Decorated paper 18th century Stock Photos and Images
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Decorated paper 18th century Stock Photos and Images
Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-inititial-a-engraving-on-paper-italy-europe-18th-century-print-image391710863.htmlRM2DN7Y5K–Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print
Art inspired by Design for a Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 4 x 4-13/16 in. (10.1 x 12.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-decorated-panel-of-a-carriage-18th-century-pen-and-brown-ink-brush-and-gray-wash-on-cream-laid-paper-4-x-4-1316-in-101-x-123-cm-anonymous-italian-first-half-of-the-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953102.htmlRF2HW59BA–Art inspired by Design for a Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 4 x 4-13/16 in. (10.1 x 12.3 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Decorated folding fan. China, 18th-19th century. Lacquered andgolden wood, paper. Museu do Oriente, Lisbon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-folding-fan-china-18th-19th-century-lacquered-andgolden-wood-paper-museu-do-oriente-lisbon-image222224306.htmlRMPWF5AA–Decorated folding fan. China, 18th-19th century. Lacquered andgolden wood, paper. Museu do Oriente, Lisbon.
Art inspired by Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side, 18th century, Pen and gray ink, brush and gray wash (and red wash in right half of drawing), over lead or graphite on beige laid paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-variant-designs-for-the-interior-of-a-room-decorated-with-porcelains-fireplace-in-center-and-with-the-doorways-at-either-side-18th-century-pen-and-gray-ink-brush-and-gray-wash-and-red-wash-in-right-half-of-drawing-over-lead-or-graphite-on-beige-laid-paper-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953551.htmlRF2HW59YB–Art inspired by Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side, 18th century, Pen and gray ink, brush and gray wash (and red wash in right half of drawing), over lead or graphite on beige laid paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[ 1930s Japan - Woodblock Print of Women and Children ] — Chiyogami (千代紙) displaying women and children with different hairstyles. Chiyogami is paper decorated with brightly colored woodblock-printed patterns and themes first produced by Ukiyo-e artists in the late 18th century. The paper is very popular today for handicrafts and creating kimono for paper dolls. 20th century vintage Ukiyoe woodblock print. Stock Photo](https://c8.alamy.com/comp/2BKP21Y/1930s-japan-woodblock-print-of-women-and-children-chiyogami-displaying-women-and-children-with-different-hairstyles-chiyogami-is-paper-decorated-with-brightly-colored-woodblock-printed-patterns-and-themes-first-produced-by-ukiyo-e-artists-in-the-late-18th-century-the-paper-is-very-popular-today-for-handicrafts-and-creating-kimono-for-paper-dolls-20th-century-vintage-ukiyoe-woodblock-print-2BKP21Y.jpg "[ 1930s Japan - Woodblock Print of Women and Children ] — Chiyogami (千代紙) displaying women and children with different hairstyles. Chiyogami is paper decorated with brightly colored woodblock-printed patterns and themes first produced by Ukiyo-e artists in the late 18th century. The paper is very popular today for handicrafts and creating kimono for paper dolls. 20th century vintage Ukiyoe woodblock print. Stock Photo")
[ 1930s Japan - Woodblock Print of Women and Children ] — Chiyogami (千代紙) displaying women and children with different hairstyles. Chiyogami is paper decorated with brightly colored woodblock-printed patterns and themes first produced by Ukiyo-e artists in the late 18th century. The paper is very popular today for handicrafts and creating kimono for paper dolls. 20th century vintage Ukiyoe woodblock print. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1930s-japan-woodblock-print-of-women-and-children-chiyogami-displaying-women-and-children-with-different-hairstyles-chiyogami-is-paper-decorated-with-brightly-colored-woodblock-printed-patterns-and-themes-first-produced-by-ukiyo-e-artists-in-the-late-18th-century-the-paper-is-very-popular-today-for-handicrafts-and-creating-kimono-for-paper-dolls-20th-century-vintage-ukiyoe-woodblock-print-image356370391.htmlRM2BKP21Y–[ 1930s Japan - Woodblock Print of Women and Children ] — Chiyogami (千代紙) displaying women and children with different hairstyles. Chiyogami is paper decorated with brightly colored woodblock-printed patterns and themes first produced by Ukiyo-e artists in the late 18th century. The paper is very popular today for handicrafts and creating kimono for paper dolls. 20th century vintage Ukiyoe woodblock print.
Art inspired by Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, 18th century, Pen and brown ink, brush and gray, yellow, blue and green wash (only in right half of sheet), over traces of black chalk, on cream laid paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-an-interior-wall-decoration-of-a-palazzo-with-two-doorways-and-a-decorated-panelling-with-trophies-18th-century-pen-and-brown-ink-brush-and-gray-yellow-blue-and-green-wash-only-in-right-half-of-sheet-over-traces-of-black-chalk-on-cream-laid-paper-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953463.htmlRF2HW59T7–Art inspired by Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, 18th century, Pen and brown ink, brush and gray, yellow, blue and green wash (only in right half of sheet), over traces of black chalk, on cream laid paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by architectural construction decorated with caryatids. Two actors vaguely sketched. Date: 18th century. Pen and ink, brush and sepia wash and watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/half-circular-wall-broken-by-columns-circumscribes-scene-which-is-framed-in-the-foreground-by-architectural-construction-decorated-with-caryatids-two-actors-vaguely-sketched-date-18th-century-pen-and-ink-brush-and-sepia-wash-and-watercolor-on-paper-museum-cooper-hewitt-smithsonian-design-museum-image554748646.htmlRM2R6EYFJ–Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by architectural construction decorated with caryatids. Two actors vaguely sketched. Date: 18th century. Pen and ink, brush and sepia wash and watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Art inspired by Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper, 6-7/8 x 5-7/16 in. (17.5 x 13.8 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-the-decorated-panel-of-a-carriage-18th-century-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-black-chalk-on-cream-paper-6-78-x-5-716-in-175-x-138-cm-anonymous-italian-first-half-of-the-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953133.htmlRF2HW59CD–Art inspired by Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream paper, 6-7/8 x 5-7/16 in. (17.5 x 13.8 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A baroque guild chest,of wheelwrights and blacksmiths,South German,dated 1759.Rectangular body on four flattened ball feet.The front and back with panels bearing inlaid guild symbols between scrolling leaves,the side panels with strapwork and iron handles.Stepped hinged lid,the central sliding lid exposing the keyhole.Elaborate interior with blued fittings.The engraved cover of the lock plate with repeated guild signs,six monograms and the date 'Ao.1759'.The sides of the interior fully lined with original paper,the lid decorated with cartouches be,Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-baroque-guild-chestof-wheelwrights-and-blacksmithssouth-germandated-51507064.htmlRMCYP9P0–A baroque guild chest,of wheelwrights and blacksmiths,South German,dated 1759.Rectangular body on four flattened ball feet.The front and back with panels bearing inlaid guild symbols between scrolling leaves,the side panels with strapwork and iron handles.Stepped hinged lid,the central sliding lid exposing the keyhole.Elaborate interior with blued fittings.The engraved cover of the lock plate with repeated guild signs,six monograms and the date 'Ao.1759'.The sides of the interior fully lined with original paper,the lid decorated with cartouches be,Additional-Rights-Clearences-Not Available
Art inspired by Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream laid paper, 6-3/16 x 4-1/2 in. (15.7 x 11.45 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-the-decorated-panel-of-a-carriage-18th-century-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-black-chalk-on-cream-laid-paper-6-316-x-4-12-in-157-x-1145-cm-anonymous-italian-first-half-of-the-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462953127.htmlRF2HW59C7–Art inspired by Design for the Decorated Panel of a Carriage, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream laid paper, 6-3/16 x 4-1/2 in. (15.7 x 11.45 cm), Anonymous, Italian, first half of the 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
18th century costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-18th-century-costume-50321106.htmlRFCWT92A–18th century costume
Art inspired by Courtesan Reading a Letter, 文を読む遊女図, Edo period (1615–1868), mid-18th century, Japan, Hanging scroll; ink and color on paper, Image: 32 7/8 × 8 9/16 in. (83.5 × 21.7 cm), Paintings, Ishikawa Toyonobu (Japanese, 1711–1785), The seated women in elegant red tie-dyed robes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-courtesan-reading-a-letter-edo-period-16151868-mid-18th-century-japan-hanging-scroll-ink-and-color-on-paper-image-32-78-8-916-in-835-217-cm-paintings-ishikawa-toyonobu-japanese-17111785-the-seated-women-in-elegant-red-tie-dyed-robes-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866009.htmlRF2HW1A8W–Art inspired by Courtesan Reading a Letter, 文を読む遊女図, Edo period (1615–1868), mid-18th century, Japan, Hanging scroll; ink and color on paper, Image: 32 7/8 × 8 9/16 in. (83.5 × 21.7 cm), Paintings, Ishikawa Toyonobu (Japanese, 1711–1785), The seated women in elegant red tie-dyed robes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Yellow brocade paper decorated with gold birds, c. 1750-1800. Leaf includes domesticated and wild birds (BSLOC 2016 2 148) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-yellow-brocade-paper-decorated-with-gold-birds-c-1750-1800-leaf-includes-115905112.htmlRMGMFX48–Yellow brocade paper decorated with gold birds, c. 1750-1800. Leaf includes domesticated and wild birds (BSLOC 2016 2 148)
![. Decorated paper. Dutch, early 18th century. A simple binding of paste-boards, covered with decorated paper (probably Dutch). Sefer Bisarti Tsedek. 1686. Morawcik, Moses ben Eliezer [author] Bodleian Libraries, Sefer Bisarti Tsedek Stock Photo](https://c8.alamy.com/comp/MMTD4P/decorated-paper-dutch-early-18th-century-a-simple-binding-of-paste-boards-covered-with-decorated-paper-probably-dutch-sefer-bisarti-tsedek-1686-morawcik-moses-ben-eliezer-author-bodleian-libraries-sefer-bisarti-tsedek-MMTD4P.jpg ". Decorated paper. Dutch, early 18th century. A simple binding of paste-boards, covered with decorated paper (probably Dutch). Sefer Bisarti Tsedek. 1686. Morawcik, Moses ben Eliezer [author] Bodleian Libraries, Sefer Bisarti Tsedek Stock Photo")
. Decorated paper. Dutch, early 18th century. A simple binding of paste-boards, covered with decorated paper (probably Dutch). Sefer Bisarti Tsedek. 1686. Morawcik, Moses ben Eliezer [author] Bodleian Libraries, Sefer Bisarti Tsedek Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-paper-dutch-early-18th-century-a-simple-binding-of-paste-boards-covered-with-decorated-paper-probably-dutch-sefer-bisarti-tsedek-1686-morawcik-moses-ben-eliezer-author-bodleian-libraries-sefer-bisarti-tsedek-image184933974.htmlRMMMTD4P–. Decorated paper. Dutch, early 18th century. A simple binding of paste-boards, covered with decorated paper (probably Dutch). Sefer Bisarti Tsedek. 1686. Morawcik, Moses ben Eliezer [author] Bodleian Libraries, Sefer Bisarti Tsedek
Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-an-urn-decorated-with-putti-on-a-plinth-early-18th-century-image462413531.htmlRM2HT8N4Y–Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century.
Leather book binding cover of an ancient book 'hortus nitidissimus' by Christoph Jakob Trew (Nuremberg 1750-1792) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leather-book-binding-cover-of-an-ancient-book-hortus-nitidissimus-by-christoph-jakob-trew-nuremberg-1750-1792-image342544878.htmlRM2AW87DJ–Leather book binding cover of an ancient book 'hortus nitidissimus' by Christoph Jakob Trew (Nuremberg 1750-1792)
View of the fireplace in the Velvet Drawing Room attributed to Thomas Carter the Younger at Saltram Devon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-fireplace-in-the-velvet-drawing-room-attributed-to-thomas-image1240882.htmlRMAJEF33–View of the fireplace in the Velvet Drawing Room attributed to Thomas Carter the Younger at Saltram Devon
Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By Kostandin and Athanas Zografi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albania-moscopole-frescoes-at-the-exonarthex-of-saint-nicholas-church-image60226731.htmlRMDDYFPK–Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By Kostandin and Athanas Zografi.
Scissors 18th–19th century Calligraphers used scissors to cut paper to the exact size and shape required for the work at hand. Many pairs of scissors are decorated with floral and other designs in gold overlay, making them works of art in their own right.. Scissors 444627 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scissors-18th19th-century-calligraphers-used-scissors-to-cut-paper-to-the-exact-size-and-shape-required-for-the-work-at-hand-many-pairs-of-scissors-are-decorated-with-floral-and-other-designs-in-gold-overlay-making-them-works-of-art-in-their-own-right-scissors-444627-image458011039.htmlRM2HH45N3–Scissors 18th–19th century Calligraphers used scissors to cut paper to the exact size and shape required for the work at hand. Many pairs of scissors are decorated with floral and other designs in gold overlay, making them works of art in their own right.. Scissors 444627
Decorated Inititial 'N', Engraving on paper, France, Europe, 18th century, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-inititial-n-engraving-on-paper-france-europe-18th-century-print-image391711740.htmlRM2DN8090–Decorated Inititial 'N', Engraving on paper, France, Europe, 18th century, Print
Box 18th century French This box is decorated with raised straw flowers against a straw ground. The sides display a flame-stitch pattern, which was often used in needlework.. Box. French. 18th century. Straw on cardboard; paper lining. Natural Substances Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/box-18th-century-french-this-box-is-decorated-with-raised-straw-flowers-against-a-straw-ground-the-sides-display-a-flame-stitch-pattern-which-was-often-used-in-needlework-box-french-18th-century-straw-on-cardboard-paper-lining-natural-substances-image457926340.htmlRM2HH09M4–Box 18th century French This box is decorated with raised straw flowers against a straw ground. The sides display a flame-stitch pattern, which was often used in needlework.. Box. French. 18th century. Straw on cardboard; paper lining. Natural Substances
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453774272.htmlRM2HA75M0–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
Plected 'Portraits'. Decor of medallions decorated with portraits and gender scenes. Gouache and golden paper sheet. Ivory frame cut, sculpted and engraved. Ribrius decorated with a rhinestone. Around 1765. Galliera, fashion museum of the city of Paris. 77561-1 Delicacity, Eventail, please leaf, gouache, ivory, fashion accessory mode, precious, preciosite, portrait, refinement, gender scene, 18th 18th 18th 18th 18th 18th 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plected-portraits-decor-of-medallions-decorated-with-portraits-and-gender-scenes-gouache-and-golden-paper-sheet-ivory-frame-cut-sculpted-and-engraved-ribrius-decorated-with-a-rhinestone-around-1765-galliera-fashion-museum-of-the-city-of-paris-77561-1-delicacity-eventail-please-leaf-gouache-ivory-fashion-accessory-mode-precious-preciosite-portrait-refinement-gender-scene-18th-18th-18th-18th-18th-18th-18th-century-image596788495.htmlRM2WJX1PR–Plected 'Portraits'. Decor of medallions decorated with portraits and gender scenes. Gouache and golden paper sheet. Ivory frame cut, sculpted and engraved. Ribrius decorated with a rhinestone. Around 1765. Galliera, fashion museum of the city of Paris. 77561-1 Delicacity, Eventail, please leaf, gouache, ivory, fashion accessory mode, precious, preciosite, portrait, refinement, gender scene, 18th 18th 18th 18th 18th 18th 18th century
Old map of Sicily, may be dated to the 18th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-old-map-of-sicily-may-be-dated-to-the-18th-century-32869228.htmlRFBWD910–Old map of Sicily, may be dated to the 18th century
Manuscript Storage Cabinet late 18th–early 19th century Thailand (Bangkok) Cabinets of this type were traditionally gifted to monasteries where they served to house and preserve the sacred scriptures written on palm-leaf manuscripts, and associated Buddhist texts often on khoi paper, such as those narrating the adventures of the venerable monk Pra Malai. These cabinets were richly decorated with gold on lacquer ground in a technique known as Lai Rod Nam. Depictions of celestial adorants was a favored subject, as was combatant scenes from the Ramakien, the Thai version of the Indian epic, the R Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manuscript-storage-cabinet-late-18thearly-19th-century-thailand-bangkok-cabinets-of-this-type-were-traditionally-gifted-to-monasteries-where-they-served-to-house-and-preserve-the-sacred-scriptures-written-on-palm-leaf-manuscripts-and-associated-buddhist-texts-often-on-khoi-paper-such-as-those-narrating-the-adventures-of-the-venerable-monk-pra-malai-these-cabinets-were-richly-decorated-with-gold-on-lacquer-ground-in-a-technique-known-as-lai-rod-nam-depictions-of-celestial-adorants-was-a-favored-subject-as-was-combatant-scenes-from-the-ramakien-the-thai-version-of-the-indian-epic-the-r-image457787127.htmlRM2HGP047–Manuscript Storage Cabinet late 18th–early 19th century Thailand (Bangkok) Cabinets of this type were traditionally gifted to monasteries where they served to house and preserve the sacred scriptures written on palm-leaf manuscripts, and associated Buddhist texts often on khoi paper, such as those narrating the adventures of the venerable monk Pra Malai. These cabinets were richly decorated with gold on lacquer ground in a technique known as Lai Rod Nam. Depictions of celestial adorants was a favored subject, as was combatant scenes from the Ramakien, the Thai version of the Indian epic, the R
Design for the Decorated Panel of a Carriage. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 6-3/16 x 4-1/2 in. (15.7 x 11.45 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-the-decorated-panel-of-a-carriage-artist-anonymous-italian-first-half-of-the-18th-century-dimensions-6-316-x-4-12-in-157-x-1145-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image212910341.htmlRMPAAW8N–Design for the Decorated Panel of a Carriage. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 6-3/16 x 4-1/2 in. (15.7 x 11.45 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
???????? Mounting for a Short Sword (Wakizashi) Swordsmith ?? Shigetake Japanese blade, 18th century; mounting, 19th century The mounting features a scabbard lacquered to resemble tree bark and decorated with maple leaves and an ornament in the shape of a cicada. With a snail that forms the cord knob (kurigata) and snakes as hilt ornaments (menuki), it is likely that the design refers to a popular East Asian hand game (Japanese: san-sukumi ken, ?????) that was introduced to the West as Rock Paper Scissors. The third element would be a frog. In China, the snail is replaced by a centipede, which Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mounting-for-a-short-sword-wakizashi-swordsmith-shigetake-japanese-blade-18th-century-mounting-19th-century-the-mounting-features-a-scabbard-lacquered-to-resemble-tree-bark-and-decorated-with-maple-leaves-and-an-ornament-in-the-shape-of-a-cicada-with-a-snail-that-forms-the-cord-knob-kurigata-and-snakes-as-hilt-ornaments-menuki-it-is-likely-that-the-design-refers-to-a-popular-east-asian-hand-game-japanese-san-sukumi-ken-that-was-introduced-to-the-west-as-rock-paper-scissors-the-third-element-would-be-a-frog-in-china-the-snail-is-replaced-by-a-centipede-which-image569495709.htmlRM2T2ENGD–???????? Mounting for a Short Sword (Wakizashi) Swordsmith ?? Shigetake Japanese blade, 18th century; mounting, 19th century The mounting features a scabbard lacquered to resemble tree bark and decorated with maple leaves and an ornament in the shape of a cicada. With a snail that forms the cord knob (kurigata) and snakes as hilt ornaments (menuki), it is likely that the design refers to a popular East Asian hand game (Japanese: san-sukumi ken, ?????) that was introduced to the West as Rock Paper Scissors. The third element would be a frog. In China, the snail is replaced by a centipede, which
Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century, Jan van Huysum, Dutch, 1682-1749, Holland, Pen and black ink and brush and black and brown ink washes, over red chalk, on cream laid paper, 385 x 299 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-an-urn-decorated-with-putti-on-a-plinth-early-18th-century-jan-van-huysum-dutch-1682-1749-holland-pen-and-black-ink-and-brush-and-black-and-brown-ink-washes-over-red-chalk-on-cream-laid-paper-385-x-299-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349745219.htmlRF2B907GK–Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century, Jan van Huysum, Dutch, 1682-1749, Holland, Pen and black ink and brush and black and brown ink washes, over red chalk, on cream laid paper, 385 x 299 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Outer Robe (Uchikake) with Mandarin Oranges and Folded-Paper Butterflies late 18th–early 19th century Japan The outer robe, or uchikake, was worn without a sash over a kosode on formal occasions. Originating in the Kamakura period (1185–1333) as a robe for highranking samurai ladies, it later was used more widely as formal winter attire. In traditional marriage ceremonies, an uchikake is worn over a wedding kimono. Extra padding is inserted into the hem to provide a seamless flow of the train.Wedding uchikake are decorated with auspicious motifs, such as the folded-paper butterflies depicted h Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/outer-robe-uchikake-with-mandarin-oranges-and-folded-paper-butterflies-late-18thearly-19th-century-japan-the-outer-robe-or-uchikake-was-worn-without-a-sash-over-a-kosode-on-formal-occasions-originating-in-the-kamakura-period-11851333-as-a-robe-for-highranking-samurai-ladies-it-later-was-used-more-widely-as-formal-winter-attire-in-traditional-marriage-ceremonies-an-uchikake-is-worn-over-a-wedding-kimono-extra-padding-is-inserted-into-the-hem-to-provide-a-seamless-flow-of-the-trainwedding-uchikake-are-decorated-with-auspicious-motifs-such-as-the-folded-paper-butterflies-depicted-h-image458108327.htmlRM2HH8HRK–Outer Robe (Uchikake) with Mandarin Oranges and Folded-Paper Butterflies late 18th–early 19th century Japan The outer robe, or uchikake, was worn without a sash over a kosode on formal occasions. Originating in the Kamakura period (1185–1333) as a robe for highranking samurai ladies, it later was used more widely as formal winter attire. In traditional marriage ceremonies, an uchikake is worn over a wedding kimono. Extra padding is inserted into the hem to provide a seamless flow of the train.Wedding uchikake are decorated with auspicious motifs, such as the folded-paper butterflies depicted h
18th century wedding card Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-18th-century-wedding-card-50321364.htmlRFCWT9BG–18th century wedding card
Writing Box (Suzuribako) with Mice and Fan 18th century School of Ogawa Haritsu (Ritsu?) Japanese This box for writing implements presents a novel vision of nature and art that reveals the spirited wit of urban culture in the mid-Edo period. Three mice devour a fan that once opened to reveal a classic poem on beautifully decorated paper. The gusto with which they dispatch this traditional art form becomes clear when the box is opened to show the tail and hindquarters of one through the hole they've nibbled in the cover. Ogawa Haritsu was a man of many arts—painting, pottery, and haiku poetry i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/writing-box-suzuribako-with-mice-and-fan-18th-century-school-of-ogawa-haritsu-ritsu-japanese-this-box-for-writing-implements-presents-a-novel-vision-of-nature-and-art-that-reveals-the-spirited-wit-of-urban-culture-in-the-mid-edo-period-three-mice-devour-a-fan-that-once-opened-to-reveal-a-classic-poem-on-beautifully-decorated-paper-the-gusto-with-which-they-dispatch-this-traditional-art-form-becomes-clear-when-the-box-is-opened-to-show-the-tail-and-hindquarters-of-one-through-the-hole-theyve-nibbled-in-the-cover-ogawa-haritsu-was-a-man-of-many-artspainting-pottery-and-haiku-poetry-i-image457778639.htmlRM2HGNH93–Writing Box (Suzuribako) with Mice and Fan 18th century School of Ogawa Haritsu (Ritsu?) Japanese This box for writing implements presents a novel vision of nature and art that reveals the spirited wit of urban culture in the mid-Edo period. Three mice devour a fan that once opened to reveal a classic poem on beautifully decorated paper. The gusto with which they dispatch this traditional art form becomes clear when the box is opened to show the tail and hindquarters of one through the hole they've nibbled in the cover. Ogawa Haritsu was a man of many arts—painting, pottery, and haiku poetry i
Blue brocade paper decorated with gold animals, c. 1750-1800. Leaf includes domesticated and wild mammals and birds (BSLOC 2016 2 147) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-blue-brocade-paper-decorated-with-gold-animals-c-1750-1800-leaf-includes-115905110.htmlRMGMFX46–Blue brocade paper decorated with gold animals, c. 1750-1800. Leaf includes domesticated and wild mammals and birds (BSLOC 2016 2 147)
![. Printed paper binding. Austrian, late 18th century. An early example of a binding in decorated, printed paper covers, with printed forest scene on front board, marine or lake-side view on back, coloured by hand. Wald-Scenen. 1794. Schwerdling, Johann [author] Bodleian Libraries, WaldScenen Stock Photo](https://c8.alamy.com/comp/MMTER4/printed-paper-binding-austrian-late-18th-century-an-early-example-of-a-binding-in-decorated-printed-paper-covers-with-printed-forest-scene-on-front-board-marine-or-lake-side-view-on-back-coloured-by-hand-wald-scenen-1794-schwerdling-johann-author-bodleian-libraries-waldscenen-MMTER4.jpg ". Printed paper binding. Austrian, late 18th century. An early example of a binding in decorated, printed paper covers, with printed forest scene on front board, marine or lake-side view on back, coloured by hand. Wald-Scenen. 1794. Schwerdling, Johann [author] Bodleian Libraries, WaldScenen Stock Photo")
. Printed paper binding. Austrian, late 18th century. An early example of a binding in decorated, printed paper covers, with printed forest scene on front board, marine or lake-side view on back, coloured by hand. Wald-Scenen. 1794. Schwerdling, Johann [author] Bodleian Libraries, WaldScenen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/printed-paper-binding-austrian-late-18th-century-an-early-example-of-a-binding-in-decorated-printed-paper-covers-with-printed-forest-scene-on-front-board-marine-or-lake-side-view-on-back-coloured-by-hand-wald-scenen-1794-schwerdling-johann-author-bodleian-libraries-waldscenen-image184935272.htmlRMMMTER4–. Printed paper binding. Austrian, late 18th century. An early example of a binding in decorated, printed paper covers, with printed forest scene on front board, marine or lake-side view on back, coloured by hand. Wald-Scenen. 1794. Schwerdling, Johann [author] Bodleian Libraries, WaldScenen
Folding fan decorated with figures, c.1790. Made with a double sheet of paper; round, cut-out dotted engraving representing a seated woman and lovers with a chinoiserie figure with silk clothes on either side, on an open-work frame of bone. This fan is a European imitation of a Chinese type, which had developed in Canton during the 18th century. These Cantonese fans, which were sought after because of their small figures with faces meticulously painted on ivory, were called 'a hundred faces' fans. Unlike their Chinese examples, the characters on the European imitations not only have a face but Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/folding-fan-decorated-with-figures-c1790-made-with-a-double-sheet-of-paper-round-cut-out-dotted-engraving-representing-a-seated-woman-and-lovers-with-a-chinoiserie-figure-with-silk-clothes-on-either-side-on-an-open-work-frame-of-bone-this-fan-is-a-european-imitation-of-a-chinese-type-which-had-developed-in-canton-during-the-18th-century-these-cantonese-fans-which-were-sought-after-because-of-their-small-figures-with-faces-meticulously-painted-on-ivory-were-called-a-hundred-faces-fans-unlike-their-chinese-examples-the-characters-on-the-european-imitations-not-only-have-a-face-but-image565269052.htmlRM2RRJ6CC–Folding fan decorated with figures, c.1790. Made with a double sheet of paper; round, cut-out dotted engraving representing a seated woman and lovers with a chinoiserie figure with silk clothes on either side, on an open-work frame of bone. This fan is a European imitation of a Chinese type, which had developed in Canton during the 18th century. These Cantonese fans, which were sought after because of their small figures with faces meticulously painted on ivory, were called 'a hundred faces' fans. Unlike their Chinese examples, the characters on the European imitations not only have a face but
A portrait after Scheemakers' memorial statue of Shakespeare in Westminster Abbey. Full length standing, leaning with the right elbow on a pile of books, pointing with the left hand to an excerpt of Prospero's lines from the Tempest 'The Cloud wrapp'd Towers ... Leave not a wreck behind' on a paper beneath them, ankles crossed, looking towards the viewer, the books on a plinth decorated with busts of kings, in a moulded architrave. Gulielmus Shakespear Anno Post Mortem CXXIV Amor Publicus Ponuit. 1741. Source: Maps K.Top.24.4.w.2. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-portrait-after-scheemakers-memorial-statue-of-shakespeare-in-westminster-abbey-full-length-standing-leaning-with-the-right-elbow-on-a-pile-of-books-pointing-with-the-left-hand-to-an-excerpt-of-prosperos-lines-from-the-tempest-the-cloud-wrappd-towers-leave-not-a-wreck-behind-on-a-paper-beneath-them-ankles-crossed-looking-towards-the-viewer-the-books-on-a-plinth-decorated-with-busts-of-kings-in-a-moulded-architrave-gulielmus-shakespear-anno-post-mortem-cxxiv-amor-publicus-ponuit-1741-source-maps-ktop244w2-language-english-image227119938.htmlRMR5E5PA–A portrait after Scheemakers' memorial statue of Shakespeare in Westminster Abbey. Full length standing, leaning with the right elbow on a pile of books, pointing with the left hand to an excerpt of Prospero's lines from the Tempest 'The Cloud wrapp'd Towers ... Leave not a wreck behind' on a paper beneath them, ankles crossed, looking towards the viewer, the books on a plinth decorated with busts of kings, in a moulded architrave. Gulielmus Shakespear Anno Post Mortem CXXIV Amor Publicus Ponuit. 1741. Source: Maps K.Top.24.4.w.2. Language: English.
White Eunuch in traditional dresses in 1749. Blue dressing gown, white tunic, long cap, gold decorated. By J.M. Vien, T. Jefferys, London, 1757-1772 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-white-eunuch-in-traditional-dresses-in-1749-blue-dressing-gown-white-165378175.htmlRFKH1HFB–White Eunuch in traditional dresses in 1749. Blue dressing gown, white tunic, long cap, gold decorated. By J.M. Vien, T. Jefferys, London, 1757-1772
Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By Kostandin and Athanas Zografi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albania-moscopole-frescoes-at-the-exonarthex-of-saint-nicholas-church-image60223962.htmlRMDDYC7P–Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By Kostandin and Athanas Zografi.
FRANCE - CIRCA 1976: a stamp printed in the France shows Ceramic Pitcher, Strasbourg, 18th Century, circa 1976 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-circa-1976-a-stamp-printed-in-the-france-shows-ceramic-pitcher-strasbourg-18th-century-circa-1976-image437423885.htmlRF2GBJAHH–FRANCE - CIRCA 1976: a stamp printed in the France shows Ceramic Pitcher, Strasbourg, 18th Century, circa 1976
Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-inititial-a-engraving-on-paper-italy-europe-18th-century-print-image391708679.htmlRM2DN7TBK–Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print
Nostell Priory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nostell-priory-22702018.htmlRMB8X4JA–Nostell Priory
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453881403.htmlRM2HAC2A3–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30181588.htmlRMBN2TWT–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Medieval woman reading a letter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-medieval-woman-reading-a-letter-37610382.htmlRMC558BX–Medieval woman reading a letter
Old open book - worn brown leather cover with thick spine and abstract golden decorations - circa 1750 - isolated on white Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-open-book-worn-brown-leather-cover-with-thick-spine-and-abstract-golden-decorations-circa-1750-isolated-on-white-image415745624.htmlRF2F4ARP0–Old open book - worn brown leather cover with thick spine and abstract golden decorations - circa 1750 - isolated on white
Engraving of Firearms Parts. Culture: French, Strasbourg. Designer: Perrier (French, Strasbourg, active mid-18th century). Dimensions: 18 3/4 x 25 1/4 in. (47.5 x 64 cm). Date: ca. 1750. Made by a little-known engraver named Perrier, this rare and informative print illustrates and names all of the parts found in a flintlock gun. A standard military musket is shown in detail on the left and the decorated parts of a more elaborate civilian hunting gun appear on the right. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-of-firearms-parts-culture-french-strasbourg-designer-perrier-french-strasbourg-active-mid-18th-century-dimensions-18-34-x-25-14-in-475-x-64-cm-date-ca-1750-made-by-a-little-known-engraver-named-perrier-this-rare-and-informative-print-illustrates-and-names-all-of-the-parts-found-in-a-flintlock-gun-a-standard-military-musket-is-shown-in-detail-on-the-left-and-the-decorated-parts-of-a-more-elaborate-civilian-hunting-gun-appear-on-the-right-museum-metropolitan-museum-of-art-new-york-usa-image213322145.htmlRMPB1JG1–Engraving of Firearms Parts. Culture: French, Strasbourg. Designer: Perrier (French, Strasbourg, active mid-18th century). Dimensions: 18 3/4 x 25 1/4 in. (47.5 x 64 cm). Date: ca. 1750. Made by a little-known engraver named Perrier, this rare and informative print illustrates and names all of the parts found in a flintlock gun. A standard military musket is shown in detail on the left and the decorated parts of a more elaborate civilian hunting gun appear on the right. Museum: Metropolitan Museum of Art, New York, USA.
Courtesan Reading a Letter mid-18th century Ishikawa Toyonobu The seated women in elegant red tie-dyed robes with a white over-cloak decorated with budding willows has her obi sash tied in front, identifying her as a courtesan of the pleasure quarters. She holds two sheets of paper of a variety that can be used for letters, poems, and drawings. In front of her is arrayed a lacquer box with writing implements and a lit candle, indicating a nocturnal setting. The mythical beast called a hakutaku (Chinese: baize), shown in the painting in the alcove signed “Toyonobu,” derives from Chinese legend. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/courtesan-reading-a-letter-mid-18th-century-ishikawa-toyonobu-the-seated-women-in-elegant-red-tie-dyed-robes-with-a-white-over-cloak-decorated-with-budding-willows-has-her-obi-sash-tied-in-front-identifying-her-as-a-courtesan-of-the-pleasure-quarters-she-holds-two-sheets-of-paper-of-a-variety-that-can-be-used-for-letters-poems-and-drawings-in-front-of-her-is-arrayed-a-lacquer-box-with-writing-implements-and-a-lit-candle-indicating-a-nocturnal-setting-the-mythical-beast-called-a-hakutaku-chinese-baize-shown-in-the-painting-in-the-alcove-signed-toyonobu-derives-from-chinese-legend-image457889068.htmlRM2HGXJ50–Courtesan Reading a Letter mid-18th century Ishikawa Toyonobu The seated women in elegant red tie-dyed robes with a white over-cloak decorated with budding willows has her obi sash tied in front, identifying her as a courtesan of the pleasure quarters. She holds two sheets of paper of a variety that can be used for letters, poems, and drawings. In front of her is arrayed a lacquer box with writing implements and a lit candle, indicating a nocturnal setting. The mythical beast called a hakutaku (Chinese: baize), shown in the painting in the alcove signed “Toyonobu,” derives from Chinese legend.
. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-gouache-painting-on-paper-from-nathdwara-representing-the-autumn-annakuta-festival-this-annual-festival-is-observed-by-donating-a-mountain-of-food-usually-rice-to-the-temple-to-symbolise-the-moment-krishna-lifted-mount-govardhan-to-protect-his-villagers-in-nathdwara-the-food-is-then-given-to-the-bhils-the-tribal-peoples-living-in-mewar-the-left-arm-of-the-god-srinathji-a-form-of-ka-is-raised-and-the-murti-idol-is-positioned-in-front-of-a-picchvai-decorated-with-a-stylised-floral-pattern-two-priests-attend-the-god-positioned-on-either-side-of-the-offering-18th-cen-image189160121.htmlRMMYMYJH–. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen
Fan, c. 1850-1870. Marie Gallois (French), retailed by Tiffany & Co. (American, New York, est. 1837). Leaf: gouache on paper; sticks and guards: mother-of-pearl; pivot: gold; overall: 24.2 cm (9 1/2 in.); spread: 46.1 cm (18 1/8 in.). This folding fan decorated with figures in 18th-century costume dancing, playing music, and flirting exemplifies the Rococo revival in America. In response to widespread urbanization and the spread of manufacturing, wealthy members of American society embraced styles and subjects of the past such as the fête champêtre (outdoor entertainment). This luxurious, han Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fan-c-1850-1870-marie-gallois-french-retailed-by-tiffany-co-american-new-york-est-1837-leaf-gouache-on-paper-sticks-and-guards-mother-of-pearl-pivot-gold-overall-242-cm-9-12-in-spread-461-cm-18-18-in-this-folding-fan-decorated-with-figures-in-18th-century-costume-dancing-playing-music-and-flirting-exemplifies-the-rococo-revival-in-america-in-response-to-widespread-urbanization-and-the-spread-of-manufacturing-wealthy-members-of-american-society-embraced-styles-and-subjects-of-the-past-such-as-the-fte-champtre-outdoor-entertainment-this-luxurious-han-image448069191.htmlRM2H0Y8R3–Fan, c. 1850-1870. Marie Gallois (French), retailed by Tiffany & Co. (American, New York, est. 1837). Leaf: gouache on paper; sticks and guards: mother-of-pearl; pivot: gold; overall: 24.2 cm (9 1/2 in.); spread: 46.1 cm (18 1/8 in.). This folding fan decorated with figures in 18th-century costume dancing, playing music, and flirting exemplifies the Rococo revival in America. In response to widespread urbanization and the spread of manufacturing, wealthy members of American society embraced styles and subjects of the past such as the fête champêtre (outdoor entertainment). This luxurious, han
Fan, c. 1850-1870. This folding fan decorated with figures in 18th-century costume dancing, playing music, and flirting exemplifies the Rococo revival in America. In response to widespread urbanization and the spread of manufacturing, wealthy members of American society embraced styles and subjects of the past such as the fête champêtre (outdoor entertainment). This luxurious, handmade object denounces the mechanization of mass production. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fan-c-1850-1870-this-folding-fan-decorated-with-figures-in-18th-century-costume-dancing-playing-music-and-flirting-exemplifies-the-rococo-revival-in-america-in-response-to-widespread-urbanization-and-the-spread-of-manufacturing-wealthy-members-of-american-society-embraced-styles-and-subjects-of-the-past-such-as-the-fxeate-champxeatre-outdoor-entertainment-this-luxurious-handmade-object-denounces-the-mechanization-of-mass-production-image330088702.htmlRM2A50RE6–Fan, c. 1850-1870. This folding fan decorated with figures in 18th-century costume dancing, playing music, and flirting exemplifies the Rococo revival in America. In response to widespread urbanization and the spread of manufacturing, wealthy members of American society embraced styles and subjects of the past such as the fête champêtre (outdoor entertainment). This luxurious, handmade object denounces the mechanization of mass production.
Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-inititial-a-engraving-on-paper-italy-europe-18th-century-print-image391711318.htmlRM2DN7YNX–Decorated Inititial 'A', Engraving on paper, Italy, Europe, 18th century, Print
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453774275.htmlRM2HA75M3–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30189064.htmlRMBN36CT–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Fan. Culture: French. Date: first quarter 18th century. On early 18th-century fan leaves, the design often covered the complete leaf, as shown here. The painting on both the front and back is finely executed, and, unlike many examples, where the back is minimally decorated, the front and the back are equally covered with finely detailed scenes. In early fans the lacquered sticks were Chinese imports but around the end of the first quarter of the 18th century, the Europeans began created lacquered sticks to imitate the Chinese examples. These are probably Chinese imports. Museum: Metropolita Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fan-culture-french-date-first-quarter-18th-century-on-early-18th-century-fan-leaves-the-design-often-covered-the-complete-leaf-as-shown-here-the-painting-on-both-the-front-and-back-is-finely-executed-and-unlike-many-examples-where-the-back-is-minimally-decorated-the-front-and-the-back-are-equally-covered-with-finely-detailed-scenes-in-early-fans-the-lacquered-sticks-were-chinese-imports-but-around-the-end-of-the-first-quarter-of-the-18th-century-the-europeans-began-created-lacquered-sticks-to-imitate-the-chinese-examples-these-are-probably-chinese-imports-museum-metropolita-image212879080.htmlRMPA9DC8–Fan. Culture: French. Date: first quarter 18th century. On early 18th-century fan leaves, the design often covered the complete leaf, as shown here. The painting on both the front and back is finely executed, and, unlike many examples, where the back is minimally decorated, the front and the back are equally covered with finely detailed scenes. In early fans the lacquered sticks were Chinese imports but around the end of the first quarter of the 18th century, the Europeans began created lacquered sticks to imitate the Chinese examples. These are probably Chinese imports. Museum: Metropolita
. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-gouache-painting-on-paper-from-nathdwara-representing-the-autumn-annakuta-festival-this-annual-festival-is-observed-by-donating-a-mountain-of-food-usually-rice-to-the-temple-to-symbolise-the-moment-krishna-lifted-mount-govardhan-to-protect-his-villagers-in-nathdwara-the-food-is-then-given-to-the-bhils-the-tribal-peoples-living-in-mewar-the-left-arm-of-the-god-srinathji-a-form-of-ka-is-raised-and-the-murti-idol-is-positioned-in-front-of-a-picchvai-decorated-with-a-stylised-floral-pattern-two-priests-attend-the-god-positioned-on-either-side-of-the-offering-18th-cen-image188392265.htmlRMMXE075–. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen
Riders on Horseback in Woods, 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/riders-on-horseback-in-woods-18th-century-image491533675.htmlRM2KFK863–Riders on Horseback in Woods, 18th century.
Decorated Inititial 'A', Engraving on paper, Europe, Italy, Europe, 18th century, Print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/decorated-inititial-a-engraving-on-paper-europe-italy-europe-18th-century-print-image391704235.htmlRM2DN7JMY–Decorated Inititial 'A', Engraving on paper, Europe, Italy, Europe, 18th century, Print
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453881405.htmlRM2HAC2A5–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30188858.htmlRMBN365E–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Screens within Screens. Culture: Japan. Dimensions: Image (each screen): 66 15/16 x 148 in. (170 x 376 cm). Date: 18th century. This pair of screens is unusual in its subject matter: the replicas of folding screens painted on the screens themselves offer a fanciful catalogue of workshop styles practiced during the Edo period. They relate to two categories of screens, one known as 'Whose Sleeves?' and another called 'Scattered Fans.' Screens of the first type feature representations of variously patterned robes draped over racks; those in the latter category are decorated with fans that have t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/screens-within-screens-culture-japan-dimensions-image-each-screen-66-1516-x-148-in-170-x-376-cm-date-18th-century-this-pair-of-screens-is-unusual-in-its-subject-matter-the-replicas-of-folding-screens-painted-on-the-screens-themselves-offer-a-fanciful-catalogue-of-workshop-styles-practiced-during-the-edo-period-they-relate-to-two-categories-of-screens-one-known-as-whose-sleeves-and-another-called-scattered-fans-screens-of-the-first-type-feature-representations-of-variously-patterned-robes-draped-over-racks-those-in-the-latter-category-are-decorated-with-fans-that-have-t-image212936020.htmlRMPAC21T–Screens within Screens. Culture: Japan. Dimensions: Image (each screen): 66 15/16 x 148 in. (170 x 376 cm). Date: 18th century. This pair of screens is unusual in its subject matter: the replicas of folding screens painted on the screens themselves offer a fanciful catalogue of workshop styles practiced during the Edo period. They relate to two categories of screens, one known as 'Whose Sleeves?' and another called 'Scattered Fans.' Screens of the first type feature representations of variously patterned robes draped over racks; those in the latter category are decorated with fans that have t
. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-gouache-painting-on-paper-from-nathdwara-representing-the-autumn-annakuta-festival-this-annual-festival-is-observed-by-donating-a-mountain-of-food-usually-rice-to-the-temple-to-symbolise-the-moment-krishna-lifted-mount-govardhan-to-protect-his-villagers-in-nathdwara-the-food-is-then-given-to-the-bhils-the-tribal-peoples-living-in-mewar-the-left-arm-of-the-god-srinathji-a-form-of-ka-is-raised-and-the-murti-idol-is-positioned-in-front-of-a-picchvai-decorated-with-a-stylised-floral-pattern-two-priests-attend-the-god-positioned-on-either-side-of-the-offering-18th-cen-image187430266.htmlRMMTX562–. English: 'Gouache painting on paper from Nathdwara representing the autumn Annakuta Festival. This annual festival is observed by donating a mountain of food, usually rice, to the temple to symbolise the moment Krishna lifted Mount Govardhan to protect his villagers. In Nathdwara the food is then given to the Bhils, the tribal peoples living in Mewar. The left arm of the god Srinathji, a form of Kṛṣṇa, is raised and the murti (idol) is positioned in front of a picchvai decorated with a stylised floral pattern. Two priests attend the god, positioned on either side of the offering.' . 18th cen
Ladies Sharing Wine, early 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ladies-sharing-wine-early-18th-century-image568873092.htmlRM2T1EBC4–Ladies Sharing Wine, early 18th century.
Stage Design: Palace Interior, Pasquale Canna, Italian, active 18th century, Pen and brown ink, graphite on paper, View into hall decorated in the antique way, sketched roughly., Italy, early 18th century, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stage-design-palace-interior-pasquale-canna-italian-active-18th-century-pen-and-brown-ink-graphite-on-paper-view-into-hall-decorated-in-the-antique-way-sketched-roughly-italy-early-18th-century-drawing-image391713106.htmlRM2DN821P–Stage Design: Palace Interior, Pasquale Canna, Italian, active 18th century, Pen and brown ink, graphite on paper, View into hall decorated in the antique way, sketched roughly., Italy, early 18th century, Drawing
Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century, Jan van Huysum, Dutch, 1682-1749, Holland, Pen and black ink and brush and black and brown ink washes, over red chalk, on cream laid paper, 385 x 299 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-an-urn-decorated-with-putti-on-a-plinth-early-18th-century-jan-van-huysum-dutch-1682-1749-holland-pen-and-black-ink-and-brush-and-black-and-brown-ink-washes-over-red-chalk-on-cream-laid-paper-385-x-299-mm-image328658544.htmlRM2A2KK94–Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century, Jan van Huysum, Dutch, 1682-1749, Holland, Pen and black ink and brush and black and brown ink washes, over red chalk, on cream laid paper, 385 x 299 mm
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453782107.htmlRM2HA7FKR–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30183380.htmlRMBN2Y5T–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Snuffbox. Culture: French. Dimensions: Overall: 3 1/2 × 2 5/8 in. (8.9 × 6.7 cm). Date: mid-18th century. In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/snuffbox-culture-french-dimensions-overall-3-12-2-58-in-89-67-cm-date-mid-18th-century-in-eighteenth-century-europe-paris-led-the-production-of-high-quality-luxury-goods-parisian-goldsmiths-made-a-wide-range-of-small-personal-articles-such-as-snuffboxes-tuis-to-hold-sealing-wax-tweezers-or-utensils-for-sewing-souvenirs-which-contained-thin-ivory-tablets-for-note-taking-and-shuttles-for-knotting-lace-gold-snuffboxes-and-boxes-decorated-with-portrait-miniatures-were-prized-and-frequently-given-as-royal-gifts-often-to-ambassadors-or-members-of-the-court-in-lieu-of-image212901661.htmlRMPAAE6N–Snuffbox. Culture: French. Dimensions: Overall: 3 1/2 × 2 5/8 in. (8.9 × 6.7 cm). Date: mid-18th century. In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of
A Couple on a Terrace Surrounded by Attendants and Musicians, 18th Century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-couple-on-a-terrace-surrounded-by-attendants-and-musicians-18th-century-image506221967.htmlRM2MBGB7Y–A Couple on a Terrace Surrounded by Attendants and Musicians, 18th Century.
Anonymous, first quarter 18th century, leather, wood, paper, metal, Box: 6.6 x 18.4 x 9.5cm 66 x 184 x 95mm, Key: 3.4 x 1.6 x 0.3cm 34 x 16 x 3mm, Rectangular leather lined box with a lid. The leather acts as a hinge. The leather on the lid is decorated with a border of pressed and gilded floral scrolls. Geometric decorations are pressed on the box. Both the box and the lid are finished on the inside with paper on which English text is printed. A woven strap is attached to the lid and box on the left to prevent the lid from opening too far. The box can be closed with a click lock and opened Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-first-quarter-18th-century-leather-wood-paper-metal-box-66-x-184-x-95cm-66-x-184-x-95mm-key-34-x-16-x-03cm-34-x-16-x-3mm-rectangular-leather-lined-box-with-a-lid-the-leather-acts-as-a-hinge-the-leather-on-the-lid-is-decorated-with-a-border-of-pressed-and-gilded-floral-scrolls-geometric-decorations-are-pressed-on-the-box-both-the-box-and-the-lid-are-finished-on-the-inside-with-paper-on-which-english-text-is-printed-a-woven-strap-is-attached-to-the-lid-and-box-on-the-left-to-prevent-the-lid-from-opening-too-far-the-box-can-be-closed-with-a-click-lock-and-opened-image386384690.htmlRM2DCH9H6–Anonymous, first quarter 18th century, leather, wood, paper, metal, Box: 6.6 x 18.4 x 9.5cm 66 x 184 x 95mm, Key: 3.4 x 1.6 x 0.3cm 34 x 16 x 3mm, Rectangular leather lined box with a lid. The leather acts as a hinge. The leather on the lid is decorated with a border of pressed and gilded floral scrolls. Geometric decorations are pressed on the box. Both the box and the lid are finished on the inside with paper on which English text is printed. A woven strap is attached to the lid and box on the left to prevent the lid from opening too far. The box can be closed with a click lock and opened
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453782098.htmlRM2HA7FKE–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30189181.htmlRMBN36H1–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Republic of Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By brothers Kostandin and Athanas Zografi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/republic-of-albania-moscopole-frescoes-at-the-exonarthex-of-saint-nicholas-church-18th-century-by-brothers-kostandin-and-athanas-zografi-image209680144.htmlRMP53N4G–Republic of Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By brothers Kostandin and Athanas Zografi.
Folding paper fan with Diana and nymphs, c.1780. Central medallion with Diana, goddess of the hunt, and nymphs resting on the edge of a river opposite a waterfall. 'Diana resting with her nymphs' was a particularly popular theme starting in the 17th century, depicted in paintings and on fan blades. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/folding-paper-fan-with-diana-and-nymphs-c1780-central-medallion-with-diana-goddess-of-the-hunt-and-nymphs-resting-on-the-edge-of-a-river-opposite-a-waterfall-diana-resting-with-her-nymphs-was-a-particularly-popular-theme-starting-in-the-17th-century-depicted-in-paintings-and-on-fan-blades-image565269752.htmlRM2RRJ79C–Folding paper fan with Diana and nymphs, c.1780. Central medallion with Diana, goddess of the hunt, and nymphs resting on the edge of a river opposite a waterfall. 'Diana resting with her nymphs' was a particularly popular theme starting in the 17th century, depicted in paintings and on fan blades.
Anonymous, first quarter 18th century, leather, wood, paper, metal, Box: 6.6 x 18.4 x 9.5cm 66 x 184 x 95mm, Key: 3.4 x 1.6 x 0.3cm 34 x 16 x 3mm, Rectangular leather lined box with a lid. The leather acts as a hinge. The leather on the lid is decorated with a border of pressed and gilded floral scrolls. Geometric decorations are pressed on the box. Both the box and the lid are finished on the inside with paper on which English text is printed. A woven strap is attached to the lid and box on the left to prevent the lid from opening too far. The box can be closed with a click lock and opened Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonymous-first-quarter-18th-century-leather-wood-paper-metal-box-66-x-184-x-95cm-66-x-184-x-95mm-key-34-x-16-x-03cm-34-x-16-x-3mm-rectangular-leather-lined-box-with-a-lid-the-leather-acts-as-a-hinge-the-leather-on-the-lid-is-decorated-with-a-border-of-pressed-and-gilded-floral-scrolls-geometric-decorations-are-pressed-on-the-box-both-the-box-and-the-lid-are-finished-on-the-inside-with-paper-on-which-english-text-is-printed-a-woven-strap-is-attached-to-the-lid-and-box-on-the-left-to-prevent-the-lid-from-opening-too-far-the-box-can-be-closed-with-a-click-lock-and-opened-image386384681.htmlRM2DCH9GW–Anonymous, first quarter 18th century, leather, wood, paper, metal, Box: 6.6 x 18.4 x 9.5cm 66 x 184 x 95mm, Key: 3.4 x 1.6 x 0.3cm 34 x 16 x 3mm, Rectangular leather lined box with a lid. The leather acts as a hinge. The leather on the lid is decorated with a border of pressed and gilded floral scrolls. Geometric decorations are pressed on the box. Both the box and the lid are finished on the inside with paper on which English text is printed. A woven strap is attached to the lid and box on the left to prevent the lid from opening too far. The box can be closed with a click lock and opened
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453881401.htmlRM2HAC2A1–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
Farewell Poem, late 18th - early 19th century, Kameda Bōsai, Japanese, 1752 - 1826, 8 1/4 × 18 1/4 in. (20.96 × 46.36 cm) (sheet)18 3/8 × 26 5/8 in. (46.67 × 67.63 cm) (mount), Ink on decorated paper, Japan, 18th-19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farewell-poem-late-18th-early-19th-century-kameda-bsai-japanese-1752-1826-8-14-18-14-in-2096-4636-cm-sheet18-38-26-58-in-4667-6763-cm-mount-ink-on-decorated-paper-japan-18th-19th-century-image573484022.htmlRM2T90CM6–Farewell Poem, late 18th - early 19th century, Kameda Bōsai, Japanese, 1752 - 1826, 8 1/4 × 18 1/4 in. (20.96 × 46.36 cm) (sheet)18 3/8 × 26 5/8 in. (46.67 × 67.63 cm) (mount), Ink on decorated paper, Japan, 18th-19th century
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30191580.htmlRMBN39JM–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/butter-dish-anonymous-18th-century-ink-paper-glaze-earthenware-butter-dish-with-lid-78-x-111-x-111cm-78-x-111-x-111mm-pot-51-x-111-x-103cm-51-x-111-x-103mm-lid-36-x-99-x-112cm-36-x-99-x-112mm-landscape-building-tree-butter-dish-from-delft-blue-earthenware-octagonal-decorated-with-a-chinese-landscape-the-landscape-shows-hills-a-tree-and-a-structure-with-a-loose-lid-that-also-depicts-a-landscape-consisting-of-a-building-and-trees-in-the-butter-dish-a-piece-of-paper-cut-to-size-with-written-on-it-in-ink-butter-dish-by-pieter-adrz-van-der-werf-mayor-of-leiden-image387987708.htmlRM2DF6A7T–butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden
Republic of Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By brothers Kostandin and Athanas Zografi. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/republic-of-albania-moscopole-frescoes-at-the-exonarthex-of-saint-nicholas-church-18th-century-by-brothers-kostandin-and-athanas-zografi-image209680142.htmlRMP53N4E–Republic of Albania. Moscopole. Frescoes at the exonarthex of Saint Nicholas Church. 18th century. By brothers Kostandin and Athanas Zografi.
Single Leaf of a Portrait of Shah Abbas I, 18th century. According to the inscription in the upper panel of this manuscript leaf, the painting depicts the Safavid ruler Shah 'Abbas I (reigned 996 AH/AD 1588-1038 AH/AD 1629). It was probably produced in India in the twelfth century AH/AD 18th. The Safavid ruler is shown in a stylized landscape. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/single-leaf-of-a-portrait-of-shah-abbas-i-18th-century-according-to-the-inscription-in-the-upper-panel-of-this-manuscript-leaf-the-painting-depicts-the-safavid-ruler-shah-abbas-i-reigned-996-ahad-1588-1038-ahad-1629-it-was-probably-produced-in-india-in-the-twelfth-century-ahad-18th-the-safavid-ruler-is-shown-in-a-stylized-landscape-image571914459.htmlRM2T6CXMB–Single Leaf of a Portrait of Shah Abbas I, 18th century. According to the inscription in the upper panel of this manuscript leaf, the painting depicts the Safavid ruler Shah 'Abbas I (reigned 996 AH/AD 1588-1038 AH/AD 1629). It was probably produced in India in the twelfth century AH/AD 18th. The Safavid ruler is shown in a stylized landscape.
Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/polska-1969-11-24-ozdabianie-choinki-na-wita-boego-narodzenia-naley-w-polsce-do-starych-zwyczajw-znanych-ju-od-koca-xviii-wieku-nz-kobieta-przy-choince-ozdobionej-bombkami-i-papierowymi-serpentynami-pw-papstanisaw-jakubowski-dokadny-dzie-wydarzenia-nieustalony-poland-nov-24-1969-christmas-tree-decorating-is-an-old-polish-custom-dating-back-to-the-end-of-the-18th-century-pictured-a-woman-next-to-a-christmas-tree-decorated-with-baubles-and-paper-streamers-pw-papstanislaw-jakubowski-image453881395.htmlRM2HAC29R–Polska, 1969-11-24. Ozdabianie choinki na œwiêta Bo¿ego Narodzenia nale¿y w Polsce do starych zwyczajów, znanych ju¿ od koñca XVIII wieku. Nz. kobieta przy choince, ozdobionej bombkami i papierowymi serpentynami. pw PAP/Stanis³aw Jakubowski Dok³adny dzieñ wydarzenia nieustalony. Poland, Nov. 24, 1969. Christmas tree decorating is an old Polish custom, dating back to the end of the 18th century. Pictured: a woman next to a Christmas tree decorated with baubles and paper streamers. pw PAP/Stanislaw Jakubowski
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30190880.htmlRMBN38NM–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/butter-dish-anonymous-18th-century-ink-paper-glaze-earthenware-butter-dish-with-lid-78-x-111-x-111cm-78-x-111-x-111mm-pot-51-x-111-x-103cm-51-x-111-x-103mm-lid-36-x-99-x-112cm-36-x-99-x-112mm-landscape-building-tree-butter-dish-from-delft-blue-earthenware-octagonal-decorated-with-a-chinese-landscape-the-landscape-shows-hills-a-tree-and-a-structure-with-a-loose-lid-that-also-depicts-a-landscape-consisting-of-a-building-and-trees-in-the-butter-dish-a-piece-of-paper-cut-to-size-with-written-on-it-in-ink-butter-dish-by-pieter-adrz-van-der-werf-mayor-of-leiden-image387987718.htmlRM2DF6A86–butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden
Fan Leaf Decorated with Caricatures and Reversible Heads. Artist: Anonymous, French, early 19th century. Dimensions: sheet: 12 5/16 x 21 1/4 in. (31.3 x 53.9 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fan-leaf-decorated-with-caricatures-and-reversible-heads-artist-anonymous-french-early-19th-century-dimensions-sheet-12-516-x-21-14-in-313-x-539-cm-date-early-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212869485.htmlRMPA915H–Fan Leaf Decorated with Caricatures and Reversible Heads. Artist: Anonymous, French, early 19th century. Dimensions: sheet: 12 5/16 x 21 1/4 in. (31.3 x 53.9 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Folding paper fan with the meeting of Ruth and Boaz during the corn harvest, c.1780-c.1795. In the central gold rimmed cartouche, Ruth looks surprised at Boaz, the owner of the cornfield, who 'caught' her when harvesting. Flanked by cartouches with fruits, inlaid with silver and gold, small oval medallions with a classic vase and larger windows filled with grapes, apples, pears, peaches and melon. The whole is decorated with flower garlands. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/folding-paper-fan-with-the-meeting-of-ruth-and-boaz-during-the-corn-harvest-c1780-c1795-in-the-central-gold-rimmed-cartouche-ruth-looks-surprised-at-boaz-the-owner-of-the-cornfield-who-caught-her-when-harvesting-flanked-by-cartouches-with-fruits-inlaid-with-silver-and-gold-small-oval-medallions-with-a-classic-vase-and-larger-windows-filled-with-grapes-apples-pears-peaches-and-melon-the-whole-is-decorated-with-flower-garlands-image565269737.htmlRM2RRJ78W–Folding paper fan with the meeting of Ruth and Boaz during the corn harvest, c.1780-c.1795. In the central gold rimmed cartouche, Ruth looks surprised at Boaz, the owner of the cornfield, who 'caught' her when harvesting. Flanked by cartouches with fruits, inlaid with silver and gold, small oval medallions with a classic vase and larger windows filled with grapes, apples, pears, peaches and melon. The whole is decorated with flower garlands.
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30183309.htmlRMBN2Y39–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/butter-dish-anonymous-18th-century-ink-paper-glaze-earthenware-butter-dish-with-lid-78-x-111-x-111cm-78-x-111-x-111mm-pot-51-x-111-x-103cm-51-x-111-x-103mm-lid-36-x-99-x-112cm-36-x-99-x-112mm-landscape-building-tree-butter-dish-from-delft-blue-earthenware-octagonal-decorated-with-a-chinese-landscape-the-landscape-shows-hills-a-tree-and-a-structure-with-a-loose-lid-that-also-depicts-a-landscape-consisting-of-a-building-and-trees-in-the-butter-dish-a-piece-of-paper-cut-to-size-with-written-on-it-in-ink-butter-dish-by-pieter-adrz-van-der-werf-mayor-of-leiden-image387987723.htmlRM2DF6A8B–butter dish, Anonymous, 18th century, ink, paper, glaze, earthenware, Butter dish with lid: 7.8 x 11.1 x 11.1cm 78 x 111 x 111mm, Pot: 5.1 x 11.1 x 10.3cm 51 x 111 x 103mm, Lid: 3.6 x 9.9 x 11.2cm 36 x 99 x 112mm, landscape, building, tree, Butter dish from Delft blue earthenware, octagonal, decorated with a Chinese landscape. The landscape shows hills, a tree and a structure. With a loose lid that also depicts a landscape, consisting of a building and trees. In the butter dish a piece of paper cut to size with written on it in ink: Butter dish by Pieter Adrz. van der Werf Mayor of Leiden
Dessein d'une Fontaine orné avec les quatre Elements (Design for a Fountain Decorated with the Four Elements). Dated: c. 1755/1760. Dimensions: plate: 26.7 x 19.9 cm (10 1/2 x 7 13/16 in.) sheet: 40.3 x 24.7 cm (15 7/8 x 9 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dessein-dune-fontaine-orn-avec-les-quatre-elements-design-for-a-fountain-decorated-with-the-four-elements-dated-c-17551760-dimensions-plate-267-x-199-cm-10-12-x-7-1316-in-sheet-403-x-247-cm-15-78-x-9-34-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-johann-esaias-nilson-image225634656.htmlRMR32F8G–Dessein d'une Fontaine orné avec les quatre Elements (Design for a Fountain Decorated with the Four Elements). Dated: c. 1755/1760. Dimensions: plate: 26.7 x 19.9 cm (10 1/2 x 7 13/16 in.) sheet: 40.3 x 24.7 cm (15 7/8 x 9 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.
Painted Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Brush and watercolor on paper, Drawing depicts the corner of a heavily decorated ceiling., Italy, mid-18th century, architecture, interiors, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painted-ceiling-mauro-antonio-tesi-italian-1730-1766-brush-and-watercolor-on-paper-drawing-depicts-the-corner-of-a-heavily-decorated-ceiling-italy-mid-18th-century-architecture-interiors-drawing-image391468011.htmlRM2DMTWCB–Painted Ceiling, Mauro Antonio Tesi, Italian, 1730 - 1766, Brush and watercolor on paper, Drawing depicts the corner of a heavily decorated ceiling., Italy, mid-18th century, architecture, interiors, Drawing
Stage Design, Open Palace Court, Pen and brown ink, brush and gray wash on laid paper, Horizontal rectangle. View into fantastic colonnades richly decorated with sculptures., Italy, early 18th century, theater, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stage-design-open-palace-court-pen-and-brown-ink-brush-and-gray-wash-on-laid-paper-horizontal-rectangle-view-into-fantastic-colonnades-richly-decorated-with-sculptures-italy-early-18th-century-theater-drawing-image391265298.htmlRM2DMFJTJ–Stage Design, Open Palace Court, Pen and brown ink, brush and gray wash on laid paper, Horizontal rectangle. View into fantastic colonnades richly decorated with sculptures., Italy, early 18th century, theater, Drawing
Elevation of a Wall, Pen and ink on paper, Elevation of a wall divided by pilasters with Corinthian capitals. Dado decorated with crowned eagles and a brazier hung with festoons. Walls decorated with candelabrum and, at center, an oval surrounded with cherubs., Italy, 18th century, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-a-wall-pen-and-ink-on-paper-elevation-of-a-wall-divided-by-pilasters-with-corinthian-capitals-dado-decorated-with-crowned-eagles-and-a-brazier-hung-with-festoons-walls-decorated-with-candelabrum-and-at-center-an-oval-surrounded-with-cherubs-italy-18th-century-drawing-image391525475.htmlRM2DMYEMK–Elevation of a Wall, Pen and ink on paper, Elevation of a wall divided by pilasters with Corinthian capitals. Dado decorated with crowned eagles and a brazier hung with festoons. Walls decorated with candelabrum and, at center, an oval surrounded with cherubs., Italy, 18th century, Drawing
The Right Honorable Lady Mary Radcliffe (1732-1798), Wife of Francis Eyre, Esq., 1755. A founding member of the Royal Academy and one of the leading fashionable portrait painters of his generation, Cotes was a pioneer of pastel painting in England. Here, in her marriage portrait, the young Lady Mary Radcliffe is regal in a Turkish-inspired, peacock blue mantle decorated with gold and trimmed with ermine. Pearls and feathers adorn her hair and a décolleté scarlet bodice reveals an expanse of porcelain skin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-right-honorable-lady-mary-radcliffe-1732-1798-wife-of-francis-eyre-esq-1755-a-founding-member-of-the-royal-academy-and-one-of-the-leading-fashionable-portrait-painters-of-his-generation-cotes-was-a-pioneer-of-pastel-painting-in-england-here-in-her-marriage-portrait-the-young-lady-mary-radcliffe-is-regal-in-a-turkish-inspired-peacock-blue-mantle-decorated-with-gold-and-trimmed-with-ermine-pearls-and-feathers-adorn-her-hair-and-a-dxe9colletxe9-scarlet-bodice-reveals-an-expanse-of-porcelain-skin-image330130074.htmlRM2A52M7P–The Right Honorable Lady Mary Radcliffe (1732-1798), Wife of Francis Eyre, Esq., 1755. A founding member of the Royal Academy and one of the leading fashionable portrait painters of his generation, Cotes was a pioneer of pastel painting in England. Here, in her marriage portrait, the young Lady Mary Radcliffe is regal in a Turkish-inspired, peacock blue mantle decorated with gold and trimmed with ermine. Pearls and feathers adorn her hair and a décolleté scarlet bodice reveals an expanse of porcelain skin.
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30188605.htmlRMBN35TD–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Drawing the First Water of the New Year. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: ca. 1769-70. Symbols of spring abound in this poem. A young couple draws the 'first water of the New Year' (wakamizu) in decorated buckets; pine saplings sit by the doorway, and plum blossoms burst into bloom. The scene also calls to mind an episode from the tenth-century Tales of Ise (Ise monogatari) known as the 'Well curb,' in which young lovers recall measuring their heights by the well as children. It reads Haru o hete kyo tate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-the-first-water-of-the-new-year-artist-suzuki-harunobu-japanese-1725-1770-culture-japan-dimensions-11-14-x-8-12-in-286-x-216-cm-date-ca-1769-70-symbols-of-spring-abound-in-this-poem-a-young-couple-draws-the-first-water-of-the-new-year-wakamizu-in-decorated-buckets-pine-saplings-sit-by-the-doorway-and-plum-blossoms-burst-into-bloom-the-scene-also-calls-to-mind-an-episode-from-the-tenth-century-tales-of-ise-ise-monogatari-known-as-the-well-curb-in-which-young-lovers-recall-measuring-their-heights-by-the-well-as-children-it-reads-haru-o-hete-kyo-tate-image233252132.htmlRMRFDFD8–Drawing the First Water of the New Year. Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm). Date: ca. 1769-70. Symbols of spring abound in this poem. A young couple draws the 'first water of the New Year' (wakamizu) in decorated buckets; pine saplings sit by the doorway, and plum blossoms burst into bloom. The scene also calls to mind an episode from the tenth-century Tales of Ise (Ise monogatari) known as the 'Well curb,' in which young lovers recall measuring their heights by the well as children. It reads Haru o hete kyo tate
Elevation of the Nave of a Church, Pen and black ink, brush and gray wash on white laid paper, Architectural interior drawing of a two-tiered wall decorated with candelabrum, statues, columns, and pediments., Palermo, Sicily, Italy, 18th century, architecture, interiors, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elevation-of-the-nave-of-a-church-pen-and-black-ink-brush-and-gray-wash-on-white-laid-paper-architectural-interior-drawing-of-a-two-tiered-wall-decorated-with-candelabrum-statues-columns-and-pediments-palermo-sicily-italy-18th-century-architecture-interiors-drawing-image391498717.htmlRM2DMX8H1–Elevation of the Nave of a Church, Pen and black ink, brush and gray wash on white laid paper, Architectural interior drawing of a two-tiered wall decorated with candelabrum, statues, columns, and pediments., Palermo, Sicily, Italy, 18th century, architecture, interiors, Drawing
Flower borders, 1770-1808. Three different edges decorated with flower motifs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flower-borders-1770-1808-three-different-edges-decorated-with-flower-motifs-image556241496.htmlRM2R8XYKM–Flower borders, 1770-1808. Three different edges decorated with flower motifs.
The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-umbrella-factory-borsang-village-chiang-mai-thailand-asia-30190929.htmlRMBN38RD–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia
Plan for a Decorated Ceiling. Dated: c. 1750. Dimensions: overall: 34.4 x 23.4 cm (13 9/16 x 9 3/16 in.). Medium: pen and black and gray ink with gray and black wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pierre Varin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-for-a-decorated-ceiling-dated-c-1750-dimensions-overall-344-x-234-cm-13-916-x-9-316-in-medium-pen-and-black-and-gray-ink-with-gray-and-black-wash-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-pierre-varin-image225727617.htmlRMR36NTH–Plan for a Decorated Ceiling. Dated: c. 1750. Dimensions: overall: 34.4 x 23.4 cm (13 9/16 x 9 3/16 in.). Medium: pen and black and gray ink with gray and black wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pierre Varin.
Abstract Wave Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Abstract waves are decorated with tiny punch carving on edge as well as thin strips., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-wave-motif-mulberry-paper-kozo-washi-treated-with-fermented-persimmon-tannin-kakishibu-and-silk-threads-itoire-abstract-waves-are-decorated-with-tiny-punch-carving-on-edge-as-well-as-thin-strips-japan-mid-18th-early-19th-century-textile-designs-katagami-katagami-image391475094.htmlRM2DMW6DA–Abstract Wave Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Abstract waves are decorated with tiny punch carving on edge as well as thin strips., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami
Candelabrum, Graphite, pen and ink on paper, Candelabrum motif. Square plinth decorated with ram heads and swags. Above, an angel holds a aloft a wide-lipped plate. At top, a baluster form decorated with acanthus leaves. Smoke rising out of top., Italy, late 18th century, metalwork, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/candelabrum-graphite-pen-and-ink-on-paper-candelabrum-motif-square-plinth-decorated-with-ram-heads-and-swags-above-an-angel-holds-a-aloft-a-wide-lipped-plate-at-top-a-baluster-form-decorated-with-acanthus-leaves-smoke-rising-out-of-top-italy-late-18th-century-metalwork-drawing-image391198703.htmlRM2DMCHX7–Candelabrum, Graphite, pen and ink on paper, Candelabrum motif. Square plinth decorated with ram heads and swags. Above, an angel holds a aloft a wide-lipped plate. At top, a baluster form decorated with acanthus leaves. Smoke rising out of top., Italy, late 18th century, metalwork, Drawing
Search Results for Decorated paper 18th century Stock Photos and Images (334)
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