Art inspired by Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 15/16 x 3 3/4 x 11/16 in. (10 x 9.5 x 1.8 cm), Miscellaneous-Paintings, On black ground; diamond and square patterns in white and ochre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-wall-painting-fragment-1st-century-ad-roman-fresco-overall-3-1516-x-3-34-x-1116-in-10-x-95-x-18-cm-miscellaneous-paintings-on-black-ground-diamond-and-square-patterns-in-white-and-ochre-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789207.html
RF2HTWT9Y–Art inspired by Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 15/16 x 3 3/4 x 11/16 in. (10 x 9.5 x 1.8 cm), Miscellaneous-Paintings, On black ground; diamond and square patterns in white and ochre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sheet with overall floral and U shaped patterns 19th century Anonymous. Sheet with overall floral and U shaped patterns. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-with-overall-floral-and-u-shaped-patterns-19th-century-anonymous-sheet-with-overall-floral-and-u-shaped-patterns-anonymous-19th-century-19th-century-relief-print-wood-or-metal-prints-image457774229.html
RM2HGNBKH–Sheet with overall floral and U shaped patterns 19th century Anonymous. Sheet with overall floral and U shaped patterns. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image617835727.html
RF2XW4RNK–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Interesting lines created by bricks, cement and a good birds eye view. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interesting-lines-created-by-bricks-cement-and-a-good-birds-eye-view-135759306.html
RMHTTAAJ–Interesting lines created by bricks, cement and a good birds eye view.
Vibrant purple background adorned with intricate lines and curves. The patterns create a visually dynamic and engaging composition, adding depth and interest to the overall design Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vibrant-purple-background-adorned-with-intricate-lines-and-curves-the-patterns-create-a-visually-dynamic-and-engaging-composition-adding-depth-and-interest-to-the-overall-design-image597792398.html
RF2WMFP8E–Vibrant purple background adorned with intricate lines and curves. The patterns create a visually dynamic and engaging composition, adding depth and interest to the overall design
Strong summer sun creates shadows as passengers wait for a northbound train at Stoke on Trent railway on 23.8.19. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/strong-summer-sun-creates-shadows-as-passengers-wait-for-a-northbound-train-at-stoke-on-trent-railway-on-23819-image268846412.html
RFWHB09G–Strong summer sun creates shadows as passengers wait for a northbound train at Stoke on Trent railway on 23.8.19.
Tiretracks in wheatfield Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiretracks-in-wheatfield-10316860.html
RFA1R7HH–Tiretracks in wheatfield
Natural close up backlit plant portrait of Silybum Marianum (chardon marie), milk thistle, showing naturaal patterns and textures Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/natural-close-up-backlit-plant-portrait-of-silybum-marianum-chardon-marie-milk-thistle-showing-naturaal-patterns-and-textures-image553879805.html
RM2R53B9H–Natural close up backlit plant portrait of Silybum Marianum (chardon marie), milk thistle, showing naturaal patterns and textures
Window With Geraniums Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-window-with-geraniums-117656377.html
RMGRBKWD–Window With Geraniums
Interior of room with bookcases full of books hanging on wall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-of-room-with-bookcases-full-of-books-hanging-on-wall-35889504.html
RMC2AWC0–Interior of room with bookcases full of books hanging on wall
African leopard chilling in the shade on a hot African day, stretched out Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-leopard-chilling-in-the-shade-on-a-hot-african-day-stretched-90044308.html
RFF6DTC4–African leopard chilling in the shade on a hot African day, stretched out
Black peppercorn on wooden cutting board Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-peppercorn-on-wooden-cutting-board-136705538.html
Key. Culture: German. Dimensions: Overall: 2 1/16 x 1 x 1/4 in. (5.2 x 2.6 x 0.7 cm). Date: 14th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or cof Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-2-116-x-1-x-14-in-52-x-26-x-07-cm-date-14th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-cof-image213246034.html
RMPAX5DP–Key. Culture: German. Dimensions: Overall: 2 1/16 x 1 x 1/4 in. (5.2 x 2.6 x 0.7 cm). Date: 14th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or cof
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-6-x-12-cm-2-38-x-4-34-in-image240368786.html
RMRY1MRE–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in
Wall paper for every home, 1916 . etty room.It is one of those delicate wall paper patterns which are somuch in demand at present. The combination scenic and floral border is 9 inches wide and showsbeautiful pink blossoms in the foreground with a calm lake scene in thedistance. The colors used in this border are blended and soft and overall is a white line and dot overprint which assists in blending the colorsand making them even more delicate. The ceiling design is printed in faintest pink on a white background, sothe general effect is one of harmony with the border and side wall. This Mariet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-paper-for-every-home-1916-etty-roomit-is-one-of-those-delicate-wall-paper-patterns-which-are-somuch-in-demand-at-present-the-combination-scenic-and-floral-border-is-9-inches-wide-and-showsbeautiful-pink-blossoms-in-the-foreground-with-a-calm-lake-scene-in-thedistance-the-colors-used-in-this-border-are-blended-and-soft-and-overall-is-a-white-line-and-dot-overprint-which-assists-in-blending-the-colorsand-making-them-even-more-delicate-the-ceiling-design-is-printed-in-faintest-pink-on-a-white-background-sothe-general-effect-is-one-of-harmony-with-the-border-and-side-wall-this-mariet-image340243528.html
RM2ANFC2G–Wall paper for every home, 1916 . etty room.It is one of those delicate wall paper patterns which are somuch in demand at present. The combination scenic and floral border is 9 inches wide and showsbeautiful pink blossoms in the foreground with a calm lake scene in thedistance. The colors used in this border are blended and soft and overall is a white line and dot overprint which assists in blending the colorsand making them even more delicate. The ceiling design is printed in faintest pink on a white background, sothe general effect is one of harmony with the border and side wall. This Mariet
Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 9/16 x 3/4 in. (4 x 1.9 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-circular-bead-500600-frankish-glass-overall-1-916-x-34-in-4-x-19-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-combination-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830854.html
RF2HTYNDA–Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 9/16 x 3/4 in. (4 x 1.9 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-75-x-14-cm-2-1516-x-5-12-in-image448147388.html
RM2H12TFT–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image619459747.html
RF2XYPR6B–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
African leopard chilling in the shade on a hot African day, stretched out Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-leopard-chilling-in-the-shade-on-a-hot-african-day-stretched-90045456.html
RFF6DWW4–African leopard chilling in the shade on a hot African day, stretched out
Scattered black peppercorn base with Himalayan sea salt contrast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scattered-black-peppercorn-base-with-himalayan-sea-salt-contrast-136705317.html
RFHXBD0N–Scattered black peppercorn base with Himalayan sea salt contrast
Lock. Culture: European. Dimensions: Overall (a.): 5 1/8 x 3 3/8 in. (13 x 8.6 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lock-culture-european-dimensions-overall-a-5-18-x-3-38-in-13-x-86-cm-date-15th-16th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-image231241421.html
RMRC5XP5–Lock. Culture: European. Dimensions: Overall (a.): 5 1/8 x 3 3/8 in. (13 x 8.6 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or
Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sampler-1827-germany-early-19th-century-damask-and-lace-patterns-on-cotton-ground-overall-432-x-432-cm-17-x-17-in-image240382895.html
RMRY2ARB–Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in
. The Street railway journal . en feet long, and overall twenty-six feet. The trucks will be of the McGuire Columbian pat-tern. Two General Electric motors, of twenty-five horsepower each, will be used on thirty of the cars, and twoCurtis motors, of thirty horse power each, on ten ofthe cars. A New Anti=Oseillating Device. End oscillation or rocking is one of the greatest diffi-culties that truck builders have to contend with in thepresent day of long car bodies, and an inspection of theleading patterns of trucks will show the various devicesadopted to obviate this difficulty. We illustrate he Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-street-railway-journal-en-feet-long-and-overall-twenty-six-feet-the-trucks-will-be-of-the-mcguire-columbian-pat-tern-two-general-electric-motors-of-twenty-five-horsepower-each-will-be-used-on-thirty-of-the-cars-and-twocurtis-motors-of-thirty-horse-power-each-on-ten-ofthe-cars-a-new-anti=oseillating-device-end-oscillation-or-rocking-is-one-of-the-greatest-diffi-culties-that-truck-builders-have-to-contend-with-in-thepresent-day-of-long-car-bodies-and-an-inspection-of-theleading-patterns-of-trucks-will-show-the-various-devicesadopted-to-obviate-this-difficulty-we-illustrate-he-image375902639.html
RM2CRFRJ7–. The Street railway journal . en feet long, and overall twenty-six feet. The trucks will be of the McGuire Columbian pat-tern. Two General Electric motors, of twenty-five horsepower each, will be used on thirty of the cars, and twoCurtis motors, of thirty horse power each, on ten ofthe cars. A New Anti=Oseillating Device. End oscillation or rocking is one of the greatest diffi-culties that truck builders have to contend with in thepresent day of long car bodies, and an inspection of theleading patterns of trucks will show the various devicesadopted to obviate this difficulty. We illustrate he
Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 7/16 x 11/16 in. (3.6 x 1.8 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-circular-bead-500600-frankish-glass-overall-1-716-x-1116-in-36-x-18-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830910.html
RF2HTYNFA–Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 7/16 x 11/16 in. (3.6 x 1.8 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-before-1550-colombia-red-ware-with-incised-patterns-overall-101-x-94-x-86-cm-4-x-3-1116-x-3-38-in-image448127756.html
RM2H11YEM–Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image619603983.html
RF2Y01B5K–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
African leopard chilling in the shade on a hot African day, stretched out Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-leopard-chilling-in-the-shade-on-a-hot-african-day-stretched-90043715.html
RFF6DRJY–African leopard chilling in the shade on a hot African day, stretched out
Scattered white peppercorn base with Himalayan sea salt contrast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scattered-white-peppercorn-base-with-himalayan-sea-salt-contrast-136705347.html
RFHXBD1R–Scattered white peppercorn base with Himalayan sea salt contrast
Key. Culture: Catalan. Dimensions: Overall: 3 3/4 x 1 5/16 x 7/16 in. (9.5 x 3.4 x 1.1 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on do Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-catalan-dimensions-overall-3-34-x-1-516-x-716-in-95-x-34-x-11-cm-date-15th-16th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-do-image212899745.html
RMPAABP9–Key. Culture: Catalan. Dimensions: Overall: 3 3/4 x 1 5/16 x 7/16 in. (9.5 x 3.4 x 1.1 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on do
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-75-x-14-cm-2-1516-x-5-12-in-image240368785.html
RMRY1MRD–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 94 J. MARKL. Bathynomus FIGURE 1. Topographical models of the quaternary structure of four arthropodan hemocyanins. The phylogenetic tree shows the relationships between the various subunit types (Kempter et al., 1985; Markl el al, 1986a). The subunits are visualized in their respective patterns of crossed immunoelectrophoresis. Subunit topographies are based on electron microscope analyses of the overall morphology (Van Holde and van Bruggen, 1971; Markl, 1980; Bijlholt el al, 1982; van Bruggen, 1983), and were derived from Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-94-j-markl-bathynomus-figure-1-topographical-models-of-the-quaternary-structure-of-four-arthropodan-hemocyanins-the-phylogenetic-tree-shows-the-relationships-between-the-various-subunit-types-kempter-et-al-1985-markl-el-al-1986a-the-subunits-are-visualized-in-their-respective-patterns-of-crossed-immunoelectrophoresis-subunit-topographies-are-based-on-electron-microscope-analyses-of-the-overall-morphology-van-holde-and-van-bruggen-1971-markl-1980-bijlholt-el-al-1982-van-bruggen-1983-and-were-derived-from-image234647411.html
RMRHN34K–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 94 J. MARKL. Bathynomus FIGURE 1. Topographical models of the quaternary structure of four arthropodan hemocyanins. The phylogenetic tree shows the relationships between the various subunit types (Kempter et al., 1985; Markl el al, 1986a). The subunits are visualized in their respective patterns of crossed immunoelectrophoresis. Subunit topographies are based on electron microscope analyses of the overall morphology (Van Holde and van Bruggen, 1971; Markl, 1980; Bijlholt el al, 1982; van Bruggen, 1983), and were derived from
Art inspired by Flattened Hemispherical Bead, 500–600, Frankish, Earthenware, glaze, Overall: 1 9/16 x 9/16 in. (4 x 1.5 cm), Ceramics, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-flattened-hemispherical-bead-500600-frankish-earthenware-glaze-overall-1-916-x-916-in-4-x-15-cm-ceramics-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830842.html
RF2HTYNCX–Art inspired by Flattened Hemispherical Bead, 500–600, Frankish, Earthenware, glaze, Overall: 1 9/16 x 9/16 in. (4 x 1.5 cm), Ceramics, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/urn-with-triangular-patterns-c-3300c-2000-bc-northwest-china-neolithic-period-majiayao-culture-earthenware-with-slip-painted-decoration-overall-365-x-395-cm-14-38-x-15-916-in-image448074651.html
RM2H0YFP3–Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image614197310.html
RF2XK72X6–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
African leopard chilling in the shade on a hot African day, stretched out Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-leopard-chilling-in-the-shade-on-a-hot-african-day-stretched-90044982.html
RFF6DW86–African leopard chilling in the shade on a hot African day, stretched out
White peppercorn base with Himalayan sea salt contrast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-white-peppercorn-base-with-himalayan-sea-salt-contrast-136705288.html
RFHXBCYM–White peppercorn base with Himalayan sea salt contrast
Key. Culture: German. Dimensions: Overall: 4 3/4 x 1 15/16 x 7/8 in. (12 x 5 x 2.2 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-4-34-x-1-1516-x-78-in-12-x-5-x-22-cm-date-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-c-image212911860.html
RMPAAY70–Key. Culture: German. Dimensions: Overall: 4 3/4 x 1 15/16 x 7/8 in. (12 x 5 x 2.2 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or c
Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-before-1550-colombia-red-ware-with-incised-patterns-overall-101-x-94-x-86-cm-4-x-3-1116-x-3-38-in-image240368808.html
RMRY1MT8–Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ECOLOGY: BIOGEOCHEMISTRY AND NUTRIENT CYCLING 253 ranged from 170 to 210 and respiration from 200 to 250 mmol O:/m:/day. Overall. NCP was less than zero at all sites and in- dicated that the system was net heterotrophic and dependent on allochthonous inputs of organic matter. The transect surveys covered the entire length of the estuary and showed the clearest spatial patterns of metabolism (Fig. If- g). Daily DO levels along the length of the estuary ranged from 5.2 to 10.9 mg/1 (Fig. Id). Almost all waters were undersatura Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-ecology-biogeochemistry-and-nutrient-cycling-253-ranged-from-170-to-210-and-respiration-from-200-to-250-mmol-omday-overall-ncp-was-less-than-zero-at-all-sites-and-in-dicated-that-the-system-was-net-heterotrophic-and-dependent-on-allochthonous-inputs-of-organic-matter-the-transect-surveys-covered-the-entire-length-of-the-estuary-and-showed-the-clearest-spatial-patterns-of-metabolism-fig-if-g-daily-do-levels-along-the-length-of-the-estuary-ranged-from-52-to-109-mg1-fig-id-almost-all-waters-were-undersatura-image234633462.html
RMRHMDAE–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ECOLOGY: BIOGEOCHEMISTRY AND NUTRIENT CYCLING 253 ranged from 170 to 210 and respiration from 200 to 250 mmol O:/m:/day. Overall. NCP was less than zero at all sites and in- dicated that the system was net heterotrophic and dependent on allochthonous inputs of organic matter. The transect surveys covered the entire length of the estuary and showed the clearest spatial patterns of metabolism (Fig. If- g). Daily DO levels along the length of the estuary ranged from 5.2 to 10.9 mg/1 (Fig. Id). Almost all waters were undersatura
Art inspired by Conical Flattened Bead, 500–600, Frankish, Glass, Overall: 1 1/2 x 3/8 in. (3.8 x 1 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-conical-flattened-bead-500600-frankish-glass-overall-1-12-x-38-in-38-x-1-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830877.html
RF2HTYNE5–Art inspired by Conical Flattened Bead, 500–600, Frankish, Glass, Overall: 1 1/2 x 3/8 in. (3.8 x 1 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-83-x-143-cm-3-14-x-5-58-in-image448148561.html
RM2H12X1N–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image621172260.html
RF2Y2GRFG–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Black peppercorn base with Himalayan sea salt contrast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-peppercorn-base-with-himalayan-sea-salt-contrast-136705584.html
RFHXBDA8–Black peppercorn base with Himalayan sea salt contrast
Key. Culture: German. Dimensions: Overall: 3 1/4 x 1 x 7/16 in. (8.3 x 2.5 x 1.1 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or cof Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-3-14-x-1-x-716-in-83-x-25-x-11-cm-date-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-cof-image212914492.html
RMPAB2H0–Key. Culture: German. Dimensions: Overall: 3 1/4 x 1 x 7/16 in. (8.3 x 2.5 x 1.1 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or cof
Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/urn-with-triangular-patterns-c-3300c-2000-bc-northwest-china-neolithic-period-majiayao-culture-earthenware-with-slip-painted-decoration-overall-365-x-395-cm-14-38-x-15-916-in-image240480345.html
RMRY6R3N–Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in
. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. GOOSE HARVEST PATTERNS IN CALIFORNIA 139 /960.V--Harvest, hunter success, and hunter visits increased dramatically during the 1960s (Fig. 3) as new PHAs were established and data from Tule Lake and Lower Klamath NWRs became available. White-front and cackler abundance was about half that during the 1950s, but white geese increased so overall goose abundance was similar to the 1950s (Fig. 1). Harvest regulations remained relatively lib Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/california-fish-and-game-fisheries-california-game-and-game-birds-california-fishes-california-animal-population-groups-pches-gibier-poissons-goose-harvest-patterns-in-california-139-960v-harvest-hunter-success-and-hunter-visits-increased-dramatically-during-the-1960s-fig-3-as-new-phas-were-established-and-data-from-tule-lake-and-lower-klamath-nwrs-became-available-white-front-and-cackler-abundance-was-about-half-that-during-the-1950s-but-white-geese-increased-so-overall-goose-abundance-was-similar-to-the-1950s-fig-1-harvest-regulations-remained-relatively-lib-image233660783.html
RMRG44KY–. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. GOOSE HARVEST PATTERNS IN CALIFORNIA 139 /960.V--Harvest, hunter success, and hunter visits increased dramatically during the 1960s (Fig. 3) as new PHAs were established and data from Tule Lake and Lower Klamath NWRs became available. White-front and cackler abundance was about half that during the 1950s, but white geese increased so overall goose abundance was similar to the 1950s (Fig. 1). Harvest regulations remained relatively lib
Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven (kesi) silk and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-one-of-a-pair-of-chair-strips-with-auspicious-patterns-qing-dynasty-16441911-18th-century-china-tapestry-woven-kesi-silk-and-metallic-thread-overall-64-x-19-in-1626-x-483-cm-textiles-tapestries-unlike-upholstered-furniture-in-the-west-chairs-in-china-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911751.html
RF2HW3CJF–Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven (kesi) silk and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-65-x-145-cm-2-916-x-5-1116-in-image448130947.html
RM2H123GK–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image616411310.html
RF2XPRXWJ–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Yin Yang style with zoomed-in black peppercorn on white peppercorn base. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yin-yang-style-with-zoomed-in-black-peppercorn-on-white-peppercorn-136705487.html
RFHXBD6R–Yin Yang style with zoomed-in black peppercorn on white peppercorn base.
Key. Culture: German. Dimensions: Overall: 4 7/16 x 1 1/2 x 9/16 in. (11.3 x 3.8 x 1.5 cm). Date: 16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-4-716-x-1-12-x-916-in-113-x-38-x-15-cm-date-16th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-image213332515.html
RMPB23PB–Key. Culture: German. Dimensions: Overall: 4 7/16 x 1 1/2 x 9/16 in. (11.3 x 3.8 x 1.5 cm). Date: 16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors,
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-83-x-143-cm-3-14-x-5-58-in-image240368789.html
RMRY1MRH–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in
. Biology of the Heteromyidae. Heteromyidae. 656 MARES. Fig. 6.—Typical Sonoran Desert habitat near Tucson, Arizona, with columnar cacti {Carne- giea), ocotillo {Fouquieria splendens), and as- sorted shrubs. (Photo: M. A. Mares) American deserts, overall faunal patterns in all four deserts are clear (see MacMahon and Wagner, 1985; West, 9S3b, 1983c, 9S3d, 1983^, for general discussion of the North American desert system). Hetero- myids are among the most abundant and ubiquitous species in each desert. In the most arid portions of the desert, usually only one or two species of small mammals, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/biology-of-the-heteromyidae-heteromyidae-656-mares-fig-6typical-sonoran-desert-habitat-near-tucson-arizona-with-columnar-cacti-carne-giea-ocotillo-fouquieria-splendens-and-as-sorted-shrubs-photo-m-a-mares-american-deserts-overall-faunal-patterns-in-all-four-deserts-are-clear-see-macmahon-and-wagner-1985-west-9s3b-1983c-9s3d-1983-for-general-discussion-of-the-north-american-desert-system-hetero-myids-are-among-the-most-abundant-and-ubiquitous-species-in-each-desert-in-the-most-arid-portions-of-the-desert-usually-only-one-or-two-species-of-small-mammals-image234603948.html
RMRHK3MC–. Biology of the Heteromyidae. Heteromyidae. 656 MARES. Fig. 6.—Typical Sonoran Desert habitat near Tucson, Arizona, with columnar cacti {Carne- giea), ocotillo {Fouquieria splendens), and as- sorted shrubs. (Photo: M. A. Mares) American deserts, overall faunal patterns in all four deserts are clear (see MacMahon and Wagner, 1985; West, 9S3b, 1983c, 9S3d, 1983^, for general discussion of the North American desert system). Hetero- myids are among the most abundant and ubiquitous species in each desert. In the most arid portions of the desert, usually only one or two species of small mammals,
Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven silk (kesi) and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-one-of-a-pair-of-chair-strips-with-auspicious-patterns-qing-dynasty-16441911-18th-century-china-tapestry-woven-silk-kesi-and-metallic-thread-overall-64-x-19-in-1626-x-483-cm-textiles-tapestries-unlike-upholstered-furniture-in-the-west-chairs-in-china-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911845.html
RF2HW3CNW–Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven silk (kesi) and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plate, late 1500s. Japan, Momoyama period (1573-1615). Stoneware with natural glaze and hidasuki (fire-mark decoration) patterns (Bizen ware); diameter: 45.4 cm (17 7/8 in.); overall: 10.4 cm (4 1/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-late-1500s-japan-momoyama-period-1573-1615-stoneware-with-natural-glaze-and-hidasuki-fire-mark-decoration-patterns-bizen-ware-diameter-454-cm-17-78-in-overall-104-cm-4-18-in-image448118519.html
RM2H11FMR–Plate, late 1500s. Japan, Momoyama period (1573-1615). Stoneware with natural glaze and hidasuki (fire-mark decoration) patterns (Bizen ware); diameter: 45.4 cm (17 7/8 in.); overall: 10.4 cm (4 1/8 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image619315440.html
RF2XYG74G–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Black and White Peppercorn - Yin Yang style vertical contrast base - zoomed-out. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-and-white-peppercorn-yin-yang-style-vertical-contrast-base-zoomed-136705403.html
RFHXBD3R–Black and White Peppercorn - Yin Yang style vertical contrast base - zoomed-out.
Lock. Culture: European or German (?). Dimensions: Overall: 15 1/8 x 12 7/8 in. (38.4 x 32.7 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lock-culture-european-or-german-dimensions-overall-15-18-x-12-78-in-384-x-327-cm-date-15th-16th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-image231241384.html
RMRC5XMT–Lock. Culture: European or German (?). Dimensions: Overall: 15 1/8 x 12 7/8 in. (38.4 x 32.7 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-65-x-145-cm-2-916-x-5-1116-in-image240368792.html
RMRY1MRM–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. DIRECT DEVELOPMENT IN MOUiL'L.l 19. Kifjures 3 and 4. Transmission electron micrographs of sectioned Molgula rclorlitorniix gastrulae showing the outer epidermal cells (ep) containing less yolk and glycogen than the large, centrally located cells (cc). X 3300 in Fig. 3; X 4900 in Fig. 4. were accompanied by changes in the overall shape of the egg. The early cleavage patterns exhibited by M. relortifor- mis embryos appeared similar to those exhibited by other ascidian embryos. The first cleavage plane bissected the narrow bel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-direct-development-in-mouilll-19-kifjures-3-and-4-transmission-electron-micrographs-of-sectioned-molgula-rclorlitorniix-gastrulae-showing-the-outer-epidermal-cells-ep-containing-less-yolk-and-glycogen-than-the-large-centrally-located-cells-cc-x-3300-in-fig-3-x-4900-in-fig-4-were-accompanied-by-changes-in-the-overall-shape-of-the-egg-the-early-cleavage-patterns-exhibited-by-m-relortifor-mis-embryos-appeared-similar-to-those-exhibited-by-other-ascidian-embryos-the-first-cleavage-plane-bissected-the-narrow-bel-image234643550.html
RMRHMX6P–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. DIRECT DEVELOPMENT IN MOUiL'L.l 19. Kifjures 3 and 4. Transmission electron micrographs of sectioned Molgula rclorlitorniix gastrulae showing the outer epidermal cells (ep) containing less yolk and glycogen than the large, centrally located cells (cc). X 3300 in Fig. 3; X 4900 in Fig. 4. were accompanied by changes in the overall shape of the egg. The early cleavage patterns exhibited by M. relortifor- mis embryos appeared similar to those exhibited by other ascidian embryos. The first cleavage plane bissected the narrow bel
Art inspired by Temple Pendant and Stick, ca. 1080–1150, Made in Constantinople, Byzantine, Cloisonné enamel, gold, Overall: 1 15/16 × 15/16 in. (4.9 × 2.4 cm), Enamels-Cloisonné, On the surface of this exquisitely worked pendant are intricate patterns of florets, palmettes, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-temple-pendant-and-stick-ca-10801150-made-in-constantinople-byzantine-cloisonn-enamel-gold-overall-1-1516-1516-in-49-24-cm-enamels-cloisonn-on-the-surface-of-this-exquisitely-worked-pendant-are-intricate-patterns-of-florets-palmettes-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462834170.html
RF2HTYWKP–Art inspired by Temple Pendant and Stick, ca. 1080–1150, Made in Constantinople, Byzantine, Cloisonné enamel, gold, Overall: 1 15/16 × 15/16 in. (4.9 × 2.4 cm), Enamels-Cloisonné, On the surface of this exquisitely worked pendant are intricate patterns of florets, palmettes, and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Chasuble last quarter 18th century French The construction of this chasuble is particularly notable in that the patterns of the orphrey and the side pieces have been carefully matched to mirror each other in the three different sections and create a symmetrical whole. Many chasubles are created with pieced fabric and, therefore, do not have this element of overall visual integrity.. Chasuble 158136 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chasuble-last-quarter-18th-century-french-the-construction-of-this-chasuble-is-particularly-notable-in-that-the-patterns-of-the-orphrey-and-the-side-pieces-have-been-carefully-matched-to-mirror-each-other-in-the-three-different-sections-and-create-a-symmetrical-whole-many-chasubles-are-created-with-pieced-fabric-and-therefore-do-not-have-this-element-of-overall-visual-integrity-chasuble-158136-image458445473.html
RM2HHRYTH–Chasuble last quarter 18th century French The construction of this chasuble is particularly notable in that the patterns of the orphrey and the side pieces have been carefully matched to mirror each other in the three different sections and create a symmetrical whole. Many chasubles are created with pieced fabric and, therefore, do not have this element of overall visual integrity.. Chasuble 158136
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image612756168.html
RF2XGWCMT–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Black and White Peppercorn - Yin Yang style vertical contrast base - zoomed-in. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-black-and-white-peppercorn-yin-yang-style-vertical-contrast-base-zoomed-136705417.html
RFHXBD49–Black and White Peppercorn - Yin Yang style vertical contrast base - zoomed-in.
Lock. Culture: European or German (?). Dimensions: Overall: 9 to 17-1-4 x 15 1/4 in. (22.9 x 38.7 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lock-culture-european-or-german-dimensions-overall-9-to-17-1-4-x-15-14-in-229-x-387-cm-date-15th-16th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-image231241362.html
RMRC5XM2–Lock. Culture: European or German (?). Dimensions: Overall: 9 to 17-1-4 x 15 1/4 in. (22.9 x 38.7 cm). Date: 15th-16th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of
Fragment of a Border with Floral Vine and Geometric Patterns, 16th century. Italy, 16th century. Needle lace, burato (twined ground and darned in two directions) and reticella; bleached linen (est.); overall: 32.9 x 69.3 cm (12 15/16 x 27 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-a-border-with-floral-vine-and-geometric-patterns-16th-century-italy-16th-century-needle-lace-burato-twined-ground-and-darned-in-two-directions-and-reticella-bleached-linen-est-overall-329-x-693-cm-12-1516-x-27-516-in-image240367096.html
RMRY1JK4–Fragment of a Border with Floral Vine and Geometric Patterns, 16th century. Italy, 16th century. Needle lace, burato (twined ground and darned in two directions) and reticella; bleached linen (est.); overall: 32.9 x 69.3 cm (12 15/16 x 27 5/16 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ANNUAL PATTERNS IN CYANEA 3,0 275 i n March Figure 3. The percentage (±S.D.) of feeding medusae (1980-1986) in the Niantic River estuary, and the average percentage (±S.D.) which contained the indicated taxon in their gastrovascular cavity in the half- month shown. due to death of larger individuals (Fig. 6). The overall average temperature (and range) at which deterioration occurs is 19.1 ± 2.3°C (16.7°C to 23.3°C). The onset of reproduction (females with blastulae) is also shown in Figure 6. This occurs earliest in the lar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-annual-patterns-in-cyanea-30-275-i-n-march-figure-3-the-percentage-sd-of-feeding-medusae-1980-1986-in-the-niantic-river-estuary-and-the-average-percentage-sd-which-contained-the-indicated-taxon-in-their-gastrovascular-cavity-in-the-half-month-shown-due-to-death-of-larger-individuals-fig-6-the-overall-average-temperature-and-range-at-which-deterioration-occurs-is-191-23c-167c-to-233c-the-onset-of-reproduction-females-with-blastulae-is-also-shown-in-figure-6-this-occurs-earliest-in-the-lar-image234645347.html
RMRHN0EY–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ANNUAL PATTERNS IN CYANEA 3,0 275 i n March Figure 3. The percentage (±S.D.) of feeding medusae (1980-1986) in the Niantic River estuary, and the average percentage (±S.D.) which contained the indicated taxon in their gastrovascular cavity in the half- month shown. due to death of larger individuals (Fig. 6). The overall average temperature (and range) at which deterioration occurs is 19.1 ± 2.3°C (16.7°C to 23.3°C). The onset of reproduction (females with blastulae) is also shown in Figure 6. This occurs earliest in the lar
Art inspired by Terracotta lamp, Late Antique or Early Byzantine, 5th–6th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm), Terracottas, Unpierced handle. On discus, radiating linear depressions decorated with herring-bone patterns, interspersed with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-terracotta-lamp-late-antique-or-early-byzantine-5th6th-century-ad-roman-cypriot-terracotta-overall-1-12-x-3-12-in-38-x-89-cm-terracottas-unpierced-handle-on-discus-radiating-linear-depressions-decorated-with-herring-bone-patterns-interspersed-with-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462781140.html
RF2HTWE1T–Art inspired by Terracotta lamp, Late Antique or Early Byzantine, 5th–6th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 1/2 in. (3.8 x 8.9 cm), Terracottas, Unpierced handle. On discus, radiating linear depressions decorated with herring-bone patterns, interspersed with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar, before 1921. Colombia, 19th-20th century. Red ware with incised patterns; diameter: 7.7 cm (3 1/16 in.); overall: 12.2 x 7 x 6.6 cm (4 13/16 x 2 3/4 x 2 5/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-before-1921-colombia-19th-20th-century-red-ware-with-incised-patterns-diameter-77-cm-3-116-in-overall-122-x-7-x-66-cm-4-1316-x-2-34-x-2-58-in-image448150613.html
RM2H130K1–Jar, before 1921. Colombia, 19th-20th century. Red ware with incised patterns; diameter: 7.7 cm (3 1/16 in.); overall: 12.2 x 7 x 6.6 cm (4 13/16 x 2 3/4 x 2 5/8 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image619160896.html
RF2XY9614–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Yin Yang style with black and white peppercorn base and Himalayan salt in ceramic dish. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yin-yang-style-with-black-and-white-peppercorn-base-and-himalayan-136705638.html
RFHXBDC6–Yin Yang style with black and white peppercorn base and Himalayan salt in ceramic dish.
Key. Culture: German. Dimensions: Overall: 2 13/16 x 1 3/8 x 5/16 in. (7.1 x 3.5 x 0.8 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-2-1316-x-1-38-x-516-in-71-x-35-x-08-cm-date-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-image213111395.html
RMPAM1N7–Key. Culture: German. Dimensions: Overall: 2 13/16 x 1 3/8 x 5/16 in. (7.1 x 3.5 x 0.8 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors,
Corner Fragment with a Variety of Patterns, 19th century. Italy, 19th century. Needle lace, machine-made burato (twined ground and darned in two directions), cutwork, drawnwork, and applied fringe; bleached linen (est.); overall: 79.8 x 71.4 cm (31 7/16 x 28 1/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corner-fragment-with-a-variety-of-patterns-19th-century-italy-19th-century-needle-lace-machine-made-burato-twined-ground-and-darned-in-two-directions-cutwork-drawnwork-and-applied-fringe-bleached-linen-est-overall-798-x-714-cm-31-716-x-28-18-in-image240394778.html
RMRY2WYP–Corner Fragment with a Variety of Patterns, 19th century. Italy, 19th century. Needle lace, machine-made burato (twined ground and darned in two directions), cutwork, drawnwork, and applied fringe; bleached linen (est.); overall: 79.8 x 71.4 cm (31 7/16 x 28 1/8 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ANNUAL PATTERNS IN CYANEA 3,0 275 i n March Figure 3. The percentage (±S.D.) of feeding medusae (1980-1986) in the Niantic River estuary, and the average percentage (±S.D.) which contained the indicated taxon in their gastrovascular cavity in the half- month shown. due to death of larger individuals (Fig. 6). The overall average temperature (and range) at which deterioration occurs is 19.1 ± 2.3°C (16.7°C to 23.3°C). The onset of reproduction (females with blastulae) is also shown in Figure 6. This occurs earliest in the lar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-annual-patterns-in-cyanea-30-275-i-n-march-figure-3-the-percentage-sd-of-feeding-medusae-1980-1986-in-the-niantic-river-estuary-and-the-average-percentage-sd-which-contained-the-indicated-taxon-in-their-gastrovascular-cavity-in-the-half-month-shown-due-to-death-of-larger-individuals-fig-6-the-overall-average-temperature-and-range-at-which-deterioration-occurs-is-191-23c-167c-to-233c-the-onset-of-reproduction-females-with-blastulae-is-also-shown-in-figure-6-this-occurs-earliest-in-the-lar-image234645370.html
RMRHN0FP–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. ANNUAL PATTERNS IN CYANEA 3,0 275 i n March Figure 3. The percentage (±S.D.) of feeding medusae (1980-1986) in the Niantic River estuary, and the average percentage (±S.D.) which contained the indicated taxon in their gastrovascular cavity in the half- month shown. due to death of larger individuals (Fig. 6). The overall average temperature (and range) at which deterioration occurs is 19.1 ± 2.3°C (16.7°C to 23.3°C). The onset of reproduction (females with blastulae) is also shown in Figure 6. This occurs earliest in the lar
Art inspired by Tricolor Bowl, 14th century, Byzantine, Terracotta with yellow-brown and green glaze over slip, decorated in sgraffito, Overall: 3 7/8 x 13 5/8 in. (9.9 x 34.6 cm), Ceramics, The decorative patterns freely drawn on sgraffito-ware of the later Byzantine period appear to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tricolor-bowl-14th-century-byzantine-terracotta-with-yellow-brown-and-green-glaze-over-slip-decorated-in-sgraffito-overall-3-78-x-13-58-in-99-x-346-cm-ceramics-the-decorative-patterns-freely-drawn-on-sgraffito-ware-of-the-later-byzantine-period-appear-to-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462835935.html
RF2HTYYXR–Art inspired by Tricolor Bowl, 14th century, Byzantine, Terracotta with yellow-brown and green glaze over slip, decorated in sgraffito, Overall: 3 7/8 x 13 5/8 in. (9.9 x 34.6 cm), Ceramics, The decorative patterns freely drawn on sgraffito-ware of the later Byzantine period appear to, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar with Combed Design, 400s-500s. Japan, Kofun period (c. AD 300-710). Stoneware with natural ash glaze, impressed and tooled patterns (Sue ware); diameter: 20 cm (7 7/8 in.); overall: 20.5 cm (8 1/16 in.); diameter of rim: 18.4 cm (7 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-with-combed-design-400s-500s-japan-kofun-period-c-ad-300-710-stoneware-with-natural-ash-glaze-impressed-and-tooled-patterns-sue-ware-diameter-20-cm-7-78-in-overall-205-cm-8-116-in-diameter-of-rim-184-cm-7-14-in-image448073476.html
RM2H0YE84–Jar with Combed Design, 400s-500s. Japan, Kofun period (c. AD 300-710). Stoneware with natural ash glaze, impressed and tooled patterns (Sue ware); diameter: 20 cm (7 7/8 in.); overall: 20.5 cm (8 1/16 in.); diameter of rim: 18.4 cm (7 1/4 in.).
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image614447960.html
RF2XKJEJ0–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
Yin Yang style with diagonal black and white peppercorn contrast base and Himalayan Salt in ceramic dish. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yin-yang-style-with-diagonal-black-and-white-peppercorn-contrast-base-136705612.html
RFHXBDB8–Yin Yang style with diagonal black and white peppercorn contrast base and Himalayan Salt in ceramic dish.
Key. Culture: German. Dimensions: Overall: 1 7/8 x 9/16 x 1/4 in. (4.8 x 1.4 x 0.7 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-1-78-x-916-x-14-in-48-x-14-x-07-cm-date-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-c-image213110570.html
RMPAM0KP–Key. Culture: German. Dimensions: Overall: 1 7/8 x 9/16 x 1/4 in. (4.8 x 1.4 x 0.7 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or c
Cloth with Unicorns, Dragons, Other Animals, and Floral Patterns, 19th century. Italy, 19th century. Needle lace, filet/lacis (knotted ground and darned in two directions) and alternating cutwork, embroidered squares, and bobbin lace edging; bleached linen (est.); overall: 113.5 x 138 cm (44 11/16 x 54 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cloth-with-unicorns-dragons-other-animals-and-floral-patterns-19th-century-italy-19th-century-needle-lace-filetlacis-knotted-ground-and-darned-in-two-directions-and-alternating-cutwork-embroidered-squares-and-bobbin-lace-edging-bleached-linen-est-overall-1135-x-138-cm-44-1116-x-54-516-in-image240383057.html
RMRY2B15–Cloth with Unicorns, Dragons, Other Animals, and Floral Patterns, 19th century. Italy, 19th century. Needle lace, filet/lacis (knotted ground and darned in two directions) and alternating cutwork, embroidered squares, and bobbin lace edging; bleached linen (est.); overall: 113.5 x 138 cm (44 11/16 x 54 5/16 in
. Book for florists. Flowers Seeds Catalogs; Bulbs (Plants) Seedlings Catalogs; Vegetables Seeds Catalogs; Seeds Catalogs; Horticulture Equipment and supplies Catalogs. 23 FLOWER BASKETS Prices Subject to Change Without Notice. Packing Cases at Cost. THE Baskets we illustrate on this page are mostly staple and well-known styles which have proven satisfactory when used for Cut Flow- ers and Plants. We can fill orders prompt- ly and satisfactorily. Give us a trial order. Let us send you a $10.00 assortment.. NEWEST PATTERNS Style No. Diameter, Inch Depth,inch Overall/Inch Natural, ea. Stained, e Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-for-florists-flowers-seeds-catalogs-bulbs-plants-seedlings-catalogs-vegetables-seeds-catalogs-seeds-catalogs-horticulture-equipment-and-supplies-catalogs-23-flower-baskets-prices-subject-to-change-without-notice-packing-cases-at-cost-the-baskets-we-illustrate-on-this-page-are-mostly-staple-and-well-known-styles-which-have-proven-satisfactory-when-used-for-cut-flow-ers-and-plants-we-can-fill-orders-prompt-ly-and-satisfactorily-give-us-a-trial-order-let-us-send-you-a-1000-assortment-newest-patterns-style-no-diameter-inch-depthinch-overallinch-natural-ea-stained-e-image234483781.html
RMRHDJCN–. Book for florists. Flowers Seeds Catalogs; Bulbs (Plants) Seedlings Catalogs; Vegetables Seeds Catalogs; Seeds Catalogs; Horticulture Equipment and supplies Catalogs. 23 FLOWER BASKETS Prices Subject to Change Without Notice. Packing Cases at Cost. THE Baskets we illustrate on this page are mostly staple and well-known styles which have proven satisfactory when used for Cut Flow- ers and Plants. We can fill orders prompt- ly and satisfactorily. Give us a trial order. Let us send you a $10.00 assortment.. NEWEST PATTERNS Style No. Diameter, Inch Depth,inch Overall/Inch Natural, ea. Stained, e
Art inspired by Halo from an Icon Cover, 10th–early 11th century, Byzantine, Cloisonné enamel, gold, Overall: 4 1/2 x 5 1/16 x 1/16 in. (11.5 x 12.8 x 0.2 cm), Enamels-Cloisonné, The elaborately worked halo would have been attached to an icon. Similar patterns are also found on secular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-halo-from-an-icon-cover-10thearly-11th-century-byzantine-cloisonn-enamel-gold-overall-4-12-x-5-116-x-116-in-115-x-128-x-02-cm-enamels-cloisonn-the-elaborately-worked-halo-would-have-been-attached-to-an-icon-similar-patterns-are-also-found-on-secular-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830443.html
RF2HTYMXK–Art inspired by Halo from an Icon Cover, 10th–early 11th century, Byzantine, Cloisonné enamel, gold, Overall: 4 1/2 x 5 1/16 x 1/16 in. (11.5 x 12.8 x 0.2 cm), Enamels-Cloisonné, The elaborately worked halo would have been attached to an icon. Similar patterns are also found on secular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Anonymous. Sculpted and gilded wooden chassis screen, Aubusson tapestry, with trellis patterns and flower baskets (overall view on a light background), around 1775-1780. Paris, Cognacq-Jay museum. Dore wooden wood, chassis, flower basket, chimney screen, light background, aubusson manufacture, furniture, pattern, style Louis XVI, tapestry, trellis, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-sculpted-and-gilded-wooden-chassis-screen-aubusson-tapestry-with-trellis-patterns-and-flower-baskets-overall-view-on-a-light-background-around-1775-1780-paris-cognacq-jay-museum-dore-wooden-wood-chassis-flower-basket-chimney-screen-light-background-aubusson-manufacture-furniture-pattern-style-louis-xvi-tapestry-trellis-18th-century-image596794028.html
RM2WJX8TC–Anonymous. Sculpted and gilded wooden chassis screen, Aubusson tapestry, with trellis patterns and flower baskets (overall view on a light background), around 1775-1780. Paris, Cognacq-Jay museum. Dore wooden wood, chassis, flower basket, chimney screen, light background, aubusson manufacture, furniture, pattern, style Louis XVI, tapestry, trellis, 18th century
Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dark-purple-camouflage-flecked-effect-abstract-seamless-pattern-background-modern-masculine-bold-graphic-bandana-design-for-block-print-hand-craft-image613676209.html
RF2XJBA7D–Dark purple camouflage flecked effect abstract seamless pattern background. Modern masculine bold graphic bandana design for block print hand craft
White peppercorn base. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-white-peppercorn-base-136705455.html
RFHXBD5K–White peppercorn base.
Key. Culture: German. Dimensions: Overall: 3 1/4 x 1 9/16 x 7/16 in. (8.3 x 4 x 1.1 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-3-14-x-1-916-x-716-in-83-x-4-x-11-cm-date-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-or-image213148698.html
RMPANN9E–Key. Culture: German. Dimensions: Overall: 3 1/4 x 1 9/16 x 7/16 in. (8.3 x 4 x 1.1 cm). Date: 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or
Tall Jar with Rope Patterns, 2647-2454 BC. Egypt, Saqqara, north of the Step Pyramid, tomb 2305, excavations of J. E. Quibell, 1910-1911, Predynastic-Old Kingdom, Dynasty 3, reign of Djoser, to Dynasty 4, reign of Sneferu, 2628-2549 BC. Travertine; diameter: 13.1 cm (5 3/16 in.); overall: 23.7 cm (9 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tall-jar-with-rope-patterns-2647-2454-bc-egypt-saqqara-north-of-the-step-pyramid-tomb-2305-excavations-of-j-e-quibell-1910-1911-predynastic-old-kingdom-dynasty-3-reign-of-djoser-to-dynasty-4-reign-of-sneferu-2628-2549-bc-travertine-diameter-131-cm-5-316-in-overall-237-cm-9-516-in-image240364228.html
RMRY1F0M–Tall Jar with Rope Patterns, 2647-2454 BC. Egypt, Saqqara, north of the Step Pyramid, tomb 2305, excavations of J. E. Quibell, 1910-1911, Predynastic-Old Kingdom, Dynasty 3, reign of Djoser, to Dynasty 4, reign of Sneferu, 2628-2549 BC. Travertine; diameter: 13.1 cm (5 3/16 in.); overall: 23.7 cm (9 5/16 in
. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 60 J. M. HUSH AND R. L. OVERALL. CURRENT IN CURRENT OUT WOUND B The effect of wounding the pea root 3 mm back from the tip: current patterns around the wound site (A) 2 min after wounding (mean ± ' <» 1.5 h after wounding (mean ± SEM of 7 roots): (C) 6 i . n ± SEM of 6 roots); (D) 23 h after wounding (mean oots). Diagrammatic representation of the roots as viewed fr. rents are found exclusive ;hc wound area, a dis- tinct peak of 1.2 ^A servable over the wound. Five minutes after wounding ;-splays a dis- tinct asymmetry in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-biological-bulletin-biology-zoology-biology-marine-biology-60-j-m-hush-and-r-l-overall-current-in-current-out-wound-b-the-effect-of-wounding-the-pea-root-3-mm-back-from-the-tip-current-patterns-around-the-wound-site-a-2-min-after-wounding-mean-lt-15-h-after-wounding-mean-sem-of-7-roots-c-6-i-n-sem-of-6-roots-d-23-h-after-wounding-mean-oots-diagrammatic-representation-of-the-roots-as-viewed-fr-rents-are-found-exclusive-hc-wound-area-a-dis-tinct-peak-of-12-a-servable-over-the-wound-five-minutes-after-wounding-splays-a-dis-tinct-asymmetry-in-image234615799.html
RMRHKJRK–. The Biological bulletin. Biology; Zoology; Biology; Marine Biology. 60 J. M. HUSH AND R. L. OVERALL. CURRENT IN CURRENT OUT WOUND B The effect of wounding the pea root 3 mm back from the tip: current patterns around the wound site (A) 2 min after wounding (mean ± ' <» 1.5 h after wounding (mean ± SEM of 7 roots): (C) 6 i . n ± SEM of 6 roots); (D) 23 h after wounding (mean oots). Diagrammatic representation of the roots as viewed fr. rents are found exclusive ;hc wound area, a dis- tinct peak of 1.2 ^A servable over the wound. Five minutes after wounding ;-splays a dis- tinct asymmetry in
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation