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W 191 mm Stock Photos and Images
Portrait of Hermanus Fock, draughtsman: Anthony Andriessen, 1780, paper, h 310 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-hermanus-fock-draughtsman-anthony-andriessen-1780-paper-h-310-mm-w-191-mm-image472072372.htmlRM2JC0N3G–Portrait of Hermanus Fock, draughtsman: Anthony Andriessen, 1780, paper, h 310 mm × w 191 mm
The hermitage. Draughtsman: Jacob Esselens. Dating: 1636 - 1687. Measurements: h 246 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-hermitage-draughtsman-jacob-esselens-dating-1636-1687-measurements-h-246-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232949200.htmlRMREYN28–The hermitage. Draughtsman: Jacob Esselens. Dating: 1636 - 1687. Measurements: h 246 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Boom Tree Object Type: photographs Item number: RP-F F80370 Manufacturer : Photographer: anonymous Date: ca. 1850 - ca. 1870 Physical features: albumen printing: albumen print dimensions: photo: H 253 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boom-tree-object-type-photographs-item-number-rp-f-f80370-manufacturer-photographer-anonymous-date-ca-1850-ca-1870-physical-features-albumen-printing-albumen-print-dimensions-photo-h-253-mm-w-191-mm-image348218581.htmlRM2B6EM9W–Boom Tree Object Type: photographs Item number: RP-F F80370 Manufacturer : Photographer: anonymous Date: ca. 1850 - ca. 1870 Physical features: albumen printing: albumen print dimensions: photo: H 253 mm × W 191 mm
Grazing cow, to the right, cow, Jean Bernard, 1775 - 1833, paper, chalk, h 128 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-cow-to-the-right-cow-jean-bernard-1775-1833-paper-chalk-h-128-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350009840.htmlRF2B9C93C–Grazing cow, to the right, cow, Jean Bernard, 1775 - 1833, paper, chalk, h 128 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Pine Knot . M1M1 C ffl. (tab c laire HodgesGrace HollidayJessie HodgesLillie Belle HardisonSallie Hadley c HAPMAN, LlLL Applewhite, LillBowen, MaudeManning, FannieManning, Daisy ^Cii mm - HUM iillllNllllllllllllllllllllllimilll W ,111?!llll!| lilllllBlllllllllllllBlllllllllllillilllMIIIIINIIIIIIIIIIIIIIIIJIIllllllHIIIIIIIIII. 191 6 114 ®ip> Pin* Knot ? •?J n iiii«iMiiiiiMiiigB ? < » i » iniuiimiiiiiiHiiiiiiiim in at ii i in in. Mary ProctorRuth Hardy .Charlotte HodgesElizabeth KinseyEliza Rouse .Lucy BrothersJuanita CrockettElsie Respass Hare Urmia Motto :Get all coming your way Pas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pine-knot-m1m1-c-ffl-tab-c-laire-hodgesgrace-hollidayjessie-hodgeslillie-belle-hardisonsallie-hadley-c-hapman-llll-applewhite-lillbowen-maudemanning-fanniemanning-daisy-cii-mm-hum-iillllnllllllllllllllllllllllimilll-w-111!llll!-lilllllblllllllllllllblllllllllllillilllmiiiiiniiiiiiiiiiiiiiiijiillllllhiiiiiiiiii-191-6-114-ipgt-pin-knot-j-n-iiiiimiiiiimiiigb-lt-i-iniuiimiiiiiihiiiiiiiim-in-at-ii-i-in-in-mary-proctorruth-hardy-charlotte-hodgeselizabeth-kinseyeliza-rouse-lucy-brothersjuanita-crockettelsie-respass-hare-urmia-motto-get-all-coming-your-way-pas-image342760441.htmlRM2AWJ2C9–The Pine Knot . M1M1 C ffl. (tab c laire HodgesGrace HollidayJessie HodgesLillie Belle HardisonSallie Hadley c HAPMAN, LlLL Applewhite, LillBowen, MaudeManning, FannieManning, Daisy ^Cii mm - HUM iillllNllllllllllllllllllllllimilll W ,111?!llll!| lilllllBlllllllllllllBlllllllllllillilllMIIIIINIIIIIIIIIIIIIIIIJIIllllllHIIIIIIIIII. 191 6 114 ®ip> Pin* Knot ? •?J n iiii«iMiiiiiMiiigB ? < » i » iniuiimiiiiiiHiiiiiiiim in at ii i in in. Mary ProctorRuth Hardy .Charlotte HodgesElizabeth KinseyEliza Rouse .Lucy BrothersJuanita CrockettElsie Respass Hare Urmia Motto :Get all coming your way Pas
Archive image from page 212 of Die Anatomie des Kaninschens in. Die Anatomie des Kaninschens in topographischer und operativer Rücksicht . dieanatomiedeska00krau Year: 1884 Sinnes-Apparate. 191 Palpebra tertia vorwärts. Vermöge der Adhäsion der Krümmungsfläche ihrer kon- kaven Seite an den Bulbus gleitet sie vor dem letzteren nach hinten. Bei gleichmäßiger Zusammenziehung der Mm. rectus posticus und retractor bulbi müßte hiernach die Drehung des Bulbus nach hinten von Verschiebung der Palpebra tertia begleitet sein. Motorische Endplatten. Die Nervenver- teilung im M. retractor bulbi läßt sich Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-212-of-die-anatomie-des-kaninschens-in-die-anatomie-des-kaninschens-in-topographischer-und-operativer-rcksicht-dieanatomiedeska00krau-year-1884-sinnes-apparate-191-palpebra-tertia-vorwrts-vermge-der-adhsion-der-krmmungsflche-ihrer-kon-kaven-seite-an-den-bulbus-gleitet-sie-vor-dem-letzteren-nach-hinten-bei-gleichmiger-zusammenziehung-der-mm-rectus-posticus-und-retractor-bulbi-mte-hiernach-die-drehung-des-bulbus-nach-hinten-von-verschiebung-der-palpebra-tertia-begleitet-sein-motorische-endplatten-die-nervenver-teilung-im-m-retractor-bulbi-lt-sich-image258905486.htmlRMW164GE–Archive image from page 212 of Die Anatomie des Kaninschens in. Die Anatomie des Kaninschens in topographischer und operativer Rücksicht . dieanatomiedeska00krau Year: 1884 Sinnes-Apparate. 191 Palpebra tertia vorwärts. Vermöge der Adhäsion der Krümmungsfläche ihrer kon- kaven Seite an den Bulbus gleitet sie vor dem letzteren nach hinten. Bei gleichmäßiger Zusammenziehung der Mm. rectus posticus und retractor bulbi müßte hiernach die Drehung des Bulbus nach hinten von Verschiebung der Palpebra tertia begleitet sein. Motorische Endplatten. Die Nervenver- teilung im M. retractor bulbi läßt sich
. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 'C °c Figure 25-6. Relative distribution histograms of diterpenoids and triterpenoids based upon m/z 191 mass chromatograms. EBBS = southeastern Bering Sea; NS = Norton Sound; San Pedro Basin = 20-25 mm core, Venkatesan et al. 1980. Dia- stereomers indicated by dotted and continuous Unes. I is 17a; (H), 18a(H), 21j3(H)-28, 30-bisnorhopane. tended hopanes (VIII) are present as 1:1 mixtures of the C-22 diastereomers (Venkatesan et al. 1980). There, the dominant homolog is 17a(H), 18i3(H), Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-c-c-figure-25-6-relative-distribution-histograms-of-diterpenoids-and-triterpenoids-based-upon-mz-191-mass-chromatograms-ebbs-=-southeastern-bering-sea-ns-=-norton-sound-san-pedro-basin-=-20-25-mm-core-venkatesan-et-al-1980-dia-stereomers-indicated-by-dotted-and-continuous-unes-i-is-17a-h-18ah-21j3h-28-30-bisnorhopane-tended-hopanes-viii-are-present-as-11-mixtures-of-the-c-22-diastereomers-venkatesan-et-al-1980-there-the-dominant-homolog-is-17ah-18i3h-image178472194.htmlRMMAA32X–. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder . 'C °c Figure 25-6. Relative distribution histograms of diterpenoids and triterpenoids based upon m/z 191 mass chromatograms. EBBS = southeastern Bering Sea; NS = Norton Sound; San Pedro Basin = 20-25 mm core, Venkatesan et al. 1980. Dia- stereomers indicated by dotted and continuous Unes. I is 17a; (H), 18a(H), 21j3(H)-28, 30-bisnorhopane. tended hopanes (VIII) are present as 1:1 mixtures of the C-22 diastereomers (Venkatesan et al. 1980). There, the dominant homolog is 17a(H), 18i3(H),
Krishna and shepherdesses, draughtsman: anonymous, Bikaner, 1700 - 1725, paper, brush, h 254 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-shepherdesses-draughtsman-anonymous-bikaner-1700-1725-paper-brush-h-254-mm-w-191-mm-image472093683.htmlRM2JC1M8K–Krishna and shepherdesses, draughtsman: anonymous, Bikaner, 1700 - 1725, paper, brush, h 254 mm × w 191 mm
Scheveningers. Draughtsman: Pieter van Loon. Dating: Nov-1835. Measurements: h 318 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scheveningers-draughtsman-pieter-van-loon-dating-nov-1835-measurements-h-318-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232948103.htmlRMREYKK3–Scheveningers. Draughtsman: Pieter van Loon. Dating: Nov-1835. Measurements: h 318 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
The surgeon Draft schilderij. Manufacturer : artist: Jan Josef Horemans (I) Dated: 1692 - 1759 Physical features: put on windows in red chalk , brush and gray material: paper Technique: brush / kwadraatnetvergroting Dimensions: h 239 mm × W 191 mm Subject Bumper 'operations' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-surgeon-draft-schilderij-manufacturer-artist-jan-josef-horemans-i-dated-1692-1759-physical-features-put-on-windows-in-red-chalk-brush-and-gray-material-paper-technique-brush-kwadraatnetvergroting-dimensions-h-239-mm-w-191-mm-subject-bumper-operations-image348288734.htmlRM2B6HWRA–The surgeon Draft schilderij. Manufacturer : artist: Jan Josef Horemans (I) Dated: 1692 - 1759 Physical features: put on windows in red chalk , brush and gray material: paper Technique: brush / kwadraatnetvergroting Dimensions: h 239 mm × W 191 mm Subject Bumper 'operations'
Turbulent sea with sailing ships, Christiaan Cornelis Kannemans, 1822 - 1884, paper, pencil, deck paint, brush, h 133 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turbulent-sea-with-sailing-ships-christiaan-cornelis-kannemans-1822-1884-paper-pencil-deck-paint-brush-h-133-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350009908.htmlRF2B9C95T–Turbulent sea with sailing ships, Christiaan Cornelis Kannemans, 1822 - 1884, paper, pencil, deck paint, brush, h 133 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![Iphigenie en Tauride : tragédie en quatre actes . i^^^gg^^^^^^iffiR2ri^^gi^ ^ ^Êm^^ÉÉ^^^^^r O^r—H- dEE 3E 3£ ï?m w= 3E a ^ :^E 1 ii-.-û ^ * b-- ?-;-] L- «-• -Vî ft t^/A- /W/ <•<;// sana ex -vi - < ^e# 3E S ^ ^j Q I /[/ ? i tfeuwex nous justes ûeua é/oia/wilesAorreùrjauecet/h) tfait rex. nûus iiu iJL ftuijm>K Lv mirreurJameeemo : , , ? , , . » r , | ? » , |-h—* ? ? ,^ff^f-£1-JLf--t-ft-1-»-»-->--#-T.- 191. mm .-—r- I f-fT^rif^ / --—r- I S Stock Photo](https://c8.alamy.com/comp/2AMY2PW/iphigenie-en-tauride-tragdie-en-quatre-actes-iggiffir2rigi-mr-orh-dee-3e-3-m-w=-3e-a-e-1-ii-b-l-v-ft-ta-w-ltlt-sana-ex-vi-lt-e-3e-s-j-q-i-i-tfeuwex-nous-justes-eua-oiawilesaorrerjaueceth-tfait-rex-nus-iiu-ijl-ftuijmgtk-lv-mirreurjameeemo-r-h-fff-1-jlf-t-ft-1-gt-t-191-mm-r-i-f-ftrif-r-i-s-2AMY2PW.jpg "Iphigenie en Tauride : tragédie en quatre actes . i^^^gg^^^^^^iffiR2ri^^gi^ ^ ^Êm^^ÉÉ^^^^^r O^r—H- dEE 3E 3£ ï?m w= 3E a ^ :^E 1 ii-.-û ^ * b-- ?-;-] L- «-• -Vî ft t^/A- /W/ <•<;// sana ex -vi - < ^e# 3E S ^ ^j Q I /[/ ? i tfeuwex nous justes ûeua é/oia/wilesAorreùrjauecet/h) tfait rex. nûus iiu iJL ftuijm>K Lv mirreurJameeemo : , , ? , , . » r , | ? » , |-h—* ? ? ,^ff^f-£1-JLf--t-ft-1-»-»-->--#-T.- 191. mm .-—r- I f-fT^rif^ / --—r- I S Stock Photo")
Iphigenie en Tauride : tragédie en quatre actes . i^^^gg^^^^^^iffiR2ri^^gi^ ^ ^Êm^^ÉÉ^^^^^r O^r—H- dEE 3E 3£ ï?m w= 3E a ^ :^E 1 ii-.-û ^ * b-- ?-;-] L- «-• -Vî ft t^/A- /W/ <•<;// sana ex -vi - < ^e# 3E S ^ ^j Q I /[/ ? i tfeuwex nous justes ûeua é/oia/wilesAorreùrjauecet/h) tfait rex. nûus iiu iJL ftuijm>K Lv mirreurJameeemo : , , ? , , . » r , | ? » , |-h—* ? ? ,^ff^f-£1-JLf--t-ft-1-»-»-->--#-T.- 191. mm .-—r- I f-fT^rif^ / --—r- I S Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iphigenie-en-tauride-tragdie-en-quatre-actes-iggiffir2rigi-mr-orh-dee-3e-3-m-w=-3e-a-e-1-ii-b-l-v-ft-ta-w-ltlt-sana-ex-vi-lt-e-3e-s-j-q-i-i-tfeuwex-nous-justes-eua-oiawilesaorrerjaueceth-tfait-rex-nus-iiu-ijl-ftuijmgtk-lv-mirreurjameeemo-r-h-fff-1-jlf-t-ft-1-gt-t-191-mm-r-i-f-ftrif-r-i-s-image339885025.htmlRM2AMY2PW–Iphigenie en Tauride : tragédie en quatre actes . i^^^gg^^^^^^iffiR2ri^^gi^ ^ ^Êm^^ÉÉ^^^^^r O^r—H- dEE 3E 3£ ï?m w= 3E a ^ :^E 1 ii-.-û ^ * b-- ?-;-] L- «-• -Vî ft t^/A- /W/ <•<;// sana ex -vi - < ^e# 3E S ^ ^j Q I /[/ ? i tfeuwex nous justes ûeua é/oia/wilesAorreùrjauecet/h) tfait rex. nûus iiu iJL ftuijm>K Lv mirreurJameeemo : , , ? , , . » r , | ? » , |-h—* ? ? ,^ff^f-£1-JLf--t-ft-1-»-»-->--#-T.- 191. mm .-—r- I f-fT^rif^ / --—r- I S
![. Fig. 18. Coryphaenoides holotrachys. x-J-. Coelorhynchus fasciatus (Giinther). Macrurusfasciatus, Giinther, 1878, Ann. Mag. Nat. Hist. (5) 11, p. 24; Giinther, 1887, Deep-Sea Fish. 'Challenger', p. 129, pi. xxviii, fig. A. Coelorhynchus fasciatus, Goode and Bean, 1895, Ocean. Ichth., p. 402; Gilbert and Thompson, 1916, in Thompson, Proc. U.S. Nat. Mus., l, p. 473. St. WS 817. 14. i. 32. 52° 23' S, 640 19' W. Commercial otter trawl, 191-238 m.: 9 specimens, 308-340 mm. St. WS 820. 18. i. 32. 52° 53'15" S, 6i° 51'30" W. Net (4 mm. mesh) attached to back of trawl, 351—367 m.: 1 specim Stock Photo](https://c8.alamy.com/comp/MCTNP6/fig-18-coryphaenoides-holotrachys-x-j-coelorhynchus-fasciatus-giinther-macrurusfasciatus-giinther-1878-ann-mag-nat-hist-5-11-p-24-giinther-1887-deep-sea-fish-challenger-p-129-pi-xxviii-fig-a-coelorhynchus-fasciatus-goode-and-bean-1895-ocean-ichth-p-402-gilbert-and-thompson-1916-in-thompson-proc-us-nat-mus-l-p-473-st-ws-817-14-i-32-52-23-s-640-19-w-commercial-otter-trawl-191-238-m-9-specimens-308-340-mm-st-ws-820-18-i-32-52-5315quot-s-6i-5130quot-w-net-4-mm-mesh-attached-to-back-of-trawl-351367-m-1-specim-MCTNP6.jpg ". Fig. 18. Coryphaenoides holotrachys. x-J-. Coelorhynchus fasciatus (Giinther). Macrurusfasciatus, Giinther, 1878, Ann. Mag. Nat. Hist. (5) 11, p. 24; Giinther, 1887, Deep-Sea Fish. 'Challenger', p. 129, pi. xxviii, fig. A. Coelorhynchus fasciatus, Goode and Bean, 1895, Ocean. Ichth., p. 402; Gilbert and Thompson, 1916, in Thompson, Proc. U.S. Nat. Mus., l, p. 473. St. WS 817. 14. i. 32. 52° 23' S, 640 19' W. Commercial otter trawl, 191-238 m.: 9 specimens, 308-340 mm. St. WS 820. 18. i. 32. 52° 53'15" S, 6i° 51'30" W. Net (4 mm. mesh) attached to back of trawl, 351—367 m.: 1 specim Stock Photo")
. Fig. 18. Coryphaenoides holotrachys. x-J-. Coelorhynchus fasciatus (Giinther). Macrurusfasciatus, Giinther, 1878, Ann. Mag. Nat. Hist. (5) 11, p. 24; Giinther, 1887, Deep-Sea Fish. 'Challenger', p. 129, pi. xxviii, fig. A. Coelorhynchus fasciatus, Goode and Bean, 1895, Ocean. Ichth., p. 402; Gilbert and Thompson, 1916, in Thompson, Proc. U.S. Nat. Mus., l, p. 473. St. WS 817. 14. i. 32. 52° 23' S, 640 19' W. Commercial otter trawl, 191-238 m.: 9 specimens, 308-340 mm. St. WS 820. 18. i. 32. 52° 53'15" S, 6i° 51'30" W. Net (4 mm. mesh) attached to back of trawl, 351—367 m.: 1 specim Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fig-18-coryphaenoides-holotrachys-x-j-coelorhynchus-fasciatus-giinther-macrurusfasciatus-giinther-1878-ann-mag-nat-hist-5-11-p-24-giinther-1887-deep-sea-fish-challenger-p-129-pi-xxviii-fig-a-coelorhynchus-fasciatus-goode-and-bean-1895-ocean-ichth-p-402-gilbert-and-thompson-1916-in-thompson-proc-us-nat-mus-l-p-473-st-ws-817-14-i-32-52-23-s-640-19-w-commercial-otter-trawl-191-238-m-9-specimens-308-340-mm-st-ws-820-18-i-32-52-5315quot-s-6i-5130quot-w-net-4-mm-mesh-attached-to-back-of-trawl-351367-m-1-specim-image180023486.htmlRMMCTNP6–. Fig. 18. Coryphaenoides holotrachys. x-J-. Coelorhynchus fasciatus (Giinther). Macrurusfasciatus, Giinther, 1878, Ann. Mag. Nat. Hist. (5) 11, p. 24; Giinther, 1887, Deep-Sea Fish. 'Challenger', p. 129, pi. xxviii, fig. A. Coelorhynchus fasciatus, Goode and Bean, 1895, Ocean. Ichth., p. 402; Gilbert and Thompson, 1916, in Thompson, Proc. U.S. Nat. Mus., l, p. 473. St. WS 817. 14. i. 32. 52° 23' S, 640 19' W. Commercial otter trawl, 191-238 m.: 9 specimens, 308-340 mm. St. WS 820. 18. i. 32. 52° 53'15" S, 6i° 51'30" W. Net (4 mm. mesh) attached to back of trawl, 351—367 m.: 1 specim
Table piano, draughtsman: Pieter de Goeje, 1789 - 1859, paper, h 131 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-piano-draughtsman-pieter-de-goeje-1789-1859-paper-h-131-mm-w-191-mm-image472079623.htmlRM2JC12AF–Table piano, draughtsman: Pieter de Goeje, 1789 - 1859, paper, h 131 mm × w 191 mm
Seascape. Draughtsman: Pieter Idserts (possibly). Dating: 1708 - 1781. Measurements: h 125 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seascape-draughtsman-pieter-idserts-possibly-dating-1708-1781-measurements-h-125-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232942744.htmlRMREYCRM–Seascape. Draughtsman: Pieter Idserts (possibly). Dating: 1708 - 1781. Measurements: h 125 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Three birds in the air Draft prent. Manufacturer : artist Leo Gestel Date: 1891 - 1941 Physical features: pencil, brush in black, white dekverf Material : paper finishing paint pencil Technique: brush dimensions: h 133 mm × W 191 mm Subject: bird Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-birds-in-the-air-draft-prent-manufacturer-artist-leo-gestel-date-1891-1941-physical-features-pencil-brush-in-black-white-dekverf-material-paper-finishing-paint-pencil-technique-brush-dimensions-h-133-mm-w-191-mm-subject-bird-image348321298.htmlRM2B6KBAA–Three birds in the air Draft prent. Manufacturer : artist Leo Gestel Date: 1891 - 1941 Physical features: pencil, brush in black, white dekverf Material : paper finishing paint pencil Technique: brush dimensions: h 133 mm × W 191 mm Subject: bird
Standing cow, Standing cow in a pasture turns its head to chase away flies, cow, Paulus Constantijn la Fargue (mentioned on object), 1764, paper, etching, h 130 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standing-cow-standing-cow-in-a-pasture-turns-its-head-to-chase-away-flies-cow-paulus-constantijn-la-fargue-mentioned-on-object-1764-paper-etching-h-130-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350002590.htmlRF2B9BYTE–Standing cow, Standing cow in a pasture turns its head to chase away flies, cow, Paulus Constantijn la Fargue (mentioned on object), 1764, paper, etching, h 130 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
The Victoria history of the county of Bedford . I B ^4 , Mm op 1 y ZttuJAt ^1 , 1 ^— ?Segn J Wolmrtte ,>> o , Tj-m-xJunj. ^ s 1—1 5 X, w J M^ o LcsfoTtr I ^ ^ B n o PQ Boc7an^?iamscire ; )AY MAP. DOMESDAY SURVEY Assessment of the county, pp. 191-193—The royal demesne, p, 194.—Bedford, p. 195—The tenants-in-chief, spiritual and lay, pp. 195-204—Fate of English holders, pp. 205-207—Problems of tenure, p. 207—Legal antiquities, pp. 208-212—Sources of wealth, p.212—Identification of manors, pp. 213-216—The Bedfordshire Hundreds, p. 217, IF the Domesday student were asked to name the f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-victoria-history-of-the-county-of-bedford-i-b-4-mm-op-1-y-zttujat-1-1-segn-j-wolmrtte-gtgt-o-tj-m-xjunj-s-11-5-x-w-j-m-o-lcsfottr-i-b-n-o-pq-boc7aniamscire-ay-map-domesday-survey-assessment-of-the-county-pp-191-193the-royal-demesne-p-194bedford-p-195the-tenants-in-chief-spiritual-and-lay-pp-195-204fate-of-english-holders-pp-205-207problems-of-tenure-p-207legal-antiquities-pp-208-212sources-of-wealth-p212identification-of-manors-pp-213-216the-bedfordshire-hundreds-p-217-if-the-domesday-student-were-asked-to-name-the-f-image342724097.htmlRM2AWGC29–The Victoria history of the county of Bedford . I B ^4 , Mm op 1 y ZttuJAt ^1 , 1 ^— ?Segn J Wolmrtte ,>> o , Tj-m-xJunj. ^ s 1—1 5 X, w J M^ o LcsfoTtr I ^ ^ B n o PQ Boc7an^?iamscire ; )AY MAP. DOMESDAY SURVEY Assessment of the county, pp. 191-193—The royal demesne, p, 194.—Bedford, p. 195—The tenants-in-chief, spiritual and lay, pp. 195-204—Fate of English holders, pp. 205-207—Problems of tenure, p. 207—Legal antiquities, pp. 208-212—Sources of wealth, p.212—Identification of manors, pp. 213-216—The Bedfordshire Hundreds, p. 217, IF the Domesday student were asked to name the f
. 0'5 mm Text-fig. 13. Prostomia of (a) Travisiopsis lobifera, (b) T. levinseni, (c) T. lanceolata, (d) T. coniceps, all with all lateral cirri removed but showing nuchal organs and lobes. Travisiopsis levinseni Southern, 1910 Type locality. 530 7' N., 150 9' W., 650-750 fathoms (11887-1371-6 m.). Travisiopsis levinseni Southern, 1910, p. 429. Travisiopsis levinseni Southern, 1911, pp. 32-3, pi. 2, figs. 7-10. Sagitella Kowalewskii Gravier, ? 191 ib, pp. 74-6, pi. 3, figs. 30-2, nee Wagner. Sagittella cornuta Ehlers, 1912, p. 25 (in part) nee Sagittella comuta Ehlers, 1913, pp. 527-q, pi. 39, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/05-mm-text-fig-13-prostomia-of-a-travisiopsis-lobifera-b-t-levinseni-c-t-lanceolata-d-t-coniceps-all-with-all-lateral-cirri-removed-but-showing-nuchal-organs-and-lobes-travisiopsis-levinseni-southern-1910-type-locality-530-7-n-150-9-w-650-750-fathoms-11887-1371-6-m-travisiopsis-levinseni-southern-1910-p-429-travisiopsis-levinseni-southern-1911-pp-32-3-pi-2-figs-7-10-sagitella-kowalewskii-gravier-191-ib-pp-74-6-pi-3-figs-30-2-nee-wagner-sagittella-cornuta-ehlers-1912-p-25-in-part-nee-sagittella-comuta-ehlers-1913-pp-527-q-pi-39-image179956763.htmlRMMCNMK7–. 0'5 mm Text-fig. 13. Prostomia of (a) Travisiopsis lobifera, (b) T. levinseni, (c) T. lanceolata, (d) T. coniceps, all with all lateral cirri removed but showing nuchal organs and lobes. Travisiopsis levinseni Southern, 1910 Type locality. 530 7' N., 150 9' W., 650-750 fathoms (11887-1371-6 m.). Travisiopsis levinseni Southern, 1910, p. 429. Travisiopsis levinseni Southern, 1911, pp. 32-3, pi. 2, figs. 7-10. Sagitella Kowalewskii Gravier, ? 191 ib, pp. 74-6, pi. 3, figs. 30-2, nee Wagner. Sagittella cornuta Ehlers, 1912, p. 25 (in part) nee Sagittella comuta Ehlers, 1913, pp. 527-q, pi. 39,
Two sloops, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 121 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-sloops-draughtsman-hendrik-abraham-klinkhamer-1820-1872-paper-brush-h-121-mm-w-191-mm-image472091586.htmlRM2JC1HHP–Two sloops, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 121 mm × w 191 mm
Hares paw. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 88 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hares-paw-draughtsman-jean-bernard-dating-1775-1833-measurements-h-88-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233114755.htmlRMRF786Y–Hares paw. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 88 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
CataniaFontana Elephant Catania.Fontana dell'Elefante Object Type : picture Item number: RP-F F16681 Manufacturer : Photographer: Roberto Rive (attributed to) Date: ca. 1850 - ca. 1900 Physical features: albumen printing: albumen print dimensions: photo: h 254 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cataniafontana-elephant-cataniafontana-dellelefante-object-type-picture-item-number-rp-f-f16681-manufacturer-photographer-roberto-rive-attributed-to-date-ca-1850-ca-1900-physical-features-albumen-printing-albumen-print-dimensions-photo-h-254-mm-w-191-mm-image348250829.htmlRM2B6G5DH–CataniaFontana Elephant Catania.Fontana dell'Elefante Object Type : picture Item number: RP-F F16681 Manufacturer : Photographer: Roberto Rive (attributed to) Date: ca. 1850 - ca. 1900 Physical features: albumen printing: albumen print dimensions: photo: h 254 mm × W 191 mm
Photo reproduction of a drawing depicting a ruler with his sequel 1530 (title on object), family of a ruler, and court, ruler, sovereign, anonymous, Amsterdam, c. 1868 - in or before 1873, paper, collotype, h 136 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photo-reproduction-of-a-drawing-depicting-a-ruler-with-his-sequel-1530-title-on-object-family-of-a-ruler-and-court-ruler-sovereign-anonymous-amsterdam-c-1868-in-or-before-1873-paper-collotype-h-136-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349995229.htmlRF2B9BJDH–Photo reproduction of a drawing depicting a ruler with his sequel 1530 (title on object), family of a ruler, and court, ruler, sovereign, anonymous, Amsterdam, c. 1868 - in or before 1873, paper, collotype, h 136 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Boletín Oficial de la República Argentina1917 1ra sección . ! I ! -;! - ! SI/iYi IÜP sp s» V;-Y: j«!ii,¡! I-3?M ffl* -Y ?:.;iY¡ /.. 7 MARCA REGiSTHAOA /Y;YY/ <áJ w±, xíj &, ?.^.-r^JZi. C.¡ f «^a mm .?* ..ever .roííicis, Limited. — jabones en general; de la v-3 mayo. Acta Ño5o027 1 E n 6iY i -/ i! ír -, REísL w e|5srl V^f^ i1 H 11 S ^ y —* i i8? >Abrií 23 de 191.7. — Lever Brothers» Limited. — Jabones en general, de %clase 14» v..^ ? .-- ..: i . , . , ; , , ^: ; ; .... ; , v-3. maypf ^ 20 BOLETÍN OFICIAL -^ Buenos Aires, Martes lo de Mayo de 1917 --7ÍNA Acta N« 5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina1917-1ra-seccin-!-i-!-!-!-siiyi-ip-sp-s-v-y-j!ii!-i-3m-ffl-y-iy-7-marca-registhaoa-yyy-ltj-w-xj-rjzi-c-f-a-mm-ever-roicis-limited-jabones-en-general-de-la-v-3-mayo-acta-o5o027-1-e-n-6iy-i-i!-r-resl-w-e5srl-vf-i1-h-11-s-y-i-i8-gtabri-23-de-1917-lever-brothers-limited-jabones-en-general-de-clase-14-v-i-v-3-maypf-20-boletn-oficial-buenos-aires-martes-lo-de-mayo-de-1917-7na-acta-n-5-image342781843.htmlRM2AWK1MK–Boletín Oficial de la República Argentina1917 1ra sección . ! I ! -;! - ! SI/iYi IÜP sp s» V;-Y: j«!ii,¡! I-3?M ffl* -Y ?:.;iY¡ /.. 7 MARCA REGiSTHAOA /Y;YY/ <áJ w±, xíj &, ?.^.-r^JZi. C.¡ f «^a mm .?* ..ever .roííicis, Limited. — jabones en general; de la v-3 mayo. Acta Ño5o027 1 E n 6iY i -/ i! ír -, REísL w e|5srl V^f^ i1 H 11 S ^ y —* i i8? >Abrií 23 de 191.7. — Lever Brothers» Limited. — Jabones en general, de %clase 14» v..^ ? .-- ..: i . , . , ; , , ^: ; ; .... ; , v-3. maypf ^ 20 BOLETÍN OFICIAL -^ Buenos Aires, Martes lo de Mayo de 1917 --7ÍNA Acta N« 5
Sailing ship, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailing-ship-draughtsman-hendrik-abraham-klinkhamer-1820-1872-paper-brush-h-120-mm-w-191-mm-image472091949.htmlRM2JC1J2N–Sailing ship, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 191 mm
Two sloops. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 121 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-sloops-draughtsman-hendrik-abraham-klinkhamer-dating-1820-1872-measurements-h-121-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233131807.htmlRMRF81YY–Two sloops. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 121 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
The sower The Sower object type: Drawing Object number: RP-T 1950-551 Manufacturer : artist: Pieter de Josselin de Jong Date: 1871 - 1906 Physical features: black chalk material: paper chalk Dimensions: H 322 mm × W 191 mm Subject: sowing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sower-the-sower-object-type-drawing-object-number-rp-t-1950-551-manufacturer-artist-pieter-de-josselin-de-jong-date-1871-1906-physical-features-black-chalk-material-paper-chalk-dimensions-h-322-mm-w-191-mm-subject-sowing-image348302717.htmlRM2B6JFJN–The sower The Sower object type: Drawing Object number: RP-T 1950-551 Manufacturer : artist: Pieter de Josselin de Jong Date: 1871 - 1906 Physical features: black chalk material: paper chalk Dimensions: H 322 mm × W 191 mm Subject: sowing
Portrait of Petrus van Maastricht, Petrus van Maastricht, professor of theology and philosophy in Frankfurt, Duisburg and Utrecht. With Latin and Greek captions, Pieter van Gunst (mentioned on object), Amsterdam, 1659 - 1731, paper, engraving, h 280 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-petrus-van-maastricht-petrus-van-maastricht-professor-of-theology-and-philosophy-in-frankfurt-duisburg-and-utrecht-with-latin-and-greek-captions-pieter-van-gunst-mentioned-on-object-amsterdam-1659-1731-paper-engraving-h-280-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350003501.htmlRF2B9C111–Portrait of Petrus van Maastricht, Petrus van Maastricht, professor of theology and philosophy in Frankfurt, Duisburg and Utrecht. With Latin and Greek captions, Pieter van Gunst (mentioned on object), Amsterdam, 1659 - 1731, paper, engraving, h 280 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![Ontario Sessional Papers, 1901, No.12-16 . CO S 3OO MM O SOS S,-- o o r* s X < <c <ii •< <ii <ii <? <(j <ij •< mmmSmmmmmS o o O-H mS -C 3h S — f^ ^ i::^ - c; -^ ^ - o 3 S-1^ hH ^ -. r^ .2 ?!-! ^ f= ^ a -R ^ .-=! r-M <u J2 Q- S O c* ^ O o ? 01 o SM » :;3 . Sij^S^-s ^^ a c 2 - ^ » c m . ID O —^ C fci rs a 5 ? ^ -2 „r oT fc< S^bSS> £, 2 ^ ^ 1900] EDUCATION DEPARTMENT. 191 OpQOOOOOQOOOOQOOOQOOOOOOOOQQQO 05000 ^OOOQOO^OOOg 05 CR o 6i S; 051^ 1- 30 o c« C5 05 o o w. o 05 cc » sr. o c; o (» cr. g; CO ffi 5 cj w o 5- 5. 5 5 CI ^. w| ® •-T- 0) 3 eS ^ UJ ?^ li 0 Stock Photo](https://c8.alamy.com/comp/2AWJP7W/ontario-sessional-papers-1901-no12-16-co-s-3oo-mm-o-sos-s-o-o-r-s-x-lt-ltc-ltii-lt-ltii-ltii-lt-ltj-ltij-lt-mmmsmmmmms-o-o-o-h-ms-c-3h-s-f-i-c-o-3-s-1-hh-r-2-!-!-f=-a-r-=!-r-m-ltu-j2-q-s-o-c-o-o-01-o-sm-3-sijs-s-a-c-2-c-m-id-o-c-fci-rs-a-5-2-r-ot-fclt-sbssgt-2-1900-education-department-191-opqoooooqooooqoooqooooooooqqqo-05000-oooqooooog-05-cr-o-6i-s-051-1-30-o-c-c5-05-o-o-w-o-05-cc-sr-o-c-o-cr-g-co-ffi-5-cj-w-o-5-5-5-5-ci-w-t-0-3-es-uj-li-0-2AWJP7W.jpg "Ontario Sessional Papers, 1901, No.12-16 . CO S 3OO MM O SOS S,-- o o r* s X < <c <ii •< <ii <ii <? <(j <ij •< mmmSmmmmmS o o O-H mS -C 3h S — f^ ^ i::^ - c; -^ ^ - o 3 S-1^ hH ^ -. r^ .2 ?!-! ^ f= ^ a -R ^ .-=! r-M <u J2 Q- S O c* ^ O o ? 01 o SM » :;3 . Sij^S^-s ^^ a c 2 - ^ » c m . ID O —^ C fci rs a 5 ? ^ -2 „r oT fc< S^bSS> £, 2 ^ ^ 1900] EDUCATION DEPARTMENT. 191 OpQOOOOOQOOOOQOOOQOOOOOOOOQQQO 05000 ^OOOQOO^OOOg 05 CR o 6i S; 051^ 1- 30 o c« C5 05 o o w. o 05 cc » sr. o c; o (» cr. g; CO ffi 5 cj w o 5- 5. 5 5 CI ^. w| ® •-T- 0) 3 eS ^ UJ ?^ li 0 Stock Photo")
Ontario Sessional Papers, 1901, No.12-16 . CO S 3OO MM O SOS S,-- o o r* s X < <c <ii •< <ii <ii <? <(j <ij •< mmmSmmmmmS o o O-H mS -C 3h S — f^ ^ i::^ - c; -^ ^ - o 3 S-1^ hH ^ -. r^ .2 ?!-! ^ f= ^ a -R ^ .-=! r-M <u J2 Q- S O c* ^ O o ? 01 o SM » :;3 . Sij^S^-s ^^ a c 2 - ^ » c m . ID O —^ C fci rs a 5 ? ^ -2 „r oT fc< S^bSS> £, 2 ^ ^ 1900] EDUCATION DEPARTMENT. 191 OpQOOOOOQOOOOQOOOQOOOOOOOOQQQO 05000 ^OOOQOO^OOOg 05 CR o 6i S; 051^ 1- 30 o c« C5 05 o o w. o 05 cc » sr. o c; o (» cr. g; CO ffi 5 cj w o 5- 5. 5 5 CI ^. w| ® •-T- 0) 3 eS ^ UJ ?^ li 0 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ontario-sessional-papers-1901-no12-16-co-s-3oo-mm-o-sos-s-o-o-r-s-x-lt-ltc-ltii-lt-ltii-ltii-lt-ltj-ltij-lt-mmmsmmmmms-o-o-o-h-ms-c-3h-s-f-i-c-o-3-s-1-hh-r-2-!-!-f=-a-r-=!-r-m-ltu-j2-q-s-o-c-o-o-01-o-sm-3-sijs-s-a-c-2-c-m-id-o-c-fci-rs-a-5-2-r-ot-fclt-sbssgt-2-1900-education-department-191-opqoooooqooooqoooqooooooooqqqo-05000-oooqooooog-05-cr-o-6i-s-051-1-30-o-c-c5-05-o-o-w-o-05-cc-sr-o-c-o-cr-g-co-ffi-5-cj-w-o-5-5-5-5-ci-w-t-0-3-es-uj-li-0-image342775997.htmlRM2AWJP7W–Ontario Sessional Papers, 1901, No.12-16 . CO S 3OO MM O SOS S,-- o o r* s X < <c <ii •< <ii <ii <? <(j <ij •< mmmSmmmmmS o o O-H mS -C 3h S — f^ ^ i::^ - c; -^ ^ - o 3 S-1^ hH ^ -. r^ .2 ?!-! ^ f= ^ a -R ^ .-=! r-M <u J2 Q- S O c* ^ O o ? 01 o SM » :;3 . Sij^S^-s ^^ a c 2 - ^ » c m . ID O —^ C fci rs a 5 ? ^ -2 „r oT fc< S^bSS> £, 2 ^ ^ 1900] EDUCATION DEPARTMENT. 191 OpQOOOOOQOOOOQOOOQOOOOOOOOQQQO 05000 ^OOOQOO^OOOg 05 CR o 6i S; 051^ 1- 30 o c« C5 05 o o w. o 05 cc » sr. o c; o (» cr. g; CO ffi 5 cj w o 5- 5. 5 5 CI ^. w| ® •-T- 0) 3 eS ^ UJ ?^ li 0
Fisherman with net, draughtsman: Richard Nicolaüs Roland Holst, 1878 - 1938, paper, h 259 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fisherman-with-net-draughtsman-richard-nicolas-roland-holst-1878-1938-paper-h-259-mm-w-191-mm-image472090103.htmlRM2JC1FMR–Fisherman with net, draughtsman: Richard Nicolaüs Roland Holst, 1878 - 1938, paper, h 259 mm × w 191 mm
Fisherman with net. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 259 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fisherman-with-net-draughtsman-richard-roland-holst-dating-1878-1938-measurements-h-259-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232944667.htmlRMREYF8B–Fisherman with net. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 259 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
At the top of a lauwerkrans. Manufacturer : print maker: Michiel Mosijnnaar design: Gerbrand van den Eeckhout Publisher: Clement de Jongh Place manufacture: Amsterdam Date: 1640 - 1655 Material: paper Technique: engra (printing process) / etching dimensions: plate edge: h 243 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/at-the-top-of-a-lauwerkrans-manufacturer-print-maker-michiel-mosijnnaar-design-gerbrand-van-den-eeckhout-publisher-clement-de-jongh-place-manufacture-amsterdam-date-1640-1655-material-paper-technique-engra-printing-process-etching-dimensions-plate-edge-h-243-mm-w-191-mm-image348248850.htmlRM2B6G2XX–At the top of a lauwerkrans. Manufacturer : print maker: Michiel Mosijnnaar design: Gerbrand van den Eeckhout Publisher: Clement de Jongh Place manufacture: Amsterdam Date: 1640 - 1655 Material: paper Technique: engra (printing process) / etching dimensions: plate edge: h 243 mm × W 191 mm
Portrait of Abraham Hinckelmann, pastor in Hamburg. Under his portrait are his name and titles in Latin, Abraham Hinckelmann, Pieter van den Berge (mentioned on object), Hamburg, 1692, paper, engraving, h 248 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-abraham-hinckelmann-pastor-in-hamburg-under-his-portrait-are-his-name-and-titles-in-latin-abraham-hinckelmann-pieter-van-den-berge-mentioned-on-object-hamburg-1692-paper-engraving-h-248-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350003151.htmlRF2B9C0GF–Portrait of Abraham Hinckelmann, pastor in Hamburg. Under his portrait are his name and titles in Latin, Abraham Hinckelmann, Pieter van den Berge (mentioned on object), Hamburg, 1692, paper, engraving, h 248 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Boletín Oficial de la República Argentina. 1914 1ra sección. r //íviiwu^ í||w^aTO:(K^oaJ| -mm m í£I W¡á B. / Enero 14 de 1914. — Société Ano-nyme de la Distillerie de la Liqueurde Mandarme de Bougie. — Licoresde la clase 23. (envase). v-24 enero. Acta N 43.628 HERZKRONB. Enero 20 de 191!. Fratelil Síampay Cía. ••■- Bebidas en genera!, no medi-cinales, .alcohólicas o na, aleono!, dela clase 23. v- o euer Acta N -11.091 0 Sp> P h i 11 y i3 n l o ¡ tnVÜLLC DÉPOSF Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina-1914-1ra-seccin-r-viiwu-watokoaj-mm-m-i-w-b-enero-14-de-1914-socit-ano-nyme-de-la-distillerie-de-la-liqueurde-mandarme-de-bougie-licoresde-la-clase-23-envase-v-24-enero-acta-n-43628-herzkronb-enero-20-de-191!-fratelil-sampay-ca-bebidas-en-genera!-no-medi-cinales-alcohlicas-o-na-aleono!-dela-clase-23-v-o-euer-acta-n-11091-0-spgt-p-h-i-11-y-i3-n-l-o-tnvllc-dposf-image370480469.htmlRM2CEMRH9–. Boletín Oficial de la República Argentina. 1914 1ra sección. r //íviiwu^ í||w^aTO:(K^oaJ| -mm m í£I W¡á B. / Enero 14 de 1914. — Société Ano-nyme de la Distillerie de la Liqueurde Mandarme de Bougie. — Licoresde la clase 23. (envase). v-24 enero. Acta N 43.628 HERZKRONB. Enero 20 de 191!. Fratelil Síampay Cía. ••■- Bebidas en genera!, no medi-cinales, .alcohólicas o na, aleono!, dela clase 23. v- o euer Acta N -11.091 0 Sp> P h i 11 y i3 n l o ¡ tnVÜLLC DÉPOSF
The seeder, draughtsman: Pieter de Josselin de Jong, 1871 - 1906, paper, h 322 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seeder-draughtsman-pieter-de-josselin-de-jong-1871-1906-paper-h-322-mm-w-191-mm-image472079161.htmlRM2JC11P1–The seeder, draughtsman: Pieter de Josselin de Jong, 1871 - 1906, paper, h 322 mm × w 191 mm
Krishna and shepherdesses. Draughtsman: anonymous. Dating: 1700 - 1725. Place: Bikaner. Measurements: h 254 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/krishna-and-shepherdesses-draughtsman-anonymous-dating-1700-1725-place-bikaner-measurements-h-254-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232931687.htmlRMREXXMR–Krishna and shepherdesses. Draughtsman: anonymous. Dating: 1700 - 1725. Place: Bikaner. Measurements: h 254 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Hoofd van een jongen met lang haar Draft prent. Manufacturer : artist: Bernard Picart Dating: 1683 - 1733 Physical features: put on windows in pencil, red chalk, doorgegriffeld Material: paper pencil crayon technique: by pencil dimensions: h 238 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hoofd-van-een-jongen-met-lang-haar-draft-prent-manufacturer-artist-bernard-picart-dating-1683-1733-physical-features-put-on-windows-in-pencil-red-chalk-doorgegriffeld-material-paper-pencil-crayon-technique-by-pencil-dimensions-h-238-mm-w-191-mm-image348443331.htmlRM2B6TY0K–Hoofd van een jongen met lang haar Draft prent. Manufacturer : artist: Bernard Picart Dating: 1683 - 1733 Physical features: put on windows in pencil, red chalk, doorgegriffeld Material: paper pencil crayon technique: by pencil dimensions: h 238 mm × W 191 mm
Woman with child at a farm Landscapes (1-6) (series title), farm or solitary house in landscape (townscape with figures, staffage), dog, Eext, Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 140 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-with-child-at-a-farm-landscapes-1-6-series-title-farm-or-solitary-house-in-landscape-townscape-with-figures-staffage-dog-eext-carel-lodewijk-hansen-netherlands-c-1780-1840-paper-etching-h-140-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350000516.htmlRF2B9BW6C–Woman with child at a farm Landscapes (1-6) (series title), farm or solitary house in landscape (townscape with figures, staffage), dog, Eext, Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 140 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Boletín Oficial de la República Argentina. 1912 1ra sección . mm ÉdÉÉÉP CHUFAS LütIUlI/ un illl OVO-. .■ ^ L^^Wi; ío;00 o O; ^ygiH¡$$$$M. j.;;;.-.í> •%;.]; . ••■■• •••■ IÍÍiSIISSW^^W: m^- Noviembre 16 de 1912. — DuhaldeRoáitale y Co,—Telas y tejidos en ge-henil] tejidos de punió, mantelería, len-cería, de la clase 15. v-29 noviembre. ■ • Acta No 38.747 0-.0.Rosafe .Noviembre t ^8 jde 191.2.;::: $oeiedad: ;Ai ó n iht av cíe MoTI nos^Harl he ros*y Ele-vadores de Granos.—di a riñas y pro-ductos de molinería de ía cíase 22. v-29 noviembre. Acta No 38.748 Noviembre 18 de 1912. — Píaut yCía Stock Photo](https://c8.alamy.com/comp/2CGHB48/boletn-oficial-de-la-repblica-argentina-1912-1ra-seccin-mm-dp-chufas-ltiuli-un-illl-ovo-lwi-o00-o-o-ygihm-j-gt-iisiissww-m-noviembre-16-de-1912-duhalderoitale-y-cotelas-y-tejidos-en-ge-henil-tejidos-de-puni-mantelera-len-cera-de-la-clase-15-v-29-noviembre-acta-no-38747-0-0rosafe-noviembre-t-8-jde-1912-oeiedad-ai-n-iht-av-ce-moti-nosharl-he-rosy-ele-vadores-de-granosdi-a-rias-y-pro-ductos-de-molinera-de-a-case-22-v-29-noviembre-acta-no-38748-noviembre-18-de-1912-paut-yca-2CGHB48.jpg ". Boletín Oficial de la República Argentina. 1912 1ra sección . mm ÉdÉÉÉP CHUFAS LütIUlI/ un illl OVO-. .■ ^ L^^Wi; ío;00 o O; ^ygiH¡$$$$M. j.;;;.-.í> •%;.]; . ••■■• •••■ IÍÍiSIISSW^^W: m^- Noviembre 16 de 1912. — DuhaldeRoáitale y Co,—Telas y tejidos en ge-henil] tejidos de punió, mantelería, len-cería, de la clase 15. v-29 noviembre. ■ • Acta No 38.747 0-.0.Rosafe .Noviembre t ^8 jde 191.2.;::: $oeiedad: ;Ai ó n iht av cíe MoTI nos^Harl he ros*y Ele-vadores de Granos.—di a riñas y pro-ductos de molinería de ía cíase 22. v-29 noviembre. Acta No 38.748 Noviembre 18 de 1912. — Píaut yCía Stock Photo")
. Boletín Oficial de la República Argentina. 1912 1ra sección . mm ÉdÉÉÉP CHUFAS LütIUlI/ un illl OVO-. .■ ^ L^^Wi; ío;00 o O; ^ygiH¡$$$$M. j.;;;.-.í> •%;.]; . ••■■• •••■ IÍÍiSIISSW^^W: m^- Noviembre 16 de 1912. — DuhaldeRoáitale y Co,—Telas y tejidos en ge-henil] tejidos de punió, mantelería, len-cería, de la clase 15. v-29 noviembre. ■ • Acta No 38.747 0-.0.Rosafe .Noviembre t ^8 jde 191.2.;::: $oeiedad: ;Ai ó n iht av cíe MoTI nos^Harl he ros*y Ele-vadores de Granos.—di a riñas y pro-ductos de molinería de ía cíase 22. v-29 noviembre. Acta No 38.748 Noviembre 18 de 1912. — Píaut yCía Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boletn-oficial-de-la-repblica-argentina-1912-1ra-seccin-mm-dp-chufas-ltiuli-un-illl-ovo-lwi-o00-o-o-ygihm-j-gt-iisiissww-m-noviembre-16-de-1912-duhalderoitale-y-cotelas-y-tejidos-en-ge-henil-tejidos-de-puni-mantelera-len-cera-de-la-clase-15-v-29-noviembre-acta-no-38747-0-0rosafe-noviembre-t-8-jde-1912-oeiedad-ai-n-iht-av-ce-moti-nosharl-he-rosy-ele-vadores-de-granosdi-a-rias-y-pro-ductos-de-molinera-de-a-case-22-v-29-noviembre-acta-no-38748-noviembre-18-de-1912-paut-yca-image371634152.htmlRM2CGHB48–. Boletín Oficial de la República Argentina. 1912 1ra sección . mm ÉdÉÉÉP CHUFAS LütIUlI/ un illl OVO-. .■ ^ L^^Wi; ío;00 o O; ^ygiH¡$$$$M. j.;;;.-.í> •%;.]; . ••■■• •••■ IÍÍiSIISSW^^W: m^- Noviembre 16 de 1912. — DuhaldeRoáitale y Co,—Telas y tejidos en ge-henil] tejidos de punió, mantelería, len-cería, de la clase 15. v-29 noviembre. ■ • Acta No 38.747 0-.0.Rosafe .Noviembre t ^8 jde 191.2.;::: $oeiedad: ;Ai ó n iht av cíe MoTI nos^Harl he ros*y Ele-vadores de Granos.—di a riñas y pro-ductos de molinería de ía cíase 22. v-29 noviembre. Acta No 38.748 Noviembre 18 de 1912. — Píaut yCía
Studies of two lion heads, draughtsman: Jean Baptiste Hilaire, 1763 - 1822, paper, h 297 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-two-lion-heads-draughtsman-jean-baptiste-hilaire-1763-1822-paper-h-297-mm-w-191-mm-image472082392.htmlRM2JC15WC–Studies of two lion heads, draughtsman: Jean Baptiste Hilaire, 1763 - 1822, paper, h 297 mm × w 191 mm
Sailing ship. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 120 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sailing-ship-draughtsman-hendrik-abraham-klinkhamer-dating-1820-1872-measurements-h-120-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233125680.htmlRMRF7P54–Sailing ship. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 120 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Hazenpootje Hare Pootje Property Type: Drawing Object number: RP-T 1904-321 Manufacturer : artist Jean Bernard Date: 1775 - 1833 Physical features: black chalk material: paper chalk Dimensions: h 88 mm × W 191 mm Subject: amulet, talismanrodents: rabbit (+ claws, paws of an animal) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hazenpootje-hare-pootje-property-type-drawing-object-number-rp-t-1904-321-manufacturer-artist-jean-bernard-date-1775-1833-physical-features-black-chalk-material-paper-chalk-dimensions-h-88-mm-w-191-mm-subject-amulet-talismanrodents-rabbit-claws-paws-of-an-animal-image348426972.htmlRM2B6T64C–Hazenpootje Hare Pootje Property Type: Drawing Object number: RP-T 1904-321 Manufacturer : artist Jean Bernard Date: 1775 - 1833 Physical features: black chalk material: paper chalk Dimensions: h 88 mm × W 191 mm Subject: amulet, talismanrodents: rabbit (+ claws, paws of an animal)
Plans and facades of two villas designed by Andrea Palladio Villas of Palladio (series title) Magesyn of Italian buildings (series title), The print is part of an album, public baths, anonymous, Italy, 1600 - 1699, paper, etching, h 315 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plans-and-facades-of-two-villas-designed-by-andrea-palladio-villas-of-palladio-series-title-magesyn-of-italian-buildings-series-title-the-print-is-part-of-an-album-public-baths-anonymous-italy-1600-1699-paper-etching-h-315-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350005199.htmlRF2B9C35K–Plans and facades of two villas designed by Andrea Palladio Villas of Palladio (series title) Magesyn of Italian buildings (series title), The print is part of an album, public baths, anonymous, Italy, 1600 - 1699, paper, etching, h 315 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Standard and water-tight boxes for all electrical installation purposes. • I Ii 5 00 : • 1 20 36 KRANTZ TRA3E. MARK FLOOR BOX COVERS, WRENCHES, CAPS ANDEXTENSION NIPPLES. BRASS OUTLET CAP I ?J0- ,92* cf ^rV^n t No n;jH-a SLOTTED tei I V I bi it let - in ,» 1061 191 2 19 I It • hei plain oi ill tted if high] polished and la Lid prict eil hei plain oi totted I, t. BRASS EXTENSION RIPPLE WITH I i■■J Mm [et 1 In- nipp]U iful , 1932 1945 1961 I9t ! FLA1 BRASS 1 0 III! I II, | IM, , .Hi I ill III- 11 tfl l.i i r polished finish NIPPLE GOV I li.oo FLOOR BOX COVEB WREHCHES I bese w rcn< t Stock Photo](https://c8.alamy.com/comp/2CEM3E6/standard-and-water-tight-boxes-for-all-electrical-installation-purposes-i-ii-5-00-1-20-36-krantz-tra3e-mark-floor-box-covers-wrenches-caps-andextension-nipples-brass-outlet-cap-i-j0-92-cf-rvn-t-no-njh-a-slotted-tei-i-v-i-bi-it-let-in-1061-191-2-19-i-it-hei-plain-oi-ill-tted-if-high-polished-and-la-lid-prict-eil-hei-plain-oi-totted-i-t-brass-extension-ripple-with-i-ij-mm-et-1-in-nipp-u-iful-1932-1945-1961-i9t-!-fla1-brass-1-0-iii!-i-ii-im-hi-i-ill-iii-11-tfl-li-i-r-polished-finish-nipple-gov-i-lioo-floor-box-coveb-wrehches-i-bese-w-rcnlt-t-2CEM3E6.jpg ". Standard and water-tight boxes for all electrical installation purposes. • I Ii 5 00 : • 1 20 36 KRANTZ TRA3E. MARK FLOOR BOX COVERS, WRENCHES, CAPS ANDEXTENSION NIPPLES. BRASS OUTLET CAP I ?J0- ,92* cf ^rV^n t No n;jH-a SLOTTED tei I V I bi it let - in ,» 1061 191 2 19 I It • hei plain oi ill tted if high] polished and la Lid prict eil hei plain oi totted I, t. BRASS EXTENSION RIPPLE WITH I i■■J Mm [et 1 In- nipp]U iful , 1932 1945 1961 I9t ! FLA1 BRASS 1 0 III! I II, | IM, , .Hi I ill III- 11 tfl l.i i r polished finish NIPPLE GOV I li.oo FLOOR BOX COVEB WREHCHES I bese w rcn< t Stock Photo")
. Standard and water-tight boxes for all electrical installation purposes. • I Ii 5 00 : • 1 20 36 KRANTZ TRA3E. MARK FLOOR BOX COVERS, WRENCHES, CAPS ANDEXTENSION NIPPLES. BRASS OUTLET CAP I ?J0- ,92* cf ^rV^n t No n;jH-a SLOTTED tei I V I bi it let - in ,» 1061 191 2 19 I It • hei plain oi ill tted if high] polished and la Lid prict eil hei plain oi totted I, t. BRASS EXTENSION RIPPLE WITH I i■■J Mm [et 1 In- nipp]U iful , 1932 1945 1961 I9t ! FLA1 BRASS 1 0 III! I II, | IM, , .Hi I ill III- 11 tfl l.i i r polished finish NIPPLE GOV I li.oo FLOOR BOX COVEB WREHCHES I bese w rcn< t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/standard-and-water-tight-boxes-for-all-electrical-installation-purposes-i-ii-5-00-1-20-36-krantz-tra3e-mark-floor-box-covers-wrenches-caps-andextension-nipples-brass-outlet-cap-i-j0-92-cf-rvn-t-no-njh-a-slotted-tei-i-v-i-bi-it-let-in-1061-191-2-19-i-it-hei-plain-oi-ill-tted-if-high-polished-and-la-lid-prict-eil-hei-plain-oi-totted-i-t-brass-extension-ripple-with-i-ij-mm-et-1-in-nipp-u-iful-1932-1945-1961-i9t-!-fla1-brass-1-0-iii!-i-ii-im-hi-i-ill-iii-11-tfl-li-i-r-polished-finish-nipple-gov-i-lioo-floor-box-coveb-wrehches-i-bese-w-rcnlt-t-image370464702.htmlRM2CEM3E6–. Standard and water-tight boxes for all electrical installation purposes. • I Ii 5 00 : • 1 20 36 KRANTZ TRA3E. MARK FLOOR BOX COVERS, WRENCHES, CAPS ANDEXTENSION NIPPLES. BRASS OUTLET CAP I ?J0- ,92* cf ^rV^n t No n;jH-a SLOTTED tei I V I bi it let - in ,» 1061 191 2 19 I It • hei plain oi ill tted if high] polished and la Lid prict eil hei plain oi totted I, t. BRASS EXTENSION RIPPLE WITH I i■■J Mm [et 1 In- nipp]U iful , 1932 1945 1961 I9t ! FLA1 BRASS 1 0 III! I II, | IM, , .Hi I ill III- 11 tfl l.i i r polished finish NIPPLE GOV I li.oo FLOOR BOX COVEB WREHCHES I bese w rcn< t
Landscape with menacing sky, draughtsman: Egbert Rubertus Derk Schaap, 1872 - 1939, cardboard, h 131 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-menacing-sky-draughtsman-egbert-rubertus-derk-schaap-1872-1939-cardboard-h-131-mm-w-191-mm-image472071406.htmlRM2JC0KW2–Landscape with menacing sky, draughtsman: Egbert Rubertus Derk Schaap, 1872 - 1939, cardboard, h 131 mm × w 191 mm
Grazing cow, to the right. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 128 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grazing-cow-to-the-right-draughtsman-jean-bernard-dating-1775-1833-measurements-h-128-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233118746.htmlRMRF7D9E–Grazing cow, to the right. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 128 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Three men on a bridge Landscape with a bridge over a stream and three men. Manufacture Creator: artist Jan van Veen Almelo Date: May 27 1682 Physical features: pen in brown material: paper ink Technique: pen Dimensions: h 148 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-men-on-a-bridge-landscape-with-a-bridge-over-a-stream-and-three-men-manufacture-creator-artist-jan-van-veen-almelo-date-may-27-1682-physical-features-pen-in-brown-material-paper-ink-technique-pen-dimensions-h-148-mm-w-191-mm-image348318928.htmlRM2B6K89M–Three men on a bridge Landscape with a bridge over a stream and three men. Manufacture Creator: artist Jan van Veen Almelo Date: May 27 1682 Physical features: pen in brown material: paper ink Technique: pen Dimensions: h 148 mm × W 191 mm
Woman with child at a farm Landscapes (1-6) (series title), farm or solitary house in landscape (city (landscape) with figures, staffage), dog, Eext, Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 140 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-with-child-at-a-farm-landscapes-1-6-series-title-farm-or-solitary-house-in-landscape-city-landscape-with-figures-staffage-dog-eext-carel-lodewijk-hansen-netherlands-c-1780-1840-paper-etching-h-140-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350001141.htmlRF2B9BX0N–Woman with child at a farm Landscapes (1-6) (series title), farm or solitary house in landscape (city (landscape) with figures, staffage), dog, Eext, Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 140 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Bulletin of the Museum of Comparative Zoology at Harvard College. Zoology. / â i- /â¢':/ * r V.'-w '-V:â -rr^. Figure 191. Dorsal view of first instar S. toa///larva. Scale bar = 1 mm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Harvard University. Museum of Comparative Zoology. Cambridge, Mass. : The Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-museum-of-comparative-zoology-at-harvard-college-zoology-i-r-v-w-v-rr-figure-191-dorsal-view-of-first-instar-s-toalarva-scale-bar-=-1-mm-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-harvard-university-museum-of-comparative-zoology-cambridge-mass-the-museum-image233897388.htmlRMRGEXE4–. Bulletin of the Museum of Comparative Zoology at Harvard College. Zoology. / â i- /â¢':/ * r V.'-w '-V:â -rr^. Figure 191. Dorsal view of first instar S. toa///larva. Scale bar = 1 mm.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Harvard University. Museum of Comparative Zoology. Cambridge, Mass. : The Museum
Landscape at Kortenhoef, draughtsman: Johannes Gijsbert Vogel, (mentioned on object), Kortenhoef, 1890, paper, h 114 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-at-kortenhoef-draughtsman-johannes-gijsbert-vogel-mentioned-on-object-kortenhoef-1890-paper-h-114-mm-w-191-mm-image472065874.htmlRM2JC0CRE–Landscape at Kortenhoef, draughtsman: Johannes Gijsbert Vogel, (mentioned on object), Kortenhoef, 1890, paper, h 114 mm × w 191 mm
The sower. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 322 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-sower-draughtsman-pieter-de-josselin-de-jong-dating-1871-1906-measurements-h-322-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233119701.htmlRMRF7EFH–The sower. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 322 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
December (original title object) A sleeping kat. Manufacturer : printmaker: Julie the like ( personally signed) Date: 1917 Physical features: woodcut in black and brown, printed from three blocks material: paper Technique: woodcut dimensions: sheet: h 155 mm × W 191 mm Subject: catDecember; 'Decembre' (Ripa) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/december-original-title-object-a-sleeping-kat-manufacturer-printmaker-julie-the-like-personally-signed-date-1917-physical-features-woodcut-in-black-and-brown-printed-from-three-blocks-material-paper-technique-woodcut-dimensions-sheet-h-155-mm-w-191-mm-subject-catdecember-decembre-ripa-image348303073.htmlRM2B6JG3D–December (original title object) A sleeping kat. Manufacturer : printmaker: Julie the like ( personally signed) Date: 1917 Physical features: woodcut in black and brown, printed from three blocks material: paper Technique: woodcut dimensions: sheet: h 155 mm × W 191 mm Subject: catDecember; 'Decembre' (Ripa)
Portrait of Ferdinand of Austria, Portrait of Ferdinand, Archduke and Cardinal of Austria, governor of the Southern Netherlands. On his armor hangs the symbol of the Order of the Golden Fleece, knighthood order of the Golden Fleece, governor of the southern Netherlands Ferdinand of Austria, Adriaen Lommelin (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 260 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern te Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-ferdinand-of-austria-portrait-of-ferdinand-archduke-and-cardinal-of-austria-governor-of-the-southern-netherlands-on-his-armor-hangs-the-symbol-of-the-order-of-the-golden-fleece-knighthood-order-of-the-golden-fleece-governor-of-the-southern-netherlands-ferdinand-of-austria-adriaen-lommelin-mentioned-on-object-antwerp-1630-1677-paper-engraving-h-260-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-te-image350007412.htmlRF2B9C60M–Portrait of Ferdinand of Austria, Portrait of Ferdinand, Archduke and Cardinal of Austria, governor of the Southern Netherlands. On his armor hangs the symbol of the Order of the Golden Fleece, knighthood order of the Golden Fleece, governor of the southern Netherlands Ferdinand of Austria, Adriaen Lommelin (mentioned on object), Antwerp, 1630 - 1677, paper, engraving, h 260 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern te
. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. FIGURE 2. Juvenile polka-dot ribbonfish, Desmodema polysticta, 191 mm SL, taken from lancetfish stomach caught on longline gear February 2, 1954, at lot. 35 N., long. 137 W. Photograph by Jack W. Schoff. The general body form is apparent in the photographs (Figures 2 and 3), which illustrate the extreme changes between the juvenile and adult stages. Posterior to the anus the body tapers rapidly into an extremely long, filamentous tail Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/california-fish-and-game-fisheries-california-game-and-game-birds-california-fishes-california-animal-population-groups-pches-gibier-poissons-figure-2-juvenile-polka-dot-ribbonfish-desmodema-polysticta-191-mm-sl-taken-from-lancetfish-stomach-caught-on-longline-gear-february-2-1954-at-lot-35-n-long-137-w-photograph-by-jack-w-schoff-the-general-body-form-is-apparent-in-the-photographs-figures-2-and-3-which-illustrate-the-extreme-changes-between-the-juvenile-and-adult-stages-posterior-to-the-anus-the-body-tapers-rapidly-into-an-extremely-long-filamentous-tail-image233641716.htmlRMRG38B0–. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. FIGURE 2. Juvenile polka-dot ribbonfish, Desmodema polysticta, 191 mm SL, taken from lancetfish stomach caught on longline gear February 2, 1954, at lot. 35 N., long. 137 W. Photograph by Jack W. Schoff. The general body form is apparent in the photographs (Figures 2 and 3), which illustrate the extreme changes between the juvenile and adult stages. Posterior to the anus the body tapers rapidly into an extremely long, filamentous tail
Costume studies of women farmers, draughtsman: Simon Andreas Krausz, 1770 - 1825, paper, brush, h 213 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-studies-of-women-farmers-draughtsman-simon-andreas-krausz-1770-1825-paper-brush-h-213-mm-w-191-mm-image472079922.htmlRM2JC12N6–Costume studies of women farmers, draughtsman: Simon Andreas Krausz, 1770 - 1825, paper, brush, h 213 mm × w 191 mm
Design for a brooch. Draughtsman: Mathieu Lauweriks. Dating: 19-Mar-1914. Measurements: h 191 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-brooch-draughtsman-mathieu-lauweriks-dating-19-mar-1914-measurements-h-191-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233120457.htmlRMRF7FEH–Design for a brooch. Draughtsman: Mathieu Lauweriks. Dating: 19-Mar-1914. Measurements: h 191 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Landschap met molen Landscape with mill object type: Drawing Object number: RP-T 1938-93 Manufacturer : artist: Joseph Hartogensis Dated: 1832 - 1865 Physical features: black chalk, brush color material: paper chalk Technique: Brush dimensions: H 119 mm × W 191 mm Subject: windmill in landscape and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschap-met-molen-landscape-with-mill-object-type-drawing-object-number-rp-t-1938-93-manufacturer-artist-joseph-hartogensis-dated-1832-1865-physical-features-black-chalk-brush-color-material-paper-chalk-technique-brush-dimensions-h-119-mm-w-191-mm-subject-windmill-in-landscape-and-image348545656.htmlRM2B71HF4–Landschap met molen Landscape with mill object type: Drawing Object number: RP-T 1938-93 Manufacturer : artist: Joseph Hartogensis Dated: 1832 - 1865 Physical features: black chalk, brush color material: paper chalk Technique: Brush dimensions: H 119 mm × W 191 mm Subject: windmill in landscape and
The church of S.Stefano Rotondo in Rome, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., Church (exterior), Rome, Santo Stefano Rotondo, Daniel Dupré, Italy, 1761 - 1817, paper, ink, chalk, brush, h 145 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-church-of-sstefano-rotondo-in-rome-drawing-from-a-group-of-drawings-of-landscapes-and-cityscapes-in-italy-rome-tivoli-civita-castellana-and-pozzuoli-church-exterior-rome-santo-stefano-rotondo-daniel-dupr-italy-1761-1817-paper-ink-chalk-brush-h-145-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350010573.htmlRF2B9CA1H–The church of S.Stefano Rotondo in Rome, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., Church (exterior), Rome, Santo Stefano Rotondo, Daniel Dupré, Italy, 1761 - 1817, paper, ink, chalk, brush, h 145 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. 232 CALIFORNIA FISH AND GAME. FIGURE 2. Juvenile polka-dot ribbonfish, Desmodema polysticta, 191 mm SL, taken from lancetfish stomach caught on longline gear February 2, 1954, at lot. 35 N., long. 137 W. Photograph by Jack W. Schoff. The general body form is apparent in the photographs (Figures 2 and 3), which illustrate the extreme changes between the juvenile and adult stages. Posterior to the anus the body tapers rapidly into an ex Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/california-fish-and-game-fisheries-california-game-and-game-birds-california-fishes-california-animal-population-groups-pches-gibier-poissons-232-california-fish-and-game-figure-2-juvenile-polka-dot-ribbonfish-desmodema-polysticta-191-mm-sl-taken-from-lancetfish-stomach-caught-on-longline-gear-february-2-1954-at-lot-35-n-long-137-w-photograph-by-jack-w-schoff-the-general-body-form-is-apparent-in-the-photographs-figures-2-and-3-which-illustrate-the-extreme-changes-between-the-juvenile-and-adult-stages-posterior-to-the-anus-the-body-tapers-rapidly-into-an-ex-image233641743.htmlRMRG38BY–. California fish and game. Fisheries -- California; Game and game-birds -- California; Fishes -- California; Animal Population Groups; Pêches; Gibier; Poissons. 232 CALIFORNIA FISH AND GAME. FIGURE 2. Juvenile polka-dot ribbonfish, Desmodema polysticta, 191 mm SL, taken from lancetfish stomach caught on longline gear February 2, 1954, at lot. 35 N., long. 137 W. Photograph by Jack W. Schoff. The general body form is apparent in the photographs (Figures 2 and 3), which illustrate the extreme changes between the juvenile and adult stages. Posterior to the anus the body tapers rapidly into an ex
Design for a painting, The surgeon, draughtsman: Jan Josef Horemans (I), , 1692 - 1759, paper, brush, h 239 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-painting-the-surgeon-draughtsman-jan-josef-horemans-i-1692-1759-paper-brush-h-239-mm-w-191-mm-image472063330.htmlRM2JC09GJ–Design for a painting, The surgeon, draughtsman: Jan Josef Horemans (I), , 1692 - 1759, paper, brush, h 239 mm × w 191 mm
Youth is taught by Time. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 307 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/youth-is-taught-by-time-draughtsman-elias-van-nijmegen-dating-1677-1755-measurements-h-307-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233070240.htmlRMRF57D4–Youth is taught by Time. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 307 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Landschap met dreigende lucht Landscape with threatening sky object type: drawing Object number: RP-T-1939-90 Manufacturer : draftsman: Egbert Rubertus Derk Schaap Date: 1872 - 1939 Physical characteristics: black chalk on cardboard material: cardboard chalk Dimensions: h 131 mm × W 191 mm Subject: sea (seascape) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschap-met-dreigende-lucht-landscape-with-threatening-sky-object-type-drawing-object-number-rp-t-1939-90-manufacturer-draftsman-egbert-rubertus-derk-schaap-date-1872-1939-physical-characteristics-black-chalk-on-cardboard-material-cardboard-chalk-dimensions-h-131-mm-w-191-mm-subject-sea-seascape-image348541012.htmlRM2B71BH8–Landschap met dreigende lucht Landscape with threatening sky object type: drawing Object number: RP-T-1939-90 Manufacturer : draftsman: Egbert Rubertus Derk Schaap Date: 1872 - 1939 Physical characteristics: black chalk on cardboard material: cardboard chalk Dimensions: h 131 mm × W 191 mm Subject: sea (seascape)
Waiting love Matsukoi, Two women, whispering to each other at a sliding door, behind which a third woman is sitting in bed. The poem in the square cartouche at the top right refers to the difficulty of long night waiting., Katsukawa Shuncho (mentioned on object), Tokyo, 1790 - 1795, paper, colour woodcut, h 251 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waiting-love-matsukoi-two-women-whispering-to-each-other-at-a-sliding-door-behind-which-a-third-woman-is-sitting-in-bed-the-poem-in-the-square-cartouche-at-the-top-right-refers-to-the-difficulty-of-long-night-waiting-katsukawa-shuncho-mentioned-on-object-tokyo-1790-1795-paper-colour-woodcut-h-251-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350005115.htmlRF2B9C32K–Waiting love Matsukoi, Two women, whispering to each other at a sliding door, behind which a third woman is sitting in bed. The poem in the square cartouche at the top right refers to the difficulty of long night waiting., Katsukawa Shuncho (mentioned on object), Tokyo, 1790 - 1795, paper, colour woodcut, h 251 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
![. Bulletin. Ethnology. Pap. ?k)^'2^5"/' JOHN H. KERR RESERVOIR BASIN—^MILLER 191 labor and a love for adornment—one must consider the never-ending time expended to produce such objects. To make up a necklace of shell beads ranging in diameter from 2 mm. to 3 mm., it has been found that 28 to 34 small beads are required to make an inch of necklace (pi. 62, a). One necklace of small beads that was recovered, measured 66 inches in length. This means that 2,244 beads had to be made and strung before this individual necklace could be worn. Haury (1931) estimated that to make a single bead it w Stock Photo](https://c8.alamy.com/comp/RGX135/bulletin-ethnology-pap-k25quot-john-h-kerr-reservoir-basinmiller-191-labor-and-a-love-for-adornmentone-must-consider-the-never-ending-time-expended-to-produce-such-objects-to-make-up-a-necklace-of-shell-beads-ranging-in-diameter-from-2-mm-to-3-mm-it-has-been-found-that-28-to-34-small-beads-are-required-to-make-an-inch-of-necklace-pi-62-a-one-necklace-of-small-beads-that-was-recovered-measured-66-inches-in-length-this-means-that-2244-beads-had-to-be-made-and-strung-before-this-individual-necklace-could-be-worn-haury-1931-estimated-that-to-make-a-single-bead-it-w-RGX135.jpg ". Bulletin. Ethnology. Pap. ?k)^'2^5"/' JOHN H. KERR RESERVOIR BASIN—^MILLER 191 labor and a love for adornment—one must consider the never-ending time expended to produce such objects. To make up a necklace of shell beads ranging in diameter from 2 mm. to 3 mm., it has been found that 28 to 34 small beads are required to make an inch of necklace (pi. 62, a). One necklace of small beads that was recovered, measured 66 inches in length. This means that 2,244 beads had to be made and strung before this individual necklace could be worn. Haury (1931) estimated that to make a single bead it w Stock Photo")
. Bulletin. Ethnology. Pap. ?k)^'2^5"/' JOHN H. KERR RESERVOIR BASIN—^MILLER 191 labor and a love for adornment—one must consider the never-ending time expended to produce such objects. To make up a necklace of shell beads ranging in diameter from 2 mm. to 3 mm., it has been found that 28 to 34 small beads are required to make an inch of necklace (pi. 62, a). One necklace of small beads that was recovered, measured 66 inches in length. This means that 2,244 beads had to be made and strung before this individual necklace could be worn. Haury (1931) estimated that to make a single bead it w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-pap-k25quot-john-h-kerr-reservoir-basinmiller-191-labor-and-a-love-for-adornmentone-must-consider-the-never-ending-time-expended-to-produce-such-objects-to-make-up-a-necklace-of-shell-beads-ranging-in-diameter-from-2-mm-to-3-mm-it-has-been-found-that-28-to-34-small-beads-are-required-to-make-an-inch-of-necklace-pi-62-a-one-necklace-of-small-beads-that-was-recovered-measured-66-inches-in-length-this-means-that-2244-beads-had-to-be-made-and-strung-before-this-individual-necklace-could-be-worn-haury-1931-estimated-that-to-make-a-single-bead-it-w-image234140905.htmlRMRGX135–. Bulletin. Ethnology. Pap. ?k)^'2^5"/' JOHN H. KERR RESERVOIR BASIN—^MILLER 191 labor and a love for adornment—one must consider the never-ending time expended to produce such objects. To make up a necklace of shell beads ranging in diameter from 2 mm. to 3 mm., it has been found that 28 to 34 small beads are required to make an inch of necklace (pi. 62, a). One necklace of small beads that was recovered, measured 66 inches in length. This means that 2,244 beads had to be made and strung before this individual necklace could be worn. Haury (1931) estimated that to make a single bead it w
Design for a light crown, draughtsman: Jean-Jacques Feuchère, Paris, c. 1835, tracing paper, h 255 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-light-crown-draughtsman-jean-jacques-feuchre-paris-c-1835-tracing-paper-h-255-mm-w-191-mm-image472098496.htmlRM2JC1XCG–Design for a light crown, draughtsman: Jean-Jacques Feuchère, Paris, c. 1835, tracing paper, h 255 mm × w 191 mm
Study. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-draughtsman-george-hendrik-breitner-dating-1873-1923-place-the-hague-measurements-h-114-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233006980.htmlRMRF2ANT–Study. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
a bedoeïnenmeisje Object Type : Drawing Object number: RP-T-2002-12 Inscriptions / Brands: annotation, left: 'For Tip / Lily Eversdijk Smulders / Sahara -'datum, bottom left: '1949' Manufacturer : artist: Lily Eversdijk Smulders Date: 1949 Physical features: contépotlood Material: contépotlood paper Dimensions: h 204 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bedoenenmeisje-object-type-drawing-object-number-rp-t-2002-12-inscriptions-brands-annotation-left-for-tip-lily-eversdijk-smulders-sahara-datum-bottom-left-1949-manufacturer-artist-lily-eversdijk-smulders-date-1949-physical-features-contpotlood-material-contpotlood-paper-dimensions-h-204-mm-w-191-mm-image348326753.htmlRM2B6KJ95–a bedoeïnenmeisje Object Type : Drawing Object number: RP-T-2002-12 Inscriptions / Brands: annotation, left: 'For Tip / Lily Eversdijk Smulders / Sahara -'datum, bottom left: '1949' Manufacturer : artist: Lily Eversdijk Smulders Date: 1949 Physical features: contépotlood Material: contépotlood paper Dimensions: h 204 mm × W 191 mm
Landscape with a boat, A river landscape with cows and a sailing boat. On the banks of the river, by two trees, stands a person with a child in his arms. Between the trees in the background the roof of a farm, river (landscape with figures, staffage), Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 127 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-a-boat-a-river-landscape-with-cows-and-a-sailing-boat-on-the-banks-of-the-river-by-two-trees-stands-a-person-with-a-child-in-his-arms-between-the-trees-in-the-background-the-roof-of-a-farm-river-landscape-with-figures-staffage-hermanus-fock-amsterdam-1781-1822-paper-etching-h-127-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350000765.htmlRF2B9BWF9–Landscape with a boat, A river landscape with cows and a sailing boat. On the banks of the river, by two trees, stands a person with a child in his arms. Between the trees in the background the roof of a farm, river (landscape with figures, staffage), Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 127 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. SOUTH AFRICAN CUMACEA: PART 1 191. Fig. 4. Heterocuma africanum intermedium (Fage, 1924). Adult male, 18,4 mm: A, lateral view; B, detail of anterior end of carapace; C, detail of eyelobe in dorsal view; D, antenna 1; E, distal segments of antenna 1. fourth pedigerous somite having a prominent linguiform anterior projection. The armature of the peduncle of the uropods is more pronounced, having about 50 small, closely-packed spines in two rows along the inner edge. The single subadult male from the w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-natural-history-south-african-cumacea-part-1-191-fig-4-heterocuma-africanum-intermedium-fage-1924-adult-male-184-mm-a-lateral-view-b-detail-of-anterior-end-of-carapace-c-detail-of-eyelobe-in-dorsal-view-d-antenna-1-e-distal-segments-of-antenna-1-fourth-pedigerous-somite-having-a-prominent-linguiform-anterior-projection-the-armature-of-the-peduncle-of-the-uropods-is-more-pronounced-having-about-50-small-closely-packed-spines-in-two-rows-along-the-inner-edge-the-single-subadult-male-from-the-w-image236493036.htmlRMRMN57T–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum. Natural history. SOUTH AFRICAN CUMACEA: PART 1 191. Fig. 4. Heterocuma africanum intermedium (Fage, 1924). Adult male, 18,4 mm: A, lateral view; B, detail of anterior end of carapace; C, detail of eyelobe in dorsal view; D, antenna 1; E, distal segments of antenna 1. fourth pedigerous somite having a prominent linguiform anterior projection. The armature of the peduncle of the uropods is more pronounced, having about 50 small, closely-packed spines in two rows along the inner edge. The single subadult male from the w
Self-portrait of Johannes Christiaan Bendorp, draughtsman: Johannes Christiaan Bendorp, 1794 - 1798, paper, brush, h 252 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/self-portrait-of-johannes-christiaan-bendorp-draughtsman-johannes-christiaan-bendorp-1794-1798-paper-brush-h-252-mm-w-191-mm-image472071489.htmlRM2JC0M01–Self-portrait of Johannes Christiaan Bendorp, draughtsman: Johannes Christiaan Bendorp, 1794 - 1798, paper, brush, h 252 mm × w 191 mm
Landscape. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-draughtsman-george-hendrik-breitner-dating-1873-1923-place-the-hague-measurements-h-114-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233007845.htmlRMRF2BTN–Landscape. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Three studies of a shepherd Three studies of a shepherd object type: Drawing Object number: RP-T-1895-A-3057 Manufacturer : artist: Aelbert Cuyp Dating: 1630 - 1691 Physical features: black chalk, brush and gray material: paper chalk Technique: Brush dimensions: h 147 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-studies-of-a-shepherd-three-studies-of-a-shepherd-object-type-drawing-object-number-rp-t-1895-a-3057-manufacturer-artist-aelbert-cuyp-dating-1630-1691-physical-features-black-chalk-brush-and-gray-material-paper-chalk-technique-brush-dimensions-h-147-mm-w-191-mm-image348320865.htmlRM2B6KAPW–Three studies of a shepherd Three studies of a shepherd object type: Drawing Object number: RP-T-1895-A-3057 Manufacturer : artist: Aelbert Cuyp Dating: 1630 - 1691 Physical features: black chalk, brush and gray material: paper chalk Technique: Brush dimensions: h 147 mm × W 191 mm
River landscape with drawbridge Surrounded by Utrecht (series title), River landscape with a sailing ship in front of a drawbridge. On both sides of the river there are houses, on the left figures walk along the water, landscapes with waters, waterscapes, seascapes (in the temperate zone), Jan van Lokhorst (mentioned on object), 1858, paper, etching, h 105 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/river-landscape-with-drawbridge-surrounded-by-utrecht-series-title-river-landscape-with-a-sailing-ship-in-front-of-a-drawbridge-on-both-sides-of-the-river-there-are-houses-on-the-left-figures-walk-along-the-water-landscapes-with-waters-waterscapes-seascapes-in-the-temperate-zone-jan-van-lokhorst-mentioned-on-object-1858-paper-etching-h-105-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-image350000935.htmlRF2B9BWNB–River landscape with drawbridge Surrounded by Utrecht (series title), River landscape with a sailing ship in front of a drawbridge. On both sides of the river there are houses, on the left figures walk along the water, landscapes with waters, waterscapes, seascapes (in the temperate zone), Jan van Lokhorst (mentioned on object), 1858, paper, etching, h 105 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement,
. Bulletin of the British Museum (Natural History) Zoology. DEEP SEA PROTOBRANCHIA 60- 5o W/L- 80, 7o h/l- 5o- PL/ TU 145 12 3 4 Length mm Fig. 37 Ledella lusitanensis: An analysis of change in shape with growth as shown by the ratios posterior umbo length/length (PL/TL), height/ length (H/L) and width/length (W/L) plotted against length for specimens from Station 142.. Fig. 38 Ledella sandersi: Right lateral external view of the shell from Station 191. (Scale = 1 mm). the openings to the left digestive diverticula dorsally on the left wall. One is immediately posterior and ventral to the oeso Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-british-museum-natural-history-zoology-deep-sea-protobranchia-60-5o-wl-80-7o-hl-5o-pl-tu-145-12-3-4-length-mm-fig-37-ledella-lusitanensis-an-analysis-of-change-in-shape-with-growth-as-shown-by-the-ratios-posterior-umbo-lengthlength-pltl-height-length-hl-and-widthlength-wl-plotted-against-length-for-specimens-from-station-142-fig-38-ledella-sandersi-right-lateral-external-view-of-the-shell-from-station-191-scale-=-1-mm-the-openings-to-the-left-digestive-diverticula-dorsally-on-the-left-wall-one-is-immediately-posterior-and-ventral-to-the-oeso-image233963664.htmlRMRGHY14–. Bulletin of the British Museum (Natural History) Zoology. DEEP SEA PROTOBRANCHIA 60- 5o W/L- 80, 7o h/l- 5o- PL/ TU 145 12 3 4 Length mm Fig. 37 Ledella lusitanensis: An analysis of change in shape with growth as shown by the ratios posterior umbo length/length (PL/TL), height/ length (H/L) and width/length (W/L) plotted against length for specimens from Station 142.. Fig. 38 Ledella sandersi: Right lateral external view of the shell from Station 191. (Scale = 1 mm). the openings to the left digestive diverticula dorsally on the left wall. One is immediately posterior and ventral to the oeso
Portrait of Jan Toorop, Portrait of Jan Toorop, draughtsman: Hendrik Johannes Haverman, 1899, paper, brush, h 272 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-jan-toorop-portrait-of-jan-toorop-draughtsman-hendrik-johannes-haverman-1899-paper-brush-h-272-mm-w-191-mm-image472089867.htmlRM2JC1FCB–Portrait of Jan Toorop, Portrait of Jan Toorop, draughtsman: Hendrik Johannes Haverman, 1899, paper, brush, h 272 mm × w 191 mm
Seated man with hat. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Netherlands. Measurements: h 278 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seated-man-with-hat-draughtsman-anonymous-dating-1600-1699-place-netherlands-measurements-h-278-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232943419.htmlRMREYDKR–Seated man with hat. Draughtsman: anonymous. Dating: 1600 - 1699. Place: Netherlands. Measurements: h 278 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Farm with two barns In the foreground a ditch and a weiland. Manufacturer : printmaker Pieter Dupont Place manufacture: York Date: 1895 Material: paper Technique: zinkets / plate tone dimensions: plate edge: h 159 mm × W 191 mm Subject: farm or solitary house in landscape agricultural products and by-products: hay Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farm-with-two-barns-in-the-foreground-a-ditch-and-a-weiland-manufacturer-printmaker-pieter-dupont-place-manufacture-york-date-1895-material-paper-technique-zinkets-plate-tone-dimensions-plate-edge-h-159-mm-w-191-mm-subject-farm-or-solitary-house-in-landscape-agricultural-products-and-by-products-hay-image348212603.htmlRM2B6ECMB–Farm with two barns In the foreground a ditch and a weiland. Manufacturer : printmaker Pieter Dupont Place manufacture: York Date: 1895 Material: paper Technique: zinkets / plate tone dimensions: plate edge: h 159 mm × W 191 mm Subject: farm or solitary house in landscape agricultural products and by-products: hay
Assumption of Mary, Mary with her arms spread is carried away by angels. Below her the open grave, surrounded by the apostles, the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels (angel (s) floating in the air), Willem van Haecht (II) (mentioned on object), Antwerp, 1603 - 1637, paper, etching, h 262 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/assumption-of-mary-mary-with-her-arms-spread-is-carried-away-by-angels-below-her-the-open-grave-surrounded-by-the-apostles-the-assumption-of-mary-assumptio-corporis-she-is-borne-into-heaven-by-angels-angel-s-floating-in-the-air-willem-van-haecht-ii-mentioned-on-object-antwerp-1603-1637-paper-etching-h-262-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-cu-image350002463.htmlRF2B9BYKY–Assumption of Mary, Mary with her arms spread is carried away by angels. Below her the open grave, surrounded by the apostles, the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels (angel (s) floating in the air), Willem van Haecht (II) (mentioned on object), Antwerp, 1603 - 1637, paper, etching, h 262 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize cu
. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder. Oceanography Bering Sea.. diterpanes Triterpenoids -|7a(H),22 RandS -170(H) San Pedro Basin California Extended diterpanes. 'C °c Figure 25-6. Relative distribution histograms of diterpenoids and triterpenoids based upon m/z 191 mass chromatograms. EBBS = southeastern Bering Sea; NS = Norton Sound; San Pedro Basin = 20-25 mm core, Venkatesan et al. 1980. Dia- stereomers indicated by dotted and continuous Unes. I is 17a; (H), 18a(H), 21j3(H)-28, 30-bisnorhopane. tended hopanes (VIII) are p Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-eastern-bering-sea-shelf-oceanography-and-resources-edited-by-donald-w-hood-and-john-a-calder-oceanography-bering-sea-diterpanes-triterpenoids-7ah22-rands-170h-san-pedro-basin-california-extended-diterpanes-c-c-figure-25-6-relative-distribution-histograms-of-diterpenoids-and-triterpenoids-based-upon-mz-191-mass-chromatograms-ebbs-=-southeastern-bering-sea-ns-=-norton-sound-san-pedro-basin-=-20-25-mm-core-venkatesan-et-al-1980-dia-stereomers-indicated-by-dotted-and-continuous-unes-i-is-17a-h-18ah-21j3h-28-30-bisnorhopane-tended-hopanes-viii-are-p-image232458110.htmlRMRE5AKA–. The Eastern Bering Sea Shelf : oceanography and resources / edited by Donald W. Hood and John A. Calder. Oceanography Bering Sea.. diterpanes Triterpenoids -|7a(H),22 RandS -170(H) San Pedro Basin California Extended diterpanes. 'C °c Figure 25-6. Relative distribution histograms of diterpenoids and triterpenoids based upon m/z 191 mass chromatograms. EBBS = southeastern Bering Sea; NS = Norton Sound; San Pedro Basin = 20-25 mm core, Venkatesan et al. 1980. Dia- stereomers indicated by dotted and continuous Unes. I is 17a; (H), 18a(H), 21j3(H)-28, 30-bisnorhopane. tended hopanes (VIII) are p
Four heads of men, to the right, draughtsman: Jan de Bisschop, anonymous, 1648 - 1671, paper, brush, h 116 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/four-heads-of-men-to-the-right-draughtsman-jan-de-bisschop-anonymous-1648-1671-paper-brush-h-116-mm-w-191-mm-image472093148.htmlRM2JC1KHG–Four heads of men, to the right, draughtsman: Jan de Bisschop, anonymous, 1648 - 1671, paper, brush, h 116 mm × w 191 mm
The Heukelom gate at Asperen. Draughtsman: Cornelis Pronk (mentioned on object). Dating: 1728. Measurements: h 135 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-heukelom-gate-at-asperen-draughtsman-cornelis-pronk-mentioned-on-object-dating-1728-measurements-h-135-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233070453.htmlRMRF57MN–The Heukelom gate at Asperen. Draughtsman: Cornelis Pronk (mentioned on object). Dating: 1728. Measurements: h 135 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Landschap aan een duinrand met een visser Landscape on a dune ridge with a fisherman on a bridge at a boerenhuis. Manufacturer : artist: Barend Cornelis Koekkoek Dated: 1813 - 1862 Physical characteristics: pen or brush in gray material: paper ink Technique: pen / brush dimensions: h 146 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landschap-aan-een-duinrand-met-een-visser-landscape-on-a-dune-ridge-with-a-fisherman-on-a-bridge-at-a-boerenhuis-manufacturer-artist-barend-cornelis-koekkoek-dated-1813-1862-physical-characteristics-pen-or-brush-in-gray-material-paper-ink-technique-pen-brush-dimensions-h-146-mm-w-191-mm-image348536452.htmlRM2B715PC–Landschap aan een duinrand met een visser Landscape on a dune ridge with a fisherman on a bridge at a boerenhuis. Manufacturer : artist: Barend Cornelis Koekkoek Dated: 1813 - 1862 Physical characteristics: pen or brush in gray material: paper ink Technique: pen / brush dimensions: h 146 mm × W 191 mm
View in Rome, at the church of S. Paolo alle Tre Fontane, outside the Porta San Paolo, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., City gate, Rome, Porta San Paolo, Aurelian wall, Daniel Dupré, Italy, 1761 - 1817, paper, graphite (mineral), ink, brush, h 144 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-in-rome-at-the-church-of-s-paolo-alle-tre-fontane-outside-the-porta-san-paolo-drawing-from-a-group-of-drawings-of-landscapes-and-cityscapes-in-italy-rome-tivoli-civita-castellana-and-pozzuoli-city-gate-rome-porta-san-paolo-aurelian-wall-daniel-dupr-italy-1761-1817-paper-graphite-mineral-ink-brush-h-144-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-image350010561.htmlRF2B9CA15–View in Rome, at the church of S. Paolo alle Tre Fontane, outside the Porta San Paolo, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., City gate, Rome, Porta San Paolo, Aurelian wall, Daniel Dupré, Italy, 1761 - 1817, paper, graphite (mineral), ink, brush, h 144 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize
. Bulletin of the Natural History Museum Zoology. DEEP-SEA PROTOBRANCHIA (BIVALVIA) 25. Fig. 25 Yoldiella bilanta. Lateral views of three shells from the right side and internal view of a left valve to show the hinge-plate. Specimens from Sta. 192 Cape Basin. (Scale =1.0 mm). 50 30 80 W/L •; -..*. H/L 60 60H 50 PL/TL . v —i— 5 Length (mm) Fig. 26 Yoldiella bilanta. Variation in the ratios of height H/L, width W/L, and postero-umbonal length PL/TL to length against length of samples from Sta. 191 (open triangles) and Sta. 192 (closed circles) Cape Basin. anteriorly directed foot. The lateral pa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-natural-history-museum-zoology-deep-sea-protobranchia-bivalvia-25-fig-25-yoldiella-bilanta-lateral-views-of-three-shells-from-the-right-side-and-internal-view-of-a-left-valve-to-show-the-hinge-plate-specimens-from-sta-192-cape-basin-scale-=10-mm-50-30-80-wl-hl-60-60h-50-pltl-v-i-5-length-mm-fig-26-yoldiella-bilanta-variation-in-the-ratios-of-height-hl-width-wl-and-postero-umbonal-length-pltl-to-length-against-length-of-samples-from-sta-191-open-triangles-and-sta-192-closed-circles-cape-basin-anteriorly-directed-foot-the-lateral-pa-image233869940.htmlRMRGDKDT–. Bulletin of the Natural History Museum Zoology. DEEP-SEA PROTOBRANCHIA (BIVALVIA) 25. Fig. 25 Yoldiella bilanta. Lateral views of three shells from the right side and internal view of a left valve to show the hinge-plate. Specimens from Sta. 192 Cape Basin. (Scale =1.0 mm). 50 30 80 W/L •; -..*. H/L 60 60H 50 PL/TL . v —i— 5 Length (mm) Fig. 26 Yoldiella bilanta. Variation in the ratios of height H/L, width W/L, and postero-umbonal length PL/TL to length against length of samples from Sta. 191 (open triangles) and Sta. 192 (closed circles) Cape Basin. anteriorly directed foot. The lateral pa
Farm on a canal with a drawbridge, draughtsman: Hermanus Petrus Schouten, 1757 - 1822, paper, brush, h 123 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/farm-on-a-canal-with-a-drawbridge-draughtsman-hermanus-petrus-schouten-1757-1822-paper-brush-h-123-mm-w-191-mm-image472067400.htmlRM2JC0EP0–Farm on a canal with a drawbridge, draughtsman: Hermanus Petrus Schouten, 1757 - 1822, paper, brush, h 123 mm × w 191 mm
Head of a boy with long hair. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 238 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-boy-with-long-hair-draughtsman-bernard-picart-dating-1683-1733-measurements-h-238-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233225974.htmlRMRFCA32–Head of a boy with long hair. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 238 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Mountain area with shepherds with cattle Mountain area with the foreground shepherds with cattle, and on the right a woman milking a cow. Draft prent. Manufacturer : artist: Nicolaes Pietersz. Berchem Dating: 1655 Physical features: brush in gray, black chalk, doorgegriffeld Material: paper chalk Technique: brush / by stylus dimensions: H 143 mm × W 191 mm Subject: cow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountain-area-with-shepherds-with-cattle-mountain-area-with-the-foreground-shepherds-with-cattle-and-on-the-right-a-woman-milking-a-cow-draft-prent-manufacturer-artist-nicolaes-pietersz-berchem-dating-1655-physical-features-brush-in-gray-black-chalk-doorgegriffeld-material-paper-chalk-technique-brush-by-stylus-dimensions-h-143-mm-w-191-mm-subject-cow-image348184324.htmlRM2B6D4JC–Mountain area with shepherds with cattle Mountain area with the foreground shepherds with cattle, and on the right a woman milking a cow. Draft prent. Manufacturer : artist: Nicolaes Pietersz. Berchem Dating: 1655 Physical features: brush in gray, black chalk, doorgegriffeld Material: paper chalk Technique: brush / by stylus dimensions: H 143 mm × W 191 mm Subject: cow
Two women on pilgrimage, Two women returning from a temple visit, the judge holding a piece of bamboo and pipe, the left a large hat and bamboo stick. With two poems, pilgrimage, pilgrim (s) under way, Keisai Eisen (mentioned on object), Japan, 1825 - 1829, paper, colour woodcut, h 221 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-women-on-pilgrimage-two-women-returning-from-a-temple-visit-the-judge-holding-a-piece-of-bamboo-and-pipe-the-left-a-large-hat-and-bamboo-stick-with-two-poems-pilgrimage-pilgrim-s-under-way-keisai-eisen-mentioned-on-object-japan-1825-1829-paper-colour-woodcut-h-221-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350005526.htmlRF2B9C3HA–Two women on pilgrimage, Two women returning from a temple visit, the judge holding a piece of bamboo and pipe, the left a large hat and bamboo stick. With two poems, pilgrimage, pilgrim (s) under way, Keisai Eisen (mentioned on object), Japan, 1825 - 1829, paper, colour woodcut, h 221 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Bulletin of the Natural History Museum Zoology. DEEP-SEA PROTOBRANCHIA (BIVALVIA) 25. Fig. 25 Yoldiella bilanta. Lateral views of three shells from the right side and internal view of a left valve to show the hinge-plate. Specimens from Sta. 192 Cape Basin. (Scale = 1.0 mm). 50 W/L •; ••»*. 30J 80 60 60 50 H/L PL/TL Length(mm) Fig. 26 Yoldiella bilanta. Variation in the ratios of height H/L, width W/L, and postero-umbonal length PL/TL to length against length of samples from Sta. 191 (open triangles) and Sta. 192 (closed circles) Cape Basin. anteriorly directed foot. The lateral papillae of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-of-the-natural-history-museum-zoology-deep-sea-protobranchia-bivalvia-25-fig-25-yoldiella-bilanta-lateral-views-of-three-shells-from-the-right-side-and-internal-view-of-a-left-valve-to-show-the-hinge-plate-specimens-from-sta-192-cape-basin-scale-=-10-mm-50-wl-30j-80-60-60-50-hl-pltl-lengthmm-fig-26-yoldiella-bilanta-variation-in-the-ratios-of-height-hl-width-wl-and-postero-umbonal-length-pltl-to-length-against-length-of-samples-from-sta-191-open-triangles-and-sta-192-closed-circles-cape-basin-anteriorly-directed-foot-the-lateral-papillae-of-image233869968.htmlRMRGDKET–. Bulletin of the Natural History Museum Zoology. DEEP-SEA PROTOBRANCHIA (BIVALVIA) 25. Fig. 25 Yoldiella bilanta. Lateral views of three shells from the right side and internal view of a left valve to show the hinge-plate. Specimens from Sta. 192 Cape Basin. (Scale = 1.0 mm). 50 W/L •; ••»*. 30J 80 60 60 50 H/L PL/TL Length(mm) Fig. 26 Yoldiella bilanta. Variation in the ratios of height H/L, width W/L, and postero-umbonal length PL/TL to length against length of samples from Sta. 191 (open triangles) and Sta. 192 (closed circles) Cape Basin. anteriorly directed foot. The lateral papillae of
Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 125 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/seascape-pieter-idserts-possibly-1708-1781-draughtsman-pieter-idserts-possibly-1708-1781-paper-brush-h-125-mm-w-191-mm-image472036828.htmlRM2JBY3P4–Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 125 mm × w 191 mm
Three Studies of a little Shepherd. Draughtsman: Aelbert Cuyp. Dating: 1630 - 1691. Measurements: h 147 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-studies-of-a-little-shepherd-draughtsman-aelbert-cuyp-dating-1630-1691-measurements-h-147-mm-w-191-mm-museum-rijksmuseum-amsterdam-image232948115.htmlRMREYKKF–Three Studies of a little Shepherd. Draughtsman: Aelbert Cuyp. Dating: 1630 - 1691. Measurements: h 147 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Part of Pictures of a trip through southern Europe and the Middle Oosten. Manufacturer : photographer: anonymous place manufacture: Vatican Date: 1890 - characteristics or Apr 1910 Physical: gelatin silver print material: paper Technique: gelatin silver print dimensions: h 248 mm × W 191 mm Subject: piece of sculpture, reproduction of a piece of sculpture (or story) Apollo (Phoebus) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/part-of-pictures-of-a-trip-through-southern-europe-and-the-middle-oosten-manufacturer-photographer-anonymous-place-manufacture-vatican-date-1890-characteristics-or-apr-1910-physical-gelatin-silver-print-material-paper-technique-gelatin-silver-print-dimensions-h-248-mm-w-191-mm-subject-piece-of-sculpture-reproduction-of-a-piece-of-sculpture-or-story-apollo-phoebus-image348172609.htmlRM2B6CHM1–Part of Pictures of a trip through southern Europe and the Middle Oosten. Manufacturer : photographer: anonymous place manufacture: Vatican Date: 1890 - characteristics or Apr 1910 Physical: gelatin silver print material: paper Technique: gelatin silver print dimensions: h 248 mm × W 191 mm Subject: piece of sculpture, reproduction of a piece of sculpture (or story) Apollo (Phoebus)
Photo reproduction of a drawing, representing noble people (presumably) while hunting in a forest 1500 (title on object), hunters hunting (NB: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'), nobility and patriciate, chivalry, knighthood, forest, wood, anonymous, Amsterdam, c. 1868 - in or before 1873, paper, collotype, h 141 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern techno Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photo-reproduction-of-a-drawing-representing-noble-people-presumably-while-hunting-in-a-forest-1500-title-on-object-hunters-hunting-nb-in-1988-1990-this-notation-denoted-the-concept-of-43c11421-hunters-resting-during-the-hunt-nobility-and-patriciate-chivalry-knighthood-forest-wood-anonymous-amsterdam-c-1868-in-or-before-1873-paper-collotype-h-141-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-techno-image349995228.htmlRF2B9BJDG–Photo reproduction of a drawing, representing noble people (presumably) while hunting in a forest 1500 (title on object), hunters hunting (NB: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'), nobility and patriciate, chivalry, knighthood, forest, wood, anonymous, Amsterdam, c. 1868 - in or before 1873, paper, collotype, h 141 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern techno
. Bulletin - United States National Museum. Science. GAMMARIDEAN AMPHIPODA 191. Figure 50.—Lysianassa fariter, new species, male, 5.7 mm., station 43-E-3: a, b, antennae 1, 2; c, head and epistome-upper lip complex; d, mandible; e, maxilla 1, spination of inner plate broken;/, outer plate of maxilla 1; g, inner plate of maxilla 1; h, maxilla 2; i,;', maxillipeds; k, pleonal epimera 1-3, left to right. Another specimen, station 45-W-l: /, left pleonal epimeron 3. Ocosingo borlus J. L. Barnard Figures 52, 53 Ocosingo borlus J. L. Barnard, 1964a, p. 231, figs. 5, 6. Material.—carmel: algal holdfa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-united-states-national-museum-science-gammaridean-amphipoda-191-figure-50lysianassa-fariter-new-species-male-57-mm-station-43-e-3-a-b-antennae-1-2-c-head-and-epistome-upper-lip-complex-d-mandible-e-maxilla-1-spination-of-inner-plate-broken-outer-plate-of-maxilla-1-g-inner-plate-of-maxilla-1-h-maxilla-2-i-maxillipeds-k-pleonal-epimera-1-3-left-to-right-another-specimen-station-45-w-l-left-pleonal-epimeron-3-ocosingo-borlus-j-l-barnard-figures-52-53-ocosingo-borlus-j-l-barnard-1964a-p-231-figs-5-6-materialcarmel-algal-holdfa-image233732653.htmlRMRG7CAN–. Bulletin - United States National Museum. Science. GAMMARIDEAN AMPHIPODA 191. Figure 50.—Lysianassa fariter, new species, male, 5.7 mm., station 43-E-3: a, b, antennae 1, 2; c, head and epistome-upper lip complex; d, mandible; e, maxilla 1, spination of inner plate broken;/, outer plate of maxilla 1; g, inner plate of maxilla 1; h, maxilla 2; i,;', maxillipeds; k, pleonal epimera 1-3, left to right. Another specimen, station 45-W-l: /, left pleonal epimeron 3. Ocosingo borlus J. L. Barnard Figures 52, 53 Ocosingo borlus J. L. Barnard, 1964a, p. 231, figs. 5, 6. Material.—carmel: algal holdfa
H. Catharina in contemplation, draughtsman: Matthys van den Bergh, 1627 - 1687, paper, pen, brush, h 227 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/h-catharina-in-contemplation-draughtsman-matthys-van-den-bergh-1627-1687-paper-pen-brush-h-227-mm-w-191-mm-image472073357.htmlRM2JC0PAN–H. Catharina in contemplation, draughtsman: Matthys van den Bergh, 1627 - 1687, paper, pen, brush, h 227 mm × w 191 mm
Costume studies of women's wives. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 213 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-studies-of-womens-wives-draughtsman-simon-andreas-krausz-dating-1770-1825-measurements-h-213-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233225107.htmlRMRFC903–Costume studies of women's wives. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 213 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Festoen met een granaatappel in het midden Nieuwe Festonnen (serietitel) Journal 11 made of series of 12 bladen. Manufacturer : print maker: Francoys Dancxnaar design: Francoys Dancxinspirator: Jacob van Camp Publisher: Clement de Jongh Place manufacture: Amsterdam Dating: ca. 1654 - for 1677 Material: paper Technique: etching dimensions: sheet: h 114 mm × W 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/festoen-met-een-granaatappel-in-het-midden-nieuwe-festonnen-serietitel-journal-11-made-of-series-of-12-bladen-manufacturer-print-maker-francoys-dancxnaar-design-francoys-dancxinspirator-jacob-van-camp-publisher-clement-de-jongh-place-manufacture-amsterdam-dating-ca-1654-for-1677-material-paper-technique-etching-dimensions-sheet-h-114-mm-w-191-mm-image348344152.htmlRM2B6MCEG–Festoen met een granaatappel in het midden Nieuwe Festonnen (serietitel) Journal 11 made of series of 12 bladen. Manufacturer : print maker: Francoys Dancxnaar design: Francoys Dancxinspirator: Jacob van Camp Publisher: Clement de Jongh Place manufacture: Amsterdam Dating: ca. 1654 - for 1677 Material: paper Technique: etching dimensions: sheet: h 114 mm × W 191 mm
Boat at a boathouse, River landscape with a rowing boat at a small boathouse. Two sheep on the shore in the foreground. In the background a hiker with a pollard willow, boat-house, shed (exterior, vehicle, ship, etc.), river (landscape with figures, staffage), Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 126 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/boat-at-a-boathouse-river-landscape-with-a-rowing-boat-at-a-small-boathouse-two-sheep-on-the-shore-in-the-foreground-in-the-background-a-hiker-with-a-pollard-willow-boat-house-shed-exterior-vehicle-ship-etc-river-landscape-with-figures-staffage-hermanus-fock-amsterdam-1781-1822-paper-etching-h-126-mm-w-191-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350000769.htmlRF2B9BWFD–Boat at a boathouse, River landscape with a rowing boat at a small boathouse. Two sheep on the shore in the foreground. In the background a hiker with a pollard willow, boat-house, shed (exterior, vehicle, ship, etc.), river (landscape with figures, staffage), Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 126 mm × w 191 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Three buffaloes lying on the Forum, draughtsman: Etienne de Lavallée-Poussin, 1750 - 1793, paper, brush, h 107 mm × w 191 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-buffaloes-lying-on-the-forum-draughtsman-etienne-de-lavalle-poussin-1750-1793-paper-brush-h-107-mm-w-191-mm-image472081462.htmlRM2JC14M6–Three buffaloes lying on the Forum, draughtsman: Etienne de Lavallée-Poussin, 1750 - 1793, paper, brush, h 107 mm × w 191 mm
Studies of a cat. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/studies-of-a-cat-draughtsman-george-hendrik-breitner-dating-1873-1923-place-the-hague-measurements-h-114-mm-w-191-mm-museum-rijksmuseum-amsterdam-image233079864.htmlRMRF5KMT–Studies of a cat. Draughtsman: George Hendrik Breitner. Dating: 1873 - 1923. Place: The Hague. Measurements: h 114 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.
Search Results for W 191 mm Stock Photos and Images (948)
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