Quick filters:
Mary magdalene s Stock Photos and Images
Mary Magdalene, S. Mary Magdalene (title on object), Mary Magdalene from the middle as a penitent sinner in front of a crucifix. In her left hand she holds a skull Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-s-mary-magdalene-title-on-object-mary-magdalene-from-the-middle-as-a-penitent-sinner-in-front-of-a-crucifix-in-her-left-hand-she-holds-a-skull-image606663346.htmlRM2X6YW82–Mary Magdalene, S. Mary Magdalene (title on object), Mary Magdalene from the middle as a penitent sinner in front of a crucifix. In her left hand she holds a skull
St Mary Magdalene s Church Langridge near Bath Somerset England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-mary-magdalene-s-church-langridge-near-bath-somerset-england-image4686150.htmlRMAH4H47–St Mary Magdalene s Church Langridge near Bath Somerset England
Mary Magdalene, painting by Polidoro da Caravaggio and Maturino da Firenze, S. Silvestro al Quirinale, Rome, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-magdalene-painting-by-polidoro-da-caravaggio-and-maturino-da-147493988.htmlRMJFXX2C–Mary Magdalene, painting by Polidoro da Caravaggio and Maturino da Firenze, S. Silvestro al Quirinale, Rome, Italy
James Tissot - Mary Magdalene S Box Very Precious Ointment 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-tissot-mary-magdalene-s-box-very-precious-ointment-1894-image415987311.htmlRF2F4NT1K–James Tissot - Mary Magdalene S Box Very Precious Ointment 1894
Prince Andrew at Sandringham December 1999 Prince Andrew with Princess Beatrice and Princess Eugenie attending the Christmas Day service at at St Mary Magdalene s Church on the Sandringham Estate Norfolk with other members of the Royal family Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prince-andrew-at-sandringham-december-1999-prince-andrew-with-princess-19760820.htmlRMB4453G–Prince Andrew at Sandringham December 1999 Prince Andrew with Princess Beatrice and Princess Eugenie attending the Christmas Day service at at St Mary Magdalene s Church on the Sandringham Estate Norfolk with other members of the Royal family
Dead Christ with Mary and the Magdalene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dead-christ-with-mary-and-the-magdalene-image184285853.htmlRMMKPXDH–Dead Christ with Mary and the Magdalene
Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-st-francis-st-john-the-baptist-st-john-the-evangelist-and-st-mary-magdalene-by-guido-da-siena-from-the-church-of-s-francesco-in-colle-val-delsa-christian-art-italy-italian-image499660913.htmlRM2M0WEGH–Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian.
St Mary Magdalene Primary School, Playford, AU, Australia, South Australia, S 34 44' 3'', N 138 39' 58'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-mary-magdalene-primary-school-playford-au-australia-south-australia-s-34-44-3-n-138-39-58-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image625660375.htmlRM2Y9W85B–St Mary Magdalene Primary School, Playford, AU, Australia, South Australia, S 34 44' 3'', N 138 39' 58'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-view-on-mary-magdalene-s-cathedral-of-russian-orthodox-gethsemane-169827617.htmlRFKT88T1–View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope.
Ludovico (Alvise) de Donati (documented in Italy between 1491/1512-d.1534). Italian painter. Mary Magdalene, Martha, Lazarus and Maximus worshipped by the Prince and Princess of Provence and Mary Magdalene listening to Christ¡s Sermon, c.1508. National Art Museum of Catalonia. Barcelona. Catalonia. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ludovico-alvise-de-donati-documented-in-italy-between-14911512-d1534-140884209.htmlRMJ55R6W–Ludovico (Alvise) de Donati (documented in Italy between 1491/1512-d.1534). Italian painter. Mary Magdalene, Martha, Lazarus and Maximus worshipped by the Prince and Princess of Provence and Mary Magdalene listening to Christ¡s Sermon, c.1508. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.
View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-on-mary-magdalene-s-cathedral-of-russian-orthodox-gethsemane-convent-among-trees-on-mount-of-olives-slope-jerusalem-israel-image247771345.htmlRMTB2XTH–View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel.
St Mary Magdalene s Church Bridgnorth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-mary-magdalene-s-church-bridgnorth-image1217755.htmlRMAJ94DC–St Mary Magdalene s Church Bridgnorth
Penitent Mary Magdalene S Maria Magdalena (title object) Penitent Mary magdalenas. Maria Magdalena (title object) Object type: picture Item number: RP-P-1907-2369Catalogusreferentie: IFF 17th siècle 47 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Pierre Daret (listed property) to painting by Jacques Blanchard (listed building) publisher: Pierre Mariette (I) (listed building) provider of privilege: Louis XIII (king of France) (listed building) Place manufacture: printmaker Paris to painting: France Publisher: Paris grantor of privilege: France Da Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitent-mary-magdalene-s-maria-magdalena-title-object-penitent-mary-magdalenas-maria-magdalena-title-object-object-type-picture-item-number-rp-p-1907-2369catalogusreferentie-iff-17th-sicle-47-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-pierre-daret-listed-property-to-painting-by-jacques-blanchard-listed-building-publisher-pierre-mariette-i-listed-building-provider-of-privilege-louis-xiii-king-of-france-listed-building-place-manufacture-printmaker-paris-to-painting-france-publisher-paris-grantor-of-privilege-france-da-image348216206.htmlRM2B6EH92–Penitent Mary Magdalene S Maria Magdalena (title object) Penitent Mary magdalenas. Maria Magdalena (title object) Object type: picture Item number: RP-P-1907-2369Catalogusreferentie: IFF 17th siècle 47 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker: Pierre Daret (listed property) to painting by Jacques Blanchard (listed building) publisher: Pierre Mariette (I) (listed building) provider of privilege: Louis XIII (king of France) (listed building) Place manufacture: printmaker Paris to painting: France Publisher: Paris grantor of privilege: France Da
Descent from the Cross, Cornelis Galle (I), 1586 - 1650 Joseph and Nicodemus remove the body of Christ from the cross. John, Mary and Mary Magdalene s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-from-the-cross-cornelis-galle-i-1586-1650-joseph-and-nicodemus-remove-the-body-of-christ-from-the-cross-john-mary-and-mary-magdalene-s-image488044757.htmlRF2KA0A1W–Descent from the Cross, Cornelis Galle (I), 1586 - 1650 Joseph and Nicodemus remove the body of Christ from the cross. John, Mary and Mary Magdalene s
City man gives car to the Coster Vicar of St Mary Magdalene , Old Kent Road . The Rev A Barker starting the engine of his car . Also in picture is Mrs Barker . 7 December 1935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/city-man-gives-car-to-the-coster-vicar-of-st-mary-magdalene-old-kent-road-the-rev-a-barker-starting-the-engine-of-his-car-also-in-picture-is-mrs-barker-7-december-1935-image359656070.htmlRM2BW3MYJ–City man gives car to the Coster Vicar of St Mary Magdalene , Old Kent Road . The Rev A Barker starting the engine of his car . Also in picture is Mrs Barker . 7 December 1935
St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michaels-church-st-mary-magdalene-gardens-hildesheim-lower-saxony-germany-image376274469.htmlRM2CT4NWW–St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany
Czech Republic Bohemia Karlovy Vary Karlsbad St Mary Magdalene s Church and the old city Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/czech-republic-bohemia-karlovy-vary-karlsbad-st-mary-magdalene-s-church-image6831632.htmlRMA81CH1–Czech Republic Bohemia Karlovy Vary Karlsbad St Mary Magdalene s Church and the old city
View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-on-mary-magdalene-s-cathedral-of-russian-orthodox-gethsemane-convent-among-trees-on-mount-of-olives-slope-image618486942.htmlRF2XX6EBA–View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope
Saint Mary Magdalene reading. Piero di Cosimo. Palazzo Barberini, Rome Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-mary-magdalene-reading-piero-di-cosimo-palazzo-barberini-rome-37743860.htmlRMC5BAK0–Saint Mary Magdalene reading. Piero di Cosimo. Palazzo Barberini, Rome
A statue of Mary Magdalene with the ointment pot. She stands on a pedestal with a medallion, garlands and cherubs, Mary Magdalene S. Mary Magdale., draughtsman: anonymous, 1600 - 1800, paper, pen, h 224 mm × w 96 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-statue-of-mary-magdalene-with-the-ointment-pot-she-stands-on-a-pedestal-with-a-medallion-garlands-and-cherubs-mary-magdalene-s-mary-magdale-draughtsman-anonymous-1600-1800-paper-pen-h-224-mm-w-96-mm-image472087217.htmlRM2JC1C1N–A statue of Mary Magdalene with the ointment pot. She stands on a pedestal with a medallion, garlands and cherubs, Mary Magdalene S. Mary Magdale., draughtsman: anonymous, 1600 - 1800, paper, pen, h 224 mm × w 96 mm
The Entombment print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to Virgin Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entombment-print-shows-jesus-christ-being-supported-by-joseph-35734857.htmlRMC23T4W–The Entombment print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to Virgin Mary
Detail of Mary Magdalene, statue by Baccio da Montelupo, Bologna, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-mary-magdalene-statue-by-baccio-da-montelupo-bologna-italy-147493706.htmlRMJFXWMA–Detail of Mary Magdalene, statue by Baccio da Montelupo, Bologna, Italy
Holy Women at Christ' s Tomb - Annibale Carracci, 1590s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-women-at-christ-s-tomb-annibale-carracci-1590s-image456244037.htmlRM2HE7KWW–Holy Women at Christ' s Tomb - Annibale Carracci, 1590s
Mary washing Christ's feet with her tears, detail from the altarpiece by Lucas Moser in the Church of St. Mary Magdalene in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-washing-christs-feet-with-her-tears-detail-from-the-altarpiece-image60862160.htmlRMDF0E8G–Mary washing Christ's feet with her tears, detail from the altarpiece by Lucas Moser in the Church of St. Mary Magdalene in
Vezelay with St Mary Magdalene Basilica in the evening, The Way of St. James, Chemins de Saint Jacques, Via Lemovicensis, Vezela Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vezelay-with-st-mary-magdalene-basilica-in-the-evening-the-way-of-27693736.htmlRMBH1FJ0–Vezelay with St Mary Magdalene Basilica in the evening, The Way of St. James, Chemins de Saint Jacques, Via Lemovicensis, Vezela
Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-st-francis-st-john-the-baptist-st-john-the-evangelist-and-st-mary-magdalene-by-guido-da-siena-from-the-church-of-s-francesco-in-colle-val-delsa-christian-art-italy-italian-image499660926.htmlRM2M0WEH2–Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian.
Mary Magdalene, Old Testament, Bible, the Gospel according to John 12, historical ilustration 1886 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-old-testament-bible-the-gospel-according-to-john-12-historical-ilustration-1886-image600442652.htmlRM2WTTEMC–Mary Magdalene, Old Testament, Bible, the Gospel according to John 12, historical ilustration 1886
Italy Tuscany San Giovanni Valdarno - Mariotto Di Nardo, The Trinity between the Virgin and Saint Mary Magdalene with Saints James the Apostle, John the Baptist, John the Evangelist and Anthony the Abbot, tempera on wood – Museum of the Basilica of S. Maria delle Grazie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-tuscany-san-giovanni-valdarno-mariotto-di-nardo-the-trinity-between-the-virgin-and-saint-mary-magdalene-with-saints-james-the-apostle-john-the-baptist-john-the-evangelist-and-anthony-the-abbot-tempera-on-wood-museum-of-the-basilica-of-s-maria-delle-grazie-image560424503.htmlRM2RFNF4R–Italy Tuscany San Giovanni Valdarno - Mariotto Di Nardo, The Trinity between the Virgin and Saint Mary Magdalene with Saints James the Apostle, John the Baptist, John the Evangelist and Anthony the Abbot, tempera on wood – Museum of the Basilica of S. Maria delle Grazie
Stained glass in Sant'Antonio 's church, Tricase : Mary Magdalene and Christ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stained-glass-in-santantonio-s-church-tricase-mary-magdalene-and-christ-74172220.htmlRME8JRBT–Stained glass in Sant'Antonio 's church, Tricase : Mary Magdalene and Christ
Dragon's Fountain, St. Mary Magdalene Church, market square, Geldern, Lower Rhine region, North Rhine-Westphalia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dragons-fountain-st-mary-magdalene-church-market-square-geldern-lower-image60245096.htmlRMDE0B6G–Dragon's Fountain, St. Mary Magdalene Church, market square, Geldern, Lower Rhine region, North Rhine-Westphalia
Doubting Thomas placing his hand into Christ's wound, c1499. Artist: Master of the altarpiece of St Bartholomew Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doubting-thomas-placing-his-hand-into-christs-wound-c1499-artist-master-image8371172.htmlRMAJ7PP5–Doubting Thomas placing his hand into Christ's wound, c1499. Artist: Master of the altarpiece of St Bartholomew
Pearly King reads lesson at Costers Harvest Festival service at the St Mary Magdalene Church , London . The Pearly King of Old Kent Road , Jim Duckworth , reading the lesson with the Vicar , Rev A W Barker . 13 October 1935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pearly-king-reads-lesson-at-costers-harvest-festival-service-at-the-st-mary-magdalene-church-london-the-pearly-king-of-old-kent-road-jim-duckworth-reading-the-lesson-with-the-vicar-rev-a-w-barker-13-october-1935-image359658300.htmlRM2BW3RR8–Pearly King reads lesson at Costers Harvest Festival service at the St Mary Magdalene Church , London . The Pearly King of Old Kent Road , Jim Duckworth , reading the lesson with the Vicar , Rev A W Barker . 13 October 1935
View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-on-mary-magdalene-s-cathedral-of-russian-orthodox-gethsemane-convent-among-trees-on-mount-of-olives-slope-jerusalem-israel-image475640548.htmlRF2JHR8AC–View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel.
Saint Mary Magdalene and Saint John the Evangelist. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master S. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalene-and-saint-john-the-evangelist-medium-engraving-museum-national-gallery-of-art-washington-dc-author-master-s-image225822637.htmlRMR3B325–Saint Mary Magdalene and Saint John the Evangelist. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master S.
St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michaels-church-st-mary-magdalene-gardens-hildesheim-lower-saxony-germany-image376274498.htmlRM2CT4NXX–St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany
S. Mary Magdalene in Extasy between 1619 and 1620. 811 Lille Pdba rubens marie madeleine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/s-mary-magdalene-in-extasy-between-1619-and-1620-811-lille-pdba-rubens-marie-madeleine-image185736433.htmlRMMP50M1–S. Mary Magdalene in Extasy between 1619 and 1620. 811 Lille Pdba rubens marie madeleine
Virgin and Child with Four Saints, c. 1500. The Virgin and Child appear with Saints Catherine, John the Evangelist, Jodocus, and Mary Magdalene. Symbols of the Virgin’s purity and of Christ’s death and redemptive mission are included in the scene: the wall, lilies, fruit tree, and the palm tree on a hill. The saints wear costumes fashionable around 1475 to 1480 and are arranged in a row across the foreground, characteristic of the late 15th-century tapestries from Nuremberg. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-with-four-saints-c-1500-the-virgin-and-child-appear-with-saints-catherine-john-the-evangelist-jodocus-and-mary-magdalene-symbols-of-the-virginx2019s-purity-and-of-christx2019s-death-and-redemptive-mission-are-included-in-the-scene-the-wall-lilies-fruit-tree-and-the-palm-tree-on-a-hill-the-saints-wear-costumes-fashionable-around-1475-to-1480-and-are-arranged-in-a-row-across-the-foreground-characteristic-of-the-late-15th-century-tapestries-from-nuremberg-image330134175.htmlRM2A52WE7–Virgin and Child with Four Saints, c. 1500. The Virgin and Child appear with Saints Catherine, John the Evangelist, Jodocus, and Mary Magdalene. Symbols of the Virgin’s purity and of Christ’s death and redemptive mission are included in the scene: the wall, lilies, fruit tree, and the palm tree on a hill. The saints wear costumes fashionable around 1475 to 1480 and are arranged in a row across the foreground, characteristic of the late 15th-century tapestries from Nuremberg.
![Saint Mary Magdalene. Alternative title(s): Büßende Magdalena.[1]. 1711. Adriaen van der Werff 011 Stock Photo](https://c8.alamy.com/comp/MN0BMJ/saint-mary-magdalene-alternative-titles-bende-magdalena-1-1711-adriaen-van-der-werff-011-MN0BMJ.jpg "Saint Mary Magdalene. Alternative title(s): Büßende Magdalena.[1]. 1711. Adriaen van der Werff 011 Stock Photo")
Saint Mary Magdalene. Alternative title(s): Büßende Magdalena.[1]. 1711. Adriaen van der Werff 011 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalene-alternative-titles-bende-magdalena-1-1711-adriaen-van-der-werff-011-image185020658.htmlRMMN0BMJ–Saint Mary Magdalene. Alternative title(s): Büßende Magdalena.[1]. 1711. Adriaen van der Werff 011
Penitent Mary Magdalene S. Mary Magdalene , print maker: Pierre Daret, (mentioned on object), after: Jacques Blanchard, (mentioned on object), publisher: Pierre Mariette (I), (mentioned on object), print maker: Paris, after: France, publisher: Paris, France, 1640, paper, engraving, h 386 mm × w 240 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitent-mary-magdalene-s-mary-magdalene-print-maker-pierre-daret-mentioned-on-object-after-jacques-blanchard-mentioned-on-object-publisher-pierre-mariette-i-mentioned-on-object-print-maker-paris-after-france-publisher-paris-france-1640-paper-engraving-h-386-mm-w-240-mm-image472264926.htmlRM2JC9EME–Penitent Mary Magdalene S. Mary Magdalene , print maker: Pierre Daret, (mentioned on object), after: Jacques Blanchard, (mentioned on object), publisher: Pierre Mariette (I), (mentioned on object), print maker: Paris, after: France, publisher: Paris, France, 1640, paper, engraving, h 386 mm × w 240 mm
![Christ Appearing to Mary Magdalene as a Gardener. Alternative title(s): Christ and St Mary Magdalene at the Tomb.[1] 1638. 730 John 20 14 Stock Photo](https://c8.alamy.com/comp/MP6P82/christ-appearing-to-mary-magdalene-as-a-gardener-alternative-titles-christ-and-st-mary-magdalene-at-the-tomb-1-1638-730-john-20-14-MP6P82.jpg "Christ Appearing to Mary Magdalene as a Gardener. Alternative title(s): Christ and St Mary Magdalene at the Tomb.[1] 1638. 730 John 20 14 Stock Photo")
Christ Appearing to Mary Magdalene as a Gardener. Alternative title(s): Christ and St Mary Magdalene at the Tomb.[1] 1638. 730 John 20 14 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-appearing-to-mary-magdalene-as-a-gardener-alternative-titles-christ-and-st-mary-magdalene-at-the-tomb-1-1638-730-john-20-14-image185775298.htmlRMMP6P82–Christ Appearing to Mary Magdalene as a Gardener. Alternative title(s): Christ and St Mary Magdalene at the Tomb.[1] 1638. 730 John 20 14
Artist: Federico Zuccaro, Italian, ca. 1541–1609, Figure Study for the Conversion of St. Mary Magdalene in S. Francesco della Vigna, Venice, Pen and brown ink and brown wash over preliminary drawing in black chalk heightened with white on blue-green paper, 36.6 × 14.4 cm (14 7/16 × 5 11/16 in.), Made in Italy, Italian, 16th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-federico-zuccaro-italian-ca-15411609-figure-study-for-the-conversion-of-st-mary-magdalene-in-s-francesco-della-vignavenice-pen-and-brown-ink-and-brown-wash-over-preliminary-drawing-in-black-chalk-heightened-with-white-on-blue-green-paper-366-144-cm-14-716-5-1116in-made-in-italy-italian-16thcentury-works-on-paper-drawings-andwatercolors-image393155290.htmlRM2DRHNGA–Artist: Federico Zuccaro, Italian, ca. 1541–1609, Figure Study for the Conversion of St. Mary Magdalene in S. Francesco della Vigna, Venice, Pen and brown ink and brown wash over preliminary drawing in black chalk heightened with white on blue-green paper, 36.6 × 14.4 cm (14 7/16 × 5 11/16 in.), Made in Italy, Italian, 16th century, Works on Paper - Drawings and Watercolors
Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) between 1482 and 1485. 974 Pietro Perugino - The Galitzin Triptych - WGA17262 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galitzin-triptych-alternative-titles-crucifixion-with-mary-and-saint-john-evangelist-and-saint-mary-magdalene-right-between-1482-and-1485-974-pietro-perugino-the-galitzin-triptych-wga17262-image185541962.htmlRMMNT4JJ–Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) between 1482 and 1485. 974 Pietro Perugino - The Galitzin Triptych - WGA17262
Mary Magdalene turned half-self to the left, with a large nimbus around her head. With her right hand, she removes the lid from the ointment jar, which she carries in her left hand., Mary Magdalene S. Maria Magdalene ora pro nobis , print maker: Monogrammist BD (graveur), (mentioned on object), Low Countries, 1500 - 1510, paper, engraving, h 75 mm × w 48 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-turned-half-self-to-the-left-with-a-large-nimbus-around-her-head-with-her-right-hand-she-removes-the-lid-from-the-ointment-jar-which-she-carries-in-her-left-hand-mary-magdalene-s-maria-magdalene-ora-pro-nobis-print-maker-monogrammist-bd-graveur-mentioned-on-object-low-countries-1500-1510-paper-engraving-h-75-mm-w-48-mm-image472161903.htmlRM2JC4R93–Mary Magdalene turned half-self to the left, with a large nimbus around her head. With her right hand, she removes the lid from the ointment jar, which she carries in her left hand., Mary Magdalene S. Maria Magdalene ora pro nobis , print maker: Monogrammist BD (graveur), (mentioned on object), Low Countries, 1500 - 1510, paper, engraving, h 75 mm × w 48 mm
![Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel], Italian, c. 1450 - 1523, c. 1482/1485, oil on panel transferred to canvas, Andrew W. Mellon Collection Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) . the landscape is painted in the serene atmosphere of the scene, influence of flemish paintings . between 1482 and 1485. 974 Perugino - The Crucifixion with the Virgin, Saints John, Jerome, and Mary Magdalene - Galitzin-Triptych Stock Photo](https://c8.alamy.com/comp/MP3XGC/pietro-perugino-the-crucifixion-with-the-virgin-saint-john-saint-jerome-and-saint-mary-magdalene-left-panel-italian-c-1450-1523-c-14821485-oil-on-panel-transferred-to-canvas-andrew-w-mellon-collection-galitzin-triptych-alternative-titles-crucifixion-with-mary-and-saint-john-evangelist-and-saint-mary-magdalene-right-the-landscape-is-painted-in-the-serene-atmosphere-of-the-scene-influence-of-flemish-paintings-between-1482-and-1485-974-perugino-the-crucifixion-with-the-virgin-saints-john-jerome-and-mary-magdalene-galitzin-triptych-MP3XGC.jpg "Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel], Italian, c. 1450 - 1523, c. 1482/1485, oil on panel transferred to canvas, Andrew W. Mellon Collection Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) . the landscape is painted in the serene atmosphere of the scene, influence of flemish paintings . between 1482 and 1485. 974 Perugino - The Crucifixion with the Virgin, Saints John, Jerome, and Mary Magdalene - Galitzin-Triptych Stock Photo")
Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel], Italian, c. 1450 - 1523, c. 1482/1485, oil on panel transferred to canvas, Andrew W. Mellon Collection Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) . the landscape is painted in the serene atmosphere of the scene, influence of flemish paintings . between 1482 and 1485. 974 Perugino - The Crucifixion with the Virgin, Saints John, Jerome, and Mary Magdalene - Galitzin-Triptych Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pietro-perugino-the-crucifixion-with-the-virgin-saint-john-saint-jerome-and-saint-mary-magdalene-left-panel-italian-c-1450-1523-c-14821485-oil-on-panel-transferred-to-canvas-andrew-w-mellon-collection-galitzin-triptych-alternative-titles-crucifixion-with-mary-and-saint-john-evangelist-and-saint-mary-magdalene-right-the-landscape-is-painted-in-the-serene-atmosphere-of-the-scene-influence-of-flemish-paintings-between-1482-and-1485-974-perugino-the-crucifixion-with-the-virgin-saints-john-jerome-and-mary-magdalene-galitzin-triptych-image185712812.htmlRMMP3XGC–Pietro Perugino, The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel], Italian, c. 1450 - 1523, c. 1482/1485, oil on panel transferred to canvas, Andrew W. Mellon Collection Galitzin-Triptych Alternative title(s): Crucifixion with Mary and Saint John Evangelist, and Saint Mary Magdalene (right) . the landscape is painted in the serene atmosphere of the scene, influence of flemish paintings . between 1482 and 1485. 974 Perugino - The Crucifixion with the Virgin, Saints John, Jerome, and Mary Magdalene - Galitzin-Triptych
Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-st-francis-st-john-the-baptist-st-john-the-evangelist-and-st-mary-magdalene-by-guido-da-siena-from-the-church-of-s-francesco-in-colle-val-delsa-christian-art-italy-italian-image499660906.htmlRM2M0WEGA–Madonna and Child, St. Francis, St. John the Baptist, St. John the Evangelist and St. Mary Magdalene, by Guido da Siena, From the church of S. Francesco in Colle Val d'Elsa, Christian Art, Italy, Italian.
. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 082v (left) and 083r (right) . Lefthand side folio 082v and righthand side folio 083r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 082v The full-page miniature shows The Crucifixion, with Mary, St. John, St. Mary Magdalene, the confessing centurion, and soldiers The soldier; the soldier's life (45B) The superscription: i(esus) n(azarenus) r(ex) i(udaeorum) christ's crucifixion (73D58) Bystanders at the foot of the cross, among whom mary, mary magdalene and john the e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-by-the-master-of-zweder-van-culemborg-kb-79-k-2-folios-082v-left-and-083r-right-lefthand-side-folio-082v-and-righthand-side-folio-083r-from-the-book-of-hours-by-the-masters-of-zweder-van-culemborg-illuminations-on-the-left-folio-082v-the-full-page-miniature-shows-the-crucifixion-with-mary-st-john-st-mary-magdalene-the-confessing-centurion-and-soldiers-the-soldier-the-soldiers-life-45b-the-superscription-iesus-nazarenus-rex-iudaeorum-christs-crucifixion-73d58-bystanders-at-the-foot-of-the-cross-among-whom-mary-mary-magdalene-and-john-the-e-image207774066.htmlRMP20WXA–. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 082v (left) and 083r (right) . Lefthand side folio 082v and righthand side folio 083r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 082v The full-page miniature shows The Crucifixion, with Mary, St. John, St. Mary Magdalene, the confessing centurion, and soldiers The soldier; the soldier's life (45B) The superscription: i(esus) n(azarenus) r(ex) i(udaeorum) christ's crucifixion (73D58) Bystanders at the foot of the cross, among whom mary, mary magdalene and john the e
Bible par le Sieur de Royaumont, Nouveau Testament : Crucifixion de Jesus Christ. La Vierge Marie, sainte Marie Madeleine et saint Jean au pied de la croix, Saint Longin le Centurion (saint Longinus) avec sa lance, des soldats jouant aux des la tunique du Christ. Sur les cotes, representation du bon larron (aussi appele Saint Dismas (ou Dysmas, Dimas, Dumas) et du mauvais larron (Gesmas ou Gestas), deux voleurs crucifies avec Jesus. Gravure de 1811 - Bible de Royaumont, New Testament : Crucifixion of Jesus Christ. The Virgin Mary, Saint Mary Magdalene and Saint John at the foot of the cross, S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bible-par-le-sieur-de-royaumont-nouveau-testament-crucifixion-de-jesus-christ-la-vierge-marie-sainte-marie-madeleine-et-saint-jean-au-pied-de-la-croix-saint-longin-le-centurion-saint-longinus-avec-sa-lance-des-soldats-jouant-aux-des-la-tunique-du-christ-sur-les-cotes-representation-du-bon-larron-aussi-appele-saint-dismas-ou-dysmas-dimas-dumas-et-du-mauvais-larron-gesmas-ou-gestas-deux-voleurs-crucifies-avec-jesus-gravure-de-1811-bible-de-royaumont-new-testament-crucifixion-of-jesus-christ-the-virgin-mary-saint-mary-magdalene-and-saint-john-at-the-foot-of-the-cross-s-image503511490.htmlRM2M74X16–Bible par le Sieur de Royaumont, Nouveau Testament : Crucifixion de Jesus Christ. La Vierge Marie, sainte Marie Madeleine et saint Jean au pied de la croix, Saint Longin le Centurion (saint Longinus) avec sa lance, des soldats jouant aux des la tunique du Christ. Sur les cotes, representation du bon larron (aussi appele Saint Dismas (ou Dysmas, Dimas, Dumas) et du mauvais larron (Gesmas ou Gestas), deux voleurs crucifies avec Jesus. Gravure de 1811 - Bible de Royaumont, New Testament : Crucifixion of Jesus Christ. The Virgin Mary, Saint Mary Magdalene and Saint John at the foot of the cross, S
Mary Magdalene and Alexandra of Rome 28St. Isaac s Cathedral29 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-magdalene-and-alexandra-of-rome-28st-isaac-s-cathedral29-147713470.htmlRMJG8X12–Mary Magdalene and Alexandra of Rome 28St. Isaac s Cathedral29
Dragon's Fountain, St. Mary Magdalene Church, market square, Geldern, Lower Rhine region, North Rhine-Westphalia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dragons-fountain-st-mary-magdalene-church-market-square-geldern-lower-image60245095.htmlRMDE0B6F–Dragon's Fountain, St. Mary Magdalene Church, market square, Geldern, Lower Rhine region, North Rhine-Westphalia
The Restoration of Battlefield Church, Shropshire, 1862. The Church of St. Mary Magdalene, '...having fallen into decay, its restoration, originated by a public subscription, was completed at the close of last year by Lady Brinckman, widow of Sir Theodore Brinckman, Bart , according to plans prepared by Mr. S. Pountney Smith...The first and most pressing object was to arrest the ruin of the tower. This work...proved to be a difficult and dangerous affair. The tower was entirely borne up by massive shorings, the bottom of the footings drained, the staircase turret to a great height and the angl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-restoration-of-battlefield-church-shropshire-1862-the-church-of-st-mary-magdalene-having-fallen-into-decay-its-restoration-originated-by-a-public-subscription-was-completed-at-the-close-of-last-year-by-lady-brinckman-widow-of-sir-theodore-brinckman-bart-according-to-plans-prepared-by-mr-s-pountney-smiththe-first-and-most-pressing-object-was-to-arrest-the-ruin-of-the-tower-this-workproved-to-be-a-difficult-and-dangerous-affair-the-tower-was-entirely-borne-up-by-massive-shorings-the-bottom-of-the-footings-drained-the-staircase-turret-to-a-great-height-and-the-angl-image595000931.htmlRM2WG0HN7–The Restoration of Battlefield Church, Shropshire, 1862. The Church of St. Mary Magdalene, '...having fallen into decay, its restoration, originated by a public subscription, was completed at the close of last year by Lady Brinckman, widow of Sir Theodore Brinckman, Bart , according to plans prepared by Mr. S. Pountney Smith...The first and most pressing object was to arrest the ruin of the tower. This work...proved to be a difficult and dangerous affair. The tower was entirely borne up by massive shorings, the bottom of the footings drained, the staircase turret to a great height and the angl
Church of St. Peter and Paul, St. Andrew's Church, Mary Magdalene square at night, Krakow, Poland, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-church-of-st-peter-and-paul-st-andrews-church-mary-magdalene-square-50995443.htmlRMCXY15R–Church of St. Peter and Paul, St. Andrew's Church, Mary Magdalene square at night, Krakow, Poland, Europe
View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-on-mary-magdalene-s-cathedral-of-russian-orthodox-gethsemane-convent-among-trees-on-mount-of-olives-slope-jerusalem-israel-image475640393.htmlRF2JHR84W–View on Mary Magdalene s cathedral of Russian Orthodox Gethsemane convent among trees on Mount of Olives slope. Jerusalem, Israel.
Artemisia Gentileschi (1597-1652). Italian painter. Mary Magdalene Penitent, ca.1640. National Gallery. Oslo. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artemisia-gentileschi-1597-1652-italian-painter-mary-magdalene-penitent-ca1640-national-gallery-oslo-norway-image220233791.htmlRMPP8ECF–Artemisia Gentileschi (1597-1652). Italian painter. Mary Magdalene Penitent, ca.1640. National Gallery. Oslo. Norway.
St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michaels-church-st-mary-magdalene-gardens-hildesheim-lower-saxony-germany-image376274418.htmlRM2CT4NT2–St Michael´s Church, St Mary Magdalene Gardens, Hildesheim, Lower Saxony, Germany
Tuscany La Verna (AR): First cell of St. Francis Chapel of Mary Magdalene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tuscany-la-verna-ar-first-cell-of-st-francis-chapel-of-mary-magdalene-72256993.htmlRME5FGEW–Tuscany La Verna (AR): First cell of St. Francis Chapel of Mary Magdalene
The Resurrection of Christ, 1622. According to the New Testament, on the third day after his crucifixion Christ rose from the dead to ascend to heaven. Johan König shows a triumphant Christ soaring toward heaven’s golden light. Around the empty sarcophagus are the soldiers charged with guarding it; some sleep, while others scatter in fright, shielding their eyes against the brilliant light. Through the archway in the background, dawn breaks over the city of Jerusalem as the three holy women (Mary Magdalene, Mary of Cleopas, and Mary Salome) hasten toward the empty tomb. König Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-of-christ-1622-according-to-the-new-testament-on-the-third-day-after-his-crucifixion-christ-rose-from-the-dead-to-ascend-to-heaven-johan-kxf6nig-shows-a-triumphant-christ-soaring-toward-heavenx2019s-golden-light-around-the-empty-sarcophagus-are-the-soldiers-charged-with-guarding-it-some-sleep-while-others-scatter-in-fright-shielding-their-eyes-against-the-brilliant-light-through-the-archway-in-the-background-dawn-breaks-over-the-city-of-jerusalem-as-the-three-holy-women-mary-magdalene-mary-of-cleopas-and-mary-salome-hasten-toward-the-empty-tomb-kxf6nig-image330130053.htmlRM2A52M71–The Resurrection of Christ, 1622. According to the New Testament, on the third day after his crucifixion Christ rose from the dead to ascend to heaven. Johan König shows a triumphant Christ soaring toward heaven’s golden light. Around the empty sarcophagus are the soldiers charged with guarding it; some sleep, while others scatter in fright, shielding their eyes against the brilliant light. Through the archway in the background, dawn breaks over the city of Jerusalem as the three holy women (Mary Magdalene, Mary of Cleopas, and Mary Salome) hasten toward the empty tomb. König
St. Mary Magdalene church, Central Bedfordshire, GB, United Kingdom, England, N 51 59' 2'', S 0 30' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-mary-magdalene-church-central-bedfordshire-gb-united-kingdom-england-n-51-59-2-s-0-30-16-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image604217509.htmlRM2X30DGN–St. Mary Magdalene church, Central Bedfordshire, GB, United Kingdom, England, N 51 59' 2'', S 0 30' 16'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Todi Umbria Italia Italy. Interior of 'Santa Maria Annunziata' cathedral or duomo of Todi. Rare renaissance fresco depicting Santa 'Maria Magdalena' S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/todi-umbria-italia-italy-interior-of-santa-maria-annunziata-cathedral-or-duomo-of-todi-rare-renaissance-fresco-depicting-santa-maria-magdalena-s-image245279570.htmlRMT71CGJ–Todi Umbria Italia Italy. Interior of 'Santa Maria Annunziata' cathedral or duomo of Todi. Rare renaissance fresco depicting Santa 'Maria Magdalena' S
Facade detail at Portuguese late Gothic-style of Saint Mary Magdalene Church, Olivenza, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-facade-detail-at-portuguese-late-gothic-style-of-saint-mary-magdalene-92717336.htmlRFFARHWC–Facade detail at Portuguese late Gothic-style of Saint Mary Magdalene Church, Olivenza, Spain
View of Victorian stained glass church windows with scenes of Jesus on the water and as a shepherd and with Mary Magdalene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-victorian-stained-glass-church-windows-with-scenes-of-jesus-image7032936.htmlRFA9ATP9–View of Victorian stained glass church windows with scenes of Jesus on the water and as a shepherd and with Mary Magdalene
Master S, Saint Mary Magdalene and Saint John the Evangelist Saint Mary Magdalene and Saint John the Evangelist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-s-saint-mary-magdalene-and-saint-john-the-evangelist-saint-mary-magdalene-and-saint-john-the-evangelist-image336025176.htmlRM2AEK7F4–Master S, Saint Mary Magdalene and Saint John the Evangelist Saint Mary Magdalene and Saint John the Evangelist
Master S, (artist), Flemish, active 1505/1520, Saint Mary Magdalene and Saint John the Evangelist, engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-s-artist-flemish-active-15051520-saint-mary-magdalene-and-saint-john-the-evangelist-engraving-image386264211.htmlRM2DCBRXB–Master S, (artist), Flemish, active 1505/1520, Saint Mary Magdalene and Saint John the Evangelist, engraving
S. M. Magdalena P. (Saint Mary Magdalene). Czerski, Stanisław (1777-1833), graphic artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/s-m-magdalena-p-saint-mary-magdalene-czerski-stanisaw-1777-1833-graphic-artist-image480448162.htmlRM2JWJ8EX–S. M. Magdalena P. (Saint Mary Magdalene). Czerski, Stanisław (1777-1833), graphic artist
Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist by Abate, Nicolo dell' (c.1509-71); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-with-the-virgin-mary-magdalene-and-st-john-the-evangelist-by-abate-nicolo-dell-c1509-71-galleria-e-museo-estense-modena-italy-italian-out-of-copyright-image468942782.htmlRM2J6X58E–Crucifixion with the Virgin, Mary Magdalene and St. John the Evangelist by Abate, Nicolo dell' (c.1509-71); Galleria e Museo Estense, Modena, Italy; Italian, out of copyright.
. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 124v (left) and 125r (right) . Lefthand side folio 124v and righthand side folio 125r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 124v The full-page miniature shows St. Mary Magdalene holding a palm and a jar of ointment The penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge (MAGDALENE) 11HH(MARY MAGDALENE)) Trees: palm-tree (+ branch, stick) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-by-the-master-of-zweder-van-culemborg-kb-79-k-2-folios-124v-left-and-125r-right-lefthand-side-folio-124v-and-righthand-side-folio-125r-from-the-book-of-hours-by-the-masters-of-zweder-van-culemborg-illuminations-on-the-left-folio-124v-the-full-page-miniature-shows-st-mary-magdalene-holding-a-palm-and-a-jar-of-ointment-the-penitent-harlot-mary-magdalene-possible-attributes-book-or-scroll-crown-crown-of-thorns-crucifix-jar-of-ointment-mirror-musical-instrument-palm-branch-rosary-scourge-magdalene-11hhmary-magdalene-trees-palm-tree-branch-stick-image207774296.htmlRMP20X6G–. Book of hours by the Master of Zweder van Culemborg - KB 79 K 2 - folios 124v (left) and 125r (right) . Lefthand side folio 124v and righthand side folio 125r from the Book of hours by the Master(s) of Zweder van Culemborg Illuminations on the left folio 124v The full-page miniature shows St. Mary Magdalene holding a palm and a jar of ointment The penitent harlot mary magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge (MAGDALENE) 11HH(MARY MAGDALENE)) Trees: palm-tree (+ branch, stick)
Miniature of Mary Magdalene. Added prayers to saints. England, S. E. (London) and Netherlands, S. (Bruges); after 1401, before 1415. Source: Royal 2 A. XVIII, f.21v. Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-of-mary-magdalene-added-prayers-to-saints-england-s-e-london-and-netherlands-s-bruges-after-1401-before-1415-source-royal-2-a-xviii-f21v-language-latin-image227192193.htmlRMR5HDXW–Miniature of Mary Magdalene. Added prayers to saints. England, S. E. (London) and Netherlands, S. (Bruges); after 1401, before 1415. Source: Royal 2 A. XVIII, f.21v. Language: Latin.
. English: Crucifixion. Musée de Pont-Aven, Gift of Abbot Tuarze to the parish of Pont-Aven. The painter 'abandoned the style of the School of Pont-Aven to adopt dark shades and a tragic atmosphere in the style of classic Italian artists. Mary Magdalene clings to the foot of the cross of Christ who died while the storm rages in the sky and weary Mary collapses in pain, surrounded by the holy women. Français : 'Le peintre a abandonné le style de l'école de Pont-Aven pour adopter des teintes sombres et une atmosphère tragique dans le style des classiques des artistes italiens. Marie-Madeleine s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-crucifixion-muse-de-pont-aven-gift-of-abbot-tuarze-to-the-parish-of-pont-aven-the-painter-abandoned-the-style-of-the-school-of-pont-aven-to-adopt-dark-shades-and-a-tragic-atmosphere-in-the-style-of-classic-italian-artists-mary-magdalene-clings-to-the-foot-of-the-cross-of-christ-who-died-while-the-storm-rages-in-the-sky-and-weary-mary-collapses-in-pain-surrounded-by-the-holy-women-franais-le-peintre-a-abandonn-le-style-de-lcole-de-pont-aven-pour-adopter-des-teintes-sombres-et-une-atmosphre-tragique-dans-le-style-des-classiques-des-artistes-italiens-marie-madeleine-s-image188111024.htmlRMMX15ET–. English: Crucifixion. Musée de Pont-Aven, Gift of Abbot Tuarze to the parish of Pont-Aven. The painter 'abandoned the style of the School of Pont-Aven to adopt dark shades and a tragic atmosphere in the style of classic Italian artists. Mary Magdalene clings to the foot of the cross of Christ who died while the storm rages in the sky and weary Mary collapses in pain, surrounded by the holy women. Français : 'Le peintre a abandonné le style de l'école de Pont-Aven pour adopter des teintes sombres et une atmosphère tragique dans le style des classiques des artistes italiens. Marie-Madeleine s
The tall and broad 14th century porch tower of Leintwardine s Church of St Mary Magdalene stands out above the church s embattled south aisle and tall slate roofed chancel Daffodils Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tall-and-broad-14th-century-porch-tower-of-leintwardine-s-church-image9056193.htmlRMAPR6M2–The tall and broad 14th century porch tower of Leintwardine s Church of St Mary Magdalene stands out above the church s embattled south aisle and tall slate roofed chancel Daffodils
Crucifixion of Christ on Calvary. Mary Magdalene mourns under the cross. Mary on the left and Johannes on the right. In the corners of the frame the s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-of-christ-on-calvary-mary-magdalene-mourns-under-the-cross-mary-on-the-left-and-johannes-on-the-right-in-the-corners-of-the-frame-the-s-image488045677.htmlRF2KA0B6N–Crucifixion of Christ on Calvary. Mary Magdalene mourns under the cross. Mary on the left and Johannes on the right. In the corners of the frame the s
Mary Magdalene; S. Maria Maddalena; Sculptures by Antonio Canova. Sculpture of the lying Mary Magdalena by the Italian sculptor Antonio Canova. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-s-maria-maddalena-sculptures-by-antonio-canova-sculpture-of-the-lying-mary-magdalena-by-the-italian-sculptor-antonio-canova-image432770449.htmlRM2G42B3D–Mary Magdalene; S. Maria Maddalena; Sculptures by Antonio Canova. Sculpture of the lying Mary Magdalena by the Italian sculptor Antonio Canova.
Saint Mary Magdalene in a cave. She is lying on the floor and is holding a crucifix. In the foreground a book on a skull and bones and on the left a s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalene-in-a-cave-she-is-lying-on-the-floor-and-is-holding-a-crucifix-in-the-foreground-a-book-on-a-skull-and-bones-and-on-the-left-a-s-image488029130.htmlRF2K9YJ3P–Saint Mary Magdalene in a cave. She is lying on the floor and is holding a crucifix. In the foreground a book on a skull and bones and on the left a s
Artemisia Gentileschi (1597-1652). Italian painter. Mary Magdalene Penitent, ca.1640. Detail. National Gallery. Oslo. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artemisia-gentileschi-1597-1652-italian-painter-mary-magdalene-penitent-ca1640-detail-national-gallery-oslo-norway-image220233446.htmlRMPP8E06–Artemisia Gentileschi (1597-1652). Italian painter. Mary Magdalene Penitent, ca.1640. Detail. National Gallery. Oslo. Norway.
Germán Hernández Amores, (Murcia, 1823 - 1894), Mary Magdalene with the perfume glass, 1865, Fine Arts Museum, Museo Bellas Artes, Oviedo, Asturias, S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/germn-hernndez-amores-murcia-1823-1894-mary-magdalene-with-the-perfume-glass-1865-fine-arts-museum-museo-bellas-artes-oviedo-asturias-s-image599866746.htmlRM2WRX84A–Germán Hernández Amores, (Murcia, 1823 - 1894), Mary Magdalene with the perfume glass, 1865, Fine Arts Museum, Museo Bellas Artes, Oviedo, Asturias, S
Mary Magdalene; S. Maria Magdalena. Mary Magdalene from the middle as a penedant sinner for a crucifix. She holds a skull in the left hand. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-s-maria-magdalena-mary-magdalene-from-the-middle-as-a-penedant-sinner-for-a-crucifix-she-holds-a-skull-in-the-left-hand-image433120627.htmlRM2G4J9NR–Mary Magdalene; S. Maria Magdalena. Mary Magdalene from the middle as a penedant sinner for a crucifix. She holds a skull in the left hand.
The Ecstasy of Mary Magdalene, 1501-1504. Dürer’s woodcut of Mary Magdalene represents a popular subject in German art and is considered a schlechtes Holzwerk, a simple woodcut intended for a general audience. According to a medieval book of saints’ lives known as the Golden Legend, Mary Magdalene spent the last 30 years of her life as a hermit outside of Marseilles, France, where she was miraculously borne aloft to heaven seven times a day to hear the choir of angels. Considered a fallen woman in her early life, Mary earned redemption through her complete devotion to Christ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ecstasy-of-mary-magdalene-1501-1504-dxfcrerx2019s-woodcut-of-mary-magdalene-represents-a-popular-subject-in-german-art-and-is-considered-a-schlechtes-holzwerk-a-simple-woodcut-intended-for-a-general-audience-according-to-a-medieval-book-of-saintsx2019-lives-known-as-the-golden-legend-mary-magdalene-spent-the-last-30-years-of-her-life-as-a-hermit-outside-of-marseilles-france-where-she-was-miraculously-borne-aloft-to-heaven-seven-times-a-day-to-hear-the-choir-of-angels-considered-a-fallen-woman-in-her-early-life-mary-earned-redemption-through-her-complete-devotion-to-christ-image330125963.htmlRM2A52F0Y–The Ecstasy of Mary Magdalene, 1501-1504. Dürer’s woodcut of Mary Magdalene represents a popular subject in German art and is considered a schlechtes Holzwerk, a simple woodcut intended for a general audience. According to a medieval book of saints’ lives known as the Golden Legend, Mary Magdalene spent the last 30 years of her life as a hermit outside of Marseilles, France, where she was miraculously borne aloft to heaven seven times a day to hear the choir of angels. Considered a fallen woman in her early life, Mary earned redemption through her complete devotion to Christ
St.Mary Magdalene and St.James church, Central Bedfordshire, GB, United Kingdom, England, N 52 0' 58'', S 0 36' 32'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stmary-magdalene-and-stjames-church-central-bedfordshire-gb-united-kingdom-england-n-52-0-58-s-0-36-32-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image604217535.htmlRM2X30DHK–St.Mary Magdalene and St.James church, Central Bedfordshire, GB, United Kingdom, England, N 52 0' 58'', S 0 36' 32'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Mary Magdalene; S. Maria Magdalen Ora Pro Nobis. Maria Magdalena halvened by left, with a large nimbus around the head. With the right hand, she decreases the lid of the ointment pot, which she wears in the left hand. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-magdalene-s-maria-magdalen-ora-pro-nobis-maria-magdalena-halvened-by-left-with-a-large-nimbus-around-the-head-with-the-right-hand-she-decreases-the-lid-of-the-ointment-pot-which-she-wears-in-the-left-hand-image430912798.htmlRM2G11NJP–Mary Magdalene; S. Maria Magdalen Ora Pro Nobis. Maria Magdalena halvened by left, with a large nimbus around the head. With the right hand, she decreases the lid of the ointment pot, which she wears in the left hand.
Facade detail at Portuguese late Gothic-style of Saint Mary Magdalene Church, Olivenza, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-facade-detail-at-portuguese-late-gothic-style-of-saint-mary-magdalene-92851914.htmlRFFB1NFP–Facade detail at Portuguese late Gothic-style of Saint Mary Magdalene Church, Olivenza, Spain
CHURCHES ST MARY MAGDALENE IN PECKHAM LONDON ; 22 OCTOBER 1962 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/churches-st-mary-magdalene-in-peckham-london-22-october-1962-image623583549.htmlRM2Y6EK51–CHURCHES ST MARY MAGDALENE IN PECKHAM LONDON ; 22 OCTOBER 1962
Lorenzo Monaco. Processional Cross with Saint Mary Magdalene and a Blessed Hermit. 1392–1395. Italy. Tempera on panel Representative of the early work of Lorenzo Monaco, a Camaldolese monk and leading Florentine painter of the end of the fourteenth century and the beginning of the fifteenth century, the delicate colors and simplified forms of this Crucifixion are exceptionally well preserved. The medallion above the crucified Christ contains an image of Christ in Glory, holding a palm in each hand to symbolize his victory over death. Below, the crowned figure of King David holds an inscribed s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzo-monaco-processional-cross-with-saint-mary-magdalene-and-a-blessed-hermit-13921395-italy-tempera-on-panel-representative-of-the-early-work-of-lorenzo-monaco-a-camaldolese-monk-and-leading-florentine-painter-of-the-end-of-the-fourteenth-century-and-the-beginning-of-the-fifteenth-century-the-delicate-colors-and-simplified-forms-of-this-crucifixion-are-exceptionally-well-preserved-the-medallion-above-the-crucified-christ-contains-an-image-of-christ-in-glory-holding-a-palm-in-each-hand-to-symbolize-his-victory-over-death-below-the-crowned-figure-of-king-david-holds-an-inscribed-s-image337948101.htmlRM2AHPT71–Lorenzo Monaco. Processional Cross with Saint Mary Magdalene and a Blessed Hermit. 1392–1395. Italy. Tempera on panel Representative of the early work of Lorenzo Monaco, a Camaldolese monk and leading Florentine painter of the end of the fourteenth century and the beginning of the fifteenth century, the delicate colors and simplified forms of this Crucifixion are exceptionally well preserved. The medallion above the crucified Christ contains an image of Christ in Glory, holding a palm in each hand to symbolize his victory over death. Below, the crowned figure of King David holds an inscribed s
Round Tower Ludlow Castle, Shropshire, Chapel of St Mary Magdalene of Ludlow Castle in Shropshire, signed: Engraved by S. Rawle, Sketched by Edmund Aikin; Published by Longman & Co, Fig. 42, Pl. I, after p. 129, Aikin, Edmund (sketch); Rawle, Samuel (engraving); Longman & Co. (published), 1813, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-tower-ludlow-castle-shropshire-chapel-of-st-mary-magdalene-of-ludlow-castle-in-shropshire-signed-engraved-by-s-rawle-sketched-by-edmund-aikin-published-by-longman-co-fig-42-pl-i-after-p-129-aikin-edmund-sketch-rawle-samuel-engraving-longman-co-published-1813-john-britton-the-architectural-antiquities-of-great-britain-represented-and-illustrated-in-a-series-of-views-elevations-plans-sections-and-details-of-various-ancient-english-edifices-with-historical-and-descriptive-accounts-of-each-bd-4-london-j-taylor-1807-1826-image328763157.htmlRM2A2TCN9–Round Tower Ludlow Castle, Shropshire, Chapel of St Mary Magdalene of Ludlow Castle in Shropshire, signed: Engraved by S. Rawle, Sketched by Edmund Aikin; Published by Longman & Co, Fig. 42, Pl. I, after p. 129, Aikin, Edmund (sketch); Rawle, Samuel (engraving); Longman & Co. (published), 1813, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826
Dec. 19, 2011 - Judas the man who betrayed Christ is played in dramatic fashion by one of the man from Grassina. Christ's Passion reenacted in Italy. Every Good Friday, thousands of visitors, many from overseas, flock to Grassina, near Florence, Italy, to see the reenactment of the Christ's journey to the Cross and the Cucifixion. Some six hundred people take part in the ceremony. The procession is led by Roman soldiers and includes the Virgin Mary, Mary Magdalene and Judas. Lastly comes Christ carrying the heavy cross Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dec-19-2011-judas-the-man-who-betrayed-christ-is-played-in-dramatic-image69510576.htmlRME12DCG–Dec. 19, 2011 - Judas the man who betrayed Christ is played in dramatic fashion by one of the man from Grassina. Christ's Passion reenacted in Italy. Every Good Friday, thousands of visitors, many from overseas, flock to Grassina, near Florence, Italy, to see the reenactment of the Christ's journey to the Cross and the Cucifixion. Some six hundred people take part in the ceremony. The procession is led by Roman soldiers and includes the Virgin Mary, Mary Magdalene and Judas. Lastly comes Christ carrying the heavy cross
The entombment Print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to grieving Mary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-entombment-print-shows-jesus-christ-being-supported-by-joseph-35734930.htmlRMC23T7E–The entombment Print shows Jesus Christ being supported by Joseph of Arimethia as Mary Magdalene gives comfort to grieving Mary
Berlin, Germany. 21st Feb 2020. The statue 'Saint Mary Magdalene' by the Renaissance artist Andrea della Robbia, who came from Florence. The statue was initially returned from Italy to Germany as Nazi looted property. After clarifying the last open questions regarding the right to inherit, the figure is to be restituted to the rightful heirs. The statue was once owned by the Munich Kunsthaus A. S. Drey. The Jewish owners were persecuted by the Nazis. In 1941 the figure was sold by an Italian to NS Reichsma Credit: dpa picture alliance/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/berlin-germany-21st-feb-2020-the-statue-saint-mary-magdalene-by-the-renaissance-artist-andrea-della-robbia-who-came-from-florence-the-statue-was-initially-returned-from-italy-to-germany-as-nazi-looted-property-after-clarifying-the-last-open-questions-regarding-the-right-to-inherit-the-figure-is-to-be-restituted-to-the-rightful-heirs-the-statue-was-once-owned-by-the-munich-kunsthaus-a-s-drey-the-jewish-owners-were-persecuted-by-the-nazis-in-1941-the-figure-was-sold-by-an-italian-to-ns-reichsma-credit-dpa-picture-alliancealamy-live-news-image344750957.htmlRM2B0TNA5–Berlin, Germany. 21st Feb 2020. The statue 'Saint Mary Magdalene' by the Renaissance artist Andrea della Robbia, who came from Florence. The statue was initially returned from Italy to Germany as Nazi looted property. After clarifying the last open questions regarding the right to inherit, the figure is to be restituted to the rightful heirs. The statue was once owned by the Munich Kunsthaus A. S. Drey. The Jewish owners were persecuted by the Nazis. In 1941 the figure was sold by an Italian to NS Reichsma Credit: dpa picture alliance/Alamy Live News
Bas-de-page scene of St. Mary Magdalene. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.87. Language: Latin and French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bas-de-page-scene-of-st-mary-magdalene-book-of-hours-use-of-sarum-the-taymouth-hours-england-s-e-london-2nd-quarter-of-the-14th-century-source-yates-thompson-13-f87-language-latin-and-french-image227110462.htmlRMR5DNKX–Bas-de-page scene of St. Mary Magdalene. Book of Hours, Use of Sarum ('The Taymouth Hours'). England, S. E.? (London?); 2nd quarter of the 14th century. Source: Yates Thompson 13, f.87. Language: Latin and French.
. English: Crucifixion. Musée de Pont-Aven, Gift of Abbot Tuarze to the parish of Pont-Aven. The painter 'abandoned the style of the School of Pont-Aven to adopt dark shades and a tragic atmosphere in the style of classic Italian artists. Mary Magdalene clings to the foot of the cross of Christ who died while the storm rages in the sky and weary Mary collapses in pain, surrounded by the holy women. Français : 'Le peintre a abandonné le style de l'école de Pont-Aven pour adopter des teintes sombres et une atmosphère tragique dans le style des classiques des artistes italiens. Marie-Madeleine s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-crucifixion-muse-de-pont-aven-gift-of-abbot-tuarze-to-the-parish-of-pont-aven-the-painter-abandoned-the-style-of-the-school-of-pont-aven-to-adopt-dark-shades-and-a-tragic-atmosphere-in-the-style-of-classic-italian-artists-mary-magdalene-clings-to-the-foot-of-the-cross-of-christ-who-died-while-the-storm-rages-in-the-sky-and-weary-mary-collapses-in-pain-surrounded-by-the-holy-women-franais-le-peintre-a-abandonn-le-style-de-lcole-de-pont-aven-pour-adopter-des-teintes-sombres-et-une-atmosphre-tragique-dans-le-style-des-classiques-des-artistes-italiens-marie-madeleine-s-image187565089.htmlRMMW4955–. English: Crucifixion. Musée de Pont-Aven, Gift of Abbot Tuarze to the parish of Pont-Aven. The painter 'abandoned the style of the School of Pont-Aven to adopt dark shades and a tragic atmosphere in the style of classic Italian artists. Mary Magdalene clings to the foot of the cross of Christ who died while the storm rages in the sky and weary Mary collapses in pain, surrounded by the holy women. Français : 'Le peintre a abandonné le style de l'école de Pont-Aven pour adopter des teintes sombres et une atmosphère tragique dans le style des classiques des artistes italiens. Marie-Madeleine s
Saint Camillus de Lellis Santa Maria Maddalena Church Rome Italy. Church named for Saint Mary Magdalene, built in the 16 and 1700s. Mortal remains S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-saint-camillus-de-lellis-santa-maria-maddalena-church-rome-italy-church-162827667.htmlRFKCWC9R–Saint Camillus de Lellis Santa Maria Maddalena Church Rome Italy. Church named for Saint Mary Magdalene, built in the 16 and 1700s. Mortal remains S
The risen Christ asks Mary Magdalene not to touch him. Engraving by R. Morghen after S. Tofanelli after F. Barocci. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-risen-christ-asks-mary-magdalene-not-to-touch-him-engraving-by-r-morghen-after-s-tofanelli-after-f-barocci-image450031314.htmlRM2H44KEX–The risen Christ asks Mary Magdalene not to touch him. Engraving by R. Morghen after S. Tofanelli after F. Barocci.
Christ shows up for Mary Magdalene Schongauer, Martin 1428 - 1491 Copper engraving, Print Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XLIX), Ludwig Schongauer to Martin Schongauer, Lothar Schmitt, 15, k1999-317, 2000. The Illustrated Bartsch 8, Early German Artists, Master E.S., Schongauer, Monogrammists, Jane C. Hutchison, 26, C 36174, 1980 Kristus viser sig for Maria Magdalene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-shows-up-for-mary-magdalene-schongauer-martin-1428-1491-copper-engraving-print-hollsteins-german-engravings-etchings-and-woodcuts-1400-1700-vol-xlix-ludwig-schongauer-to-martin-schongauer-lothar-schmitt-15-k1999-317-2000-the-illustrated-bartsch-8-early-german-artists-master-es-schongauer-monogrammists-jane-c-hutchison-26-c-36174-1980-kristus-viser-sig-for-maria-magdalene-image613559224.htmlRM2XJ611C–Christ shows up for Mary Magdalene Schongauer, Martin 1428 - 1491 Copper engraving, Print Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XLIX), Ludwig Schongauer to Martin Schongauer, Lothar Schmitt, 15, k1999-317, 2000. The Illustrated Bartsch 8, Early German Artists, Master E.S., Schongauer, Monogrammists, Jane C. Hutchison, 26, C 36174, 1980 Kristus viser sig for Maria Magdalene
Figure Study for the “Conversion of St. Mary Magdalene” in S. Francesco della Vigna, Venice. Artist: Federico Zuccaro, Italian, ca. 1541–1609 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-study-for-the-conversion-of-st-mary-magdalene-in-s-francesco-della-vignavenice-artist-federico-zuccaro-italian-ca-15411609-image463091380.htmlRM2HWBHNT–Figure Study for the “Conversion of St. Mary Magdalene” in S. Francesco della Vigna, Venice. Artist: Federico Zuccaro, Italian, ca. 1541–1609
The Repentant Mary Magdalene. Museum: Musée des beaux-arts de Valenciennes. Author: CRAYER, CASPAR DE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-repentant-mary-magdalene-museum-muse-des-beaux-arts-de-valenciennes-author-crayer-caspar-de-image231515458.htmlRMRCJC96–The Repentant Mary Magdalene. Museum: Musée des beaux-arts de Valenciennes. Author: CRAYER, CASPAR DE.
The Crucifixion of Christ with the Virgin, Saint John the Evangelist, Saint Mary Magdalene and a view of Jerusalem. Engraving by J. Scott after E. S. Burney. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-of-christ-with-the-virgin-saint-john-the-evangelist-saint-mary-magdalene-and-a-view-of-jerusalem-engraving-by-j-scott-after-e-s-burney-image450028487.htmlRM2H44FWY–The Crucifixion of Christ with the Virgin, Saint John the Evangelist, Saint Mary Magdalene and a view of Jerusalem. Engraving by J. Scott after E. S. Burney.
Christ on the Cross, Hieronymus Wierix, after Maerten de Vos, 1584 Christ hangs on the cross that stands on a hill. Mary Magdalene mourns at the foot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-hieronymus-wierix-after-maerten-de-vos-1584-christ-hangs-on-the-cross-that-stands-on-a-hill-mary-magdalene-mourns-at-the-foot-image488051324.htmlRF2KA0JCC–Christ on the Cross, Hieronymus Wierix, after Maerten de Vos, 1584 Christ hangs on the cross that stands on a hill. Mary Magdalene mourns at the foot
The Crucifixion, c.1447. Other Title(s): The Crucifixion with Mary, John, Mary Magdalene, St Longinus and the Converted Centurion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-c1447-other-titles-the-crucifixion-with-mary-john-mary-magdalene-st-longinus-and-the-converted-centurion-image556242658.htmlRM2R8Y156–The Crucifixion, c.1447. Other Title(s): The Crucifixion with Mary, John, Mary Magdalene, St Longinus and the Converted Centurion.
Round Tower Ludlow Castle, Shropshire, Chapel of St Mary Magdalene of Ludlow Castle in Shropshire, signed: Engraved by S. Rawle, Sketched by Edmund Aikin, Published by Longman & Co, Fig. 42, Pl. I, after p. 129, Aikin, Edmund (sketch), Rawle, Samuel (engraving), Longman & Co. (published), 1813, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826, Reimagined by Gibon, design Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/round-tower-ludlow-castle-shropshire-chapel-of-st-mary-magdalene-of-ludlow-castle-in-shropshire-signed-engraved-by-s-rawle-sketched-by-edmund-aikin-published-by-longman-co-fig-42-pl-i-after-p-129-aikin-edmund-sketch-rawle-samuel-engraving-longman-co-published-1813-john-britton-the-architectural-antiquities-of-great-britain-represented-and-illustrated-in-a-series-of-views-elevations-plans-sections-and-details-of-various-ancient-english-edifices-with-historical-and-descriptive-accounts-of-each-bd-4-london-j-taylor-1807-1826-reimagined-by-gibon-design-image349828472.htmlRF2B941P0–Round Tower Ludlow Castle, Shropshire, Chapel of St Mary Magdalene of Ludlow Castle in Shropshire, signed: Engraved by S. Rawle, Sketched by Edmund Aikin, Published by Longman & Co, Fig. 42, Pl. I, after p. 129, Aikin, Edmund (sketch), Rawle, Samuel (engraving), Longman & Co. (published), 1813, John Britton: The architectural antiquities of Great Britain: represented and illustrated in a series of views, elevations, plans, sections and details of various ancient English edifices: with historical and descriptive accounts of each. Bd. 4. London: J. Taylor, 1807-1826, Reimagined by Gibon, design
Sculpture group Noli me tangere (Don`t touch me) from 1649 designed by Gian Lorenzo Bernini and Antonio Raggi in Baroque Chiesa dei Santi Domenico e S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sculpture-group-noli-me-tangere-don`t-touch-me-from-1649-designed-by-gian-lorenzo-bernini-and-antonio-raggi-in-baroque-chiesa-dei-santi-domenico-e-s-image179390798.htmlRMMBRXP6–Sculpture group Noli me tangere (Don`t touch me) from 1649 designed by Gian Lorenzo Bernini and Antonio Raggi in Baroque Chiesa dei Santi Domenico e S
A plaque hangs on the wall inside the Parish Church of St. Mary Magdalene in memorial to a B-17 air crew killed when their plane crashed at Astwell Castle Farms in 1943. Members of the 422nd Air Base Group and local villages held a memorial service in the Parish Church of St. Mary Magdalene in Helmdon Nov. 2 to honor the airmen killed. (U.S. Air Force photo by Staff Sgt. Brian Stives) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-plaque-hangs-on-the-wall-inside-the-parish-church-of-st-mary-magdalene-129333086.htmlRMHEBHJP–A plaque hangs on the wall inside the Parish Church of St. Mary Magdalene in memorial to a B-17 air crew killed when their plane crashed at Astwell Castle Farms in 1943. Members of the 422nd Air Base Group and local villages held a memorial service in the Parish Church of St. Mary Magdalene in Helmdon Nov. 2 to honor the airmen killed. (U.S. Air Force photo by Staff Sgt. Brian Stives)
CHURCHES ST MARY MAGDALENE IN PECKHAM LONDON INTERIOR VIEW ; 22 OCTOBER 1962 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/churches-st-mary-magdalene-in-peckham-london-interior-view-22-october-1962-image623583548.htmlRM2Y6EK50–CHURCHES ST MARY MAGDALENE IN PECKHAM LONDON INTERIOR VIEW ; 22 OCTOBER 1962
Monogrammist S.G.. New Testament Scene, plate thirteen from Woodcuts from Books of the XVI Century. 1582. Germany. Woodcut in black ink with brush and opaque watercolor and stenciling on cream laid paper Like the nearby Gutenberg Bible leaf (1922.2210), this page from an illustrated German summary of the New Testament for young readers was disbound and repurposed. In 1937 the print scholar Max Geisberg employed it as a plate in his portfolio Woodcuts from Books of the 16th Century. The crisp edges of the hand coloring suggest it was applied by stencil, as in the larger Mary Magdalene woodcut h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monogrammist-sg-new-testament-scene-plate-thirteen-from-woodcuts-from-books-of-the-xvi-century-1582-germany-woodcut-in-black-ink-with-brush-and-opaque-watercolor-and-stenciling-on-cream-laid-paper-like-the-nearby-gutenberg-bible-leaf-19222210-this-page-from-an-illustrated-german-summary-of-the-new-testament-for-young-readers-was-disbound-and-repurposed-in-1937-the-print-scholar-max-geisberg-employed-it-as-a-plate-in-his-portfolio-woodcuts-from-books-of-the-16th-century-the-crisp-edges-of-the-hand-coloring-suggest-it-was-applied-by-stencil-as-in-the-larger-mary-magdalene-woodcut-h-image337937026.htmlRM2AHPA3E–Monogrammist S.G.. New Testament Scene, plate thirteen from Woodcuts from Books of the XVI Century. 1582. Germany. Woodcut in black ink with brush and opaque watercolor and stenciling on cream laid paper Like the nearby Gutenberg Bible leaf (1922.2210), this page from an illustrated German summary of the New Testament for young readers was disbound and repurposed. In 1937 the print scholar Max Geisberg employed it as a plate in his portfolio Woodcuts from Books of the 16th Century. The crisp edges of the hand coloring suggest it was applied by stencil, as in the larger Mary Magdalene woodcut h
Saint Mary Magdalene as a hermit S. Mary Magdalene , print maker: Christoffel van Sichem (II), (mentioned on object), publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 152 mm × w 102 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-mary-magdalene-as-a-hermit-s-mary-magdalene-print-maker-christoffel-van-sichem-ii-mentioned-on-object-publisher-pieter-jacobsz-paets-amsterdam-1644-paper-letterpress-printing-h-152-mm-w-102-mm-image472237464.htmlRM2JC87KM–Saint Mary Magdalene as a hermit S. Mary Magdalene , print maker: Christoffel van Sichem (II), (mentioned on object), publisher: Pieter Jacobsz. Paets, Amsterdam, 1644, paper, letterpress printing, h 152 mm × w 102 mm
