. 430–420 B.C.. Terracotta; red-figure. Classical. Vases

RF2GMCCM9–Witch holds a ritual in the depths of the forest

Ten weepers from the tomb of Isabella of Bourbon, Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476 She has placed the left leg forward. She looks tight in front of her and with her left hand holds the overflattling overflowing downwards, so that the undercocking appears. The overlay shows a raised collar, which is closed with a knot. She also wears a cloak, tied up on the chest by a tire. Both hanging ends of the cloak have been beaten over the arms. On the hair with braids a hood with a veil falling backwards; A cord with pendant around the neck. Brus Stock Photo

RM2TDY8HE–Ten weepers from the tomb of Isabella of Bourbon, Borman workshop (attributed to), Renier van Thienen (I) (attributed to), c. 1475 - c. 1476 She has placed the left leg forward. She looks tight in front of her and with her left hand holds the overflattling overflowing downwards, so that the undercocking appears. The overlay shows a raised collar, which is closed with a knot. She also wears a cloak, tied up on the chest by a tire. Both hanging ends of the cloak have been beaten over the arms. On the hair with braids a hood with a veil falling backwards; A cord with pendant around the neck. Brus

Photo close-up of witch in black hat with pumpkin by face in mystical forest Stock Photo

RFK83129–Photo close-up of witch in black hat with pumpkin by face in mystical forest

RF2GG8WHT–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

At least from the tomb of Isabella or Bourbon Advancing female weeper, from the tomb of Isabella or Bourbon (1436-1465), she has placed the left leg forward. She looks straight ahead and holds up with her left hand the over-wide overcoat, so that the undercoat appears. The overcoat shows a raised collar, which is closed with a button. She also wears a cloak tied on the chest by a tie. Both hanging ends of the mantle are folded over the arms. On the hair with braids a hood with a veil falling backwards, around the neck a cord with pendant, 'pleurants', nobility and patriciate, chivalry Stock Photo

RMW55GNK–At least from the tomb of Isabella or Bourbon Advancing female weeper, from the tomb of Isabella or Bourbon (1436-1465), she has placed the left leg forward. She looks straight ahead and holds up with her left hand the over-wide overcoat, so that the undercoat appears. The overcoat shows a raised collar, which is closed with a button. She also wears a cloak tied on the chest by a tie. Both hanging ends of the mantle are folded over the arms. On the hair with braids a hood with a veil falling backwards, around the neck a cord with pendant, 'pleurants', nobility and patriciate, chivalry

RM2Y072C7–Young smiling woman holds up a compass. Wintertime, gloves and hood

RF2B9A4WM–At least from the tomb of Isabella or Bourbon Advancing female weeper, from the tomb of Isabella or Bourbon (1436-1465), she has placed the left leg forward. She looks straight ahead and holds up with her left hand the over-wide overcoat, so that the undercoat appears. The overcoat shows a raised collar, which is closed with a button. She also wears a cloak tied on the chest by a tie. Both hanging ends of the mantle are folded over the arms. On the hair with braids a hood with a veil falling backwards, around the neck a cord with pendant, 'pleurants', nobility and patriciate, chivalry, knighth

RF2GMCCMB–Witch holds a ritual in the depths of the forest

Neptune with a Hippocamp, Jacob Cressant, c. 1746 On a plinth with truncated corners, Neptunus is on the right the hippocamp on the right leg and with the foot of the sideways bent left on its tail. His gesture head is used to the left; The left hand has been put up (for a missing trident), in the right he holds a slip of the cloak in front of him. This falls from the left shoulder and upper arm down to the bottom, mostly covering the back. The Hippocamp, whose mouth is open, lies next to him on the bottom with curved front legs. Amsterdam terracotta (clay material) On a plinth with truncated Stock Photo

RM2TDKD8T–Neptune with a Hippocamp, Jacob Cressant, c. 1746 On a plinth with truncated corners, Neptunus is on the right the hippocamp on the right leg and with the foot of the sideways bent left on its tail. His gesture head is used to the left; The left hand has been put up (for a missing trident), in the right he holds a slip of the cloak in front of him. This falls from the left shoulder and upper arm down to the bottom, mostly covering the back. The Hippocamp, whose mouth is open, lies next to him on the bottom with curved front legs. Amsterdam terracotta (clay material) On a plinth with truncated

RF2H031GW–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

Ariovistus Twelve oldest, German kings (series title), rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with a cloak and a crown on the head, turns the body to the right and looks to the left. In his left hand he holds up a sword, the right one rests on a shield with three crosses., Peter Flötner, Neurenberg, c. 1525 - c. 1550, h 5.5 cm × w 4.4 cm × w 17 Stock Photo

RMW564KG–Ariovistus Twelve oldest, German kings (series title), rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with a cloak and a crown on the head, turns the body to the right and looks to the left. In his left hand he holds up a sword, the right one rests on a shield with three crosses., Peter Flötner, Neurenberg, c. 1525 - c. 1550, h 5.5 cm × w 4.4 cm × w 17

RM2XYTXAK–Young smiling woman holds up a compass. Wintertime, gloves and hood

The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut (hardw Stock Photo

RF2B9ADFD–The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut (hardw

RF2GMCY54–Witch holds a ritual in the depths of the forest

Fortuna, from the Facade of the Arminiushuis in Oudewater, anonymous, 1601 Fortune stands on a globe with the right leg forward and has the left foot slightly aside and down, where her right hip wipes out to the side. With the left hand, she holds up the head with curly to the left, it also to the left spot, lde sail, which falls backwards between the right arm and hip. The right hand loosely holds a part of the cloak, which runs behind her along the right thigh, in front of the lap in a plug is stopped by the belt hanging from her right shoulder and falls behind her legs to the host. On the f Stock Photo

RM2TDTJ3C–Fortuna, from the Facade of the Arminiushuis in Oudewater, anonymous, 1601 Fortune stands on a globe with the right leg forward and has the left foot slightly aside and down, where her right hip wipes out to the side. With the left hand, she holds up the head with curly to the left, it also to the left spot, lde sail, which falls backwards between the right arm and hip. The right hand loosely holds a part of the cloak, which runs behind her along the right thigh, in front of the lap in a plug is stopped by the belt hanging from her right shoulder and falls behind her legs to the host. On the f

RF2H1B3NX–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RMW56126–The Virgin Maria from an Annunciation group, Maria stands with the left leg bent and has the head slightly to the left (in the direction of the angel). In the drooping left hand she holds down a book that has been opened, with the bent right arm she takes up the cloak turned to the left. This is hit back on the head, which releases part of the wavy hair, hangs in a point on the back and falls over the left arm with a slip. Her robe with a round neckline is visible on the chest and under the slightly raised cloak, the Annunciation: Mary standing, anonymous, Île-de-France, c. 1300, walnut

RM2XY599R–Young smiling woman holds up a compass. Wintertime, gloves and hood

Cybele, she stands frontally on a protruding floor for a framed flat background on the right leg and with the left bent. She holds the city key and a trumpet in the left hand and has placed the right side with the palm facing out. She wears the city crown on the lush wavy hair, over a finely pleated undergarment that hangs down to the feet, a large cloak, which is turned over at the top, so that an ermine lining becomes visible. Covering her entire right shoulder and arm and held up by the hand enveloped in the cloak, this cloak falls obliquely from the shoulder over the chest and is wrapped a Stock Photo

RF2B9A4YR–Cybele, she stands frontally on a protruding floor for a framed flat background on the right leg and with the left bent. She holds the city key and a trumpet in the left hand and has placed the right side with the palm facing out. She wears the city crown on the lush wavy hair, over a finely pleated undergarment that hangs down to the feet, a large cloak, which is turned over at the top, so that an ermine lining becomes visible. Covering her entire right shoulder and arm and held up by the hand enveloped in the cloak, this cloak falls obliquely from the shoulder over the chest and is wrapped a

RF2GMCCKF–Witch holds a ritual in the depths of the forest

RM2TE114H–Virgin and Child, anonymous, c. 1400 - c. 1424 Maria stands on a ground on the left leg and bent with the right; She keeps the upper body backwards, opposite to the head, which tends towards the child. Her gaze focuses on the sitting, on her left arm in a profile placed. It holds its right thumb under the tire closure of her cloak and has a bird in the left hand that picks up in its thumb, to the wing. Maria keeps her curved right arm somewhat getting rid of herself. She wears a veil on the wavy hair, which disappears into the raised collar of the spacious robe, which falls over her feet. The

RF2FWMPCY–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RMW55GPK–Cybele, she stands frontally on a protruding floor for a framed flat background on the right leg and with the left bent. She holds the city key and a trumpet in the left hand and has placed the right side with the palm facing out. She wears the city crown on the lush wavy hair, over a finely pleated undergarment that hangs down to the feet, a large cloak, which is turned over at the top, so that an ermine lining becomes visible. Covering her entire right shoulder and arm and held up by the hand enveloped in the cloak, this cloak falls obliquely from the shoulder over the chest and is wrapped

RF2XXD6WX–Young smiling woman holds up a compass. Wintertime, gloves and hood

Model for a statue of Rembrandt Model for a statue of Rembrandt Model for a statue of Rembrandt Rembrandt van Rijn, The drawing Rembrandt is sitting on an elevation with the right leg extended and the left pulled up on a chest. With his left hand he holds a sketchbook that he rests on his thigh and in the right the drawing pen. On the left are his palette with brushes and a paint pot. He is dressed in a 17th-century costume with a sash and a beret. A cloak with a fur collar hangs from its left shoulder and arm. On the chest: R.v.R.1642, on the back: L. ROYER. Ivt.1840., Louis Royer, Amsterdam, Stock Photo

RF2B9AT4W–Model for a statue of Rembrandt Model for a statue of Rembrandt Model for a statue of Rembrandt Rembrandt van Rijn, The drawing Rembrandt is sitting on an elevation with the right leg extended and the left pulled up on a chest. With his left hand he holds a sketchbook that he rests on his thigh and in the right the drawing pen. On the left are his palette with brushes and a paint pot. He is dressed in a 17th-century costume with a sash and a beret. A cloak with a fur collar hangs from its left shoulder and arm. On the chest: R.v.R.1642, on the back: L. ROYER. Ivt.1840., Louis Royer, Amsterdam,

RF2GH0057–Witch holds a ritual in the depths of the forest

Willem Bilderdijk (1756-1831), Jean Theodor Stracké, c. 1877 It stands on a plinth on the right leg and with the left forward. The head is used to the left, he looks in front of him. With the right wrist, he holds up the cheated cloak under the chest while he has a goose pen in his hand; In the hanging left hand he holds a book with the index finger between the pages. To the right next to him a three -sided tabaret with square sheet (sic.), On which two books are next to an ink tube; Under the books there is a curly leaf paper and a rug hangs at the rear. The Taburet recalls a Roman altar and Stock Photo

RM2TDK26W–Willem Bilderdijk (1756-1831), Jean Theodor Stracké, c. 1877 It stands on a plinth on the right leg and with the left forward. The head is used to the left, he looks in front of him. With the right wrist, he holds up the cheated cloak under the chest while he has a goose pen in his hand; In the hanging left hand he holds a book with the index finger between the pages. To the right next to him a three -sided tabaret with square sheet (sic.), On which two books are next to an ink tube; Under the books there is a curly leaf paper and a rug hangs at the rear. The Taburet recalls a Roman altar and

RF2FWNJ3E–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RMW56FC6–Model for a statue of Rembrandt Model for a statue of Rembrandt Model for a statue of Rembrandt Rembrandt van Rijn, The drawing Rembrandt is sitting on an elevation with the right leg extended and the left pulled up on a chest. With his left hand he holds a sketchbook that he rests on his thigh and in the right the drawing pen. On the left are his palette with brushes and a paint pot. He is dressed in a 17th-century costume with a sash and a beret. A cloak with a fur collar hangs from its left shoulder and arm. On the chest: R.v.R.1642, on the back: L. ROYER. Ivt.1840., Louis Royer, Amsterdam

Lady with a Lute Lady with a lute, she is almost frontal and half-length with her head three-quarters to the left, she holds a lute with both hands and plays it. Some of the lush wavy hair, held together by a band, blows up and others fall over the shoulders. The finely pleated shirt leaves the right shoulder and chest uncovered. The cloak is loosely draped around her. It is placed in front of a dotted background and behind a kind of parapet, lute, and special forms of lute, eg .: theorbo, Francis van Bossuit, Amsterdam, c. 1685 - c. 1692, ivory, h 12.9 cm × w 9.4 cm × t 1.8 cm, Reimagined by Stock Photo

RF2B9AKB8–Lady with a Lute Lady with a lute, she is almost frontal and half-length with her head three-quarters to the left, she holds a lute with both hands and plays it. Some of the lush wavy hair, held together by a band, blows up and others fall over the shoulders. The finely pleated shirt leaves the right shoulder and chest uncovered. The cloak is loosely draped around her. It is placed in front of a dotted background and behind a kind of parapet, lute, and special forms of lute, eg .: theorbo, Francis van Bossuit, Amsterdam, c. 1685 - c. 1692, ivory, h 12.9 cm × w 9.4 cm × t 1.8 cm, Reimagined by

RF2GMCY4F–Witch holds a ritual in the depths of the forest

Diana the Huntress, Johan Larson (attributed to), c. 1700 - c. 1725 On a square plinth, Diana is portrayed in continuing position. She is slightly forward on the left leg and has the right foot backwards and off the ground. With one hand she grabs backwards over the shoulder to an arrow in the arrow sleeve hanging on her back, she holds the bow in the other hand. She is accompanied on her left side by a Hazewind, who looks like her. She wears a diadem and sandals and is dressed in a spacious hanging chiton, which is absorbed by the medicine and partially hidden under the rolled up cloak, which Stock Photo

RM2TDTYA8–Diana the Huntress, Johan Larson (attributed to), c. 1700 - c. 1725 On a square plinth, Diana is portrayed in continuing position. She is slightly forward on the left leg and has the right foot backwards and off the ground. With one hand she grabs backwards over the shoulder to an arrow in the arrow sleeve hanging on her back, she holds the bow in the other hand. She is accompanied on her left side by a Hazewind, who looks like her. She wears a diadem and sandals and is dressed in a spacious hanging chiton, which is absorbed by the medicine and partially hidden under the rolled up cloak, which

RF2FWPF9B–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RMW569N9–Lady with a Lute Lady with a lute, she is almost frontal and half-length with her head three-quarters to the left, she holds a lute with both hands and plays it. Some of the lush wavy hair, held together by a band, blows up and others fall over the shoulders. The finely pleated shirt leaves the right shoulder and chest uncovered. The cloak is loosely draped around her. It is placed in front of a dotted background and behind a kind of parapet, lute, and special forms of lute, eg .: theorbo, Francis van Bossuit, Amsterdam, c. 1685 - c. 1692, ivory, h 12.9 cm × w 9.4 cm × t 1.8 cm

Standing male figure in bishop's vestments, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Standing male figure in bishop's vestments. He holds up an object in his left hand and clutches his cloak with his right., France, ca. 1759–70, figures, Drawing Stock Photo

RM2DMMMB2–Standing male figure in bishop's vestments, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Standing male figure in bishop's vestments. He holds up an object in his left hand and clutches his cloak with his right., France, ca. 1759–70, figures, Drawing

Joseph's Coat Brought to Jacob, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Etching on laid paper, Jacob is seated, left, before the open door of his house. He holds up his hands in grief at seeing the cloak of his son, brought to him by two other sons. One of them points towards the distance with his left hand., Netherlands, ca. 1633, figures, Print Stock Photo

RM2DN7RMY–Joseph's Coat Brought to Jacob, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Etching on laid paper, Jacob is seated, left, before the open door of his house. He holds up his hands in grief at seeing the cloak of his son, brought to him by two other sons. One of them points towards the distance with his left hand., Netherlands, ca. 1633, figures, Print

Three Horsemen from a Calvary, The front rider, whose horse is seen entirely from the side, looks up (toward the cross). Behind this figure, at a slightly higher level, are two more horsemen. The rider on the back left, like his horse, is facing to the left. Horse and rider behind right are turned to the right. The rider turns around in the direction of the crosses. The rider in front is reclining on a saddle with a high front. Over the saddle is laid a tarpaulin. With the left hand he holds the rein, the right he holds in front of the chest. The left foot rests in the stirrup. He wears a Stock Photo

RM2HB64B1–Three Horsemen from a Calvary, The front rider, whose horse is seen entirely from the side, looks up (toward the cross). Behind this figure, at a slightly higher level, are two more horsemen. The rider on the back left, like his horse, is facing to the left. Horse and rider behind right are turned to the right. The rider turns around in the direction of the crosses. The rider in front is reclining on a saddle with a high front. Over the saddle is laid a tarpaulin. With the left hand he holds the rein, the right he holds in front of the chest. The left foot rests in the stirrup. He wears a

RF2B9AFG8–Ariovistus Twelve oldest, German kings (series title), rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with a cloak and a crown on the head, turns the body to the right and looks to the left. In his left hand he holds up a sword, the right one rests on a shield with three crosses., Peter Flötner, Neurenberg, c. 1525 - c. 1550, h 5.5 cm × w 4.4 cm × w 17 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern te

RF2GMCCK7–Witch holds a ritual in the depths of the forest

Holy Family, c. 1640 - c. 1650 This sculpture group of a father, mother and child, represents the Holy Family. On a naturalistic surface, Maria and Joseph walk side by side with their son between them. The couple holds the hands of the Christ child to help him walk. They seem to be about to play the toddler playfully up a bit. Maria is wearing a robe with a belt under a wrap around the waist. She walks on sandals and braided in her, a headscarf is used. Jozef wears contemporary clothing, boots and a hat with a belt. He has beaten a cloak around his right shoulder. The Christ child runs barefoo Stock Photo

RM2TDYT6K–Holy Family, c. 1640 - c. 1650 This sculpture group of a father, mother and child, represents the Holy Family. On a naturalistic surface, Maria and Joseph walk side by side with their son between them. The couple holds the hands of the Christ child to help him walk. They seem to be about to play the toddler playfully up a bit. Maria is wearing a robe with a belt under a wrap around the waist. She walks on sandals and braided in her, a headscarf is used. Jozef wears contemporary clothing, boots and a hat with a belt. He has beaten a cloak around his right shoulder. The Christ child runs barefoo

RF2FWPN3K–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RM2HB63TA–Virgin and Child, Mary with child, Mary stands on left leg with right knee slightly forward. She holds the child placed in profile on the left arm, causing her upper body to lean slightly in the opposite direction. In her right hand she holds part of a flower stem; her somewhat mask-like face shows a smile. The child holds a bird (dove?) by a wing in one hand and part of Mary's cloak with the other. On her veil a crown with fleurons, between which are roses; on the left hand a ring. She wears a robe hanging down to the ground, leaving the points of the shoes free, with sleeves and round

Pair of Bellows with the Flight into Egypt, Consists of a front and back leaf, both half round at the top with a protrusion as a handle and taper down into a copper blowpipe. On the cover page the Flight to Egypt above a profiled console, against which, in view of the bands depicted there, two coats of arms have been placed. Mary is turned away from the viewer on the donkey, which goes to the right and is led by Joseph. She has wrapped her wide cloak around herself and the child who looks up to her and holds it in her left arm, she has a slip of the cloak in her right hand. Joseph walks ahead Stock Photo

RF2B9APHG–Pair of Bellows with the Flight into Egypt, Consists of a front and back leaf, both half round at the top with a protrusion as a handle and taper down into a copper blowpipe. On the cover page the Flight to Egypt above a profiled console, against which, in view of the bands depicted there, two coats of arms have been placed. Mary is turned away from the viewer on the donkey, which goes to the right and is led by Joseph. She has wrapped her wide cloak around herself and the child who looks up to her and holds it in her left arm, she has a slip of the cloak in her right hand. Joseph walks ahead

RF2GMCCJ9–Witch holds a ritual in the depths of the forest

Virgin and Child, anonymous, c. 1475 She is bent on the left leg and with the right bent. On the left arm she carries the dressed child, to whom she turns her head. Under the right elbow she holds up the cloak, by hand she pulls it to the left in front of herself. The veil over the loose hair, which goes to the right in front of the chest. The paved under dressing with paved neck zoom is largely covered by the mantle hanging from the shoulder, which is closed at the neck. On the head a few holes for attaching a metal crown. Northern or Southern Netherlands sandstone She is bent on the left leg Stock Photo

RM2TE1EH0–Virgin and Child, anonymous, c. 1475 She is bent on the left leg and with the right bent. On the left arm she carries the dressed child, to whom she turns her head. Under the right elbow she holds up the cloak, by hand she pulls it to the left in front of herself. The veil over the loose hair, which goes to the right in front of the chest. The paved under dressing with paved neck zoom is largely covered by the mantle hanging from the shoulder, which is closed at the neck. On the head a few holes for attaching a metal crown. Northern or Southern Netherlands sandstone She is bent on the left leg

RF2GE21JM–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

Archangel Michael as a soul scale, He stands on a piece of land on the right leg and with the left somewhat to one side. His body bends to the right, he has the right hand with the sword above his head, in the left he holds up the scales. the face is surrounded by a thick, curly head of hair. He wears a full armor and a cloak that is closed to the chest and blows off both sides., Meester van Ottobeuren, Tirol, c. 1510 - c. 1520, linden, h 120 cm × w 99 cm × d 20 cm × d 26 cm Stock Photo

RMW561G4–Archangel Michael as a soul scale, He stands on a piece of land on the right leg and with the left somewhat to one side. His body bends to the right, he has the right hand with the sword above his head, in the left he holds up the scales. the face is surrounded by a thick, curly head of hair. He wears a full armor and a cloak that is closed to the chest and blows off both sides., Meester van Ottobeuren, Tirol, c. 1510 - c. 1520, linden, h 120 cm × w 99 cm × d 20 cm × d 26 cm

At least from the tomb of Isabella or Bourbon Weeper wearing a bourrelet with dagged lappets on her head, from the tomb of Isabella or Bourbon (1436-1465), She stares straight ahead and has put the right hand over the left, with which she holds up a scarf. On the braided head is the bourrelet decorated with a gem, from which short pieces with a serrated edge depend. Her overcoat with pocket sleeves and a stiff collar, laced up from the front, is held together by a wide belt. The cloak with raised collar hanging from the back is held in front of the chest by a band and agrafen and falls down to Stock Photo

RF2B9A4XR–At least from the tomb of Isabella or Bourbon Weeper wearing a bourrelet with dagged lappets on her head, from the tomb of Isabella or Bourbon (1436-1465), She stares straight ahead and has put the right hand over the left, with which she holds up a scarf. On the braided head is the bourrelet decorated with a gem, from which short pieces with a serrated edge depend. Her overcoat with pocket sleeves and a stiff collar, laced up from the front, is held together by a wide belt. The cloak with raised collar hanging from the back is held in front of the chest by a band and agrafen and falls down to

RF2GMCCKH–Witch holds a ritual in the depths of the forest

Demonstrations against the revolution of Troelstra, support for Queen Wilhelmina, November 1918, 1918 medal Bronze Penning, published as a tribute to Queen Wilhelmina in response to the revolution of the socialist P.J. Troelstra in November 1918; VZ standing female (Queen Wilhelmina), shown frontally, standing on stairs, dressed in open cloak, in the right hand she holds up scepter, she wears small crown, on top and on return text; KZ on the bottom seven swing hands above which text, with branches hanging from the top with fruits (oranges) on both sides. Apeldoorn bronze (metal) Netherlands Stock Photo

RM2W93KPY–Demonstrations against the revolution of Troelstra, support for Queen Wilhelmina, November 1918, 1918 medal Bronze Penning, published as a tribute to Queen Wilhelmina in response to the revolution of the socialist P.J. Troelstra in November 1918; VZ standing female (Queen Wilhelmina), shown frontally, standing on stairs, dressed in open cloak, in the right hand she holds up scepter, she wears small crown, on top and on return text; KZ on the bottom seven swing hands above which text, with branches hanging from the top with fruits (oranges) on both sides. Apeldoorn bronze (metal) Netherlands

RF2FWXDA5–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

RMW56DEF–Pair of Bellows with the Flight into Egypt, Consists of a front and back leaf, both half round at the top with a protrusion as a handle and taper down into a copper blowpipe. On the cover page the Flight to Egypt above a profiled console, against which, in view of the bands depicted there, two coats of arms have been placed. Mary is turned away from the viewer on the donkey, which goes to the right and is led by Joseph. She has wrapped her wide cloak around herself and the child who looks up to her and holds it in her left arm, she has a slip of the cloak in her right hand. Joseph walks ahead

Willem Bilderdijk (1756-1831), He stands on a plinth on the right leg and with the left forward. The head is turned slightly to the left, he looks ahead in thought. With the right wrist he holds up the battered cloak under the chest, while holding a goose pen in his hand, in the hanging left hand he holds a book with the index finger between the pages. To the right of him is a three-sided taburet with a square top (sic.), On which two books lie next to an ink well, there is a curling sheet of paper under the books and a rug hanging on the back. The taburet is reminiscent of a Roman altar and s Stock Photo

RF2B9AT4T–Willem Bilderdijk (1756-1831), He stands on a plinth on the right leg and with the left forward. The head is turned slightly to the left, he looks ahead in thought. With the right wrist he holds up the battered cloak under the chest, while holding a goose pen in his hand, in the hanging left hand he holds a book with the index finger between the pages. To the right of him is a three-sided taburet with a square top (sic.), On which two books lie next to an ink well, there is a curling sheet of paper under the books and a rug hanging on the back. The taburet is reminiscent of a Roman altar and s

RF2J0XDT6–Witch holds a ritual in the depths of the forest

Ariovistus, Peter Florner, c. 1525 - c. 1550 Rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with turned cloak and a crown on the head, turns the body to the right and sees to the left. In his left hand he holds a sword up, the right relies on a shield with three crosses. Nuremberg lead (metal) Rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with turned cloak and a crown on the head, turns the body to the right and sees to the left. In his left hand he holds a sword up, the right relies on a shield with three crosses. Nuremberg Stock Photo

RM2TDK67E–Ariovistus, Peter Florner, c. 1525 - c. 1550 Rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with turned cloak and a crown on the head, turns the body to the right and sees to the left. In his left hand he holds a sword up, the right relies on a shield with three crosses. Nuremberg lead (metal) Rectangular, lead, plaque with beveled edges. A standing knight figure in armor, with turned cloak and a crown on the head, turns the body to the right and sees to the left. In his left hand he holds a sword up, the right relies on a shield with three crosses. Nuremberg

RF2H31AYN–Woman with witch makeup and an earring in her nose. The girl holds a garland of flickering pink lights near her face. Light bulbs illuminate the witch

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